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The American Nightmare

  • 2000
  • BPjM Restricted
  • 1 Std. 13 Min.
IMDb-BEWERTUNG
7,2/10
2016
IHRE BEWERTUNG
The American Nightmare (2000)
DocumentaryHorror

Füge eine Handlung in deiner Sprache hinzuAn examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.An examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.An examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.

  • Regie
    • Adam Simon
  • Drehbuch
    • Adam Simon
  • Hauptbesetzung
    • George A. Romero
    • John Carpenter
    • Tom Savini
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    2016
    IHRE BEWERTUNG
    • Regie
      • Adam Simon
    • Drehbuch
      • Adam Simon
    • Hauptbesetzung
      • George A. Romero
      • John Carpenter
      • Tom Savini
    • 29Benutzerrezensionen
    • 31Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos2

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    Poster ansehen

    Topbesetzung79

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    George A. Romero
    George A. Romero
    • Self
    John Carpenter
    John Carpenter
    • Self
    Tom Savini
    Tom Savini
    • Self
    David Cronenberg
    David Cronenberg
    • Self
    Wes Craven
    Wes Craven
    • Self
    Tobe Hooper
    Tobe Hooper
    • Self
    John Landis
    John Landis
    • Self
    Tom Gunning
    • Self
    Carol J. Clover
    • Self
    • (as Carol Clover)
    Adam Lowenstein
    • Self
    Marshall Anker
    • Self
    • (Archivfilmmaterial)
    Evelyn Ankers
    Evelyn Ankers
    • Self
    • (Archivfilmmaterial)
    Kirsten Bishop
    Kirsten Bishop
    • Self
    • (Archivfilmmaterial)
    Joan Blackman
    Joan Blackman
    • Elevator Mother
    • (Archivfilmmaterial)
    Marilyn Burns
    Marilyn Burns
    • Self
    • (Archivfilmmaterial)
    Bill Cardille
    Bill Cardille
    • Self
    • (Archivfilmmaterial)
    • (as Bill 'Chilly Billy' Cardille)
    Cynthia Carr
    Cynthia Carr
    • Self
    • (Archivfilmmaterial)
    Nick Castle
    Nick Castle
    • Self
    • (Archivfilmmaterial)
    • Regie
      • Adam Simon
    • Drehbuch
      • Adam Simon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    7,22K
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    Empfohlene Bewertungen

    10Gafke

    The Best Horror Documentary I Have Yet Seen

    This is a serious look at some of the most groundbreaking and innovative horror films ever made. It is also incredibly graphic, disturbing and somewhat bleak and depressing, so consider yourselves warned. No hardcore fan of horror will want to miss this, but people with weak stomachs may not be able to take it.

    There are long and satisfyingly gruesome clips from Texas Chainsaw Massacre, Night of the Living Dead & Dawn of the Dead, Last House on the Left, Shivers and many others, each accompanied by a look at what was happening in the world at the time they were made, and the bizarre ways in which art imitates life and vice versa. Gore Make-up Master Tom Savini has some amazing stories to tell about his time in Vietnam and how the atrocities he viewed through a camera later inspired his craft. There are also some wickedly clever moments here, as film footage of crazed shoppers are intercut with scenes from the zombie feeding frenzy in Dawn of the Dead. Nausea inducing moments include the rape and sadistic torture scenes from Last House on the Left, and an unflinching look at such real life horrors as Vietnam, the rioting following the King assassination, the Kent State Massacre and the Kennedy Assassination.

    The directors interviewed (Romero, Cronenberg, Carpenter, Hooper, Craven, etc) have some great stories to tell about their famous (and infamous) films, not only about how they were made, but also why, how they continue to inspire the current genre, what kind of an effect they had upon being released and how they reflect the times in which they were made.

    This is a totally engrossing documentary from start to finish that was sometimes hard to watch but which also seemed much too short. I didn't want it to end! VERY well done and highly recommended for hardcore fans.
    cdstewart2

    Excellent look at the societal fears that led to modern horror.

    What a great look at the societal fears that inspired some of the great horror masterpieces of the modern age! A documentary like this needed to be made. It definitely shows that modern horror is rooted much more in contemporary fears than most people think. Although slightly weighted to the 'Dead' series (Night of, Dawn of), it runs the gamut through TX Chainsaw Massacre and Cronenberg films. I only wish that it was longer. I would love to see a multi-part series of this content along the lines of Ken Burns' Baseball or the such.

    Although listed as a Canadian production, I think they got a lot of information and footage from Pittsburgh (George Romero, Tom Savini, and some new footage of the Monroeville Mall). Anyway, it's good information about some of my favorite films of all time. WATCH IT. It'll make you want to rent Night of the Living Dead, Dawn of the Dead, Shivers, Texas Chainsaw Massacre, and Halloween and watch them until your eyes bleed...
    QKnown

    How it all started...

    Finally, fans get to see the blueprint of how/why the classic horror films of the late '60s and early '70s revolutionized cinema. All thanks to America's turbulent times.

    Since so much went down during this era, (The End of the Cold War,Civil Rights Movements,Kent State,Manson,Vietnam,political assassinations,Watergate,etc) It just seemed apparent to young filmmakers that "the world is gonna end, Let's just make this movie and go out with a bang"- type of mentality. As we would later know, It would all pay off, spawning a new type of horror film for a new generation.

