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1-11 of 11
- ALEX is a programmer-hacker, in his room there are many monitors. ALICE left him and he tries to react to depression, focuses on the design of a social network that helps people confront fears and dream-nightmares, the DENKRAUM.
- A monastery, an Italian Jesuit who has made it a place of welcome for Christians and Muslims. A documentary that reconstructs the effort, silence, prayer and work of the community who lived there before the war.
- While describing his adventurous journey, Dr Azima sheds light on contemporary spirituality and presents a seven-steps path for seekers.
- The first gaze. The italian who invented cinema. The story of the incredible and little-known life of the pioneer of Italian cinema, Filoteo Alberini. The reconstruction of the incredible life of the Italian pioneer, Filoteo Alberini, becomes the occasion for a reflection on the birth of Italian cinema and, more generally, on the Seventh Art and its nature as the "magnificent obsession". A journey in the company of an exceptional storyteller, guardian par excellence of cinema's forgotten ones, Georges Méliès, who conducts an investigation of this figure, practically unknown in our present day. With "The Italian Who Invented Cinema", I've attempted to create a modernized, present-day version of the classic historical biographical documentary through the use of a particular type of reenactment that relegates the historical reconstruction to a single narrating character, Georges Méliès, who moves about like a private investigator of the cinema through the various environments Alberini lived in, as they are seen today. The use of Méliès as a narrator, symbol of long-forgotten filmmakers subsequently rediscovered (by Méliès, who fortunately, is still alive), gives us the possibility on the writing level of playing with various genres and languages, such as the investigation report, the detection genre, graphic reconstruction, through the use of the repertory made available by Milan's Fondazione Cineteca Italiana in a narrative, un-mechanical way. BLUE CINEMA TV PRODUCTIONS was founded in 1999, heir to a three generation-long family tradition of photographic artisans that came into existence in 1929. The mission to "write with light", starting with the development and photographic printing phase, proceeding on to high definition digital and visual effects, constitutes the distinctive trait of this independent film production company.
- Inspired by a true story, news in 1999. A self-styled manager and showman comes to town and enters into good graces of all the people living there, cheating them with the promise of great live concerts performed by music stars of the '60. The imposter spends two weeks at the public expense, admired and courted by politicians, gullible locals and young aspiring showgirls, and then he disappears as he came, leaving an entire humiliated community wondering why. 15 years later, a young talented journalist wants to discover the truth.
- The documentary offers the experience of the retreat place Casa della Pace (Home of Peace) in the form of testimony from its founder Santi Borgni, transforming itself into a real investigation into the phenomenon of human existence.
- XThrough dialogue between an old and a baby before and girl rom afterwards, proves the squalor of our society that thinks only of money and not for the common good
- On the outskirts of Varanasi, on the banks of the Ganges River, there is a small school, surrounded by the villages from which the children come. It was established some eighty years ago and is inspired by J. Krishnamurti's educational vision of compassion and harmonious human development. Overcoming numerous difficulties throughout its existence, the school has remained steadfast in its intent to be a place of joy for young children. The documentary explores the children's lives at home and at school. The story is intertwined with the interviews of the other protagonists: the Principal, the teachers and the founder of the group of donors "The River of Life".
- An elderly woman, once a teacher and passionate of the Divine Comedy, denounces the discovery of a corpse in an alley that she runs at night to go to the cemetery, where her husband is buried. She tells the cop about her drinking, watching horror films and her need to go to the grave of her husband at night. During her deposition, she undergoes visual and olfactory hallucinations and manifests self-injury, in addition to falling victim to an illness and fainting. She is released thanks to the intervention of some paramedics. Once she revives, she accentuates her delirious attitudes and it turns out that there's no corpse and the presence of one participant: a psychiatrist. Putting an end to what is actually a therapy session, he diagnostics Cotard syndrome, the pathology that led the woman to believe she herself was dead.