Directed by
Nick Hurran |
Writing Credits
Geoff Deane | ... | (screenplay) |
Steve Hamilton Shaw | ... | (story) and |
Geoff Deane | ... | (story) |
Cast (in credits order) complete, awaiting verification
Produced by
Jeff Abberley | ... | executive producer |
Julia Blackman | ... | executive producer |
Veronica Castillo | ... | line producer |
David Furnish | ... | producer |
Wendy Grean | ... | executive producer |
Elton John | ... | executive producer |
Martin Katz | ... | producer |
Andy Mayson | ... | executive producer |
Peter Naish | ... | executive producer |
Steve Hamilton Shaw | ... | producer |
Patrice Theroux | ... | executive producer |
Music by
Christian Henson |
Cinematography by
Steve Danyluk |
Editing by
John Richards |
Casting By
Robin D. Cook | ||
Nicole Hilliard-Forde |
Production Design by
Craig Lathrop |
Art Direction by
Jon P. Goulding |
Set Decoration by
Crispian Sallis |
Costume Design by
Donna Wong |
Makeup Department
Joan Chell | ... | assistant makeup artist |
Katarina Chovanec | ... | key hair stylist |
Debi Drennan | ... | makeup department head |
Production Management
James Crouch | ... | production manager |
Second Unit Director or Assistant Director
Matthew Baker | ... | second assistant director: UK |
Matt Birman | ... | second unit director |
Rita Colucci | ... | set production assistant |
Tim Cushen | ... | assistant director |
Melanie Dicks | ... | first assistant director: UK |
Felix Gray | ... | first assistant director |
Kevin Hourigan | ... | second assistant director |
Garfield Russell | ... | third assistant director |
Art Department
Pierre Bonhomme | ... | art department apprentice |
Jamie Burke | ... | construction coordinator |
Carlo Cesta | ... | head painter |
Rick Little Darling | ... | on-set dresser (as Rick Little) |
Craig Grant | ... | property master |
Jason Herriott | ... | key scenic |
Tanya Lemke | ... | assistant property master |
John Moran | ... | assistant art director |
Harry Pain | ... | assistant art director |
Timothy Peel | ... | graphic designer |
Howard Weaver | ... | scenic artist |
Marsha Williams | ... | trainee assistant art director |
Mickey Woolfson | ... | property master |
Sound Department
Hugo Adams | ... | foley editor |
Craig Baker | ... | boom operator |
Ben Barker | ... | supervising sound effects editor |
Courtney Bishop | ... | adr recordist |
Andrew Caller | ... | re-recording mixer |
Peter Clements | ... | sound mixer |
Robert Edwards | ... | adr recordist |
Glenn Freemantle | ... | sound designer |
Jorge García Bastidas | ... | re-recording mixer |
Lee Herrick | ... | adr editor / dialogue editor |
Clare Mahoney | ... | foley artist (as Claire Mahoney) |
Michael Miller | ... | adr mixer |
Brendan Nicholson | ... | re-recording mixer |
Jamie Roden | ... | adr mixer |
Andy Thompson | ... | adr mixer |
Iain Jamieson | ... | assistant adr recordist (uncredited) |
Special Effects by
Brock Jolliffe | ... | special effects supervisor |
Visual Effects by
Craig Allison | ... | network and operations: The Senate VFX |
Simon Carr | ... | digital artist: The Senate VFX |
Sean Farrow | ... | visual effects supervisor: The Senate VFX |
Sarah Hemsley | ... | visual effects producer: The Senate VFX |
David Margolis | ... | digital artist: The Senate VFX |
Nick New | ... | digital artist: The Senate VFX |
Sam Spacey | ... | visual effects coordinator: The Senate VFX (as Samantha Spacey) |
Simon Wilkinson | ... | visual effects |
Stunts
Dan Belley | ... | stunt rigger |
Marco Bianco | ... | key stunt rigger / stunt double |
Matt Birman | ... | stunt coordinator |
Christopher Cordell | ... | stunt rigger |
Dana Jones | ... | stunt double |
Camera and Electrical Department
Johnny Askwith | ... | camera operator |
Tim Barg | ... | electrician |
Kathryn Cox | ... | video assist operator |
Gabriele DiChiara | ... | gaffer |
Grace Donaldson | ... | additional grip |
Christian Drennan | ... | key grip |
Carl Flood | ... | electrician |
Russ Goozee | ... | director of photography: second unit |
Mike Gowland | ... | generator operator |
Adrienne Hayward | ... | camera trainee |
Joe Howe | ... | grip |
