Ray has a mid-life crises when he finds out he's not six feet tall anymore.Ray has a mid-life crises when he finds out he's not six feet tall anymore.Ray has a mid-life crises when he finds out he's not six feet tall anymore.
Storyline
Did you know
- TriviaPeter Boyle's character gives the same speech about mortality that he gave in Taxi Driver (1976).
- GoofsDebra is taking out a garbage bag, which sets up the punch line for a joke. However, the garbage bag is mostly empty so there's no need to take it out.
- Quotes
Debra Barone: You're a writer, don't you want to write the Great American Novel?
Ray Barone: I thought about that. But then I realized that I didn't even want to read the Great American Novel.
- Crazy creditsThe Where's Lunch production logo shows a plate of nachos with melted cheese, black olives, sliced and diced green onions and tomatoes, and sour cream.
- ConnectionsFeatured in Everybody Loves Raymond: The First Six Years (2002)
- SoundtracksEverybody Loves Raymond Theme
Composed by Rick Marotta and Terry Trotter
Used as the theme song for season 1 and 2.
Featured review
Big questions asked in a fun package.
Possibly my favourite episode of the series.
Not excruciating at all. This was a fun little meditation of ageing and mortality triggered by a sort of funny realisaiton.
I was physically laughing along during the Frank and Marie scene, fascinated by the show's take on the strange obsession we have with death as a race (even on our earthly bodies after death) and ultimately moved by this very real existential problem.
Unusually Debra is the one in the wrong. Maybe it's the machisimo talking, but she actually embodies the normal, humdrum attitude about just denying your own ageing and death to yourself through mundane rituals. It's actually kind of creepy.
In the end the whole comes full circle in a satisfying little package.
Not excruciating at all. This was a fun little meditation of ageing and mortality triggered by a sort of funny realisaiton.
I was physically laughing along during the Frank and Marie scene, fascinated by the show's take on the strange obsession we have with death as a race (even on our earthly bodies after death) and ultimately moved by this very real existential problem.
Unusually Debra is the one in the wrong. Maybe it's the machisimo talking, but she actually embodies the normal, humdrum attitude about just denying your own ageing and death to yourself through mundane rituals. It's actually kind of creepy.
In the end the whole comes full circle in a satisfying little package.
helpful•52
- GiraffeDoor
- Nov 30, 2019
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