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6,5/10
2326
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Füge eine Handlung in deiner Sprache hinzuA documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.
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(IMO) "Girl Model" was the sort of "warts-and-all" documentary that definitely had both its fair share of good moments, as well as its not-so-good moments, too.
One of "Girl Model's" biggest drawbacks was that its producers didn't delve deep enough into what was the real motive for these so-called "talent agencies" to be recruiting young, naive girls into the intriguing world of fashion modelling.
'Cause it all looked pretty deceptive to me. And, with that - I wanted to know more about what goes on behind the scenes in this sort of dubious business of modelling.
One of "Girl Model's" biggest drawbacks was that its producers didn't delve deep enough into what was the real motive for these so-called "talent agencies" to be recruiting young, naive girls into the intriguing world of fashion modelling.
'Cause it all looked pretty deceptive to me. And, with that - I wanted to know more about what goes on behind the scenes in this sort of dubious business of modelling.
This is one disturbing documentary. I feel as shocked and repulsed as I would had I just watched a documentary on child pornography, which frankly, isn't too far removed from what I have just seen. I don't write many reviews but sadness and anger have prompted me to start typing.
Unlike other reviewers who feel the directors skimmed the surface and left too much out, I disagree: by remaining quiet and distant (although thankfully they apparently did step in when the child models were in obvious need of help, which was not being provided by anyone else) they perfectly capture the solitary confusion, neglect, and loneliness that the girls face. The lack of action, human interaction (other than with unfriendly agency/magazine people), and the tedium of the documentary all perfectly mirror the experience the girls themselves go through. If we (adult viewers) aren't completely clear as to who certain people are, or what exactly is going on, then we can safely assume that a 13 year old girl from Siberia, who speaks neither English nor Japanese, and has no parents to help, would not know either - and that's the point. These young, hopeful, innocent girls are plucked from their surroundings and dropped into the ruthless, heartless, abusive world of modeling with no support system in place, where (shockingly, to me) women as much as men treat them as insentient "things", products that they can push, prod and pick apart. To make it all the more morally repugnant, having endured being repeatedly reviewed/rejected/reviewed/rejected/reviewed/rejected, they are sent home, not with thousands of dollars in their bank accounts, but IN DEBT to the agencies that "represent" (pimp) them.
So who's to blame for all of this - does the fault lie with the parents for sending their children off, unescorted, into the blue? I don't think so- they have been promised a dream, a future, financial rewards, which in reality are unlikely to materialize, but should they be blamed for hoping for the best? Ashley (see below), in one of her scouting pitches, claims no model fails in Japan and they won't return in debt as they would if they are sent anywhere else, which is clearly - and she knows it! - a lie. The parents are oblivious to the truth of the situation into which their daughters are being sent, and I'd like to think the moms and dads give themselves enough of a hard time for falling for the lies, and believing in the dream that didn't (and rarely does) come true once it all does become clear upon their daughters' return.
The perpetrators of what, in my opinion, amounts to borderline child abuse are Ashley Arbaugh, the scout responsible for finding the pre-pubescent girls and Noah and "Messiah", the agency owners she passes them on to.
Ashley has obviously been psychologically damaged by her own time in the modeling industry (and possible dabble into other sideline activities - prostitution, perhaps? - which she alludes to by mentioning she had been a "bad girl"), a fact that is borne out physically in the form of a large cyst and fibroid she has to have surgically removed. She is clearly not healthy in the body, nor the head. She has a horrible lack of depth, acknowledging but then brushing aside the seedy side of the industry she feeds, even going so far as to refer to prostitution as "normal". Her morals have clearly collapsed in the face of an obvious selfish drive to make money. I found her perversely fascinating. Does she have any friends? Who would want to hang out with her? She mentions wanting a baby - but would anyone actually date her?... And cold-hearted it may sound but I truly hope she never actually has one, god forbid a daughter.
As for the men who run the agencies, I have two words: "pedophile pimps".
"Ugh" is how I feel having watched this documentary. What a sordid world and how callous human beings can be. Very sad.
Unlike other reviewers who feel the directors skimmed the surface and left too much out, I disagree: by remaining quiet and distant (although thankfully they apparently did step in when the child models were in obvious need of help, which was not being provided by anyone else) they perfectly capture the solitary confusion, neglect, and loneliness that the girls face. The lack of action, human interaction (other than with unfriendly agency/magazine people), and the tedium of the documentary all perfectly mirror the experience the girls themselves go through. If we (adult viewers) aren't completely clear as to who certain people are, or what exactly is going on, then we can safely assume that a 13 year old girl from Siberia, who speaks neither English nor Japanese, and has no parents to help, would not know either - and that's the point. These young, hopeful, innocent girls are plucked from their surroundings and dropped into the ruthless, heartless, abusive world of modeling with no support system in place, where (shockingly, to me) women as much as men treat them as insentient "things", products that they can push, prod and pick apart. To make it all the more morally repugnant, having endured being repeatedly reviewed/rejected/reviewed/rejected/reviewed/rejected, they are sent home, not with thousands of dollars in their bank accounts, but IN DEBT to the agencies that "represent" (pimp) them.
So who's to blame for all of this - does the fault lie with the parents for sending their children off, unescorted, into the blue? I don't think so- they have been promised a dream, a future, financial rewards, which in reality are unlikely to materialize, but should they be blamed for hoping for the best? Ashley (see below), in one of her scouting pitches, claims no model fails in Japan and they won't return in debt as they would if they are sent anywhere else, which is clearly - and she knows it! - a lie. The parents are oblivious to the truth of the situation into which their daughters are being sent, and I'd like to think the moms and dads give themselves enough of a hard time for falling for the lies, and believing in the dream that didn't (and rarely does) come true once it all does become clear upon their daughters' return.
