Above: 1980 Japanese poster for Apocalypse Now. Design by Eiko Ishioka, artwork by Haruo Takino.With Francis Ford Coppola’s long-gestated Megalopolis having premiered yesterday at Cannes, it's a good time to look back at the posters from his 60-year-long career. The only problem is that many posters for his films are either too well known or nothing to write home about. Like Coppola’s career itself, there are peaks and valleys—one of my very first posts for Notebook, almost exactly fifteen years ago, was about the gorgeous design for The Rain People (1969)—but a career retrospective of his posters seems like it might result in less than the sum of its parts. Yet of all his posters there are three rare Japanese designs that have always stood out as utterly extraordinary: two for Apocalypse Now (1979) and one for Bram Stoker’s Dracula (1992).I’ve always seen these posters attributed to Eiko Ishioka,...
- 5/17/2024
- MUBI
In anticipation of director Steven Spielberg providing a vibrant 'Leni Riefenstahl’ -type cinematic vision to August’s ‘Democrat National Convention’ in Chicago, take a look at ‘Deep Fake’ parodies, available on YouTube, that underscore Spielberg’s involvement:
“…Spielberg has attended multiple strategy sessions, offering his insights on how best to tell the president’s story and highlight his vision at this summer’s convention.
“The Spielberg campaign will rely on film streamed online, although Spielberg will not confirm whether or not he will create a film portion for this summer’s events…”
Click the images to enlarge…...
“…Spielberg has attended multiple strategy sessions, offering his insights on how best to tell the president’s story and highlight his vision at this summer’s convention.
“The Spielberg campaign will rely on film streamed online, although Spielberg will not confirm whether or not he will create a film portion for this summer’s events…”
Click the images to enlarge…...
- 5/15/2024
- by Unknown
- SneakPeek
Beta Cinema has added Andres Veiel’s upcoming documentary film “Riefenstahl,” about controversial filmmaker Leni Riefenstahl, to its Cannes lineup.
The film is an exploration of Riefenstahl’s legacy, delving deep into her complex relationship with the Nazi regime. With unprecedented access to Riefenstahl’s 700-box personal archive, the documentary navigates between her sanitized narrative and incriminating evidence regarding her knowledge of the regime’s atrocities.
Veiel is a multi-award-winning writer and director of both narrative feature films and documentaries. His documentary about the aftermath of the Raf campaign of terror, “Black Box Germany,” was honored with the German Film Award and the European Film Award in 2002. In 2011, he presented the feature film “If Not Us, Who?” in competition at the Berlin Film Festival, winning the Alfred Bauer Award. The film was also nominated for five German Film Awards and brought Sevilla’s best actor award to August Diehl for his leading performance.
The film is an exploration of Riefenstahl’s legacy, delving deep into her complex relationship with the Nazi regime. With unprecedented access to Riefenstahl’s 700-box personal archive, the documentary navigates between her sanitized narrative and incriminating evidence regarding her knowledge of the regime’s atrocities.
Veiel is a multi-award-winning writer and director of both narrative feature films and documentaries. His documentary about the aftermath of the Raf campaign of terror, “Black Box Germany,” was honored with the German Film Award and the European Film Award in 2002. In 2011, he presented the feature film “If Not Us, Who?” in competition at the Berlin Film Festival, winning the Alfred Bauer Award. The film was also nominated for five German Film Awards and brought Sevilla’s best actor award to August Diehl for his leading performance.
- 4/29/2024
- by Leo Barraclough
- Variety Film + TV
In the "Star Trek" episode "Patterns of Force", Kirk (William Shatner) and Spock (Leonard Nimoy) visit the pre-warp planet of Ekos to find out what happened to John Gill (David Brian), an old history professor of Kirk's. Ekos, they find, has been culturally contaminated by Gill, as he taught them all about Nazi Germany in the 1930s, and the Ekosians have rearranged their society to match. They wear Nazi uniforms, praise John Gill as their Führer, and plan to exterminate their peaceful neighbor planet Zeon. The Zeon characters have names like Izak and Abrom.
