A pair of young adults sit on a rocky coast staring at the sun as it hovers on the horizon, casting an ochre glow over the landscape. They trade dreams, jokes and promises while smoking a joint. She teases him about being horny. He vows to break up with his girlfriend, so they no longer have to hide their relationship. Later, in bed, nestling into the grooves of each other’s bodies, they will excitedly murmur their visions of tomorrow.
None of their tomorrows comes true because the boy, Diddi (Baldur Einarsson), dies. On his way out of town, an explosion engulfs a tunnel in Reykjavik in flames, indiscriminately incinerating vehicles and bodies like his own. When the girl, Una (Elin Hall), hears the news, she is enveloped by a gutting despair.
Without ever working above a whisper, Runar Runarsson’s When the Light Breaks (Ljósbrot) finds distinctive and unexpectedly...
None of their tomorrows comes true because the boy, Diddi (Baldur Einarsson), dies. On his way out of town, an explosion engulfs a tunnel in Reykjavik in flames, indiscriminately incinerating vehicles and bodies like his own. When the girl, Una (Elin Hall), hears the news, she is enveloped by a gutting despair.
Without ever working above a whisper, Runar Runarsson’s When the Light Breaks (Ljósbrot) finds distinctive and unexpectedly...
- 5/16/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
In our first encounter with Una (Elín Hall) and Diddi (Baldur Einarsson) in the long dusk of a Reykjavik spring night, they are thinking only of the future. The immediate future: will they be able to sleep overnight together without Diddi’s flatmate noticing? The near future, meaning the next couple of days, when Diddi officially breaks off his longstanding relationship with his high-school sweetheart Klara and starts a new life with Una. And the long term. A trip to Japan. A different life with a wider scope than Iceland can provide. “Should we make babies?” Diddi murmurs into Una’s ear as they lie, wrapped around each other like kittens, in his single-pillowed bed.
But when Diddi is killed in a freak fire in a road tunnel the next morning – a national disaster that claims upwards of a dozen lives – Una finds herself alone with her searing grief. Diddi...
But when Diddi is killed in a freak fire in a road tunnel the next morning – a national disaster that claims upwards of a dozen lives – Una finds herself alone with her searing grief. Diddi...
- 5/15/2024
- by Stephanie Bunbury
- Deadline Film + TV
Aníta Briem creates and stars in “As Long as We Live,” an upcoming miniseries about a new mother – and once promising musician – suffocating in her marriage. But things change when a young man, her new nanny, starts giving the couple little “assignments” to do.
“This boy is like Mary Poppins! He brings this new, sexy element into their home that neither of them can control. He helps them rediscover each other,” explains Briem.
“Beta has an 18-month-old child, she is in the midst of postnatal depression, but at the same time her body is becoming her own once again. I use sexuality as a representation for her awakening. She has this whole world locked away inside of her head and a big part of her journey is to bring it all out.”
She drew on her own life for inspiration, she says.
“I also found myself at a point where...
“This boy is like Mary Poppins! He brings this new, sexy element into their home that neither of them can control. He helps them rediscover each other,” explains Briem.
“Beta has an 18-month-old child, she is in the midst of postnatal depression, but at the same time her body is becoming her own once again. I use sexuality as a representation for her awakening. She has this whole world locked away inside of her head and a big part of her journey is to bring it all out.”
She drew on her own life for inspiration, she says.
“I also found myself at a point where...
- 1/30/2023
- by Marta Balaga
- Variety Film + TV
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