Indie News
As the 77th Cannes Film Festival gets underway, there are plenty of obvious frontrunners for the coveted Palme d’Or. But don’t count out Ali Abbasi‘s “The Apprentice” as a dark horse pick to win the festival’s top prize. The latest film from the “Holy Spider” director (a film that won Best Actress at the 2022 fest) is quite the pivot for the Iranian-Danish filmmaker: a ’70s-set period piece about the professional relationship between a young Donald Trump and NYC lawyer Roy Cohn.
Continue reading ‘The Apprentice’: Jeremy Strong Compares Ali Abbasi’s Film To ‘Midnight Cowboy,’ Describes His Roy Cohn As “A Heart-Of-Darkness Heart Donor” at The Playlist.
Continue reading ‘The Apprentice’: Jeremy Strong Compares Ali Abbasi’s Film To ‘Midnight Cowboy,’ Describes His Roy Cohn As “A Heart-Of-Darkness Heart Donor” at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
What’s next for Ultraman? The legendary hero has been on many adventures, but he’s never seen anything like what’s to come. “Ultraman: Rising” represents a new chapter for this long-running character, based on characters by Eiji Tsuburaya, known for co-creating “Godzilla.” This time, Ken Sato takes on the iconic role. The baseball player finds himself protecting something special, a 35-foot-tall kaiju with its own powers.
Continue reading ‘Ultraman: Rising’ Trailer: The World’s Biggest Hero Becomes A Monster Daddy On June 14 at The Playlist.
Continue reading ‘Ultraman: Rising’ Trailer: The World’s Biggest Hero Becomes A Monster Daddy On June 14 at The Playlist.
- 5/16/2024
- by Valerie Thompson
- The Playlist
In “Babes,” Neon’s raucous comedy about the intricate emotional threads that are tested when best friends become new mothers, there’s a particularly rousing scene where Eden (Ilana Glazer) and Dawn (Michelle Buteau) lose their minds on mushrooms. In need of a night away from their troubles, the lifelong pals hole up in Eden’s Queens apartment to let loose a little — Ok, to let loose a lot — and it’s up to director Pamela Adlon to capture it all.
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
- 5/16/2024
- by Ben Travers
- Indiewire
At dinner my first night at this year’s Cannes, a friend asked our waiter if this was his restaurant’s busiest time of year. Not even close; that would be Mipim, “the world’s leading real estate market event,” taking place in March and drawing 26,000+ people—a number handily dwarfing the 13,000+ market attendees, plus assorted press and filmmakers, at last year’s festival. It was a useful perspective check: if Cannes is roundly conceded the status of world’s biggest film festival when all components are accounted for, that doesn’t mean too much in the global scheme of things, where cinema, as we […]
The post Cannes 2024: This Life of Mine, On Becoming a Guinea Fowl first appeared on Filmmaker Magazine.
The post Cannes 2024: This Life of Mine, On Becoming a Guinea Fowl first appeared on Filmmaker Magazine.
- 5/16/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
At dinner my first night at this year’s Cannes, a friend asked our waiter if this was his restaurant’s busiest time of year. Not even close; that would be Mipim, “the world’s leading real estate market event,” taking place in March and drawing 26,000+ people—a number handily dwarfing the 13,000+ market attendees, plus assorted press and filmmakers, at last year’s festival. It was a useful perspective check: if Cannes is roundly conceded the status of world’s biggest film festival when all components are accounted for, that doesn’t mean too much in the global scheme of things, where cinema, as we […]
The post Cannes 2024: This Life of Mine, On Becoming a Guinea Fowl first appeared on Filmmaker Magazine.
The post Cannes 2024: This Life of Mine, On Becoming a Guinea Fowl first appeared on Filmmaker Magazine.
- 5/16/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Jim Jarmusch is back behind the camera after five years.
The auteur has formally announced his latest film “Father Mother Sister Brother,” his first since 2019’s “The Dead Don’t Die.” Jarmusch is reuniting with “The Dead Don’t Die” and “Paterson” actor Adam Driver, who is also leading Francis Ford Coppola’s buzzy Cannes debut “Megalopolis,” as well as his “Coffee & Cigarettes” star Cate Blanchett and frequent collaborator Tom Waits.
“Father Mother Sister Brother” is described as an anthology film following three separate stories centered on strained relationships between adult children and their parents. Each of the trio of plotlines take place in different countries: “Father” is set in the Northeast U.S., “Mother” takes place in Dublin, Ireland, and “Sister Brother” is based in Paris, France.
The film is a “series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy,” the synopsis continues.
Vicky Krieps,...
The auteur has formally announced his latest film “Father Mother Sister Brother,” his first since 2019’s “The Dead Don’t Die.” Jarmusch is reuniting with “The Dead Don’t Die” and “Paterson” actor Adam Driver, who is also leading Francis Ford Coppola’s buzzy Cannes debut “Megalopolis,” as well as his “Coffee & Cigarettes” star Cate Blanchett and frequent collaborator Tom Waits.
“Father Mother Sister Brother” is described as an anthology film following three separate stories centered on strained relationships between adult children and their parents. Each of the trio of plotlines take place in different countries: “Father” is set in the Northeast U.S., “Mother” takes place in Dublin, Ireland, and “Sister Brother” is based in Paris, France.
The film is a “series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy,” the synopsis continues.
Vicky Krieps,...
- 5/16/2024
- by Samantha Bergeson
- Indiewire
Can Lily choose between a past romance and a promising future? “It Ends With Us” sees the character starting over in Boston — even welcoming a new relationship. Lily’s life takes an unexpected turn with the appearance of her first love. The new film marks an important milestone for romance novelist Colleen Hoover. This is the first of Hoover’s books to have a cinematic adaptation.
Read More: The 50 Best Romantic Films Of The 21st Century So Far
Blake Lively portrays Lily Bloom as a woman coming to terms with trauma.
Continue reading ‘It Ends With Us’ Trailer: Blake Lively’s New Romantic Drama Arrives August 9 at The Playlist.
Read More: The 50 Best Romantic Films Of The 21st Century So Far
Blake Lively portrays Lily Bloom as a woman coming to terms with trauma.
Continue reading ‘It Ends With Us’ Trailer: Blake Lively’s New Romantic Drama Arrives August 9 at The Playlist.
- 5/16/2024
- by Valerie Thompson
- The Playlist
In “The Morning Show,” viewers get a glimpse of the glamorous and grueling nature of producing national morning news shows through fictional Uba network anchors Alex Levy (Jennifer Aniston) and Bradley Jackson (Reese Witherspoon).
Season 3 of the Apple TV+ drama sees Uba anchors and executives in multiple new locations beyond their home base of New York City, from Texas to the Hamptons to Montana (and even space!). These environments impacted the work of makeup department head Cindy Williams in unexpected ways.