There is also a secret resistance that Kirk and Spock can hide out with, and they eventually find a way to confront John Gill. Gill, they find, has been propped up by one of the more zealously Nazi Ekosians, and has been kept in line with drugs. Gill admits that he landed on Ekos finding it to be disorganized and chaotic,...
There is also a secret resistance that Kirk and Spock can hide out with, and they eventually find a way to confront John Gill. Gill, they find, has been propped up by one of the more zealously Nazi Ekosians, and has been kept in line with drugs. Gill admits that he landed on Ekos finding it to be disorganized and chaotic,...
- 4/7/2024
- by Witney Seibold
- Slash Film
Hollywood, with its lengthy list of Jewish founders, flourished during an era of rampant antisemitism. In recent years, the Anti-Defamation League has said anti-Jewish sentiment has hit levels unseen since after the Great Depression, a time when Jewish studio moguls had difficulty securing bank loans as many lenders would not work with Jews. Now, in Los Angeles specifically, an Adl report (released months before the Israel-Hamas conflict) found harassment and vandalism increasing to highs.
On Nov. 8, the Los Angeles Museum of Tolerance hosted a screening of footage produced by Hamas to brag about murdering Jews. During the screening, the head of the Museum of Tolerance, Rabbi Marvin Hier, reminded viewers that if not for atrocities like the one on Oct. 7, the Jewish global population should be 200 million today, but “there are only 14 million because we are the leftovers of pogroms.” The screening, organized in part by Gal Gadot, saw protestors...
On Nov. 8, the Los Angeles Museum of Tolerance hosted a screening of footage produced by Hamas to brag about murdering Jews. During the screening, the head of the Museum of Tolerance, Rabbi Marvin Hier, reminded viewers that if not for atrocities like the one on Oct. 7, the Jewish global population should be 200 million today, but “there are only 14 million because we are the leftovers of pogroms.” The screening, organized in part by Gal Gadot, saw protestors...
- 11/27/2023
- by Chris Yogerst
- The Hollywood Reporter - Movie News
Here they come again, those holiday perennials. Movies, both good and bad, that year after year find their way back into theaters, onto small screens and deep into stockings that still get stuffed with digital discs.
How the Grinch Stole Christmas. A Christmas Story. Love Actually. It’s a Wonderful Life, of course. A Christmas Carol, ad infinitum. Nutcracker after Nutcracker after Nutcracker.
My personal favorite, released 19 years ago, on Nov. 10, 2004, by Warner Bros., is The Polar Express from the technophile director Robert Zemeckis.
This isn’t a sentimental choice, at least not in the conventional sense. It’s just that every time the picture pops up—and its seasonal DVDs are strung merrily across the Internet, from Amazon to Target—it reminds me of an important life lesson. That is: It’s much easier not to be an editor, especially at The New York Times.
How the Grinch Stole Christmas. A Christmas Story. Love Actually. It’s a Wonderful Life, of course. A Christmas Carol, ad infinitum. Nutcracker after Nutcracker after Nutcracker.
My personal favorite, released 19 years ago, on Nov. 10, 2004, by Warner Bros., is The Polar Express from the technophile director Robert Zemeckis.
This isn’t a sentimental choice, at least not in the conventional sense. It’s just that every time the picture pops up—and its seasonal DVDs are strung merrily across the Internet, from Amazon to Target—it reminds me of an important life lesson. That is: It’s much easier not to be an editor, especially at The New York Times.
- 11/20/2023
- by Michael Cieply
- Deadline Film + TV
Director Agnieszka Holland has been forced to take 24-hour security protection as she returns to her native Poland for the theatrical release of migrant drama Green Border in the face of a fierce political backlash and online hate campaign.
“The situation is very dynamic and keeps changing. I’m trying to keep a sane mind but it’s dangerous. This campaign could provoke real violence, not only verbal violence. It only takes one deranged person to take it seriously,” Holland told Deadline as she traveled to a pre-screening event Thursday.
Green Border, which opens in Poland on Friday, tackles the migrant crisis along Poland’s thickly forested border with Belarus, which Belarusian dictator Alexander Lukashenko is widely accused of engineering by encouraging people to travel to his country on the promise they can easily cross over to Poland and the European Union.
