Pat und Mike

During a friendship that last many years, Tracy and Hepburn made many movies together and this is a good example of the chemistry that existed between them. In this movie, directed by George Cukor, Hepburn plays an athlete who comes under the management of a small town sports promoter in Mike Conovan, played by Tracy. In the role of Pat Pemberton, Hepburn is a free-spirited woman with spunk and personality. Mike has a number of colorful characters as his clients. One of the gags lands the group in a police station explaining their actions to a puzzled sheriff, played Chuck Conners. The acting is good all round.

The golf game between Pat and Babe Zaharias (outstanding golf pro in real life) translates beautifully to the screen with the crowd moving from green to green, golfers teeing off, putting and shooting into the rough. A very good movie, entertaining from start to finish, and a good chance to see Tracy and Hepburn in action.

According to film lore, writers Ruth Gordon and Garson Kanin were inspired to write PAT AND MIKE when they realized that Katherine Hepburn was a near-professional-level golfer and tennis player. The result is a sprightly tale of a college physical education teacher named Pat (Hepburn) who turns pro with the help of a slightly shady promoter manager named Mike (Tracy.)

As always, Tracy and Hepburn make for an engaging pair, and the supporting cast is crammed with memorable faces, including Jim Backus, Chuck Conners, a very young Charles Bronson, and even Carl "Alfalfa" Switzer--and every one plays with the same charming touch. The sports scenes also gives sports fans a glimpse at such legendary athletes as Babe Didrikson Zaharias. But the real interest here is the script itself: in an era noted for sexism, PAT AND MIKE is flatly feminist, and the story finds Hepburn first rebelling against fiancé William Ching's "little woman" mentality and then straightening out Spenser Tracy on the same point--and in one of the film's most memorable scenes, Hepburn effectively shoves Tracy aside to beat up two men who threaten him!

Given the nature of its story, PAT AND MIKE spends quite a lot of time on the golf course and the tennis courts, and those who have little interest in sports may not find it to their taste; that said, in spite of its many charms, the film isn't really in the same league with Tracy and Hepburn's ADAM'S RIB. Still, fans of the screen team will enjoy it quite a bit, and even purely casual viewers will have a good time.

Gary F. Taylor, aka GFT, Amazon Reviewer

Have loved a lot of Spencer Tracy's and Katharine Hepburn's performances, both had their fair share of great films and performances, and their partnership/chemistry spanning twenty five years on and off screen is nothing short of legendary. Have never been able to get enough of seeing them together. Also like to love quite a number of the films directed by George Cukor.

Tracy and Hepburn did nine films together, starting with 'Woman of the Year' in 1942 and ending with 'Guess Who's Coming to Dinner' (and Tracy's death) in 1967. For me, all of them are watchable and above and most are good and more, 'Keeper of the Flame' and particularly 'The Sea of Grass' were disappointments but still had enough good things to make them watchable. Cukor directed three of the nine, of which 'Pat and Mike' is the last after 'Keeper of the Flame' and my personal favourite Tracy/Hepburn film 'Adam's Rib'. As far as their films go when ranking from best ('Adam's Rib') to worst ('The Sea of Grass'), 'Pat and Mike' is somewhere in the lower middle. It's entertaining and well performed, a treat for those who are fans of the stars and their chemistry, but the battle of the sexes/romantic comedy theme was handled even better in 'Adam's Rib' with even more wit and class than seen here.

'Pat and Mike' takes a little too long to find its rhythm, some of the early scenes lack momentum.

Maybe there could have been less of the sport sequences, some engrossed and are well staged but not all of them excited or added as much as others and the pace gets bogged down as a result.

On the other hand, Tracy and Hepburn really do shine here and so does their chemistry. Really did get the sense that they were in love, and 'Pat and Mike' was one of the films where that feeling was most strong. Hepburn was simply born for her role here and she is in her element in what is actually the more interesting and more prominent role. Tracy's subtlety and charm is on full display too and it is very difficult not to appreciate either of those qualities. The supporting cast aren't as strong but still make good impressions, notably Aldo Ray.

Cukor directs with ease and control on the most part, although it takes a while to settle, while the production values are slick and stylish and the music pleasantly seductive in spots. Enough of the sport sequences are charming and exciting and the script sparkles in wit and sophistication at its best (which of course is when Tracy and Hepburn are on screen). The story is slight but is easily amiable and generally the pace is more than competent.

In summary, pretty decent. 7/10 Bethany Cox

"Pat and Mike" is one of the many collaborations between Katherine Hepburn and Spencer Tracy, and it is, of course, a romantic comedy. As everyone knows, Hepburn and Tracy were real-life lovers, and the chemistry between them lights up the screen in this as in their other movies. Since everyone also knows the formula, it's obvious, long before they do, that Hepburn and Tracy will wind up together. "Pat and Mike" is one of Hepburn's better comic turns as a professional athlete unafraid to step into the middle of a fight to protect tough guy Tracy from gangster associates when they try to rough him up because he hasn't persuaded Pat to cooperate with their crooked gambling scheme. As in most of the Hepburn/Tracy movies, the premise doesn't much matter. The magic is between them, no matter the characters, no matter the story, and it is wonderful to watch since I can think of no present day movie couples who generate this kind of electricity and deliver this much fun.

Pat and Mike must have been a pleasure for Katharine Hepburn to make because she got to show off her athletic ability which was considerable. Had she not decided to pursue a thespian career, Hepburn could have gone into either tennis or golf, she was good at both or any of the other sports named which she actually played. Later on as she entered the ranks of senior citizens, health problems curtailed her athleticism.

But she's having a whale of a good time her and playing with some of the best women athletes of the 20th century.

Hepburn's a college professor who's leading a rather dull life with a rather dull bore of a sweetheart in William Ching, who in a subtle way, belittles her.

In a rather unorthodox way she meets Spencer Tracy, a sports agent who very narrowly treads the line between the legal and the illegal. She makes a believer out of him that you actually can make decent money legally.

The usual Tracy/Hepburn charm is running on all cylinders. Pat and Mike ranks in the upper division of their screen teamings. I'd say that this was more her film than his though.

A lot of familiar faces are in the cast. Look for Charles Bronson playing a hood and Chuck Connors playing a small town sheriff. Both of them make themselves noticed here which led to long careers for the two of them.