The perpetrators of what, in my opinion, amounts to borderline child abuse are Ashley Arbaugh, the scout responsible for finding the pre-pubescent girls and Noah and "Messiah", the agency owners she passes them on to.
Ashley has obviously been psychologically damaged by her own time in the modeling industry (and possible dabble into other sideline activities - prostitution, perhaps? - which she alludes to by mentioning she had been a "bad girl"), a fact that is borne out physically in the form of a large cyst and fibroid she has to have surgically removed. She is clearly not healthy in the body, nor the head. She has a horrible lack of depth, acknowledging but then brushing aside the seedy side of the industry she feeds, even going so far as to refer to prostitution as "normal". Her morals have clearly collapsed in the face of an obvious selfish drive to make money. I found her perversely fascinating. Does she have any friends? Who would want to hang out with her? She mentions wanting a baby - but would anyone actually date her?... And cold-hearted it may sound but I truly hope she never actually has one, god forbid a daughter.
As for the men who run the agencies, I have two words: "pedophile pimps".
"Ugh" is how I feel having watched this documentary. What a sordid world and how callous human beings can be. Very sad.
Fairly disturbing documentary about young (way young) models scouted from their homes in Siberia and sent to Japan to model. -Apparently the Japanese market likes young girls.
Our main subject here is 13, plucked from the Siberian countryside and dropped into the centre of Tokyo. The girls are basically owned by their agency, waiting around in tiny, crappy apartments to go on shoots, completely shut off due to the language barrier and a lack of cash. Ultimately they can be sent home if they gain any weight or "inches" as outlined in their contract. This creates a problem for some girls as they haven't gone through puberty yet.
This documentary was very sad because initially the girls and their families think they've won the lottery but in reality I saw it as just another form of human trafficking.
The scout who finds these girls is a former model and apparently hates the business but that doesn't stop her from finding and exploiting the girls and living in a fancy house in America. 03.13
Our main subject here is 13, plucked from the Siberian countryside and dropped into the centre of Tokyo. The girls are basically owned by their agency, waiting around in tiny, crappy apartments to go on shoots, completely shut off due to the language barrier and a lack of cash. Ultimately they can be sent home if they gain any weight or "inches" as outlined in their contract. This creates a problem for some girls as they haven't gone through puberty yet.
This documentary was very sad because initially the girls and their families think they've won the lottery but in reality I saw it as just another form of human trafficking.
The scout who finds these girls is a former model and apparently hates the business but that doesn't stop her from finding and exploiting the girls and living in a fancy house in America. 03.13
Former model and now jaded scout (read: human trafficker), Ashley Arbaugh, reveals the ugly truth that there is no glamour in modeling.
With incredibly questionable morals on display from just about everyone, from the 13 year old Siberian child's mother pushing her daughter into modelling (read: slavery), through to the curious agency owner who knows that there is no money to be made on these girls who stay in Japan for three weeks only to return home with $2k worth of debt for the family (along with a nice mentally scarred teenager).
Ashley, the soulless globetrotting star of this film, is self-indulgent beyond belief in her self- pity, which, if you try really hard to push past her shocking, confronting can-I-slap-her exterior, you might just see a a raw and damaged woman. A template that you can easily imagine these 13 year old girls are now going to grow into themselves.
Yet another awesome example of documentary kicking fiction's butt in the creation of monstrous characters, and nothing says this better than the agent (read: child catcher) that enthusiastically talks about bringing happiness and wealth to all of the girls and their families, and how this mantra of helping others must exist because he had been a bad man in a previous life. Classic.
Watch out for one of cinema's most uncomfortable scenes when Ashley drops in to say hello to the two models in their rather compact apartment (or shall we say 'cell').
With incredibly questionable morals on display from just about everyone, from the 13 year old Siberian child's mother pushing her daughter into modelling (read: slavery), through to the curious agency owner who knows that there is no money to be made on these girls who stay in Japan for three weeks only to return home with $2k worth of debt for the family (along with a nice mentally scarred teenager).
Ashley, the soulless globetrotting star of this film, is self-indulgent beyond belief in her self- pity, which, if you try really hard to push past her shocking, confronting can-I-slap-her exterior, you might just see a a raw and damaged woman. A template that you can easily imagine these 13 year old girls are now going to grow into themselves.
Yet another awesome example of documentary kicking fiction's butt in the creation of monstrous characters, and nothing says this better than the agent (read: child catcher) that enthusiastically talks about bringing happiness and wealth to all of the girls and their families, and how this mantra of helping others must exist because he had been a bad man in a previous life. Classic.
Watch out for one of cinema's most uncomfortable scenes when Ashley drops in to say hello to the two models in their rather compact apartment (or shall we say 'cell').
This movie gives us an interesting perspective of the modeling industry. Troubling as it may be sometimes the truth needs to be told. Like was mentioned earlier back home the families think that they are going to be well off and get pulled out of poverty but in reality the odds are against them. And the girls are lonely and not any better off after traveling to these modeling gigs. I think most people already know the things that are presented to us in this documentary but I think once we see it on the big screen it a little harder to ignore. Great movie to see for young girls and anybody who it involved in the fashion industry.
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- VerbindungenEdited into P.O.V.: Girl Model (2013)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Teenie-Model
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Box Office
- Bruttoertrag in den USA und Kanada
- 21.154 $
- Eröffnungswochenende in den USA und in Kanada
- 4.898 $
- 9. Sept. 2012
- Weltweiter Bruttoertrag
- 22.369 $
- Laufzeit1 Stunde 18 Minuten
- Farbe
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