The film has touched a raw nerve with Poland’s ruling right-wing,...
“The situation is very dynamic and keeps changing. I’m trying to keep a sane mind but it’s dangerous. This campaign could provoke real violence, not only verbal violence. It only takes one deranged person to take it seriously,” Holland told Deadline as she traveled to a pre-screening event Thursday.
Green Border, which opens in Poland on Friday, tackles the migrant crisis along Poland’s thickly forested border with Belarus, which Belarusian dictator Alexander Lukashenko is widely accused of engineering by encouraging people to travel to his country on the promise they can easily cross over to Poland and the European Union.
The film has touched a raw nerve with Poland’s ruling right-wing,...
- 9/21/2023
- by Melanie Goodfellow
- Deadline Film + TV
Broadcast Rights
U.K. broadcaster ITV has signed a deal with UEFA to become the new home of England men’s soccer qualifying games. All European qualifiers, UEFA Nations League ties and friendlies between major tournaments will be shown on ITV from September 2024 through to June 2028.
The first set of games will be England’s bid to reach the 2026 FIFA World Cup finals in North America, followed by the European qualifiers to UEFA Euro 2028. In total at least 40 games, approximately 10 each season, will be shown by ITV over the period this new rights deal covers.
ITV had previously held the rights for England European qualifiers from 2018 until 2022 and were succeeded by Channel 4. ITV currently holds the rights to show the UEFA Euro 2024 and 2028 tournaments, sharing coverage with the BBC.
ITV also holds broadcast rights for England women’s soccer team games until 2025 and shared rights for the FIFA Women...
U.K. broadcaster ITV has signed a deal with UEFA to become the new home of England men’s soccer qualifying games. All European qualifiers, UEFA Nations League ties and friendlies between major tournaments will be shown on ITV from September 2024 through to June 2028.
The first set of games will be England’s bid to reach the 2026 FIFA World Cup finals in North America, followed by the European qualifiers to UEFA Euro 2028. In total at least 40 games, approximately 10 each season, will be shown by ITV over the period this new rights deal covers.
ITV had previously held the rights for England European qualifiers from 2018 until 2022 and were succeeded by Channel 4. ITV currently holds the rights to show the UEFA Euro 2024 and 2028 tournaments, sharing coverage with the BBC.
ITV also holds broadcast rights for England women’s soccer team games until 2025 and shared rights for the FIFA Women...
- 9/18/2023
- by Naman Ramachandran
- Variety Film + TV
The ambassador of the Film Heritage Foundation (Fhf), and megastar Amitabh Bachchan, who unveiled the poster of ‘Olympics in Reel Life – A Festival of Films and Photographs’, said it will remind us of the achievements of the Indian Olympians. As India gears up to host the International Olympic Committee (Ioc) session after 40 years, and amid talk of Indian interest in hosting a future edition of the Olympic Games, the Mumbai-based Film Heritage Foundation, and Olympic Museum in Lausanne, Switzerland have joined hands to present ‘Olympics in Reel Life – A Festival of Films and Photographs.’ The festival is in collaboration with The National Centre for Performing Arts (Ncpa), and India International Centre (Iic).
During the release of the poster, Big B was joined by Film Heritage Foundation Director, Shivendra Singh Dungarpur; Olympic Gold Medalist Abhinav Bindra; hockey legend M.M. Somaya; and the renowned Badminton player Aparna Popat.
Talking about the same,...
During the release of the poster, Big B was joined by Film Heritage Foundation Director, Shivendra Singh Dungarpur; Olympic Gold Medalist Abhinav Bindra; hockey legend M.M. Somaya; and the renowned Badminton player Aparna Popat.
Talking about the same,...
- 9/17/2023
- by Agency News Desk
The ambassador of the Film Heritage Foundation (Fhf), and megastar Amitabh Bachchan, who unveiled the poster of ‘Olympics in Reel Life – A Festival of Films and Photographs’, said it will remind us of the achievements of the Indian Olympians. As India gears up to host the International Olympic Committee (Ioc) session after 40 years, and amid talk of Indian interest in hosting a future edition of the Olympic Games, the Mumbai-based Film Heritage Foundation, and Olympic Museum in Lausanne, Switzerland have joined hands to present ‘Olympics in Reel Life – A Festival of Films and Photographs.’ The festival is in collaboration with The National Centre for Performing Arts (Ncpa), and India International Centre (Iic).
