Füge eine Handlung in deiner Sprache hinzuA dishonest insurance salesman's life quickly disintegrates during a Wisconsin winter when he teams up with a psychopath to steal a rare violin at the home of a reclusive farmer.A dishonest insurance salesman's life quickly disintegrates during a Wisconsin winter when he teams up with a psychopath to steal a rare violin at the home of a reclusive farmer.A dishonest insurance salesman's life quickly disintegrates during a Wisconsin winter when he teams up with a psychopath to steal a rare violin at the home of a reclusive farmer.
- Regie
- Drehbuch
- Hauptbesetzung
- Sherri
- (as Jennifer M. Edwards)
- Glen Vandenhoevel
- (as James Detmar)
Empfohlene Bewertungen
Great performances, average movie, that's basically what you can take away from THIN ICE, which wants to be taken seriously as a Midwestern con flick with a bit of Coens' Fargo feel to it but the way it reveals itself at the end is so abrupt and hasty, it jams itself down the audience's throat and it doesn't care whether or not the audience is fully prepared for it just yet. Interesting concept, a con film through the eyes of the marked man, but interesting at best is what this film would have to settle for
Greg Kinnear is a fantastic actor, I think I find myself saying that about all of his previous performances. There are certain occupations out there that are not liked by general public, lawyers and insurance agents are examples, and Kinnear plays an agent who's also a compulsive liar and he sees a golden opportunity that could be used to his advantage. The story is basically told through his perspective, his character, Mickey, is not necessarily a protagonist but then again, the story doesn't actually have a protagonist to root for, because even the ones that get away with the prize don't grant themselves something likable, and because Micky finds himself digging deeper and deeper into problems with every unwise choice he makes, part of you would feel a bit sorry for the fella. As I said earlier, THIN ICE sorta takes style from Coen Bros' crime drama/thriller/comedy, even Mickey reminds me of Michael Stuhlbarg's character in A Serious Man, situations for them just worsen, no matter what they do, there'd be times when they think they've got it all figured out but they actually don't.
One credit I'd give THIN ICE is that unless somebody tells you that it's a con film, you probably wouldn't have guessed it from the get-go but halfway trough the film, you can kinda start sensing something's off and start piecing it together. I'm a tropical boy, so I can only imagine how uncomfortable it must've been for Arkin, Kinnear, and Crudup to be out there in dead winter, I'd freeze my ass off and wouldn't be able to say my lines correctly. I think the film was poorly edited and it could've used a more chilling score. Crudup is a treat to watch here because his character is unpredictable, unstable, psycho scary and because of that he also comes off funny, I've never seen Crudup this way on screen and so to see him do it so well, is refreshing, definitely not an actor you'd underestimate. Perhaps if the writers, the Sprechers, where to give Mickey more depth, thus allowing Kinnear to showcase more. That would certainly compensate for everything else that's lackluster about THIN ICE.
-- www.Ramascreen.com --
The problem may be - as we were told at our cinema previewing club - that the director lost final cut here, and found herself with a movie she no longer can even comment on, with 15 minutes cut, the film re-edited, and a score she never intended - and one that doesn't work well.
The result is a somewhat uneven, too dark black comedy. Or is it a drama? Or perhaps a "caper" movie? I'm not quite sure.
When it comes to the acting, though, this is a great film. Greg Kinnear plays a character too reminiscent of Wm. H. Macy's turn in Fargo, but he makes the most of it, though - team player that he is - he's outshone by more spectacular performances. Alan Arkin, for one, who also did it to Kinnear in Little Miss Sunshine. But the "steal the show" performance is by Billy Crudup, always sexy (my wife says he's "hot") and interesting to watch, and here at his very best. Bob Balaban is spot on as a violin dealer, and the rest of the cast is excellent.
Worth seeing for many, but mostly for those performances.
