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Reviews
Neal Brennan: Crazy Good (2024)
Ups and downs
Neal Brennan's latest Netflix special, "Crazy Good," is a tiresome take on the intersection of comedy and mental health. Brennan, known for his incisive wit and candid storytelling, delves into his personal journey with mental health.
In "Crazy Good," Brennan aims to move away from the more somber tone of his previous specials to embrace a newfound sense of well-being. He opens up about the various treatments he's explored, from conventional therapy to more unconventional methods.
Brennan often comes across as obsessed with white guilt and white self-loathing. This Netflix special is peppered with skin color jokes, the underlying point of which is always that white people should be ashamed. I understand that these jokes are tailored for an American, white liberal audience, but for a European, it gets tiresome.
Shôgun (2024)
A respectable adaptation of the classic story
The 2024 series "Shogun" offers a respectable adaptation of the classic story, with a cast that delivers solid performances. The actors bring a level of authenticity to their roles, effectively portraying the historical and cultural backdrop of feudal Japan.
This iteration of "Shogun" introduces subtle updates to the storyline, making it accessible to a modern audience while maintaining the integrity of the original plot. The show manages to strike a balance between honoring its source material and incorporating contemporary sensibilities.
With good production quality and careful attention to historical detail, the show provides an enjoyable viewing experience. It's a commendable effort that will likely appeal to those who appreciate historical dramas, as well as those discovering "Shogun" for the first time.
Overall, "Shogun" is a worthy watch, showcasing a story that continues to have relevance and appeal, supported by a dedicated team both in front of and behind the camera.
Power (2024)
Power misses the opportunity to contribute positively
While "Power" by Yance Ford aims to delve into the complex subject of policing, the documentary unfortunately falls short in delivering a fresh perspective. It treads familiar ground, reiterating points made by numerous films and series before it. The documentary's portrayal of the police in a persistently negative light adds to an already contentious debate, potentially overshadowing the nuanced realities of law enforcement.
A balanced approach is crucial when discussing social justice and the role of the police in society. Constructive dialogue is needed to foster understanding and reform. However, "Power" misses the opportunity to contribute positively to this conversation, instead choosing to reinforce a one-sided narrative that may hinder the progress towards a fair and effective justice system.
Reacher (2022)
Good books - great tv show
"Reacher" is a thrilling TV show that has captivated audiences with its gripping storyline and intense action sequences. Based on the bestselling books by Lee Child, the series has brought the beloved character of Jack Reacher to life in a way that fans of the novels have longed to see.
The leading actor's portrayal of Reacher is nothing short of remarkable. He embodies the character's size, strength, and physical prowess with such authenticity that it feels as though Reacher has stepped right out of the pages. His performance is not just about the physical aspects; he also captures the essence of Reacher's personality - his intelligence, his quiet confidence, and his unwavering sense of justice. He delivers each line with the perfect balance of intensity and subtlety, and his chemistry with the rest of the cast is palpable, creating a dynamic that drives the show forward.
In conclusion, "Reacher" is a must-watch for fans of action-packed, character-driven storytelling. The show is a triumph, and I can't wait to see where it goes next.
Beck (1997)
Overstaying its welcome
"Beck" has long been a staple of Swedish television, but the series now feels like it's overstaying its welcome. What once was a series filled with gripping narratives and complex characters has become a shadow of its former self. The show seems to be running on fumes, recycling plot lines and stretching stories beyond their natural lifespan. The once taut and engaging drama now meanders through its paces, with episodes that feel more like filler than substantive additions to the "Beck" canon. It's a series that, regrettably, appears to have gone on forever, far past its expiration date, and viewers might be left yearning for the quality storytelling that once defined it.
Hammarskjöld (2023)
An informative look at the life and impact of Dag Hammarskjöld
The film "Hammarskjöld" presents an informative look at the life and impact of Dag Hammarskjöld, the second Secretary-General of the United Nations. Hammarskjöld's tenure at the UN was marked by his commitment to resolving international conflicts, and his work during the Suez Crisis and Congo civil war was notable. His contributions to peace were recognized with a Nobel Peace Prize awarded posthumously.
