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1-36 of 36
- Edward, civil servant, flees fiancee Molly on their wedding day in Rangoon, 1917. His travels replace panic with melancholy. Molly, set on marriage, amused by his escape, trails him across Asia.
- In this cautionary tale, three people struggle to preserve their identities as they form an eccentric love triangle within the fast-moving internet age.
- Ze, a 17-year-old, studies hard at school to succeed in the cold, callous society of modern Mongolia. When Ze encounters Maralaa, his senses are awakened and another reality seems possible.
- Hundreds of migrants descend on the UK village of Great Yarmouth seeking work in the region's turkey processing plants.
- Plantation physician Afonso assigned to treat enslaved servants with fatal homesickness, Banzo, on an African island. Despite medical efforts, he struggles to heal their spirits on isolated hill, confronting existential challenge.
- Follows Crista, Carloto and João who are building an airy greenhouse for butterflies in the garden and share household routines, but they are not the only ones.
- When Home stops feeling like one, wandering becomes routine. Time, space and emotions implode, blurring Lisbon with Bangkok. Past, present or perhaps future intertwine in a story that begins when L meets K.
- Muanza is a woman born in the Kingdom of Kongo and trafficked to Brazil in the 19th century. Waking up nowdays, she finds herself in a time-twisting Rio de Janeiro. Figures from the past and from the present come into her search for her roots across the city's territory. A portrait of the experiences and struggles that create community and sisterhood.
- Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and cowardly character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry's play.
- At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there.
- School is over and there's a hustle in the air. In Porto, tourists fill up the streets and cafés. The old and decadent are now the highlights of the city's gentrification. Vicente moves around town on his bike and watches the urban changes happening day to day. The town is no longer the same, the world is changing and so is he. Among his family and friends, Vicente lives with anticipation the first days of summer and the beginning of a new life.
- 1975, post-Carnation Revolution Portugal, many foreigners come help out in newly formed co-ops. But their progressive views on customs and sexuality soon clash with local mores.
- "Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.
- A chance meeting sets 25-year-old Portuguese Rastafarian Djon África on the track of his roots in Cape Verde. He hopes to finally find his father, an adventurer whom he doesn't know. But things never go as planned in life - and particularly in this charming search for Djon's identity.
- The Portuguese colonial empire as it is seen and shown through photography, from the end of the 19th century until the 1974 revolution that put an end to the political regime that ruled Portugal.
- In a deep rural area of southern India, the powerful Hindu deity Balaji has a strong influence on Saraswathi. Like many women in her village, she combs the long dark hair of her young daughters in a daily ritual. Excess hair gains monetary value when the Narikurava, an outcast bird-hunting tribe, visit the villages to collect hair in exchange for household items. Black Gold is human hair. One day, Saraswathi decides to offer her precious long hair to the deity Balaji in a temple to fulfill a wish. Again, someone somewhere in the world profits from her spiritual act.
- To comply with his grandmother's desire, Gonzalo sets off to his deceased grandfather's house with his friends. There, what starts as mourning will become an occasion to rediscover his origins and to sail off into the future with strengthened friendships and new ideas about cinema. Between documentary and musical, O filme feliz :) is an ode to friendship as a creative engine.
- Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon. Divided between the quiet solitude of the river and the family ties that wash him ashore, the film follows Albertino Lobo, as nature renews itself with each season cycle.
- Isa is a young outreach worker who uses forum theatre as a tool to promote awareness and discussion of social issues. The gulf between theory and practice widens when her work is mirrored by her reality.
- In an apartment in a city under curfew, a day expands from early Spring to late Summer. A couple's longing to start a family is shaken by a pervasive feeling of uncertainty.
- Mena lives alone with her daughter Clara. Today is Clara's seventh birthday. Despite her limited financial resources, Mena still manages to organise a birthday party. But after a phone call from her mother, she becomes distraught and anxious.
- The chorus of dawn descends the burned mountain, echoing in the shale walls of a Portuguese village. Ruby awakens and stands in the half light. Outside, her dog Frankie has run away. Daughter of two worlds, the one that the English parents left behind and the Portuguese land of her upbringing that still calls her a foreigner, Ruby moves between the borders of both, without belonging to either. Her best friend, Millie, will be returning to England; the end of their childhood meets the end of a warm summer day.