BAFTA gave out their Craft Awards on Sunday, 23 April. As with the Primetime Emmys, the British academy also devotes a weekend to celebrating the creative arts. The BAFTA TV Craft Awards are split into 20 categories, with six devoted to fictional programming, six to factual programming, and a further four in combined fields.
The BBC medical drama “This is Going to Hurt” won three awards — Editing (Fiction), Scripted Casting, and Writer (Drama) for show creator Adam Kay. Kay adapted his best-selling memoir, which chronciled his experiences as a doctor in the NHS. Kay won in a stacked category that included Pete Jackson (“Somewhere Boy”), Alice Oseman (“Heartstopper) and Tony Schumacher (“The Responder”). “This is Going to Hurt” will contend at the Emmys in the limited series categories.
Meanwhile, Writer (Comedy) went to Lisa McGee for her work on “Derry Girls,” which follows a teenage girl and family in friends in 1990s Northern Ireland.
The BBC medical drama “This is Going to Hurt” won three awards — Editing (Fiction), Scripted Casting, and Writer (Drama) for show creator Adam Kay. Kay adapted his best-selling memoir, which chronciled his experiences as a doctor in the NHS. Kay won in a stacked category that included Pete Jackson (“Somewhere Boy”), Alice Oseman (“Heartstopper) and Tony Schumacher (“The Responder”). “This is Going to Hurt” will contend at the Emmys in the limited series categories.
Meanwhile, Writer (Comedy) went to Lisa McGee for her work on “Derry Girls,” which follows a teenage girl and family in friends in 1990s Northern Ireland.
- 4/23/2023
- by Jacob Sarkisian
- Gold Derby
Celebrating the talent behind-the-scenes the BAFTA Television Craft Awards 2023 in London honored House of the Dragon and This is Going to Hurt with each winning three trophies.
The Game of Thrones prequel won in three categories: Amanda Knight, Barrie Gower and Rosalia Culora for Make-Up & Hair Design; Alastair Sirkett, Doug Cooper, Martin Seeley, Paula Fairfield, Tim Hands and Adele Fletcher for Sound: Fiction; and Angus Bickerton, Nikeah Forde, Asa Shoul, Mike Dawson, Mpc and Pixomodo for Special, Visual & Graphic Effects.
Medical drama This is Going to Hurt also won in three categories: first-time winner Adam Kay won a BAFTA for Writer: Drama, for the series based upon his memoir as a junior doctor; Selina MacArthur, also a first-time winner, won for Editing Fiction; and Nina Gold and Martin Ware won for Scripted Casting.
The ceremony hosted by Mel Giedroyc featured celebrity guest presenters like Adil Ray, Adrian Lester, Charlene White,...
The Game of Thrones prequel won in three categories: Amanda Knight, Barrie Gower and Rosalia Culora for Make-Up & Hair Design; Alastair Sirkett, Doug Cooper, Martin Seeley, Paula Fairfield, Tim Hands and Adele Fletcher for Sound: Fiction; and Angus Bickerton, Nikeah Forde, Asa Shoul, Mike Dawson, Mpc and Pixomodo for Special, Visual & Graphic Effects.
Medical drama This is Going to Hurt also won in three categories: first-time winner Adam Kay won a BAFTA for Writer: Drama, for the series based upon his memoir as a junior doctor; Selina MacArthur, also a first-time winner, won for Editing Fiction; and Nina Gold and Martin Ware won for Scripted Casting.
The ceremony hosted by Mel Giedroyc featured celebrity guest presenters like Adil Ray, Adrian Lester, Charlene White,...
- 4/23/2023
- by Armando Tinoco
- Deadline Film + TV
Just as the Primetime Emmys recognize a slew of categories during a weekend devoted to celebrating the Creative Arts, so too do the BAFTAs. The BAFTA TV Craft Awards honor various achievements across 20 different categories. An even dozen of these are devoted to fictional programming, another six to factual, and four are in combined fields. Winners of these awards were handed out in a ceremony on Sunday, April 23, three weeks before the main event. (Here’s the full list of BAFTA TV Awards nominations.) Scroll down for the complete list of BAFTA TV Craft Award winners.
Fiction
Costume Design
“The Crown”
“Don’t Hug Me I’m Scared”
X – “The Essex Serpent”
“The English”
Director (Fiction)
Dearbhla Walsh, “Bad Sisters”
Hugo Blick, “The English”
Lucy Forbes, “This is Going to Hurt”
X – William Stefan Smith, “Top Boy”
Editing (Fiction)
“The Crown”
“Andor”
“Slow Horses”
X – “This is Going to Hurt”
Emerging Talent...
Fiction
Costume Design
“The Crown”
“Don’t Hug Me I’m Scared”
X – “The Essex Serpent”
“The English”
Director (Fiction)
Dearbhla Walsh, “Bad Sisters”
Hugo Blick, “The English”
Lucy Forbes, “This is Going to Hurt”
X – William Stefan Smith, “Top Boy”
Editing (Fiction)
“The Crown”
“Andor”
“Slow Horses”
X – “This is Going to Hurt”
Emerging Talent...
