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1-12 of 12
- A couple is flagged by a border agent and forced to endure an invasive probe into their lives.
- To go in and out of La Parra, you must pass through a single door that we cannot see with the human eye.
- Mother of Caliban and imprisoner of Ariel, Sycorax remains offstage for the duration of The Tempest, dismissed by Prospero as an evil sorceress. In this collaboration between Lois Patiño and Matías Piñeiro, she becomes the central subject, as a director (played by Piñeiro regular Agustina Muñoz), with the help of local women from a village in the Azores, attempts to give a face and voice to this silenced character.
- Augustina Muñoz, an Argentine actress of Galician origin, is visiting her family in a Galician village on the border with Portugal. While visiting the house where her grandmother spent her childhood, she also takes advantage of these days to rehearse the texts in Portuguese of William Shakespeare's A Tempestade, as she had been invited by a theater company to perform the play in the Azores archipelago. She travels to the islands by boat, but when she arrives, she doesn't find anyone from the company or anyone on the island who knows about the show. Finding herself alone on the island, she begins to investigate what would have happened and little by little, as she immerses herself in the reality of the Azores and discovers the magic of the place and its people, her curiosity for the island increases, forgetting what brought her there.
- 1492. Among the crew captained by Christopher Columbus, travel three men who should have been dead by now. They have managed to avoid their sad fate by participating in this uncertain journey. When reaching the Canary Islands they flee, taking one of the ship's sails with them. Meanwhile, in the "Old World", a woman tries to save her dying sister by bringing her to a healer. Both of these journeys attempt to laugh at death. Both journeys are at the mercy of History.
- Anxo is a man that returns to his home village in the Galician countryside in Franco-era Spain after the war.
- With an elephant's tusk as the protagonist, Those That, at a Distance, Resemble Another meditates on the endless tactility of conservation.
- Vikingland is based on 16 hours of footage recorded in VHS by a Galician sailor named Luís Lomba between 1993 and 1994 while working in a ferry boat on a path that takes people, vehicles and goods from Danish town Romo and the Sylt island, an area of frozen sea. As he learns how to use the camera, Luís records his workmates, the ships, the landscape, every work task, and his rest and leisure times. It's not your typical found footage piece: director Xurxo Chirro (a manipulator, as he defines himself) organizes these moments without altering them for dramatic purposes and respects the images as what they are: distant memories. It's a melancholic work-comedy that is set and captured in a very particular way; and also a video journal that uses modern cinema resources to show us the backstage of what could have been an undoubtedly 19th century story filled with trips and adventures.
- Marcelo Ndong, a sexagenary African artist trained in Spain, and who now runs a small nursery in Malabo (Equatorial Guinea), receives an unexpected proposal. As in so many other occasions he must mount a play, but this time, the argument will be him. His own life. Supported by two of his best students, Marcelo will create in Malabo a play that will be represented in Santiago de Compostela. A personal and creative journey that will take them from post-colonial Guinea and Franco's Spain, to the present of both countries, to go discovering little by little, through his incredible life journey as a mime, musician, actor, circus, but above all, migrant, the strong, and until now little known cultural ties that unite Equatorial Guinea and Spain. The documentary "Manoliño Nguema" is an argument in favor of migration, a positive look at the integrating and healing power of culture.
- "Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
- Cecilia, survivor of the Chilean military repression, reflects on her banishment to Finland, her political struggles and her scattered family. Her granddaughter Aava offers her some comfort and hope for the future.