“When we are shooting in heat, we carry coolers to store the makeup in. Otherwise, it melts,” Williams told IndieWire. “We have hand fans and try to keep them as cool as possible because otherwise, the makeup will disintegrate in extreme heat.”
The location also informs Williams’ makeup design for the characters. For Laura Peterson (Julianna Margulies), an anchor and Bradley’s lover, Williams created a softer look for...
Season 3 of the Apple TV+ drama sees Uba anchors and executives in multiple new locations beyond their home base of New York City, from Texas to the Hamptons to Montana (and even space!). These environments impacted the work of makeup department head Cindy Williams in unexpected ways.
“When we are shooting in heat, we carry coolers to store the makeup in. Otherwise, it melts,” Williams told IndieWire. “We have hand fans and try to keep them as cool as possible because otherwise, the makeup will disintegrate in extreme heat.”
The location also informs Williams’ makeup design for the characters. For Laura Peterson (Julianna Margulies), an anchor and Bradley’s lover, Williams created a softer look for...
- 5/16/2024
- by Felicia Fitzpatrick
- Indiewire
Emily Blunt doesn’t want any mathematical equation to dictate what films get made.
The “Fall Guy” actress said during an interview with Vanity Fair Italy that she hates the “fucking word” algorithm because it does not encompass the “art” form of cinema.
“Some new things frustrate me: algorithms, for example,” Blunt said. “I hate that fucking word, excuse the expletive! How can it be associated with art and content? How can we let it determine what will be successful and what will not?”
Blunt pointed to Best Picture winner “Oppenheimer” as a film that on paper wouldn’t seem like a box office blockbuster.
“Let me explain with an example,” she said. “I was in a three-hour film about a physicist, which had the that impact it had – the algorithms probably wouldn’t have grasped it. My hope is that ‘Oppenheimer’ and similar projects are not considered anomalies, that...
The “Fall Guy” actress said during an interview with Vanity Fair Italy that she hates the “fucking word” algorithm because it does not encompass the “art” form of cinema.
“Some new things frustrate me: algorithms, for example,” Blunt said. “I hate that fucking word, excuse the expletive! How can it be associated with art and content? How can we let it determine what will be successful and what will not?”
Blunt pointed to Best Picture winner “Oppenheimer” as a film that on paper wouldn’t seem like a box office blockbuster.
“Let me explain with an example,” she said. “I was in a three-hour film about a physicist, which had the that impact it had – the algorithms probably wouldn’t have grasped it. My hope is that ‘Oppenheimer’ and similar projects are not considered anomalies, that...
- 5/16/2024
- by Samantha Bergeson
- Indiewire
Cannes – George Miller’s “Furiosa” got a warm reception from global critics and the Cannes Film Festival faithful last night, and it already has many wondering if another “Mad Max” film is in the works. Miller has often told the story about how “Fury Road: A Mad Max Saga” was only made after scripts provided the back stories for Furiosa (originally played by Charlize Theron) and Max (Tom Hardy) were completed.
Continue reading ‘Furiosa’: George Miller Teases Box Office Will Determine More ‘Mad Max’ Movies [Cannes] at The Playlist.
Continue reading ‘Furiosa’: George Miller Teases Box Office Will Determine More ‘Mad Max’ Movies [Cannes] at The Playlist.
- 5/16/2024
- by Gregory Ellwood
- The Playlist
A war can only go on for so long before its causes start to fray at the seams and the people who enlisted to fight on their behalf are forced to reckon with the basic fact of what they’re actually doing out there. Few movies this side of “The Thin Red Line” have been more attuned to that awful but clarifying process of self-recognition than Roberto Minervini’s “The Damned,” a thinly sketched piece of Civil War reenactment about a volunteer unit dispatched to patrol the uncharted borderlands along the western territories during the winter of 1862.
They set off as a noble — even heroic — group of peacekeepers in the proud service of a more perfect union, but after the veil of purpose started to slip loose they were reduced to a bunch of scraggly Union cosplayers fumbling their way through the wilds of Montana in search of anything that might resemble a purpose.
They set off as a noble — even heroic — group of peacekeepers in the proud service of a more perfect union, but after the veil of purpose started to slip loose they were reduced to a bunch of scraggly Union cosplayers fumbling their way through the wilds of Montana in search of anything that might resemble a purpose.
- 5/16/2024
- by David Ehrlich
- Indiewire
Leila and the Wolves.From Dhofar to Vietnam, passing by Lebanon, Palestine, and Egypt, I always found myself siding with the David of the moment against the Goliath of circumstance. My loyalty is always with the oppressed. —Heiny SrourHeiny Srour’s Leila and the Wolves (1984) is a film of monumental resolve and ambition, determined to address the contradictions within the anti-colonial struggle. It tells the forgotten and repressed stories of Arab women throughout the 20th century, fighting against British and Zionist colonialism, but also against male chauvinism, whether at home or on the battlefield. With a single actress playing multiple characters in different historical moments, the film dispenses with teleological linearity to emphasize the recurrence of oppression and the consequent need for constant and multifarious opposition. Born into a Lebanese Jewish family whose extended members were also Muslim, Protestant, and Catholic, Srour rejected from an early age the social hypnosis...
- 5/16/2024
- MUBI
With solid reviews from their “Scream” films, as well as their most recent horror, “Abigail,” you would imagine Radio Silence would stick with horror for their next feature. Well, you’d be wrong. It appears the filmmakers are ready to try their hand at comedy. According to Deadline, Andy Samberg is set to star in a film titled “The Robots Go Crazy,” which will be produced and directed by Radio Silence.
Continue reading ‘The Robots Go Crazy’: Andy Samberg To Star In An Action-Comedy Directed By Radio Silence at The Playlist.
Continue reading ‘The Robots Go Crazy’: Andy Samberg To Star In An Action-Comedy Directed By Radio Silence at The Playlist.
- 5/16/2024
- by Martin Miller
- The Playlist
There is a rug-pull moment in Magnus von Horn’s handsome and captivating period yarn that cleaves his drama into “before” and “after.” It is a testament to the rich and assured storytelling on offer in his Cannes competition entry “The Girl with the Needle” that, although the moment seems to come out of nowhere, it instantly makes sense and serves to ratchet up the tension, propelling the story’s evergreen themes into a confrontational new register.
In post-World War I Copenhagen, we drop in with Karoline (Vic Carmen Sonne) as she is being evicted from a pleasant room in a respectable part of town. With her soldier husband Mia, her factory worker wages don’t cover the rent and she has fallen into arrears. The rapacious need of this time is telegraphed as mere minutes after Karoline receives her marching orders, the woman replacing her arrives to look over the room.
In post-World War I Copenhagen, we drop in with Karoline (Vic Carmen Sonne) as she is being evicted from a pleasant room in a respectable part of town. With her soldier husband Mia, her factory worker wages don’t cover the rent and she has fallen into arrears. The rapacious need of this time is telegraphed as mere minutes after Karoline receives her marching orders, the woman replacing her arrives to look over the room.
