Birthday Girl review – Trine Dyrholm superb in mother-daughter cruise ship rape drama

Rocking big hair and fake eyelashes Dyrholm shines in provocative film that deals with issues of sexual assault and female bonding
Trine Dyrholm is one of Europe’s finest and hardest-working actors, though she is hardly a household name for viewers beyond her homeland, Denmark. For those who follow Nordic cinema, especially Denmark’s prolific early 00s output, she would be familiar from features such as Festen, In Your Hands and In a Better World. One of those actors who sinks deep into her role, she is especially known for a capacity to play troubled, complex women; her part in Birthday Girl fits that brief to a tee.
A tight little melodrama written and directed by Michael Noer, the film calculates its provocation precisely as it lays out a murky crime that will spark post-viewing debate. Dyrholm plays Nanna, a working-class Danish woman rocking a metric ton of blond hair...
Trine Dyrholm is one of Europe’s finest and hardest-working actors, though she is hardly a household name for viewers beyond her homeland, Denmark. For those who follow Nordic cinema, especially Denmark’s prolific early 00s output, she would be familiar from features such as Festen, In Your Hands and In a Better World. One of those actors who sinks deep into her role, she is especially known for a capacity to play troubled, complex women; her part in Birthday Girl fits that brief to a tee.
A tight little melodrama written and directed by Michael Noer, the film calculates its provocation precisely as it lays out a murky crime that will spark post-viewing debate. Dyrholm plays Nanna, a working-class Danish woman rocking a metric ton of blond hair...
- 10.6.2024
- von Leslie Felperin
- The Guardian - Film News
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