Peter Irvine | ... | grip |
Alex Jordan | ... | best boy |
Sean Jordan | ... | electrician |
Mateusz Kujawski | ... | grip |
Alex Lisman | ... | daily camera trainee: second unit |
Brent Marrale | ... | lighting technician |
Brooke Palmer | ... | still photographer |
Dana Perry | ... | grip |
Chad S. Roberts | ... | daily electrician (2005) |
Brent Robinson | ... | first assistant camera: "b" camera |
Darren Spriet | ... | second assistant camera: "b" camera |
Amanda Wojtaszek | ... | camera loader |
Matas Kiskis | ... | grip (uncredited) |
Costume and Wardrobe Department
Erminia Diamantopoulos | ... | set supervisor |
It's a Boy Girl Thing | ... | assistant costume designer |
Editorial Department
Marie-Hélène Boulianne | ... | telecine assistant |
Siobhan Boyes | ... | post-production coordinator |
Maria Chamberlain | ... | colorist: dailies: uk shoot |
Paul Ensby | ... | digital color timer |
Hugo Fowler | ... | post-production runner |
Dianne Gordon | ... | digital intermediate data manager |
Tom Harrison-Read | ... | assistant editor |
Christopher Haufe | ... | colorist (as Chris Haufe) |
Aaron Marshall | ... | first assistant editor |
Yan Miles | ... | first assistant editor |
Alexandra Montgomery | ... | post-production coordinator |
Steve O'Leary | ... | digital restoration |
Dominic Thomson | ... | digital editor |
Jay Warren | ... | digital intermediate project manager |
Stephen Young Chin | ... | editorial technical consultant (uncredited) |
Location Management
Mark Alleyne | ... | assistant location manager |
Glenn Carter | ... | location manager |
Music Department
Sharif Ahmed | ... | assistant to music supervisor |
Liz Gallacher | ... | music supervisor |
Joe Henson | ... | music programmer / musician: bass guitar |
Seanine Joyce | ... | co-orchestrator / score preparation |
Everton Nelson | ... | musician: violin |
Emily Rogers Swanson | ... | music editor (as Emily Rogers) |
Hilary Skewes | ... | musician contractor |
Alison Wright | ... | score coordinator: Air-Edel |
Warren Zielinski | ... | musician: violin |
Script and Continuity Department
Jill Carter | ... | script supervisor |
Irene Chawko | ... | script supervisor |
Transportation Department
Michael Bingham | ... | driver |
Jeff Blake | ... | driver |
Ritchie Miazek | ... | transportation |
Chris Taylor | ... | picture car coordinator |
Additional Crew
Matt Curtis | ... | title designer |
Alice Wickwire Foster | ... | production coordinator |
Magali Gibert | ... | production coordinator: UK |
Lon J. Hall | ... | legal counsel (Canada) |
Michael J. Harker | ... | completion bond representative |
Sarah Louise Kay | ... | production accountant |
Chantelle Kayll | ... | assistant to director (as Chantelle Stoffel) |
Ed King | ... | story development executive |
Luke Lloyd-Davies | ... | assistant production coordinator: UK / post-production assistant to producers |
Jen Markowitz | ... | assistant to director (as Jennifer Markowitz) |
Dove O'Shea | ... | payroll accountant |
Jillian Ordowich | ... | assistant production coordinator |
Desmond Paes | ... | production accountant |
Luke Randolph | ... | completion guarantor: for International Film Guarantors |
Esther Scannell | ... | construction accountant |
Erik Sudmals | ... | assistant accountant |
Ken Timon Hill | ... | legal |
Joe Touil | ... | production assistant |
Aaron Unrau | ... | assistant: Wendy Grean |
Enoch Wat | ... | athletic therapist |
Kelly Willson Harvey | ... | assistant: Steve Hamilton-Shaw, David Furnish and Martin Katz |
Nicholas A. Catalano | ... | stand-in: men (uncredited) |
Vanessa Shah | ... | daily locations scout (uncredited) |
Thanks
Sarah Bing | ... | the producers would like to thank: SJ Berwin |
William A. Bong | ... | the producers would like to thank |
Ed Fellows | ... | the producers would like to thank: SJ Berwin |
Tim Johnson | ... | the producers would like to thank |
Ed Limato | ... | the producers would like to thank |
Frank Presland | ... | the producers would like to thank |
Luke Randolph | ... | the producers would like to thank: IFG |
Hal Sadoff | ... | the producers would like to thank: ICM |