- 5/15/2024
- by Sophie Monks Kaufman
- Indiewire
Reader, you have been lied to! Film history is littered with unfairly maligned classics, whether critics were too eager to review the making of rather than the finished product, or they suffered from underwhelming ad campaigns or general disinterest. Let’s revise our takes on some of these films from wrongheaded to the correct opinion.
In 1972, Peter Bogdanovich, Francis Coppola, and William Friedkin were three of the hottest directors in Hollywood thanks to finding the sweet spot between art and box office with “The Last Picture Show,” “The Godfather,” and “The French Connection,” respectively. With their newfound clout, the young auteurs formed The Directors Company, a partnership based at Paramount, where they were given complete creative freedom to make anything they wanted as long as they worked within modest budgets. The first movie the deal yielded, “Paper Moon,” was a hit, Bogdanovich’s third in a row after “Picture Show...
In 1972, Peter Bogdanovich, Francis Coppola, and William Friedkin were three of the hottest directors in Hollywood thanks to finding the sweet spot between art and box office with “The Last Picture Show,” “The Godfather,” and “The French Connection,” respectively. With their newfound clout, the young auteurs formed The Directors Company, a partnership based at Paramount, where they were given complete creative freedom to make anything they wanted as long as they worked within modest budgets. The first movie the deal yielded, “Paper Moon,” was a hit, Bogdanovich’s third in a row after “Picture Show...
- 5/15/2024
- by Jim Hemphill
- Indiewire
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThere Is No Evil.Facing eight years in prison, Mohammad Rasoulof has fled Iran for Europe and may even be in Cannes next week for the premiere of The Seed of the Sacred Fig. In a statement, he concludes, “Many people helped to make this film. My thoughts are with all of them, and I fear for their safety and well-being.”The US 10th Circuit Court of Appeals has ruled against Netflix in a case determining whether a video excerpted for Tiger King (2020–21) constituted fair use. The ruling may have far-reaching implications for documentary makers.Cannesa rumored list of ten alleged abusers in the film industry has not yet materialized, but Cannes reportedly has a crisis management team...
- 5/15/2024
- MUBI
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get your picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get your picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/15/2024
- by Wilson Chapman
- Indiewire
With 11 feature films, six live-action series, nine animated series — and, lest we forget, one holiday special — the original “Star Wars Episode IV: A New Hope” is starting to feel like it was a long time ago in a galaxy far, far away. “Ahsoka” occupies an interesting spot at the nexus of “Star Wars” storytelling from the past couple decades, though.
The Disney+ series acts as a bridge between the worlds of Dave Filoni’s work on the excellent animated “Rebels” and the innovative technical approach to “The Mandalorian.” Ahsoka Tano (Rosario Dawson), former apprentice to Anakin Skywalker (Hayden Christensen), may have the challenge of trying to preserve the galaxy in the face of sinister threats from Morgan Elsbeth (Diana Lee Inosanto) and others, but “Ahsoka” has the challenge of blending templates set in animation with the demands of live-action — and pushing both forward, as the show takes Ahsoka and the...
The Disney+ series acts as a bridge between the worlds of Dave Filoni’s work on the excellent animated “Rebels” and the innovative technical approach to “The Mandalorian.” Ahsoka Tano (Rosario Dawson), former apprentice to Anakin Skywalker (Hayden Christensen), may have the challenge of trying to preserve the galaxy in the face of sinister threats from Morgan Elsbeth (Diana Lee Inosanto) and others, but “Ahsoka” has the challenge of blending templates set in animation with the demands of live-action — and pushing both forward, as the show takes Ahsoka and the...
- 5/15/2024
- by Sarah Shachat
- Indiewire
Since he was last on the podcast (Ep. 112), Tom Pelphrey has been nominated for an Emmy for his work on Ozark, he’s had juicy roles on Outer Range and David E. Kelly’s Love and Death, and now Kelly has given Pelphrey perhaps his most exciting role to date in the character of Raymond Peepgrass in Netflix’s A Man In Full. On this episode, Pelphrey takes us deep into his work on that limited series. He talks about why a good costumer designer is an actor’s best friend, what made him feel free to go “full weird” with Regina King, […]
The post “You Have to Make it All Personal”: Tom Pelphrey, Back To One, Episode 291 first appeared on Filmmaker Magazine.
The post “You Have to Make it All Personal”: Tom Pelphrey, Back To One, Episode 291 first appeared on Filmmaker Magazine.
- 5/15/2024
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
Since he was last on the podcast (Ep. 112), Tom Pelphrey has been nominated for an Emmy for his work on Ozark, he’s had juicy roles on Outer Range and David E. Kelly’s Love and Death, and now Kelly has given Pelphrey perhaps his most exciting role to date in the character of Raymond Peepgrass in Netflix’s A Man In Full. On this episode, Pelphrey takes us deep into his work on that limited series. He talks about why a good costumer designer is an actor’s best friend, what made him feel free to go “full weird” with Regina King, […]
The post “You Have to Make it All Personal”: Tom Pelphrey, Back To One, Episode 291 first appeared on Filmmaker Magazine.
The post “You Have to Make it All Personal”: Tom Pelphrey, Back To One, Episode 291 first appeared on Filmmaker Magazine.
- 5/15/2024
- by Peter Rinaldi
- Filmmaker Magazine - Blog
Cannes – At the very least, and no matter what your personal opinion of the end result, “Furiosa: A Mad Max Saga” is a reminder. A reminder to never, never, ever doubt the brilliance of George Miller’s cinematic eye. Almost 50 years since his feature film debut, the celebrated filmmaker continues to fashion images that find a way to burn themselves in your brain time and time again. It’s no surprise then, that Miller’s visual touch helps elevate his latest endeavor into more than just a prequel to 2015’s landmark achievement, “Mad Max: Fury Road.”
Read More: Cannes Film Festival 2022: The 22 films everyone will be buzzing about
To be clear, we’re not suggesting that Miller’s overall directing skills are waning.
Continue reading ‘Furiosa’ Review: Anya Taylor-Joy Is Searching For Vengeance In George Miller’s Wasteland War [Cannes] at The Playlist.
Read More: Cannes Film Festival 2022: The 22 films everyone will be buzzing about
To be clear, we’re not suggesting that Miller’s overall directing skills are waning.
Continue reading ‘Furiosa’ Review: Anya Taylor-Joy Is Searching For Vengeance In George Miller’s Wasteland War [Cannes] at The Playlist.
- 5/15/2024
- by Gregory Ellwood
- The Playlist
Sitting at a capacious round table filled with half-a-dozen entertainment reporters, Gary Oldman describes himself as a fan of television. “Some of the best stuff you see is on your television screen,” he said. “I love long-form.”
