Das Pendel des Todes

Right after the success of "House of Usher", director Roger Corman wanted to make another adaptation of an Edgar Allan Poe's story, "The Masque of the Red Death", however, he felt that it was not the time for that project and decided to make the short story "Pit and the Pendulum". Reunited with Vincent Price and most of the crew of his previous film, Corman crafted another brilliant entry in the Gothic horror sub genre and a film that proved that the praise for "House of Usher" was well-deserved and not a mere lucky strike.

The plot follows Englishman Francis Barnard (John Kerr) on his trip to Spain as he has received news of the death of his beloved sister Elizabeth (Barbara Steele). At his arrival, he is informed by Elizabeth's widower, Nicholas Medina (Vincent Price), that she died of a strange blood disease, but strange events begin to happen and both men will discover the strange mystery hidden behind the walls of Medina's castle.

Written by frequent collaborator Richard Matheson, the film is not really a faithful adaptation, it is a cleverly written story that fuses many different Poe's short stories in one. The story unfolds nicely and as in the previous film, the characters are the film's soul. Matheson perfectly forms the bonds and relationships between them and none is left without a time to shine. The mystery of Elizabeth's death and Medina's castle is very well-handled and the unexpected climax is a classic horror moment. Once again Matheson delivers a terrific script that captures Poe's obsession with ancient buildings and Gothic settings.

Despite the low-budget, Roger Corman manage to surpass what he achieved in "House of Usher" taking care in every little detail, with the lavish sets and gorgeous cinematography making the film look as beautiful as a canvas. The films of the so-called "Poe cycle" are almost always labeled as his best and not without a reason, as they prove that Corman was not a mere director of low-grade cheap films. He was truly a daring and inventive artist and this film remains as one of his most powerful masterpieces.

The cast this time is superb, with Vincent Price taking the lead role with great talent and powerful presence. With ease he can go from melodrama to utter horror and his melancholic over-the-top melodrama was right at home in Poe's adaptations. John Kerr makes a terrific counterpart and his performance is very believable. As a stranger in a strange-land, his character brings balance to the film and Kerr makes the most of it. The beautiful ladies Barbara Steel and Luana Anders show off not only their beauty, but also their talent. Steel's aura of mystery suits perfectly the atmospheric horror of the film and Anders displays her talent for melodrama.

The film is near perfect and a great joy to watch. Never dull nor boring, the film captures the Gothic horror of Poe's stories and gives them homage in a grandiose way. A big improvement over the first of Corman's "Poe films", it's hard to find a flaw in it as nearly everything is its right place. From Price's on-screen presence to the wonderful sets, "Pit and the Pendulum" is a masterpiece of low-budget film-making, a movie that looks even better than most of the big studios productions.

"Pit and the Pendulum" proved to be up to its reputation and it quickly became a favorite of mine. Personally, the discovery of this gems has drastically changed my idea of Roger Corman's work, as this group of films prove that this man is a serious artist who knew how to make a movie that was an economic and a artistic success. This film is another great Gothic horror treasure. 8/10

In the mid-16th century, Englishman Francis Barnard (John Kerr) travels to the Spanish castle of Nicholas Medina (Vincent Price) to try and uncover the details surrounding the sudden death of his sister Elizabeth (Barbara Steele), Nicholas's wife. Soon after arriving at the castle, Francis begins to suspect that Nicholas is hiding the truth, but what he eventually discovers is far more terrible than he could have imagined.

I'm not the greatest fan of the Roger Corman/Edgar Allen Poe cycle of films, finding their combination of creaky Gothic trappings, trite atmospherics and overwrought melodrama just a little too cheesy to be wholly effective; for much of the time, Pit and the Pendulum is just the same, with Price hamming it up and Corman laying on the eeriness with a trowel.

Thankfully, the film is short enough to prevent boredom kicking in and is saved somewhat by a great final act that provides one or two neat twists, some well handled excitement (the razor-sharp pendulum of the title finally making an appearance, swinging to and fro above a shackled Francis) and a befitting closing shot (I won't say what it is, but it's a corker).

Watching this again after many years and with such a wonderfully clear print is a revelation. The story is slight but well told with stunning cinematography and a most impressive set, cleverly lit with colour tints, inspired perhaps by Mario Brava. Vincent Price has the time of his life, as impressive in close up as in medium. If he overdoes the old acting bit we love him for it because he does it so well. Certainly he makes most of the rest of the cast look a little wooden and we long for the arrival of Barbara Steele. Of course the wait is worth while but perhaps we could have had some flash backs early on in the film when we are gradually being let into the true horror of the situation. This is a very good solid Corman production, helped by decent script from Matheson but much reliant on the aforementioned, Price and Steele.

'Pit And The Pendulum' sees b-grade legend Roger Corman ('Little Shop Of Horrors'), talented suspense writer Richard Matheson ('The Incredible Shrinking Man'), and horror master Vincent Price ('The Tingler') try and recreate the success of their first Poe adaptation 'House Of Usher'. And they do so admirably, '... Pendulum' being even better than the excellent '... Usher'. Matheson cleverly expands upon Poe's original tale by also mixing in elements from the earlier movie, 'The Premature Burial' and other Poe classics. John Kerr is the one weak link in this first rate thriller. An actor I'm not familiar with, he is dull and not all that good. Much better is Antony Carbone (who Corman fans will recognize from 'A Bucket Of Blood') as Price's doctor pal, and the underrated Luana Anders ('Dementia 13', 'Easy Rider') as Price's sister. Price himself is wonderful as usual as the tormented Don Medina, and an added bonus is the appearance of enduring cult figure, and one of the most beautiful actresses in movie history, Barbara Steele ('Black Sunday', 'Shivers'). Steele doesn't get as much screen time as one would wish but it's a joy to see her work alongside Price, sadly their only movie together. 'Pit And The Pendulum' is one of Corman's best horror movies, and one that will surprise many viewers today with just how atmospheric and creepy it still is. An extremely underrated film (as are Corman's other 60s Poe adaptations), and one that is a must see for all horror buffs. Highly recommended.

Three legendary figures, one in writing, and one in film-making, and one in acting are responsible for bringing The Pit and the Pendulum to life. It's Edgar Allen Poe's story about a brother struggling to come to terms about how his sister's untimely death happened. He goes to the mansion of Nicholas Medina, played by the magnificent Vincent Price, to look for answers. The Pit and the Pendulum for a 60's movie is attention getting by how powerful and mystique the actors and actresses characters are, and the brilliant story and script that intertwines very nicely. Roger Corman direction was astounding as well, making me realize why he's so acclaimed by his film-making peers. The Pit and the Pendulum is a nice little horror flick that I watched with no expectations and had no regrets spending the time and money to watch it.