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1-7 of 7
- A documentary about the making of the musical film Fiddler on the Roof (1971).
- Harold and Lillian eloped to Hollywood in 1947, where they became the film industry's secret weapons. Nobody talked about them, but everybody wanted them. Theirs is the greatest story never told-until now.
- "Daniel Raim has followed his Oscar-nominated The Man on Lincoln's Nose, a warm and illuminating short documentary on renowned production designer Robert Boyle with the equally delightful and thoughtful feature-length Something's Gonna Live. Raim again focuses on Boyle but brings in Boyle's friends and fellow art directors, the late Henry Bumstead and the late Albert Nozaki, who worked together at Paramount in the early 30s. Raim follows the three on a visit to that studio, and later Boyle and storyboard artist Harold Michelson return to Bodega Bay, the site of The Birds, one of Boyle's five films with Alfred Hitchcock. (Bumstead made four with Hitchcock and designed Flags of Our Fathers and Letters from Iwo Jima, released the year of his death, 2006, at the age of 91.) Finally, Boyle discusses making In Cold Blood with the late cinematographer Conrad Hall and The Thomas Crown Affair with cinematographer Haskell Wexler. "Boyle and his colleagues admit to missing the camaraderie of the studio system, believe that films once left more to the imagination and were more personal, but all these artists are grateful for being able to leave a legacy-and an awesome one at that-and they talk about their craft rather than indulging in mere nostalgia. Like Raim's earlier documentary on Boyle, Something's Gonna Live is another reminder that not all of Hollywood's greatest stars are actors."
- Production design has always been a key part of the Hollywood filmmaking process, but until recently the field received very little critical attention. But thanks to Daniel Raim's lucid and concise Oscar nominated documentary about Robert Boyle, one of Hollywood's best art directors, a general audience now has a chance to savor what these masters of their craft have contributed. Boyle tells stories about working on everything from Hitchcock's "North by Northwest," "The Birds" and "Marnie" to "Fiddler on the Roof." Boyle is quite eloquent and witty in explaining his craft, and others, including fellow art director Henry Bumstead, are also interviewed. Raim has done an imaginative job of editing production storyboards and sketches with photographs and film segments so that we 'get' what the production designer actually does. The detailed segment on constructing Mt. Rushmore in the studio (thus the film's title!) is fascinating, as we learn more about how actual photos of a location can be skillfully blended with a constructed set. A special highlight is Raim's coverage of "The Birds," in which Raim has Boyle revisit the actual location as film footage from Hitchcock's memorable film is intercut with continuity sketches drawn for Boyle by his draftsman, Harold Michelson. We see a black-and-white line drawing of Tippi Hedren with a bird attacking her, which then becomes that actual shot in the film. Raim's film is a welcome gift to everyone anywhere who wants to know more about what has and continues to make Hollywood Hollywood.
- TCM production exploring the invented, and inventive, techniques of early cinematographers, and their impact on filmmaking from the earliest films to those of present day.