Frankly, this isn’t the first time a movie star who’s new to television has praised the medium printing his paychecks. But Oldman — in a winding, hourlong conversation pegged to “Slow Horses,” his first TV role as a series regular — really does seem to love the visual art of serialized narratives. During the December luncheon (hosted by Apple in New York’s Tribeca neighborhood), he brought up a dozen shows, often unprompted, and even quoted his favorite line from “Succession” off the cuff.
“God, [Brian] Cox had one of the greatest lines when he said, ‘What is that smell in here? It’s like a cheesemonger died and left his cock in the brie,...
Frankly, this isn’t the first time a movie star who’s new to television has praised the medium printing his paychecks. But Oldman — in a winding, hourlong conversation pegged to “Slow Horses,” his first TV role as a series regular — really does seem to love the visual art of serialized narratives. During the December luncheon (hosted by Apple in New York’s Tribeca neighborhood), he brought up a dozen shows, often unprompted, and even quoted his favorite line from “Succession” off the cuff.
“God, [Brian] Cox had one of the greatest lines when he said, ‘What is that smell in here? It’s like a cheesemonger died and left his cock in the brie,...
- 5/15/2024
- by Ben Travers
- Indiewire
After years of resisting any shift into live sports, Netflix has finally punted and will now stream two NFL games on Christmas Day beginning this year.
It’s a major coup for Netflix, even if the games are on a Wednesday — so get ready for Tbd announcers to read a lot of “Wednesday” promos. Netflix will also get at least one game around the holidays for both 2025 and 2026. There’s no way around it now: Netflix has live sports.
Netflix would never put it this way, but the money the streamer is spending on these games is something it would’ve previously spent elsewhere, perhaps on say…a movie?
Spencer Wang, Netflix’s VP of finance, investor relations, and corporate development, said at the Moffett Nathanson conference this morning that Netflix is spending on the NFL package about what it costs the streamer to make a mid-budget movie. Wang added...
It’s a major coup for Netflix, even if the games are on a Wednesday — so get ready for Tbd announcers to read a lot of “Wednesday” promos. Netflix will also get at least one game around the holidays for both 2025 and 2026. There’s no way around it now: Netflix has live sports.
Netflix would never put it this way, but the money the streamer is spending on these games is something it would’ve previously spent elsewhere, perhaps on say…a movie?
Spencer Wang, Netflix’s VP of finance, investor relations, and corporate development, said at the Moffett Nathanson conference this morning that Netflix is spending on the NFL package about what it costs the streamer to make a mid-budget movie. Wang added...
- 5/15/2024
- by Brian Welk
- Indiewire
Yes, we all know that Anthony Mackie is gearing up to lead his first solo Marvel movie with “Captain America: Brave New World,” but that doesn’t mean he’s resting on his laurels until then. Apparently, he’s got a new series coming to Apple TV+, “12 12 12,” and a famous co-star.
Read More: New ‘Captain America: Brave New World’ First Look May Explain Why Some Spoilers Are Out Super Early
According to Variety, Anthony Mackie and Jamie Dornan are set to star opposite each other in “12 12 12,” a new heist series coming to Apple TV+.
Continue reading ’12 12 12′: Anthony Mackie & Jamie Dornan To Star In Apple TV+ Heist Series at The Playlist.
Read More: New ‘Captain America: Brave New World’ First Look May Explain Why Some Spoilers Are Out Super Early
According to Variety, Anthony Mackie and Jamie Dornan are set to star opposite each other in “12 12 12,” a new heist series coming to Apple TV+.
Continue reading ’12 12 12′: Anthony Mackie & Jamie Dornan To Star In Apple TV+ Heist Series at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
Boutique DVD/Blu-Ray label The Criterion Collection always has a terrific monthly line-up, and its August 2024 releases are no different. Highlighting late summer’s Criterion announcements are a pair of comedian Albert Brooks films that have been out of print on DVD for quite some time. The first is Brooks’ 1979 directorial debut, the reality TV spoof “Real Life,” and the second is the 1996 comedy “Mother” co-starring Debbie Reynolds.
Continue reading Criterion Adds Two New Albert Brooks Films, Martha Coolidge’s ‘Not A Pretty Picture’ & More For August 2024 at The Playlist.
Continue reading Criterion Adds Two New Albert Brooks Films, Martha Coolidge’s ‘Not A Pretty Picture’ & More For August 2024 at The Playlist.
- 5/15/2024
- by The Playlist
- The Playlist
At the beginning of the year, Chad Stahelski signed a deal with Lionsgate to be the creative leader of the “John Wick” franchise and any spinoffs that will be coming. We already know that “The Ballerina” is on the way, but it looks like Stahelski is ready to unveil the newest spinoff from his incredible action franchise.
Read More: Chad Stahelski Confirms ‘Highlander’ Is Next & Signs New Deal To Oversee Entire ‘John Wick’ Franchise
According to Variety, Donnie Yen has signed on to star in the upcoming “John Wick” spinoff focused on his character Caine, who made an appearance in ‘Chapter 4.’ In the film, Caine is a blind assassin who is hired to take down Wick.
Continue reading ‘John Wick’: Donnie Yen To Return As Caine For A Spinoff Film at The Playlist.
Read More: Chad Stahelski Confirms ‘Highlander’ Is Next & Signs New Deal To Oversee Entire ‘John Wick’ Franchise
According to Variety, Donnie Yen has signed on to star in the upcoming “John Wick” spinoff focused on his character Caine, who made an appearance in ‘Chapter 4.’ In the film, Caine is a blind assassin who is hired to take down Wick.
Continue reading ‘John Wick’: Donnie Yen To Return As Caine For A Spinoff Film at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
The heart of “Wild Diamond,” the only debut to play in competition at Cannes this year, is a story we’ve seen before. A young woman living in grim-to-disappointing circumstances has dreams of stardom, and her journey toward fame takes her to dark places, physically and emotionally. You can find versions of this scenario in Andrea Arnold’s “Fish Tank” to Ninja Thyberg’s “Pleasure.” Director Agathe Riedinger’s debut feature has little new to say about the pursuit of fame and the toll it takes despite a truly unique heroine in Liane, played with a strange and alluring distance by Malou Khebizi. It’s only a shame that the film does her a disservice in leaving the world around her underdeveloped.
The 19-year-old Liane has mastered the art of making herself up for the internet. In one sequence, we watch as she gets ready. She contours her face with precision.
The 19-year-old Liane has mastered the art of making herself up for the internet. In one sequence, we watch as she gets ready. She contours her face with precision.
- 5/15/2024
- by Esther Zuckerman
- Indiewire
Marvel really knows how to put together a cast, huh? Even if the studio had a rough 2023 and people are complaining about “superhero fatigue,” Kevin Feige is still able to convince some great actors to put on some tights for a film. And the latest proof is with “The Fantastic Four.”
Read More: ‘Fantastic Four’: Ralph Ineson To Play Villain Galactus, John Malkovich Joins In Mystery Role
According to Deadline, Natasha Lyonne is the latest actor to join “The Fantastic Four.” Seriously, think about this cast.
