Directed by
Julia Leigh |
Writing Credits (in alphabetical order)
Julia Leigh | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Jessica Brentnall | ... | producer |
Sasha Burrows | ... | associate producer |
Alan Cardy | ... | executive producer |
Jamie Hilton | ... | executive producer |
Michelle Russell | ... | line producer |
Timothy White | ... | executive producer |
Music by
Ben Frost |
Cinematography by
Geoffrey Simpson |
Editing by
Nick Meyers |
Casting By
Nikki Barrett |
Production Design by
Annie Beauchamp |
Art Direction by
Jocelyn Thomas |
Set Decoration by
Lisa Thompson |
Costume Design by
Shareen Beringer |
Makeup Department
Catherine Biggs | ... | makeup artist |
Lesley Vanderwalt | ... | makeup & hair designer / makeup department head |
Second Unit Director or Assistant Director
Jesse Allan | ... | additional assistant director |
Breeze Callahan | ... | third assistant director |
Dimitri Ellerington | ... | first assistant director |
Art Department
Zuzia Buszewicz | ... | art department assistant |
Loretta Cosgrove | ... | construction coordinator |
Mark Diggins | ... | construction foreman |
Claire Dignam | ... | design assistant |
Henry Downes | ... | art runner |
Greg Hajdu | ... | construction coordinator |
Ross Perkin | ... | storyboard artist |
Sound Department
Yulia Akerholt | ... | dialogue editor |
Paradox Delilah | ... | sound assistant |
Les Fiddess | ... | foley artist |
Sam Hayward | ... | re-recording engineer |
Robert Mackenzie | ... | re-recording mixer |
Gerry Nucifora | ... | boom operator |
Ben Osmo | ... | sound recordist |
Martin Oswin | ... | foley mixer |
Sam Petty | ... | sound designer |
Angus Robertson | ... | head of sound: StageOne Sound |
Brooke Trezise | ... | sound effects editor |
Stephane Werner | ... | french dubbing recorder and mixer |
Special Effects by
Adam Mada | ... | magic consultant: opening sequence |
Visual Effects by
Simon Alberry | ... | data manager |
Shahane Bekarian | ... | visual effects artist |
Matthew T. Griffin | ... | digital compositor |
James Rogers | ... | visual effects supervisor |
Camera and Electrical Department
Sian Bates | ... | second assistant camera / video split operator |
Mal Booth | ... | dolly grip |
Andrew AJ Johnson | ... | steadicam operator (as Andrew Johnson) |
Wendy McDougall | ... | still photographer |
Matthew Spowart | ... | second assistant "a" camera |
Casting Department
Danny Long | ... | casting associate |
Diana Ward | ... | extras casting |
Costume and Wardrobe Department
Elly Kamal | ... | costume supervisor |
Dan Owen | ... | assistant costume stand-by |
Christina Validakis | ... | costume buyer |
Editorial Department
Brad Dunn | ... | digital conform editor |
Olivier Fontenay | ... | colorist |
David Gross | ... | additional post-production services |
Katherine Heads | ... | digital intermediate producer |
Annabelle Johnson | ... | assistant editor |
Matthew M. North | ... | digital intermediate supervisor |
Location Management
Louise McNicholl | ... | location manager |
Additional Crew
Olivia Beardsley | ... | additional dialogue recording |
Phil Cairns | ... | press |
Alex Cardy | ... | assistant to producer |
Mike Horvath | ... | production secretary |
Romuald Lagoude | ... | delivery manager |
Reza Mokhtar | ... | caterer |
Patrick Rohr | ... | production runner |
Jonathan Rutter | ... | press |
Cassandra Simpson | ... | production coordinator |
Nathan Smith | ... | I/O operations liaison |
Nick Vasili | ... | product manager: Revolver Entertainment |
Caroline Verge | ... | legals |
Lucy Vorst | ... | production accountant |
Diana Ward | ... | assistant to director |
Huma Khan | ... | legal post production (uncredited) |
Thanks
Jane Campion | ... | very special thanks |
Bec Smith | ... | very special thanks |