Mikael Persbrandt's performance as Hammarskjöld is commendable. He effectively captures the diplomatic demeanor and the sense of duty that characterized Hammarskjöld's approach to international affairs. The film benefits from Persbrandt's portrayal, which adds a layer of authenticity to the historical narrative.
In summary, "Hammarskjöld" is a film that sheds light on a key historical figure and offers a solid performance from its lead actor. It serves as a respectable tribute to Dag Hammarskjöld's legacy in the realm of global diplomacy.
Foundation (2021)
Has its merits, but also its disappointing aspects
"Foundation," as a television adaptation, embarks on a bold journey to bring Isaac Asimov's richly woven universe to the screen. While the show strives for diversity in its casting, in an effort to enrich the storytelling with varied perspectives, it inadvertently drifts away from the mesmerizing magic and philosophical depth that are the hallmarks of the original books.
The series, in its pursuit to be more inclusive, seems to have sacrificed some of the intricate narrative layers and the profound contemplations on the future of humanity that Asimov so masterfully crafted. The result is a show that, while visually stunning and progressive in its representation, lacks the cerebral engagement and thought-provoking dialogue that fans of the novels might expect.
This is not to say that "Foundation" is without its merits; the production values are high, and the performances are solid. However, for those seeking the intellectual stimulation and the profound existential musings that the books provided, the series may feel like a simplified echo of its source material, one that prioritizes accessibility over the enigmatic allure that originally captivated its audience.
Slow Horses (2022)
A clever twist on the classic cold war spy thriller
"Slow Horses" is a masterclass in espionage drama, brilliantly reinvigorating the genre with a blend of sharp wit and thrilling suspense. The series stands out for its exceptional acting, with the ensemble cast delivering performances that are as engaging as they are believable. At the forefront is Gary Oldman, whose portrayal is nothing short of phenomenal, infusing his character with a complexity and charisma that only an actor of his calibre could achieve.
The show's narrative is a clever twist on the classic cold war spy thriller, seamlessly integrating modern sensibilities and humor that both pays homage to and satirizes the genre. It's this ingenious balance that makes "Slow Horses" not just a spy show, but a cultural commentary on the espionage world. The humor is never overplayed; instead, it's woven into the fabric of the story, enhancing the tension and providing a refreshing take on what could otherwise be a somber plot.
In a television landscape often crowded with tried-and-tested formulas, "Slow Horses" feels like a breath of fresh air. It's a series that doesn't just entertain but also enchants its audience, leaving them eagerly anticipating each new twist and turn. With its brilliantly modernized take on spy narratives and a lead performance by Gary Oldman that will be remembered for years to come, "Slow Horses" is undoubtedly a standout series that will gallop into the hearts of viewers everywhere.
Masters of the Air (2024)
Familiar narrative retold with an engaging freshness
"Masters of the Air" emerges as a commendable successor to the legacy of "Band of Brothers," albeit with its own distinct identity. The series soars on the strength of its compelling performances, with a cast that brings depth and nuance to their roles, portraying the complexities of war with both grit and humanity. The narrative, while familiar, is retold with an engaging freshness, capturing a pivotal moment in history with a keen eye for detail and a palpable respect for the subject matter.
However, one cannot shake off the feeling that "Masters of the Air" treads lightly in the colossal footsteps of its predecessor. Where "Band of Brothers" felt like an intense and immersive experience, "Masters of the Air" sometimes appears to glide over the surface, offering a portrayal that, while rich and satisfying, doesn't quite dive into the emotional depths that made "Band of Brothers" a landmark series. Nonetheless, it stands as a valuable addition to the war drama genre, offering a perspective that is both educational and entertaining, and a reminder of the enduring spirit of those who lived through such tumultuous times.
Clarkson's Farm (2021)
A delightful surprise
"Clarkson's Farm" is a delightful surprise, a gem of a show that transcends any preconceived notions one might have about its host, Jeremy Clarkson. As someone who has never been particularly interested in cars or watched any of Clarkson's previous work, I found myself utterly captivated by the authentic portrayal of rural life on this charming farm.