    Here in this documentary, you can learn the inspirations for:

    Tom Savini's realistic make-up discoveries,Tobe Hooper's "boogeyman" thoughts for TEXAS CHAINSAW MASSACRE, David Cronenberg for using sex as a life-threatening weapon, and why Wes Craven's LAST HOUSE ON THE LEFT has a scene that looks similar to a disturbing sight involving a Saigon police chief and a Viet Cong suspect.

    THE AMERICAN NIGHTMARE is not just recommended to fans of the genre. But to those who wonder where it all came from.
    10Anonymous_Maxine

    Call me the American nightmare/Call me the American dream/Call me your soul corrupted/Call me everything you need...

    You know, you really see movies differently when you hear the directors talking about what the movie meant to them or what they were trying to do with it. I really should watch more of those featurettes that come on the DVDs. I don't think I'll ever have the patience for audio commentaries, but the extra features on DVDs quite often have stuff like what you find in this outstanding documentary. Hearing the creators talk about their work really puts everything into a completely different perspective.

    I was especially surprised to see how affected most of them were by the Vietnam war, like Tom Savini, who served in the war and now does horror movie makeup, witnessed horrible atrocities and awful, bloody deaths, and then went on to incorporate those things into his movies. Kind of morbid, really, to think that he was an American soldier who, by his own words, would see dead bodies and would just detach himself from the immediacy and finality of it, and instead think more about how he could recreate something like that in a movie. Until I saw this documentary, I never once considered the idea of trying to recreate war deaths, at least by a soldier who is standing right there.

    Even directors who did not actually go to Vietnam were affected by the war, and it's amazing to see this powerful time in this country come across in what could easily be written off as just scary, gory horror movies. Good horror movies, but still nothing more than horror movies.

    In some of the clips that were shown, such as scenes from one of Wes Craven's first films, The Last House on the Left, I was amazed at how intense the horror is. I've been watching a lot of horror movies lately, things like the Friday the 13th movies, Nightmare on Elm Streets, Halloween, Child's Play, Texas Chainsaw, etc, and have started to think that I had just outgrown that sick feeling of fear and almost nausea that I would get as a kid just from walking around in the horror section, like the real raw horror movies turned into campy gore-fests by the time I got to the age I am now, but man, I must be going to the wrong video stores.

    There are some scenes shown in this movie that remind you what the real horror movies were like, back when they were meant to scare, not make tons of money. Back before the Japanese had to come in and show us how it's done, because we have obviously forgotten. Rob Zombie came out with House of 1000 Corpses last year, an underrated horror film that didn't set any box office records because it wasn't meant to. Like the directors in The American Nightmare, he is a lifelong horror fan and remembers what the real horror films were like. House of 1000 Corpses was his reminder to the world, now all these other directors are doing the same.

    While I loved hearing the directors talk about their movies and I loved watching all of the clips from their films, all the while trying to compile a mental list of movies that I need to rent, I have to say that I found the legitimacy of these horror films in the context of the society in which they were created to be the most interesting part. You don't really think about horror movies having too much social value or meaning, but these movies, as they say, are clearly a product of their environment.

    I found myself wondering at many points if we are going to see a new breed of horror directors eventually come home from Iraq
    10tripperM

    THE best documentary on horror films...EVER!

    if your a horror fan (especially on in your mid to late 30s)and you wonder why... here's the answer.

    as i sat here watching american nightmare, i nodded and nodded as i remembered my childhood and the constant nightmares and fear of the end of the world, death, and the catholic theories of a fire and brimstone afterlife. the constant threat of atomic wars, hidden under our schoolchairs as we had air-raid drills. even when it was vacation time at school, the automatic drills echoed in the background once a month. i lived within walking distance and would often go to the schoolyard during vacation times to play there with others.

    the most frightening sound in the world is not the screams of michael myers' victims or the ripping of zombie flesh, but the eerie sound of an air-raid sirien going off in a virtualy empty playground mixed with the squeak of swings, the wind, and the "ting" of the empty flag pole.....

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    • Wissenswertes
      Packaged as an extra on the Region 2 release of Wes Craven's The Hills Have Eyes (1977).
    • Zitate

      Wes Craven: I think there is something about the "American Dream", the sort of Disneyesque dream if you will of the beautifully trimmed front lawn, the white picket fence, mom and dad and their happy children, god fearing and doing good whenever they can; that sort of expectation, and the flipside of it, the kind of anger and the sense of outrage that comes from discovering that that's not the truth of the matter, I think that gives American horror films in some ways kind of an additional rage...

    • Alternative Versionen
      Despite being shown uncut on BBC TV the version released in the UK, as part of The Hills Have Eyes 2-disc by Anchor Bay, was cut by 14 secs by the BBFC. This was to remove scenes from _Last House on the Left, The (1972)_ which had previously been cut by the BBFC.
    • Verbindungen
      Features Dracula (1931)
    • Soundtracks
      Moya
      (uncredited)

      Performed by Godspeed You! Black Emperor

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    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juli 2003 (Österreich)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Американский кошмар
    • Produktionsfirma
      • Minerva Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 13 Minuten
    • Farbe
      • Black and White
      • Color
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 1.85 : 1

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