During the release of the poster, Big B was joined by Film Heritage Foundation Director, Shivendra Singh Dungarpur; Olympic Gold Medalist Abhinav Bindra; hockey legend M.M. Somaya; and the renowned Badminton player Aparna Popat.
Talking about the same,...
During the release of the poster, Big B was joined by Film Heritage Foundation Director, Shivendra Singh Dungarpur; Olympic Gold Medalist Abhinav Bindra; hockey legend M.M. Somaya; and the renowned Badminton player Aparna Popat.
Talking about the same,...
- 9/17/2023
- by Agency News Desk
- GlamSham
Clockwise from upper left: Extraction 2 (Netflix), The Woman King (Sony), Fast Five (Universal), Terminator 2: Judgment Day (TriStar Pictures), Rrr (Sarigama Cinemas)Graphic: AVClub
Remember the good ol’ days when you could see all the Christopher Nolan Batman films on Netflix? Well, those days are over. And remember the good...
Remember the good ol’ days when you could see all the Christopher Nolan Batman films on Netflix? Well, those days are over. And remember the good...
- 8/12/2023
- by The A.V. Club
- avclub.com
Jeremy Strong's hardcore dedication to his "Succession" character is a well-tread territory, but his commitment to Kendall Roy's threads is often overlooked. The actor actually has quite a large hand in dressing the Murdoch-like media empire's failing-upwards-son. The intentional and occasionally flashy nature of Kendall's outfits is expertly matched to the character's various neuroses. The only person that puts more thought into Kendall's clothes than Kendall himself is the performer that plays him, and it shows — especially in episode 6 of the series' fourth and final season.
"Living+" is a series of nervous breakdowns, but Kendall's might be the biggest of all. With a new product launch happening in Hollywood, he seizes the opportunity to put on a show. Strong has to deliver a major monologue that cycles through a lot of different emotions — confidence, grief, pathetic stuttering — but the first thing that occurred to the actor was what...
"Living+" is a series of nervous breakdowns, but Kendall's might be the biggest of all. With a new product launch happening in Hollywood, he seizes the opportunity to put on a show. Strong has to deliver a major monologue that cycles through a lot of different emotions — confidence, grief, pathetic stuttering — but the first thing that occurred to the actor was what...
- 5/2/2023
- by Shae Sennett
- Slash Film
"Starship Troopers" failed to land when it opened in November 1997. Casper Van Dien and Denise Richards were not bankable leads, and audiences expecting a conventional sci-fi epic were thrown off by the film's curious style, which is a mix of televisual soap operas and satirical militarism. Consequently, "Troopers" received a mediocre "C+" from CinemaScore and grossed just $121 million against a $100 million budget (via The Numbers).
Critics were not best pleased, either, especially Stephen Hunter, who attacked "Troopers" as a film that "presupposes" Nazism. Such literal-mindedness misses that Paul Verhoven's film is satirical meta-propaganda, not a cosmic fascist fantasy. The numerous propaganda bulletins make this clear, but the propaganda does not stop there. These bulletins are propaganda within propaganda because "Starship Troopers" can be viewed as one big propaganda piece vetted by the United Citizen Federation, the film's dystopian one-world government.
Johnny Rico (Casper van Dien) and Carmen Ibanez (Denise Richards) are model recruits,...
Critics were not best pleased, either, especially Stephen Hunter, who attacked "Troopers" as a film that "presupposes" Nazism. Such literal-mindedness misses that Paul Verhoven's film is satirical meta-propaganda, not a cosmic fascist fantasy. The numerous propaganda bulletins make this clear, but the propaganda does not stop there. These bulletins are propaganda within propaganda because "Starship Troopers" can be viewed as one big propaganda piece vetted by the United Citizen Federation, the film's dystopian one-world government.