Continue reading ‘The Fantastic Four’: Natasha Lyonne Is The Latest Actor To Join Marvel’s All-Star Cast at The Playlist.
Read More: ‘Fantastic Four’: Ralph Ineson To Play Villain Galactus, John Malkovich Joins In Mystery Role
According to Deadline, Natasha Lyonne is the latest actor to join “The Fantastic Four.” Seriously, think about this cast.
Continue reading ‘The Fantastic Four’: Natasha Lyonne Is The Latest Actor To Join Marvel’s All-Star Cast at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
In this episode, writing and directing are discussed as deeply intimate and emotionally demanding professions.Ana Cristina Barragán is a young and prolific Ecuadorian director internationally recognized for her debut feature Alba, a film that won the Lions Award at the Rotterdam Film Festival and the Fipresci Critics' Prize in Toulouse. Over the past ten years, she has directed several short films and two feature films that have been presented in venues such as Locarno, San Sebastian, Toronto, and Thessaloniki. In her works, she has portrayed, in a haunting and sometimes gloomy way, intimate experiences of girls and teenagers facing death for the first time. Alba and La piel pulpo, her second feature film, were nominated for the Goya Award for Best Ibero-American Film.On the other hand, Sofía Quirós Ubeda is a director and screenwriter from Costa Rica based in Argentina. Her short film Selva and her debut feature...
- 5/15/2024
- MUBI
Anya Taylor-Joy may play a vengeful warrior in “Furiosa: A Mad Max Saga,” but the actress also had to battle her way a bit creatively while on set for the sprawling epic.
Taylor-Joy told The New York Times that she had to fight to have her title character unleash a scream in the feature, helmed by George Miller.
“We’re animals, and there’s a point where somebody just snaps,” Taylor-Joy said. “There’s one scream in that movie, and I am not joking when I tell you that I fought for that scream for three months. I am a really strong advocate of female rage.”
Taylor-Joy explained how the character of Furiosa felt “real” to her, and almost like a friend she needed to protect. “I defend, to a fault, their interest,” she said of all of her roles, especially in the “Mad Max: Fury Road” prequel.
“With George,...
Taylor-Joy told The New York Times that she had to fight to have her title character unleash a scream in the feature, helmed by George Miller.
“We’re animals, and there’s a point where somebody just snaps,” Taylor-Joy said. “There’s one scream in that movie, and I am not joking when I tell you that I fought for that scream for three months. I am a really strong advocate of female rage.”
Taylor-Joy explained how the character of Furiosa felt “real” to her, and almost like a friend she needed to protect. “I defend, to a fault, their interest,” she said of all of her roles, especially in the “Mad Max: Fury Road” prequel.
“With George,...
- 5/15/2024
- by Samantha Bergeson
- Indiewire
Will Ferrell is ready to make a Netflix series, and he’s teaming with Ramy Youssef to make it happen.
According to a just-released Netflix announcement, Ferrell and Youssef are set to star opposite each other in the new series “Golf”. The exact plot of the series isn’t known, but we do know that Ferrell will play a fictional golf legend in the show.
Continue reading ‘Golf’: Will Ferrell & Ramy Youssef To Star In A New Netflix Comedy Series at The Playlist.
According to a just-released Netflix announcement, Ferrell and Youssef are set to star opposite each other in the new series “Golf”. The exact plot of the series isn’t known, but we do know that Ferrell will play a fictional golf legend in the show.
Continue reading ‘Golf’: Will Ferrell & Ramy Youssef To Star In A New Netflix Comedy Series at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
With Cannes 2024 underway, host Rico Gagliano takes a tour of the lesser-known corners of the legendary film festival—avoiding red-carpet glamour to bring you tales of spiritual seekers, aspiring filmmakers on the street, and the ongoing drama of the fest’s favorite dive bar. Featuring on-location conversations with Wim Wenders, UK critic Anna Bogutskaya, ecumenical jury member Jane Stranz, and a bunch of random passersby.Listen to the special episode below or wherever you get your podcasts.And if you want to dive into some of the festival's past masterpieces, check out our Cannes Takeover series, streaming now.Apple PodcastsStitcherSpotifyGoogle PodcastsMore...
- 5/15/2024
- MUBI
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
Season 3 of “Bridgerton” promises everything audiences love about the show: gossip, gloves, and games. This season finally focuses on the romance between Penelope (Nicola Coughlan) and Colin (Luke Newton) which isn’t an easy road because there’s someone else in the mix, Lord Debling (Sam Phillips). Other storylines include Francesca Bridgerton’s (Hannah Dodd) introduction into society which she doesn’t take too well.
A longtime series writer, Jess Brownell, steps into season three’s showrunner shoes and brings back a mix of old favorite characters into a greater spotlight and new characters to come in and shake up society. Here’s all the actors who are main players and who they’ll be playing in season 3.
Luke Newton (Colin Bridgerton)
Newton with...
Season 3 of “Bridgerton” promises everything audiences love about the show: gossip, gloves, and games. This season finally focuses on the romance between Penelope (Nicola Coughlan) and Colin (Luke Newton) which isn’t an easy road because there’s someone else in the mix, Lord Debling (Sam Phillips). Other storylines include Francesca Bridgerton’s (Hannah Dodd) introduction into society which she doesn’t take too well.
A longtime series writer, Jess Brownell, steps into season three’s showrunner shoes and brings back a mix of old favorite characters into a greater spotlight and new characters to come in and shake up society. Here’s all the actors who are main players and who they’ll be playing in season 3.
Luke Newton (Colin Bridgerton)
Newton with...
- 5/15/2024
- by Kerensa Cadenas
- Indiewire
The usual Cannes opening night ritual — introduce the jury and its president (auteur Greta Gerwig) who will weigh in on 22 competition titles — was co-opted by the larger-than-life presence of Meryl Streep, resplendent in white. She graciously accepted the Palme d’Or from a sincere Juliette Binoche, resplendent in red, who wrote her heartfelt tribute from one artist to another.
“You changed how women are portrayed,” Binoche said, crying. The two actresses were well-matched. And the black tie audience at the Palais gave Streep a lengthy, sustained ovation, which clearly both delighted and embarrassed her. She pretended to leave.
That ovation repeated Wednesday at the packed Salle Debussy, as Streep, a little worse for wear after debating the merits of Quentin Dupieux’s acting comedy “The Second Act” at the Cannes after-party, answered questions from Didier Allouch. “I didn’t go to bed until 3 talking about the amazing film,” she said.
“You changed how women are portrayed,” Binoche said, crying. The two actresses were well-matched. And the black tie audience at the Palais gave Streep a lengthy, sustained ovation, which clearly both delighted and embarrassed her. She pretended to leave.
That ovation repeated Wednesday at the packed Salle Debussy, as Streep, a little worse for wear after debating the merits of Quentin Dupieux’s acting comedy “The Second Act” at the Cannes after-party, answered questions from Didier Allouch. “I didn’t go to bed until 3 talking about the amazing film,” she said.
