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A devoted single mother dreams of a solo vacation in Italy at her friend's house, but when arrangements collapse, she must bring along her disabled teenage son on what was meant to be her private escape.

Janina Duszejko, an elderly woman, lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who or what is the murderer, but nobody believes her.

An aging farmer moves to the city for the first time and forms a bond with a paper boy.

Czech photographer seeks freedom after 1968 Prague Spring suppression. Undertakes long journey to break from repressive regime's constraints.

Irina lives with her son Igor in a small Czech border town. When she discovers that Igor has been assaulted by three Romas her whole world comes crashing down. As times goes on, Irina begins to spot inconsistencies in his story.

Tony is wasting away at home. His controlling parents want to protect him mostly because, once he takes off his mask and gloves, he glows. But his new friend, Shelly, doesn't seem to mind it at all, as their house is shrouded in darkness.

A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family's break-up but also trying to understand.

A chicken rescue mission gone wrong leads the activists into a dangerous wilderness where they experience situations that lead to new insights such as, nature is not a safe place for animals.

Ludovít has lost his son to a ruthless neo-nazi attack. But, due to a failing in the Slovak legislation, the attackers are soon released and Ludovít is faced with an absurd instance of injustice. He struggles with the apathetic police force, the opportunistic judge, but also with the fact that he was never really close to his own son. The more he blames himself for his son's death, the more his relationship with his wife Zuzana and younger daughter Janka falls apart, and the more he tries to influence the investigation.

Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?