A departure from Cirque du Soleil’s previous theatrical features (2012’s Worlds Away and the 2000 3D IMAX short Journey of a Man), Dawn Porter’s Cirque du Soleil: Without a Net breaks the third wall with a more intimate portrait of the company as it emerges from a 400-plus-day-long Covid pause and aims to restart its elaborate show O in Las Vegas. While theater companies adapted to Covid by offering performances for patrons on Zoom, that was never an option for an organization that prides itself on large-scale spectacles with countless moving parts. The flaw of Worlds Away and Journey of a Man, despite their use of 3D, is that they fail to capture the scope and scale of Cirque du Soleil. Porter, instead, keeps her camera at eye level, gazing in wonder at how a world-class team of acrobats, dancers, artistic swimmers, choreographers, coaches, divers, production managers, and trainers...
- 11/14/2022
- by John Fink
- The Film Stage
Before Lin-Manuel Miranda became a cultural sensation with Hamilton and In the Heights, he was part of a scrappy hip-hop/improv fusion troupe in New York City called Freestyle Love Supreme along with director Thomas Kail and performers Christopher Jackson and Anthony Veneziale. Director Andrew Fried began filming the troupe in the summer of 2005 when Freestyle Love Supreme was beat-boxing on NYC sidewalks, eventually following the group to their much-anticipated reunion tour in 2019. Cinematographer Bryant Fisher elaborates on the limitations of shooting live performances on We Are Freestyle Love Supreme. Filmmaker: How and why did you wind up being […]...
- 1/27/2020
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Before Lin-Manuel Miranda became a cultural sensation with Hamilton and In the Heights, he was part of a scrappy hip-hop/improv fusion troupe in New York City called Freestyle Love Supreme along with director Thomas Kail and performers Christopher Jackson and Anthony Veneziale. Director Andrew Fried began filming the troupe in the summer of 2005 when Freestyle Love Supreme was beat-boxing on NYC sidewalks, eventually following the group to their much-anticipated reunion tour in 2019. Cinematographer Bryant Fisher elaborates on the limitations of shooting live performances on We Are Freestyle Love Supreme. Filmmaker: How and why did you wind up being […]...
- 1/27/2020
- by Filmmaker Staff
- Filmmaker Magazine - Blog
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