Johnny Rico (Casper van Dien) and Carmen Ibanez (Denise Richards) are model recruits,...
- 4/30/2023
- by Jack Hawkins
- Slash Film
Filmmakers and executives, creatives of music, theater and art remembered Tom Luddy as friend and mentor, tastemaker and cultural force who deployed an astonishingly vast network to nurture talent and bring people and projects together over decades.
The co-founder of the Telluride Film Festival passed away in February.
“I am thinking of getting a tattoo of you on my arm,” said Irish director Mark Cousins at tribute event at the Paris Theatre over the weekend. “Here is Hitchcock on my arm, and here is and Kira Muratova. Maybe you would fit between the two?” He added, “For the rest of my life, I will see partly through your eyes. I miss you and I love you.”
“Tom Luddy was a constant presence. The sun around which so many of us have revolved,” said Ken Burns. The two met when Burns screened Huey Long at Telluride in 1985. “For the next 35-plus years,...
The co-founder of the Telluride Film Festival passed away in February.
“I am thinking of getting a tattoo of you on my arm,” said Irish director Mark Cousins at tribute event at the Paris Theatre over the weekend. “Here is Hitchcock on my arm, and here is and Kira Muratova. Maybe you would fit between the two?” He added, “For the rest of my life, I will see partly through your eyes. I miss you and I love you.”
“Tom Luddy was a constant presence. The sun around which so many of us have revolved,” said Ken Burns. The two met when Burns screened Huey Long at Telluride in 1985. “For the next 35-plus years,...
- 4/17/2023
- by Jill Goldsmith
- Deadline Film + TV
The key to understanding the new Philip Marlowe film is being aware that it’s not based on an actual novel by Raymond Chandler but a 2014 exercise by Irish mystery writer John Banville to replicate the style of that legendary author. This picture, somewhat of a beguiling genre experiment that seemingly nobody asked for, initially seems like a bad throwback, but in its game of telephone through adaptation ends up, actually, something of a moderately funny joke.
It’s hard to totally pin down Marlowe’s reason for being; a post-modern Irish exile from Hollywood movies (sinister backlot goings-on supporting this reading) or maybe some kind of elaborate tax shelter plot? It’s as if director Neil Jordan and star Liam Neeson committed to making a noir throwback right after L.A. Confidential came out 25 years ago, realized they forgot to ever go through with it and, coming on the...
It’s hard to totally pin down Marlowe’s reason for being; a post-modern Irish exile from Hollywood movies (sinister backlot goings-on supporting this reading) or maybe some kind of elaborate tax shelter plot? It’s as if director Neil Jordan and star Liam Neeson committed to making a noir throwback right after L.A. Confidential came out 25 years ago, realized they forgot to ever go through with it and, coming on the...
- 2/15/2023
- by Ethan Vestby
- The Film Stage
Tom Luddy, co-founder of the Telluride Film Festival and producer of numerous films for Francis Ford Coppola’s Zoetrope Studios, died February 13 at a nursing home in Berkeley, CA, where he had been under care for dementia. He was 79.
The festival announced Luddy’s death this morning. The news comes two months after the death of another Telluride co-founder, Bill Pence.
Related Story Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries Related Story Bill Pence Dies: Telluride Film Festival Co-Founder Was 82 Related Story Telluride Review: Werner Herzog's 'Theater Of Thought'
“The world has lost a rare ingredient that we’ll all be searching for, for some time,” said Julie Huntsinger, executive director of the Telluride Film Festival. “I would sometimes find myself feeling sad for those who didn’t get to know Tom Luddy properly. He had a Sphinxlike quality that took a little time to get around, for some.
The festival announced Luddy’s death this morning. The news comes two months after the death of another Telluride co-founder, Bill Pence.
Related Story Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries Related Story Bill Pence Dies: Telluride Film Festival Co-Founder Was 82 Related Story Telluride Review: Werner Herzog's 'Theater Of Thought'
“The world has lost a rare ingredient that we’ll all be searching for, for some time,” said Julie Huntsinger, executive director of the Telluride Film Festival. “I would sometimes find myself feeling sad for those who didn’t get to know Tom Luddy properly. He had a Sphinxlike quality that took a little time to get around, for some.