The series is a heartfelt exploration of the trials and tribulations faced by those in the agricultural industry. It's a narrative that resonates deeply, painting a picture of the countryside that is both beautiful and brutally honest. The struggles of weather, bureaucracy, and the sheer unpredictability of farming are presented in a way that is both educational and engaging.
What makes "Clarkson's Farm" so irresistible is its ability to tell a compelling story without relying on the glitz and glamour often associated with television. It's raw, it's real, and it's refreshingly candid about the challenges faced by farmers every day. The show manages to be informative without being preachy, and entertaining without being trivial.
Jeremy Clarkson, with his trademark wit, brings a unique perspective to the show. His journey from a car enthusiast to a farmer is not only entertaining but also inspiring. It's a reminder that passion and perseverance can lead to unexpected and fulfilling paths.
In conclusion, "Clarkson's Farm" is a must-watch for anyone looking for a genuine representation of rural England. It's a series that will make you laugh, make you think, and above all, make you appreciate the hard work and dedication of those who work the land. Whether you're a fan of Clarkson or not, this show is a heartwarming tribute to the countryside and its people.
Bridgerton (2020)
Charming but not lovable
While "Bridgerton" has captivated a vast audience with its vibrant portrayal of Regency-era England, it's not without its faults:
Historical Inaccuracies: "Bridgerton," in its quest to provide a modern twist on the Regency period, has taken significant liberties with historical facts. The show's depiction of certain events and societal norms often strays from accuracy, opting for drama over authenticity. For instance, the portrayal of Queen Charlotte's role in governance is exaggerated for narrative effect, despite the fact that she did not rule in King George's stead. Moreover, the series includes anachronistic elements such as modern language and music, which, while entertaining, further detach the show from its historical roots.
Overemphasis on Costumes: The series' costume design, though visually stunning, has been a point of contention for its historical inaccuracy. The use of bright colors and lavish embellishments, while appealing to the eye, does not align with the more subdued fashion of the actual Regency era. This choice, while contributing to the show's unique aesthetic, can be seen as a distraction from the narrative and a misrepresentation of the period's true style.
Script Deviation from the Books: Adaptations often require changes from their source material; however, "Bridgerton" has made alterations that one may argue detract from the original story's charm. The series has introduced new characters and subplots that were not present in Julia Quinn's novels. In addition, there was the decision to rearrange the order of the siblings' stories and the significant changes to character arcs. In my opinion, these script deviations have resulted in a less cohesive and engaging narrative compared to the beloved books.
In conclusion, while "Bridgerton" offers a feast for the senses with its lush settings and costumes, it does so at the expense of historical precision and narrative depth. The show's departure from the source material's storyline has not resonated well.
Chicago P.D. (2014)
Almost never disappointing
"Chicago PD" is a riveting crime series that masterfully delves into the psychological complexities of its characters, setting it apart from the standard procedural drama. The show's strength lies in its nuanced portrayal of law enforcement officers who are as flawed and human as they are heroic. Each episode peels back layers of their personas, revealing intricate backstories and motivations that engage viewers on a deeper emotional level.
The series also deserves praise for its balanced approach to contemporary social issues. It manages to address relevant topics without succumbing to heavy-handed political correctness, striking an admirable equilibrium that adds to the narrative without overshadowing it. This subtlety allows "Chicago PD" to resonate with a broad audience, fostering a thoughtful dialogue on the issues at hand.
Overall, "Chicago PD" is a standout in the crime genre, offering a thoughtful exploration of its characters' psyches while remaining grounded in the realities of modern society. It's a must-watch for those who appreciate depth and complexity in their television viewing experience.
S.W.A.T. (2017)
Started out strong, gradually became predictable
"SWAT" initially promised a compelling exploration of Los Angeles' social challenges through the lens of an elite police unit. Unfortunately, the series has since devolved into a mire of clichés and predictability, losing much of its original charm and relevance. The characters have become caricatures, and the plotlines now tread well-worn paths that offer little in the way of surprise or innovation.
The show's decline is such that it no longer warrants a recommendation for viewing, as it fails to deliver the depth and engagement it once did. In a landscape rich with groundbreaking television, "SWAT" has unfortunately become a shadow of its former self, and viewers looking for a meaningful and captivating experience would be advised to look elsewhere.