- 5/15/2024
- by Anne Thompson
- Indiewire
To transform into the famed “Rehab” singer, Marisa Abela realized she had to rehabilitate Amy Winehouse’s memory herself with the help of modern therapy.
The “Back to Black” lead was faced with dismantling the assumptions of Winehouse’s legacy and the media judgments upon her love life, drug use, and death at age 27 after being cast in the buzzy yet assumedly controversial biopic. The Winehouse fan backlash began as soon as Abela was announced to be portraying her; paparazzi stalked the set, and tabloids dove into viral clips of Abela singing in character, only to debate whether or not she looked like Winehouse onscreen, let alone sound like her.
It’s proof that the lore surrounding Winehouse more than a decade after her passing is still too easily slotted into certain judgments in the zeitgeist: tortured artist, lovesick wife, impulsive addict, victim of men. And how can one person...
The “Back to Black” lead was faced with dismantling the assumptions of Winehouse’s legacy and the media judgments upon her love life, drug use, and death at age 27 after being cast in the buzzy yet assumedly controversial biopic. The Winehouse fan backlash began as soon as Abela was announced to be portraying her; paparazzi stalked the set, and tabloids dove into viral clips of Abela singing in character, only to debate whether or not she looked like Winehouse onscreen, let alone sound like her.
It’s proof that the lore surrounding Winehouse more than a decade after her passing is still too easily slotted into certain judgments in the zeitgeist: tortured artist, lovesick wife, impulsive addict, victim of men. And how can one person...
- 5/15/2024
- by Samantha Bergeson
- Indiewire
Over the past several months, on more than one occasion, we’ve heard from Disney executives about how they’re going to be cutting back a bit on streaming and put the focus on streamlining releases. That is to say, all that talk about how Disney+ was going to be the golden goose of the company was a bit premature. In fact, the CEO is now talking about how the studio fumbled the streaming space.
Continue reading Disney CEO Says Studio “Tried To Tell Too Many Stories” With Streaming Launch & Led To $4 Billion Lost at The Playlist.
Continue reading Disney CEO Says Studio “Tried To Tell Too Many Stories” With Streaming Launch & Led To $4 Billion Lost at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
If time is a river, as the oft-repeated phrase echoes through the second season of Prime Video’s mysterious, existential Western and metaphysical sci-fi series, the “Outer Range,” then the unrelenting flow of time is also an unforgivable force that stops for no man. Weirder and darker than ever, and yet somehow streamlined and more ruggedly focused, thanks to the series’ new veteran showrunner Charles Murray, “Outer Range” continues to grip and mesmerize with its mind-bending, enigmatic blend of family anxieties, crisis-of-faith dilemmas, impending land rivalries, and the burden of keeping secrets.
Continue reading ‘Outer Range’ Review: Time Is A River For Josh Brolin In Still Weird, Existentially Compelling Season 2 at The Playlist.
Continue reading ‘Outer Range’ Review: Time Is A River For Josh Brolin In Still Weird, Existentially Compelling Season 2 at The Playlist.
- 5/15/2024
- by Rodrigo Perez
- The Playlist
Unlike Cannes’ industry-catered competition section, the festival’s independent sidebar Directors’ Fortnight defines itself around audience outreach.
Headquartered halfway down the Croisette, equidistant from the Palais des Festivals, where the official selection screens for an industry-only crowd, Fortnight embraces the sprawl. The 56th edition programs 21 features and another eight shorts from May 15-25 (starting with Sophie Fillières’ posthumous “This Life of Mine”) while bringing select titles to many theaters far from the main drag.
That same selection will also offer the easiest point of access for so many locals, for whom Fortnight is often synonymous with Cannes, and who can always count on a 30-minute Q&a after each screening. Further afield, however, that clarity of identity begins to fade.
For one thing, the showcase doesn’t have a recognizable pitchman. In the time since Thierry Frémaux took over the official selection in 2004, Directors’ Fortnight has seen four artistic directors come and go,...
Headquartered halfway down the Croisette, equidistant from the Palais des Festivals, where the official selection screens for an industry-only crowd, Fortnight embraces the sprawl. The 56th edition programs 21 features and another eight shorts from May 15-25 (starting with Sophie Fillières’ posthumous “This Life of Mine”) while bringing select titles to many theaters far from the main drag.
That same selection will also offer the easiest point of access for so many locals, for whom Fortnight is often synonymous with Cannes, and who can always count on a 30-minute Q&a after each screening. Further afield, however, that clarity of identity begins to fade.
For one thing, the showcase doesn’t have a recognizable pitchman. In the time since Thierry Frémaux took over the official selection in 2004, Directors’ Fortnight has seen four artistic directors come and go,...
- 5/15/2024
- by Ben Croll
- Indiewire
After two Palme d’Or wins, it feels like Ruben Östlund can make a movie about whatever the hell he wants with whatever actors he chooses. And for his new film, “The Entertainment System is Down,” it appears he’s doing just that. Plus, he bought a plane.
Read More: ‘The Entertainment System Is Down’: Keanu Reeves In Talks To Star In Ruben Östlund’s Upcoming Airplane Disaster Film
Deadline is reporting that Kirsten Dunst and Daniel Brühl are the latest actors to join Ruben Östlund’s ensemble cast for the satirical film, “The Entertainment System is Down.” The film tells the story of a long airplane flight where the onboard entertainment system goes down.
Continue reading ‘The Entertainment System Is Down’: Kirsten Dunst & Daniel Brühl Join Ruben Östlund’s Next Film at The Playlist.
Read More: ‘The Entertainment System Is Down’: Keanu Reeves In Talks To Star In Ruben Östlund’s Upcoming Airplane Disaster Film
Deadline is reporting that Kirsten Dunst and Daniel Brühl are the latest actors to join Ruben Östlund’s ensemble cast for the satirical film, “The Entertainment System is Down.” The film tells the story of a long airplane flight where the onboard entertainment system goes down.
Continue reading ‘The Entertainment System Is Down’: Kirsten Dunst & Daniel Brühl Join Ruben Östlund’s Next Film at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
We will update this article throughout the season, along with all our predictions, so make sure to keep checking IndieWire for the latest news from the 2024 Emmys race. The nomination round of voting takes place from June 13 to June 24, with the official Emmy nominations announced Wednesday, July 17. Afterwards, final voting commences on August 15 and ends the night of August 26. The 76th Annual Primetime Emmy Awards are set to take place on Sunday, September 15, and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
The State of the Race
To be fair, and to not be a downer all the time about the variety series categories, the move to create a new Outstanding Scripted Variety Series category did re-energize this particular awards race a bit by putting “Last Week Tonight with John Oliver” and “Saturday Night Live” — two shows on huge Emmy-winning streaks — against each other for the first time ever.
