
‘The Last Thing He Wanted’ Review: Dee Rees’ Joan Didion Adaptation Is an Incoherent Misfire

There’s a reason why, over the course of a career that has spanned nearly six decades, Joan Didion’s remarkable body of work has received the film adaptation treatment just twice. In 1972, Didion and her husband John Gregory Dunne wrote the screenplay for Frank Perry’s big-screen take on her novel “Play It As It Lays,” a celluloid turn that Didion followed up with various contributions to other scripts unrelated to her own books (including the 1976 “A Star Is Born” remake).
Despite mostly good reviews for the Perry film, even Didion seemed to quickly get hip to the fact that her work isn’t necessarily translatable to other mediums. Others surely got the memo, too, with almost a half a century going by before anyone else tried to turn Didion’s gimlet-eyed writings into a movie. And time has not been kind to the endeavor: and even less by...
Despite mostly good reviews for the Perry film, even Didion seemed to quickly get hip to the fact that her work isn’t necessarily translatable to other mediums. Others surely got the memo, too, with almost a half a century going by before anyone else tried to turn Didion’s gimlet-eyed writings into a movie. And time has not been kind to the endeavor: and even less by...
- 28.1.2020
- von Kate Erbland
- Indiewire
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