An interesting premise starts with a thrifty script that immediately gets to the crime, the cop who needs to prove something and the threat of more killings. The sorry is paced as steadily as an episode of Law and Order and never finds a reason to lag.
If the writing and direction are good, why does everyone hate this movie? Well, for one, the lead actress ought to consider another profession. She performs someplace between "phoning it in" and Faye Dunaway in "Mommy Dearest." For another, the production values scream "Wifetime Movie." And, last, the music make me want to pound myself in the head with a hammer.
I would like to see what the writer and director do with an actual cast, because this was just godawful.
If the writing and direction are good, why does everyone hate this movie? Well, for one, the lead actress ought to consider another profession. She performs someplace between "phoning it in" and Faye Dunaway in "Mommy Dearest." For another, the production values scream "Wifetime Movie." And, last, the music make me want to pound myself in the head with a hammer.
I would like to see what the writer and director do with an actual cast, because this was just godawful.