Mr. Malcolm's List (2022)
Plot predictable - lacking in depth
Mr. Malcolm's List is a period drama that takes viewers back to the early 19th century, where social standings and marital prospects were the talk of the town. The film revolves around Mr. Malcolm, a wealthy and eligible bachelor with a list of qualifications for his future wife. When he rejects a potential suitor for failing to meet his criteria, she seeks revenge by convincing her friend to play a role that meets all his expectations, only to entangle them in a web of deceit and emotions.
The movie is showcasing beautiful costumes and settings that represent the era. While "Mr. Malcolm's List" has its charm, I found the plot too predictable, even for a film that explores the classic romantic narrative.
The Morning Show (2019)
Great season 1 - downhill from there
The Morning Show began its journey as a fresh and unapologetically candid drama that offered viewers a behind-the-scenes look at the high-stakes world of morning television. Season one was praised for its sharp-witted and subversive take on the subject, particularly for its handling of sexual harassment in the workplace, anchored by what many considered to be one of Jennifer Aniston's best performances.
However, as the series progressed, it seemed to struggle with maintaining the originality and critical edge that set it apart initially. By its third season, "The Morning Show" appeared to have embraced its identity as a borderline camp workplace soap. Critics noted that it became highly watchable despite, or perhaps because of, its defiance of good sense. The show's narrative began to lean heavily on clichés and contemporary political trends, which some viewers felt detracted from the complexity and nuance that the first season promised.
In essence, while "The Morning Show" started off as a promising and thought-provoking series, it seems to have lost some of its initial luster, opting instead for a more formulaic approach that resonates less with the critical acclaim it once received.
Sugar (2024)
Delightful integration of hardboiled genre into a softball era
"Sugar" is a commendable series that skillfully incorporates elements of classic hardboiled detective stories into a contemporary setting. The show strikes a balance between paying homage to the genre's traditions and adapting them for today's audience.
The lead character, reminiscent of the archetypal private eye, brings a certain charm and authenticity to the role, making the series engaging for both aficionados of the genre and new viewers. The dialogue is sharp, and the plot is well-crafted, with enough twists to maintain interest without being overly complex.
The modern take on the genre is evident in the show's approach to character diversity and social issues, which adds depth and relevance to the narrative. The visual style nods to the noir roots while maintaining a current aesthetic that suits the show's tone.
Overall, "Sugar" is a solid series that offers a fresh take on the detective genre, and it's worth watching for its clever writing, strong performances, and thoughtful update of classic tropes.
Criminal Record (2024)
Yet another standardized plot
"Criminal Record" attempts to weave political intrigue into its narrative but ends up delivering a series riddled with overplayed political clichés. The show's portrayal of the justice system is heavy-handed, with characters like the idealistic prosecutor and the corrupt politician coming across as caricatures rather than complex individuals.
The series tries to tackle contemporary political issues but does so with little subtlety, often resorting to black-and-white moralizing that leaves no room for shades of grey. This simplistic approach not only fails to challenge the audience but also detracts from the potential richness of the storyline.
In its effort to be politically relevant, "Criminal Record" loses the opportunity to explore its characters in meaningful ways, instead using them as mere vessels to deliver its overt political message. The result is a show that feels preachy and out of touch, rather than a gripping and insightful crime drama.
Constellation (2024)
Rapace excellent - trying her best to carry the show on her own
Constellation emerges as a celestial enigma, one that orbits the talents of Noomi Rapace, whose performance shines with the intensity of a supernova. Rapace, as always, brings a depth and complexity to her character that is utterly captivating, ensuring that viewers are glued to their screens, eager to witness the next facet of her multifaceted portrayal.
However, the series itself does not quite match the pace set by its lead star. The script often meanders like a comet lost in space, taking its time to reach points that could have been arrived at with more alacrity. While the slow burn may be an intentional choice to build tension and develop characters, it occasionally feels more drawn-out than necessary, leaving audiences adrift in a sea of of drawn-out dialogue and slow takes.