The good news is that "Thin Ice" provides the audience with an even-more-twisty-tale. The performances are steady across the board. Now, I'm not saying this is as good or better than Fargo, IT'S NOT! But, it's a good movie.
The twists in the last 30 minutes are hefty and hard to scrutinize. There are a few aspects of the plot that were a little predictable, but for the most part the twists in the end were well-concealed and somewhat believable.
The film moves fairly slow, but never came off to me as boring. It doesn't really have any style to speak of, and the other director elements are nothing special. Greg Kinnear, Alan Arkin, and Billy Crudip do a fine job with an average script that is completely void of comedic moments(style and comedy were two of Fargo's strengths).
The plot twists in the last third of the film DO set this one apart, and while the film DOES lack style and comedy, the acting helps keep it afloat.
I'd say this deserves a bit higher ranking than it's current 6.1 here, but it also isn't something that you should feel the need to move up to the top of your list.
A Coen Brothers story without some of the Coen Bro's trademarks.
I'm stuck between 6 and 7 here at 65/100, but rounding up and taking into consideration the low 6.1 score.
You might like this if you liked: American Gun(not as good), Fargo(better), Burn After Reading(about even), and Millions(not as good).
The movie is compared to Fargo because it takes place in Wisconsin in the winter and the major theme is a guy doing something dishonest and getting in way over his head.
The comparisons really stop there. This is a good movie on its own. It's not perfect but it is entertaining.
Insurance agent Mickey (Greg Kinnear) is blackmailed by Locksmith Randy (Billy Crudup) over the theft of a valuable violin owned by Gorvy Hauer (Alan Arkin).
Mickey (Kinnear) is an insurance man, and when we first see him, he's giving a lecture at an insurance convention. While he's there his wallet is stolen and of course, it contained credit cards. But he gets the wallet back with the cash gone and the cards intact.
While he's at the convention, he meets a man, Bob Egan (Harbour) who hasn't taken his insurance exam yet. He has been offered a job with an unfavorable split; Mickey betters it and hires him.
Bob is good at his job and introduces Mickey to a potential client, Gorvy (Arkin) who lives on a farm. He has tons of stuff, a lot of which is from his ill sister, and Bob wants him to have insurance. While he's there, Mickey sees an appraisal for a violin of Gorvy's. The appraisal is $25,000. Mickey decides to steal it.
What follows is one complication after another, which involves Mickey with an ex-con (Crudup) and some other unpleasantness.
Apparently this film was taken from the director and edited without his input. The film has imperfections, but the script by the Sprechers is good, possibly inspired by Fargo and a couple of other films.
The acting was wonderful on all accounts, but I have to say Crudup was amazing. It was a showier role than Kinnear's, and though Arkin was excellent, I had seen him do that kind of thing before. Crudup as a bad-tempered sleaze was outstanding.
Highly recommended. You can pick a film like this apart but it's so entertaining, why bother.
WUSSTEST DU SCHON:
- WissenswertesAlan Arkin and Greg Kinnear had appeared together previously in 'Little Miss Sunshine ' (2006).
- Zitate
[first lines]
Mickey Prohaska: [narrating] There is a saying. Believe none of what you hear, and only half of what you see. Good advice. People will try to convince you of anything.
- Alternative VersionenThe film premiered out of competition at the 2011 Sundance Film Festival under its original title "The Convincer"; that version was edited by Stephen Mirrione and featured an original score by Alex Wurman and Bela Fleck. It was subsequently reedited by Lee Percy and re-scored by Jeff Danna. The new version has been retitled Thin Ice (2011)
- SoundtracksLeave Our Worries
Written by Christopher A. Corley and Jon D'Agostino
Performed by Serendipity
Published by Astonishing Music (BMI) /
Music Expressions ASCAP
Courtesy of Crucial Music
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Convincer
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 790.421 $
- Eröffnungswochenende in den USA und in Kanada
- 183.527 $
- 19. Feb. 2012
- Weltweiter Bruttoertrag
- 790.421 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
