Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.
- Mooney
- (as Harry Carey)
Empfohlene Bewertungen
This is the problem with so many 60s films. They have one foot in the 50s, one foot in the 70s, and nothing works. This thing might just reach a 5/10 mainly because of its star power, even if those stars are being badly used.
It started off slow with a seemingly endless eulogy of Doris's no-good husband by Andy Devine, but it took off after that.
Certainly not one of her better films, but absolutely not her worst (CAPRICE and STARLIFT are tied for that "honor"). but she is really very good -- as usual. I rooted for her/Josie every step of the way.
I recommend it -- especially since the tide has changed in the past 50+ years and viewers will see some fresh topicality in it in 2019.
Despite being one of her lowest rated films here (along with 'Where Were You When the Lights Went Out?' and 'Caprice'), being one of her less well critically received films and being disliked by Day herself, 'The Ballad of Josie' isn't that bad. At least from respectful personal opinion, though it does have a good deal wrong with it and it was made during a rather rocky period of Day's film career. Of course it is among the weaker end of her overall films but it is better than 'Where Were You When the Lights Went Out?', 'Lucky Me', 'Starlift', 'The West Point Story' (aka 'Fine and Dandy') and 'Tunnel of Love', all but one of which rated higher.
As is the case with all her films, even her lesser ones, Day is the reason to see the film in the first place and also the best thing about it. She does a very good job, having a balance of charm and feistiness. 'The Ballad of Josie' is a good-looking film too, not exactly evocative but full of rustic attractive colours and handsomely designed production values shot beautifully.
Regarding the music, it is pretty excellent. It is cleverly orchestrated and rousing. The title song is a lovely and memorable one, though, despite Don Costa singing it well, there was a missed opportunity regarding Day not singing it. Was mixed on the supporting cast but felt that Elizabeth Fraser beguiled the screen whenever she appeared, Andy Devine clearly has fun and brought some much needed authenticity and John Fiedler is amusing.
However, not all the supporting cast come off well, suffering from characters that are not particularly interesting or used well. Peter Graves has a bland uninteresting role and plays it just as much, while George Kennedy's character is underwritten and underused (although it is a kind of role that Kennedy is perfect for and he does his best with what he's given). Having Andrew V. McLaglen on board as director promised a lot, being a veteran of the western genre. The simplicity of the direction is to be admired, but too much of the time it was a case of getting the job done but it comes over as workmanlike.
Sadly the story is often very dull, narratively it is as thin as a thin piece of tissue and in the more less than eventful parts the pace is sluggish. The script is tonally somewhat muddled, with some frequent and too often tiresome attempts at humour that never seems to fit and the more western-oriented parts lack grit. Despite looking good, 'The Ballad of Josie' never looks evocative with a lot of it looking too clean, too nice and too newly fresh.
Overall, a long way from a disaster but Day did much better in her career and deserved better as well. 5/10 Bethany Cox
Handlung
WUSSTEST DU SCHON:
- WissenswertesDoris Day wrote in her 1975 autobiography that this was one of the films that she did not want to do, but was forced to do because her husband and manager Martin Melcher had power of attorney, and signed her for it without her knowledge or consent. She called this a "second-rate television western" that required her to get up at 4:30 every morning. However, she did enjoy the camaraderie of her fellow cast members.
- PatzerJosie gets caught on a roll of flypaper, the type of which was not invented until 50 years after the movie was set.
- Zitate
Jason Meredith: If I had thought about it, we would have stopped to eat north of the deadline.
Josie Minick: The what?
Jason Meredith: The deadline. We passed it about ten minutes back. Sheep to the south, cattle to the north.
Josie Minick: I don't know anything about a deadline.
Jason Meredith: Well, there's nothing complicated about it. You see, the cowmen opened up this territory and then the sheepmen tried to move in. Well, we had quite a debate. We burned a lot of powder and a lot of lead and we buried a few. And then finally we drew a line across the southeast section of the state. And the sheep stay on one side and the cattle on the other.
- VerbindungenFeatured in Biography: Doris Day: It's Magic (1998)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.320.000 $
- Laufzeit1 Stunde 42 Minuten
- Seitenverhältnis
- 2.35 : 1
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