The State of the Race
To be fair, and to not be a downer all the time about the variety series categories, the move to create a new Outstanding Scripted Variety Series category did re-energize this particular awards race a bit by putting “Last Week Tonight with John Oliver” and “Saturday Night Live” — two shows on huge Emmy-winning streaks — against each other for the first time ever.
- 5/15/2024
- by Marcus Jones
- Indiewire
Amidst wi-fi and cellular outages, a threatened workers’ strike, and dialogue around the #MeToo movement in France, the 77th edition of the Cannes Film Festival is underway. For Filmmaker, Vadim Rizov and Blake Williams are both back with on-the-ground reports and Critics Notebooks, and we begin with this list of 15 films that might be sliding under your radar. You don’t need us to recommend Coppola’s Megalopolis, Schrader’s Oh Canada, Cronenberg’s The Shrouds or any of the other titles from the higher-profile auteurs. Instead, we’ve focused here on debuting directors, U.S. independents, and arthouse auteurs who have dazzled us with […]
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
- 5/15/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Amidst wi-fi and cellular outages, a threatened workers’ strike, and dialogue around the #MeToo movement in France, the 77th edition of the Cannes Film Festival is underway. For Filmmaker, Vadim Rizov and Blake Williams are both back with on-the-ground reports and Critics Notebooks, and we begin with this list of 15 films that might be sliding under your radar. You don’t need us to recommend Coppola’s Megalopolis, Schrader’s Oh Canada, Cronenberg’s The Shrouds or any of the other titles from the higher-profile auteurs. Instead, we’ve focused here on debuting directors, U.S. independents, and arthouse auteurs who have dazzled us with […]
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
The post 15 Films Not to Miss at the 2024 Cannes Film Festival first appeared on Filmmaker Magazine.
- 5/15/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
‘Wicked’ Trailer: Cynthia Erivo & Ariana Grande Lead Jon M. Chu’s Adaptation Of The Broadway Musical
“The Wizard of Oz” is often cited as one of the greatest films of all time. And though we tend to poopoo any talk of prequels and sequels to treasured classics, there’s no denying everyone’s excitement for “Wicked.” The two-part film debuts its first half later this year and is expected to have the potential of being a major blockbuster.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer for “Wicked,” the film is based on the acclaimed Broadway musical and tells the story of Glinda and Elphaba, two budding witches as they go to the Shiz University to help grow their craft.
Continue reading ‘Wicked’ Trailer: Cynthia Erivo & Ariana Grande Lead Jon M. Chu’s Adaptation Of The Broadway Musical at The Playlist.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer for “Wicked,” the film is based on the acclaimed Broadway musical and tells the story of Glinda and Elphaba, two budding witches as they go to the Shiz University to help grow their craft.
Continue reading ‘Wicked’ Trailer: Cynthia Erivo & Ariana Grande Lead Jon M. Chu’s Adaptation Of The Broadway Musical at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
Ariana Grande is returning to her child-star roots to play Glinda the Good Witch in Jon M. Chu’s “Wicked.”
The highly-anticipated film adaptation of the Tony award-winning Broadway musical stars Cynthia Erivo as Elphaba (later known as the Wicked Witch of the West) as she and Glinda (Grande) befriend one another in college only to later both fall for the same classmate Prince Fiyero (Jonathan Bailey) against the political turmoil in the land of Oz, run by the Wizard (Jeff Goldblum). The cast includes Michelle Yeoh, Bowen Yang, Peter Dinklage, Adam James, Keala Settle, Bronwyn James, Ethan Slater, and Colin Michael Carmichael.
“In the Heights” and “Crazy Rich Asians” director Chu helms the two-part musical, written by Tony nominee Winnie Holzman. “Wicked” will debut in two parts, with respective holiday releases in 2024 and 2025.
Chu made the announcement of the split in a 2022 Instagram post, writing, “We decided to give...
The highly-anticipated film adaptation of the Tony award-winning Broadway musical stars Cynthia Erivo as Elphaba (later known as the Wicked Witch of the West) as she and Glinda (Grande) befriend one another in college only to later both fall for the same classmate Prince Fiyero (Jonathan Bailey) against the political turmoil in the land of Oz, run by the Wizard (Jeff Goldblum). The cast includes Michelle Yeoh, Bowen Yang, Peter Dinklage, Adam James, Keala Settle, Bronwyn James, Ethan Slater, and Colin Michael Carmichael.
“In the Heights” and “Crazy Rich Asians” director Chu helms the two-part musical, written by Tony nominee Winnie Holzman. “Wicked” will debut in two parts, with respective holiday releases in 2024 and 2025.
Chu made the announcement of the split in a 2022 Instagram post, writing, “We decided to give...
- 5/15/2024
- by Samantha Bergeson
- Indiewire
We will update this article throughout the season, along with all our predictions, so make sure to keep checking IndieWire for the latest news from the 2024 Emmys race. The nomination round of voting takes place from June 13 to June 24, with the official Emmy nominations announced Wednesday, July 17. Afterwards, final voting commences on August 15 and ends the night of August 26. The 76th Annual Primetime Emmy Awards are set to take place on Sunday, September 15, and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
The State of the Race
It is hard to not find the situation with Outstanding Talk Series to be pretty bleak. For over two decades anything related to “The Daily Show with Jon Stewart” has won. More recently “Last Week Tonight with John Oliver was winning the previous iteration of the category so much that the Television Academy changed the rules to move...
The State of the Race
It is hard to not find the situation with Outstanding Talk Series to be pretty bleak. For over two decades anything related to “The Daily Show with Jon Stewart” has won. More recently “Last Week Tonight with John Oliver was winning the previous iteration of the category so much that the Television Academy changed the rules to move...
- 5/15/2024
- by Marcus Jones
- Indiewire
Of all the shows to debut last year, you could argue that HBO’s “The Last of Us” was the biggest breakout. Not only was it a faithful adaptation of the Playstation video game series, but it also won over casual viewers as a must-see event. Now, everyone is eagerly anticipating the return of the series for Season 2.
Read More: ‘The Last of Us,’ ‘Dead Ringers,’ ‘The Bear’ Among 2024 Peabody Awards Nominees
While we’re still pretty far away from the release of Season 2, HBO has released first-look images of the new batch of episodes, highlighting the two biggest returning names, Pedro Pascal and Bella Ramsey, as Joel and Ellie, respectively.
Continue reading ‘The Last Of Us’ Season 2 First Look: HBO Releases Images From The New Season Coming In 2025 at The Playlist.
Read More: ‘The Last of Us,’ ‘Dead Ringers,’ ‘The Bear’ Among 2024 Peabody Awards Nominees
While we’re still pretty far away from the release of Season 2, HBO has released first-look images of the new batch of episodes, highlighting the two biggest returning names, Pedro Pascal and Bella Ramsey, as Joel and Ellie, respectively.
Continue reading ‘The Last Of Us’ Season 2 First Look: HBO Releases Images From The New Season Coming In 2025 at The Playlist.