- 2/14/2023
- by Todd McCarthy and Erik Pedersen
- Deadline Film + TV
The history of film is filled with fascinating symmetries, with Edison’s early kinescopes like Fred Ott’s Sneeze and The Kiss resembling the kinds of stories friends might send you on Snapchat or Instagram. Unfortunately, Axel Danielson and Maximilien Van Aertryck’s Fantastic Machine doesn’t know quite what to make of them. An essay film on the study of photography–from the early camera obscuras to cell phone videos and police body-cam footage–it has a seemingly limitless canvas to explore all aspects of photography, including its possibilities, shortcomings, and manipulations. Sourced from found footage, the film presents itself as a roadmap to the unknown, and playfully comes up short in its conclusions.
The starting point is early plate photography: Eadweard Muybridge’s 1859 experiment commonly considered the birth of the motion picture. The documentary then quickly crisscrosses over the next 164-or-so years, only periodically stopping to draw correlations...
The starting point is early plate photography: Eadweard Muybridge’s 1859 experiment commonly considered the birth of the motion picture. The documentary then quickly crisscrosses over the next 164-or-so years, only periodically stopping to draw correlations...
- 2/1/2023
- by John Fink
- The Film Stage
Bill Pence, a former VP at Janus Films who co-founded the integral Telluride Film Festival in 1974, has died. He was 82. The Telluride Daily Planet said Pence died December 6 after a long illness.
A native of Minneapolis, Pence launched the Telluride fest with his wife, Stella, along with friend and film historian James Card, who became the event co-director. The inaugural festival at the Colorado burg’s Sheridan Opera House — and a local bar — featured tributes to Francis Ford Coppola, Gloria Swanson and Leni Riefenstahl and was a surprise sellout. Pence guided the fest’s growth, adding three more venues by 1986.
Related Story Hollywood & Media Deaths In 2022: Photo Gallery Related Story Telluride Review: Werner Herzog's 'Theater Of Thought' Related Story Telluride Review: Mark Cousins' Documentary 'My Name Is Alfred Hitchcock'
In 1991, he made a key deal with the town’s lone school to put a 500-seat theater in its gym every winter,...
A native of Minneapolis, Pence launched the Telluride fest with his wife, Stella, along with friend and film historian James Card, who became the event co-director. The inaugural festival at the Colorado burg’s Sheridan Opera House — and a local bar — featured tributes to Francis Ford Coppola, Gloria Swanson and Leni Riefenstahl and was a surprise sellout. Pence guided the fest’s growth, adding three more venues by 1986.
Related Story Hollywood & Media Deaths In 2022: Photo Gallery Related Story Telluride Review: Werner Herzog's 'Theater Of Thought' Related Story Telluride Review: Mark Cousins' Documentary 'My Name Is Alfred Hitchcock'
In 1991, he made a key deal with the town’s lone school to put a 500-seat theater in its gym every winter,...
- 12/30/2022
- by Erik Pedersen
- Deadline Film + TV
Spike Lee attended the first-ever public screening in Saudi Arabia of “Malcolm X” on Saturday during the Red Sea Film Festival. The film shot key scenes in Mecca, over 30 years ago, but has never been screened in the kingdom, due to the 35-year ban on cinemas that only ended in December 2017.
On Sunday, at a press conference, Lee gave his take on filmmaking, while often referencing the Soccer World Cup, currently underway in neighboring Qatar. “Everything for me is about sports,” he quipped.
He added that in addition to rooting for the recently-eliminated U.S. team in the World Cup, he “desperately wanted Cameroon to win,” because of his family roots, since his father’s family side is from Cameroon, and his mother’s side from Sierra Leone – “My ancestors were stolen from Africa. They weren’t slaves. They were enslaved.”
He explained why it was so important to film...
On Sunday, at a press conference, Lee gave his take on filmmaking, while often referencing the Soccer World Cup, currently underway in neighboring Qatar. “Everything for me is about sports,” he quipped.
