Die Dreigroschenoper

This movie is the classic story of Mack the Knife. The version I saw was in the original German, and subtitled in English. It was filmed as a barb towards Nazi Germany, however, since anti-Gov't were forbidden the film takes places in London England. Our Hero, is a Thief. The Head of the Thieves guild. He and his crownies continually steal from the One bank in town. Mackie, likes to visit the Women of Ill Repute and they all know him, and the cops are all bought so they can't touch him. He has intentions of Marrying the Daughter of the King of the Beggars guild, and all is going well. Until the Police chief gets aspirations of Arresting Mackie, and the bank they rob goes bankrupt. Fortunately Mackie has enough money to buy the defunct bank and his crownies can become the Tellers. This is an excellent old film, and I recommend it to anyone.

I've seen several stagings of this musical play-- even acted in it once in college-- and I have enjoyed the liveliness of every staging. The movie, however, is quite dead. The characters are stilted and almost everything is presented in a dry and detached manner-- so detached that the viewer can't really appreciate the important ironies of the plot even while being hit over the head with them. I also felt that the camera work was very uninspired. This film is still worth seeing just because "Die Dreigroschenoper" is an excellent play; but, if you have a choice, I'd recommend that you go see it performed as a play.

This film was picked up for distribution in the United States by Joseph E. Levine through his Embassy Pictures, and it premiered in a number of cities including Pittsburgh, Baltimore, Cincinnati, Houston, Milwaukee, and Oklahoma City on October 14, 1964. The advertising campaign was conceived to make the film look like one of the big "roadshow" musicals of the era--indeed, the artwork used in the posters, newspaper ads, and the eventual RCA LP album is probably the best thing about the film. Business was terrible, in part because the film was dubbed and the synchronization between the sound and visuals was off, as well as the "washed out" look of the color. Some of the theaters pulled it after several days of poor business, in others it lasted only for a week, and it only got a few sporadic openings thereafter. I do not believe that it ever made it to a theater in New York City, San Francisco, Boston, or Washington, DC.

I purchased this film video on Amazon from a market trader as it was the only version of The Threepenny Opera available in English at the time. The quality looks like a typical fifties TV video, blurred and indistinct with poor contrast and definition. The colour also seems more like a 'colorized' version of a b&w print (perhaps my copy is!) not true 'technicolor'. Of the performances I agree with the previous reviewer it is cobbled together with Sammy Davis seemingly tacked on. Many of the songs are missing and the Englisj translation is not really as authentic as you might wish. It is better to go for the original German version from the 1930s (with its French equivalent on the other side of the disc). That gives you a quality b&w film beautifully restored with very good acting and singing. If a decent copy of this 1962 version, fully restored appears it might be worth obtaining as a reference point and a curiosity. Unless you want a curio save your money and wait for a decent English-language version to appear.

Epic musical theater with Hildegard Knef and Curd Jürgens

On February 8th, 1963 the time had come: the German-French film adaptation of the DREIGROSCHENOPER / THREEPENNY OPERA by Bertolt Brecht and Kurt Weill premiered in the GLORIA-Palast in Munich. Directed by Wolfgang Staudte and produced by Kurt Ulrich, the film was shot in the Berlin-Tempelhof studio with a huge cast of stars. The plot is largely taken from the play, the music was adapted somewhat to contemporary tastes with a larger orchestra.

The plot about the criminal Mackie Messer (Curd Jürgens), who is up to mischief in London at the turn of the century, can be assumed to be familiar. The cast is more interesting anyway. Lino Ventura plays the police chief Brown, June Ritchie can be seen as Mackie's bride Polly Peachum, whose parents are played by Hilde Hildebrand (Große Freiheit No. 7) and Gert Fröbe (GOLDFINGER!). Walter Giller, Siegfried Wischnewski and Erna Haffner appear in smaller roles. A casting coup from Hollywood is at the start as the moral singer: Sammy Davis Jr. Sings Brecht and Weill as if he had never done anything else.

And then Hildegard Knef (Decision Before Dawn)! Stepped in for Giulietta Masina, who was actually supposed to shoot her third film for Kurt Ulrich. Of course, Hilde was a better fit! Of course she sings the song about the dive bar Jenny and the pimp ballad together with Curd Jürgens (The Spy Who Loved Me). You simply have to see and hear this!

563,000 tickets were sold in the West German box office. It couldn't have been because of the star line-up. The lack of popularity was more likely due to the fact that the image quality and coloring could no longer meet the standards of "Der Schatz im Silbersee / Treasure in the Silver Lake" (1962). But the film is definitely worth seeing, not just for educated people and theater goers!