In essence, Constellation is a mixed bag. It is a showcase of Rapace's stellar abilities but also a reminder that even stars can get lost in the vastness of space when the narrative propulsion fails to launch them forward with the necessary velocity.
Yellowstone (2018)
Part of the Western canon - in a double sense
"Yellowstone" stands out in the tv landscape with its fresh approach to storytelling and a clear departure from the contemporary Hollywood formula. The series, masterfully created by Taylor Sheridan and John Linson, is a testament to originality and a bold statement against conformity.
Kevin Costner's portrayal of John Dutton is not just a performance; it's a masterclass in character depth and complexity. The show's narrative is a breath of fresh air, offering a unique perspective on the American West that is rarely seen in contemporary media. It challenges the norms and presents a narrative that is unafraid to tackle difficult subjects head-on.
The show's lack of adherence to the expected tropes of Hollywood culture allows for a more genuine and unfiltered exploration of its themes. "Yellowstone" is a celebration of the untamed spirit of its setting, mirrored in its storytelling approach that respects the intelligence of its audience and refuses to dilute its message for broader appeal.
In essence, "Yellowstone" is not just a television series; it's a cultural phenomenon that redefines what a TV drama can be. Its commitment to authenticity and storytelling excellence makes it a standout show that resonates with audiences looking for substance over conformity.
Alaska Daily (2022)
Perfectly acceptable, though not memorable
"Alaska Daily" is a series that, while ambitious in its portrayal of investigative journalism, unfortunately falls into the trap of overused tropes and clichés. The show's attempt to capture the gritty reality of news reporting is overshadowed by predictable plotlines and stereotypical character arcs. The series seems to rely heavily on the formulaic 'outsider in a new town' narrative, which, although a tried-and-true premise, feels uninspired and lacks originality in this context.
The protagonist's journey, meant to be a profound tale of redemption and discovery, often comes across as contrived, with little to no subtlety in its execution. The dialogue can be on-the-nose, with characters spelling out their motivations and backstories in a way that underestimates the audience's intelligence. Moreover, the series misses opportunities to delve deeper into the unique cultural and political landscape of Alaska, opting instead for surface-level examinations that do not do justice to the setting's potential complexity.
In essence, "Alaska Daily" could have been a compelling watch with its critical eye on media ethics and the search for truth. However, it ends up being a lackluster series that doesn't quite manage to break free from the shackles of television clichés, leaving viewers wanting more substance and authenticity.
Deadloch (2023)
Yet another series where the only sensible person is a lesbian woman
Yet another series where the only sensible person is a lesbian woman, and every white man is a clueless idiot. "Deadloch," the latest series to hit the streaming scene, attempts to weave a tale of mystery and dark comedy set against the backdrop of a quaint Tasmanian town. However, despite its ambitions, the series falls prey to a myriad of clichés that leave viewers with a sense of déjà vu rather than intrigue.
The series opens with a scene that is all too familiar in the crime genre: a body discovered in an unexpected place, leading to the inevitable investigation. This trope, while a staple of the genre, is executed with little originality, failing to hook the audience from the get-go.
As the story unfolds, we are introduced to the detective duo, Dulcie Collins and Eddie Redcliffe, whose contrasting styles are meant to add depth to the narrative. Instead, their dynamic feels forced and predictable, with Dulcie's by-the-book approach clashing with Eddie's unconventional methods in a way that feels more like a checklist of buddy-cop stereotypes than a fresh take on the formula.
The series also tries to subvert expectations with its 'Winter Feastival' backdrop, aiming to blend local culture with the unfolding drama. Yet, this too feels like a missed opportunity, as the festival serves more as a superficial plot device rather than a meaningful setting that enriches the story.
Moreover, "Deadloch" doesn't shy away from using gendered tropes and caricatures, which, instead of providing commentary or satire, end up reinforcing the very stereotypes it seems to want to challenge. The result is a narrative that is neither progressive nor particularly insightful, but rather a collection of missed chances to say something new.
In conclusion, "Deadloch" is a series that had the potential to offer a unique twist on the crime genre but ultimately succumbs to the weight of its own clichés. It's a show that might provide some entertainment for those looking for a casual watch, but for viewers seeking innovation and depth, it's likely to disappoint.