- 4/23/2023
- by Jacob Sarkisian
- Gold Derby
HBO’s Game of Thrones prequel House of the Dragon and the BBC/AMC medical comedy-drama This is Going to Hurt emerged with the most honors following the 2023 BAFTA Television Craft Awards ceremony, celebrating the best behind-the-scenes TV talent of 2022.
Held on Sunday in London, the event saw House of the Dragon win for make-up & hair design, sound: fiction and special, visual & graphic effect. Also landing three honors, This Is Going to Hurt won writer: drama for Adam Kay — who adapted his own bestselling memoir about his time as a junior doctor — plus editing: fiction and scripted casting.
The State Funeral of Queen Elizabeth was a two-time winner — for sound: faction and director: multi-camera.
In a night that featured a great number of first-time BAFTA winners, other honorees included The Tinder Swindler‘s Felicity Morris for director: factual; Top Boy‘s William Stefan Smith for director: fiction; Lisa McGee, writer:...
Held on Sunday in London, the event saw House of the Dragon win for make-up & hair design, sound: fiction and special, visual & graphic effect. Also landing three honors, This Is Going to Hurt won writer: drama for Adam Kay — who adapted his own bestselling memoir about his time as a junior doctor — plus editing: fiction and scripted casting.
The State Funeral of Queen Elizabeth was a two-time winner — for sound: faction and director: multi-camera.
In a night that featured a great number of first-time BAFTA winners, other honorees included The Tinder Swindler‘s Felicity Morris for director: factual; Top Boy‘s William Stefan Smith for director: fiction; Lisa McGee, writer:...
- 4/23/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
“Game of Thrones” prequel “House of the Dragon” and medical comedy-drama “This Is Going to Hurt” walked away with three awards each at the BAFTA Television Craft Awards on Sunday.
This year’s ceremony, which salutes behind-the-scenes talent, was hosted by former “Bake Off” judge Mel Giedroyc.
HBO’s “House of the Dragon” won for make-up and hair design; sound in fiction and special, visual and graphic effects.
Elsewhere, BBC’s “This is Going to Hurt” won in three categories, with prizes going to first-time winner Adam Kay for best writer in drama (Kay adapted his best-selling memoir for the TV show); Selina MacArthur, also a first-time winner, for editing in fiction; and Nina Gold and Martin Ware for scripted casting.
Winning two awards was the BBC’s “The State Funeral of Hm Queen Elizabeth II” which won for sound in factual and director for multi-camera.
BAFTA’s Emerging Talent:...
This year’s ceremony, which salutes behind-the-scenes talent, was hosted by former “Bake Off” judge Mel Giedroyc.
HBO’s “House of the Dragon” won for make-up and hair design; sound in fiction and special, visual and graphic effects.
Elsewhere, BBC’s “This is Going to Hurt” won in three categories, with prizes going to first-time winner Adam Kay for best writer in drama (Kay adapted his best-selling memoir for the TV show); Selina MacArthur, also a first-time winner, for editing in fiction; and Nina Gold and Martin Ware for scripted casting.
Winning two awards was the BBC’s “The State Funeral of Hm Queen Elizabeth II” which won for sound in factual and director for multi-camera.
BAFTA’s Emerging Talent:...
- 4/23/2023
- by Manori Ravindran
- Variety Film + TV
Just as the Primetime Emmys recognize a slew of categories during a weekend devoted to celebrating the Creative Arts, so too do the BAFTAs. The BAFTA TV Craft Awards honor various achievements across 20 different categories. An even dozen of these are devoted to fictional programming, another six to factual, and four are in combined fields. Winners of these awards will be revealed during a ceremony on Sunday, April 23. That’s three weeks before the main event. (Here’s the full list of BAFTA TV Awards nominations.)
Fiction
Costume Design
“The Crown”
“Don’t Hug Me I’m Scared”
“The Essex Serpent”
“The English”
Director (Fiction)
Dearbhla Walsh, “Bad Sisters”
Hugo Blick, “The English”
Lucy Forbes, “This is Going to Hurt”
William Stefan Smith, “Top Boy”
Editing (Fiction)
“The Crown”
“Andor”
“Slow Horses”
“This is Going to Hurt”
Emerging Talent (Fiction)
Jack Rooke (writer), “Big Boys”
Lynette Linton (director), “My Name is Leon...
Fiction
Costume Design
“The Crown”
“Don’t Hug Me I’m Scared”
“The Essex Serpent”
“The English”
Director (Fiction)
Dearbhla Walsh, “Bad Sisters”
Hugo Blick, “The English”
Lucy Forbes, “This is Going to Hurt”
William Stefan Smith, “Top Boy”
Editing (Fiction)
“The Crown”
“Andor”
“Slow Horses”
“This is Going to Hurt”
Emerging Talent (Fiction)
Jack Rooke (writer), “Big Boys”
Lynette Linton (director), “My Name is Leon...
