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1-50 of 57
- Grace, a young widow haunted by the recent suicide of her husband Joseph, is falsely accused of being a witch by her Landlord after she rejects his advances.
- In 1477 Charles the Bolds dies, his only child is a girl which cannot rule w/o a husband. Meanwhile in Austria, Emperor Frederick III and his antagonist Louis XI France battle over said marriage prospects, battles ensue, tragedy falls.
- A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind's darkest fears, these stories laid the foundation for what we now know as the horror genre.
- THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
- Miki357's first artistic short film is an absurd musical comedy, bringing together exciting performers such as Beton.Hofi, Simon Szabó, Lilla Kizlinger, Bori Péterfy, Lajos Kovács and Dávid Miller. The protagonist of Pulzaar is Csótány (Adam Schwarcz, stage name Beton.Hofi), a thirty-something rocker who works as an assistant locksmith in Kobanya. He lives with his godmother (Péterfy Bori), who took him into her Budapest apartment, but he can no longer contribute to the rent. His two greatest passions in life are: his favorite Norwegian metal band, Pulzaar, and his secret love, Évike (Kizlinger Lilla) from the bakery on the ground floor. When he sees the poster that his beloved band is coming to Budapest, he is struck by lightning, which triggers a whole chain of events. Will he finally make it to the concert, and muster up all his courage to invite Évike too?
- Charon is a beautiful, cold-blooded demon, helping the souls to die, who are afraid. A modern vision of the ancient Charon myth on the border of still and moving image.
- BP Underground is a documentary project exploring the underground youth subcultures of Budapest, Hungary in the 90s and 2000s, right after the iron curtain fell.
- This is a documentary series about several underground youth subcultures of Budapest, Hungary in the 90s and 2000s, right after the fall of the iron curtain. The underground scene of Budapest, and its musical subcultures are inherent parts of the vast Hungarian culture. The series deals with the community building aspects of these groups, and how they affects our society - and still do today. It explores how did Budapest itself contribute to this phenomenon.
- Besides shopping, the theme of Mark Lakatos's all new and revamped show will be about intense competition, fresh fashion trends and the traditional counseling from the host and fashion-savvy guests. Every week five fashion maniac competitors face off to prove, that their style is the best. What's common in a fashion blogger, a shopping frenzied lawyer, a rock-band toting kindergarten teacher and an opera singer? They all love shopping and fashion.
- The third part of the BP Underground series is about Budapest's underground electronic music scene. Just like the other episodes it also evokes the emergence and growth of the genre with its unique visual world and a lot of archive footage. Among other things, it seeks to discover how Budapest as a center shaped the subculture. The BP Underground electronic music episode acts as a kind of time capsule to bring the feelings of the 90's back from an era of the unrestrained influx of western influences when it was trendy to attend Acid Parties, everyone was into Rave, and Goa Trance and the best parties were at Katlan and Frankhegy. Copied cassette tapes were spreading like mushrooms, many were trying out imported drugs while listening to Tilos Radio and DJ Palotai was a god. How did the characteristics of each style evolve? What is the difference between jungle and drum and bass? How does one learn to love Goa trance and how does one become a techno freak? The social aspect is also put into focus: Is there any socially decisive factor as to who chooses the electronic music scene? Who are the personalities still known today that used to be central figures? What do they think about their roots decades later? What does it mean for some of the musicians to rise from being unknown underground artists to achieving national fame? What is the specific Hungarian flavor of the different styles which are mainly rooted in British/American culture? What is the underground electronic music scene like today? Is it still relevant? Does it still have power and a voice in our digital world? To what extent did it remain underground?
- This music video verifies the concept of the song with a dark, time-wrapped, paradox abstraction. Strobe and Noise is a kind of revenge story about the cycle of violence placed in a never-ending loop of dream, where characters, time doesn't exist in a normal way but the feeling, the mood and deep atmosphere of the song with multiplied composition of layers.
- As part of last year's Temps d'Images festival we produced a 'bildtheatre' performance titled RECYCLEd, experimenting with the relationship between theatre and film, playing around with the analogies of recycling, in this case meant any cyclically repeated notion. The dramaturgy of the production was provided by a theme according to which our far-fetched ideas were replaced and thus became open to further use, i.e. a symbiosis formed between them when they were recycled. These fictional etudes were short 'sensations' based on dialogues, represented by strange characters, in some shifted space and time and in surreal settings, teeming with visual allegories and codes."
- The fourth episode of the BP Underground documentary series is about Budapest's underground rock music scene presenting the members of the first and most important underground rock-metal bands, subgenres in the 90s and the 2000s.