- 5/15/2024
- by Martin Miller
- The Playlist
Dawn Porter’s documentary about R&b icon Luther Vandross, “Luther: Never Too Much,” has been acquired by CNN Films in partnership with the Oprah Winfrey Network (OWN), IndieWire can reveal exclusively.
The documentary film, which first premiered at this year’s Sundance Film Festival, will debut in 2025 first on television on CNN and OWN before it lands on Max.
The acquisition is encouraging news for CNN Films, which back in 2022 under former boss Chris Licht scaled back on its original documentary films. The brand moved away from acquisitions or commissioning projects and opted instead for newsy, quick turnaround docs produced in-house.
But CNN Films also partnered with Warner Bros. Discovery and DC Studios on this fall’s release of “Super/Man: The Christopher Reeve Story,” so the two acquisitions, both from this year’s Sundance, is a positive step forward for the documentary brand.
“Luther: Never Too Much” chronicles the story of a vocal virtuoso,...
The documentary film, which first premiered at this year’s Sundance Film Festival, will debut in 2025 first on television on CNN and OWN before it lands on Max.
The acquisition is encouraging news for CNN Films, which back in 2022 under former boss Chris Licht scaled back on its original documentary films. The brand moved away from acquisitions or commissioning projects and opted instead for newsy, quick turnaround docs produced in-house.
But CNN Films also partnered with Warner Bros. Discovery and DC Studios on this fall’s release of “Super/Man: The Christopher Reeve Story,” so the two acquisitions, both from this year’s Sundance, is a positive step forward for the documentary brand.
“Luther: Never Too Much” chronicles the story of a vocal virtuoso,...
- 5/15/2024
- by Brian Welk
- Indiewire
Rene Russo’s big break in “Major League” came with a minor problem.
The “Major League” writer/director David S. Ward recalled during the “Hollywood Gold” podcast (via Entertainment Weekly) that Russo was “so nervous” both in the audition and on set that she kept using her hands too much in scenes. As a result, Ward opted to “tie down” her hands so Russo could temper her gestures. “Major League” marked Russo’s first role.
“The only problem we had with her was she’s Italian, and when she gets going there’s a lot of the hands, a lot of the talking with the hands, you know?” Ward said. “And they would be flying across her face.”
While filming the 1989 baseball comedy that co-starred Charlie Sheen, Ward told Russo to keep her hands out of her own face.
“I said, ‘Rene, you’ve got to keep the hands down,...
The “Major League” writer/director David S. Ward recalled during the “Hollywood Gold” podcast (via Entertainment Weekly) that Russo was “so nervous” both in the audition and on set that she kept using her hands too much in scenes. As a result, Ward opted to “tie down” her hands so Russo could temper her gestures. “Major League” marked Russo’s first role.
“The only problem we had with her was she’s Italian, and when she gets going there’s a lot of the hands, a lot of the talking with the hands, you know?” Ward said. “And they would be flying across her face.”
While filming the 1989 baseball comedy that co-starred Charlie Sheen, Ward told Russo to keep her hands out of her own face.
“I said, ‘Rene, you’ve got to keep the hands down,...
- 5/15/2024
- by Samantha Bergeson
- Indiewire
We will update this article throughout the season, along with all our predictions, so make sure to keep checking IndieWire for the latest news from the 2024 Emmys race. The nomination round of voting takes place from June 13 to June 24, with the official Emmy nominations announced Wednesday, July 17. Afterwards, final voting commences on August 15 and ends the night of August 26. The 76th Annual Primetime Emmy Awards are set to take place on Sunday, September 15, and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
The State of the Race
This year, Outstanding Animated Program is arguably the most competitive of the more recognizable Emmys categories. As proven by last year, with “The Simpsons” winning for its 34th season, it is one of the only categories where multiple shows that have been on the air for decades remain super competitive year-to-year
In addition to the aforementioned longest-running Fox...
The State of the Race
This year, Outstanding Animated Program is arguably the most competitive of the more recognizable Emmys categories. As proven by last year, with “The Simpsons” winning for its 34th season, it is one of the only categories where multiple shows that have been on the air for decades remain super competitive year-to-year
In addition to the aforementioned longest-running Fox...
- 5/15/2024
- by Marcus Jones
- Indiewire
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
Lady Whistledown’s innovation among the scandal sheets is that she uses people’s names to dish about marriage-mart gossip. But the “Bridgerton” costume department has had quite a novel innovation on an old form, too, and one we deem worthy of celebration.
How we feel about old-timey clothes is influenced by an intuitive set of conventions that reflect our contemporary fashion tastes. A costume designer’s choice of color, silhouette (the outline or shape of a garment), fabric, and texture all work to tell us who is conceited, who is shy, and who is, as Queen Charlotte (Golda Rosheuvel) would put it, a sparkler.
But if one looks at costumes from Regency romances 10 or 15 years before “Bridgerton” first aired in 2020 — your “Pride & Prejudice...
Lady Whistledown’s innovation among the scandal sheets is that she uses people’s names to dish about marriage-mart gossip. But the “Bridgerton” costume department has had quite a novel innovation on an old form, too, and one we deem worthy of celebration.
How we feel about old-timey clothes is influenced by an intuitive set of conventions that reflect our contemporary fashion tastes. A costume designer’s choice of color, silhouette (the outline or shape of a garment), fabric, and texture all work to tell us who is conceited, who is shy, and who is, as Queen Charlotte (Golda Rosheuvel) would put it, a sparkler.
But if one looks at costumes from Regency romances 10 or 15 years before “Bridgerton” first aired in 2020 — your “Pride & Prejudice...
- 5/15/2024
- by Sarah Shachat
- Indiewire
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Box Office: John Krasinski’s ‘If’ Aims to Impress With $40 Million Debut
- 5/15/2024
- by Rebecca Rubin
- Variety - Film News
‘Supergirl’ Movie Lands June 2026 Release in Theaters
- 5/14/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
‘Mortal Kombat 2’ Lands October 2025 Release Date
- 5/14/2024
- by Katcy Stephan
- Variety - Film News
‘Dawson’s Creek’ Creator Kevin Williamson Sets Netflix Family Drama ‘The Waterfront’
- 5/15/2024
- by Selome Hailu
- Variety - TV News
Tim McGraw to Star in Bull Rider Drama Series at Netflix
- 5/15/2024
- by Joe Otterson
- Variety Film + TV
‘Conan O’Brien Must Go’ Renewed for Season 2 at Max
- 5/15/2024
- by Joe Otterson
- Variety - TV News
‘Agatha All Along’ Sets September Premiere Date on Disney+
- 5/14/2024
- by Joe Otterson
- Variety - TV News
‘Wizards of Waverly Place’ Spinoff Reveals First Look at Grown-Up Alex and Justin, Sets Official Title
- 5/14/2024
- by Selome Hailu
- Variety - TV News