- 3/22/2023
- by Jacob Sarkisian
- Gold Derby
Ask a young Emma Sidi which comedian had the “perfect career” she one day hoped to emulate, and she’d name a little-known sitcom actor best known for comedies like Green Wing and Peep Show. “I remember saying Olivia Colman,” she tells me with a laugh. “I was saying that in a particularly realistic and humble way, and them being like, ‘Olivia Colman? Who’s Olivia Colman?’ ‘She’s this comedy actress and she just does TV but I just think she’s fantastic.’ And they’re like, ‘I’ll look her up.’” A Hollywood career and an Oscar under her belt, Colman is viewed a little differently these days. “Now if you were to say Olivia Colman, people would be like, ‘Get over yourself,’” says Sidi.
She’s joking, but you can see the ways in which her own career has emulated Colman’s. She has become a staple...
She’s joking, but you can see the ways in which her own career has emulated Colman’s. She has become a staple...
- 12/28/2022
- by Isobel Lewis
- The Independent - TV
Don’t Hug Me I’m Scared may be unknown to most, at least those who have never lived on YouTube for a part of their lives or at least grew up with it. Still, the unique series started on YouTube in 2011 as a sort of short film that mixed the learning methods of shows like Sesame Street and combined them with the darkest crevasses of the illest mind. In appearance, at least for the first third of each episode, the Don’t Hug Me I’m Scared shorts have been the closest to traditional puppet-themed children’s learning shows, but the twisted darkness
The Evolution of “Don’t Hug Me I’m Scared”...
The Evolution of “Don’t Hug Me I’m Scared”...
- 10/13/2022
- by Connor Dillon
- TVovermind.com
U.K. broadcaster Channel 4 has appointed Charlie Perkins as head of comedy, reporting into chief content officer Ian Katz. Former head of comedy Fiona McDermott left Channel 4 in March to join Apple TV+.
Perkins will manage a team comprising newly promoted commissioning editor Laura Riseam and commissioning executive Joe Hullait. She will also oversee the appointment of a new senior commissioning editor. Channel 4 commissioning editor Jack Bayles is leaving the broadcaster to join “I May Destroy You” producer Various Artists Limited as head of comedy.
Perkins, who will take up the role at Channel 4 later this year, joins from Blink Industries where she was head of comedy. She began her career working on shows such as “Little Britain,” “French & Saunders,” “Benidorm” and “Mock the Week,” moving on to become a producer at alternative comedy venue The Invisible Dot, BBC Radio Comedy and Cave Bear Productions. In 2013, Perkins founded The Paddock comedy collective,...
Perkins will manage a team comprising newly promoted commissioning editor Laura Riseam and commissioning executive Joe Hullait. She will also oversee the appointment of a new senior commissioning editor. Channel 4 commissioning editor Jack Bayles is leaving the broadcaster to join “I May Destroy You” producer Various Artists Limited as head of comedy.
Perkins, who will take up the role at Channel 4 later this year, joins from Blink Industries where she was head of comedy. She began her career working on shows such as “Little Britain,” “French & Saunders,” “Benidorm” and “Mock the Week,” moving on to become a producer at alternative comedy venue The Invisible Dot, BBC Radio Comedy and Cave Bear Productions. In 2013, Perkins founded The Paddock comedy collective,...
- 6/27/2022
- by Naman Ramachandran
- Variety Film + TV
Channel 4 Hires Charlie Perkins As Head Of Comedy
UK broadcaster Channel 4 has hired Charlies Perkins as its new head of comedy, replacing Fiona McDermott, who recently left to join Apple TV+ after delivering series such as Derry Girls, We Are Lady Parts and Big Boys. The hire brings to an end a lengthy search for McDermott’s successor. Perkins will report directly to Chief Content Officer Ian Katz and will manage a team comprising newly promoted Commissioning Editor Laura Riseam and Commissioning Executive Joe Hullait. She will also oversee the appointment of a Senior Commissioning Editor, and Deadline understands several candidates have been approached. Perkins arrives from London-based Blink Industries, which is behind the upcoming series Don’t Hug Me I’m Scared for Channel 4. Perkins began her career on shows such as Little Britain, French & Saunders, Benidorm and Mock the Week, moving on to become a producer at alternative comedy venue The Invisible Dot,...
UK broadcaster Channel 4 has hired Charlies Perkins as its new head of comedy, replacing Fiona McDermott, who recently left to join Apple TV+ after delivering series such as Derry Girls, We Are Lady Parts and Big Boys. The hire brings to an end a lengthy search for McDermott’s successor. Perkins will report directly to Chief Content Officer Ian Katz and will manage a team comprising newly promoted Commissioning Editor Laura Riseam and Commissioning Executive Joe Hullait. She will also oversee the appointment of a Senior Commissioning Editor, and Deadline understands several candidates have been approached. Perkins arrives from London-based Blink Industries, which is behind the upcoming series Don’t Hug Me I’m Scared for Channel 4. Perkins began her career on shows such as Little Britain, French & Saunders, Benidorm and Mock the Week, moving on to become a producer at alternative comedy venue The Invisible Dot,...
- 6/27/2022
- by Jesse Whittock and Melanie Goodfellow
- Deadline Film + TV
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