He added that in addition to rooting for the recently-eliminated U.S. team in the World Cup, he “desperately wanted Cameroon to win,” because of his family roots, since his father’s family side is from Cameroon, and his mother’s side from Sierra Leone – “My ancestors were stolen from Africa. They weren’t slaves. They were enslaved.”
He explained why it was so important to film...
- 12/4/2022
- by Martin Dale
- Variety Film + TV
Paul Verhoeven's 1997 war satire "Starship Troopers" was initially greeted with skepticism from audiences and critics alike. Set in a distant future where humanity is engaged in a seemingly permanent war with outsize intelligent insects, Verhoeven made extensive use of clear-throated, pro-military propaganda and clothed his all-too-attractive cast in Nazi-like regalia. With its glorified violence and deliberately idiotic bluster, "Starship Troopers" was very clearly meant to read as a parody of actual fascist filmmaking as seen in Nazi films like Leni Riefenstahl's 1935 film "The Triumph of the Will" and her 1938 film "Olympia." Despite its satirical tone, some critics described "Troopers" as being aggressively pro-fascist, and accused Verhoeven of selling the very military mindset he worked so hard to eschew.
Although the film would go on to make over 120 million at the box office, "Starship Troopers" was considered something of a "lesser" film in 1997, and wasn't held in very high regard.
Although the film would go on to make over 120 million at the box office, "Starship Troopers" was considered something of a "lesser" film in 1997, and wasn't held in very high regard.
- 12/3/2022
- by Witney Seibold
- Slash Film
Today, Paul Verhoeven's "Starship Troopers" is mostly remembered and still revered for the groundbreaking Oscar-nominated visual effects from Phil Tippett's Tippett Studio and Sony Pictures Imageworks (Spi). Losing the Oscar to James Cameron's "Titanic," the incredibly self-aware space epic has stayed in the public consciousness mostly due to the biting satire and enduring soap opera appeal that Verhoeven and the chiseled actors injected into the film. Based on Robert Heinlein's overtly pro-war book of the same name, Verhoeven and his writing partner Ed Neumeier took what they had learned making the dystopian action classic "Robocop" and applied it to their overblown version of "Starship Troopers."
Plans of making a big-budget parody of a sci-fi action blockbuster became even more apparent with the casting of Casper Van Dien and Denise Richards, two classically beautiful actors that looked like they walked out of the pages of a comic book.
Plans of making a big-budget parody of a sci-fi action blockbuster became even more apparent with the casting of Casper Van Dien and Denise Richards, two classically beautiful actors that looked like they walked out of the pages of a comic book.
- 12/3/2022
- by Drew Tinnin
- Slash Film
Forty-four years have passed since a feature film was last built around Raymond Chander’s harder-than-hardboiled fictional detective Philip Marlowe — a screen absence that seems both unduly long and now, in the wake of Neil Jordan’s “Marlowe,” not quite long enough. A phony, flimsy attempt at vintage noir, the film is adapted not from a Chandler work but “The Black-Eyed Blonde,” an authorized Marlowe entry from 2014, by Irish novelist John Banville. Minus Banville’s own knack for literary ventriloquism, however, this all too evidently European co-production can’t help but feel multiple degrees removed from the real thing, not helped by the shuffling, ungainly presence of a wildly miscast Liam Neeson in shoes once filled by Bogart and Mitchum.
Following a low-key premiere as the closing film at this year’s San Sebastian Film Festival, “Marlowe” will be released Stateside by Open Road Films on December 2 — though even with the big-name cachet of Jordan,...
Following a low-key premiere as the closing film at this year’s San Sebastian Film Festival, “Marlowe” will be released Stateside by Open Road Films on December 2 — though even with the big-name cachet of Jordan,...
- 9/24/2022
- by Guy Lodge
- Variety Film + TV
Click here to read the full article.
“We’d rather march to hear Willkie on national unity than be marched into a concentration camp,” Harry Warner firmly stated in the summer of 1941. The mogul was responding to criticism for his encouraging studio employees to attend a rally at the Hollywood Bowl featuring 1940 Republican presidential candidate Wendell Willkie, a strong advocate for U.S. intervention in World War II. That same summer, a competing rally was held at the Hollywood Bowl on behalf of the America First movement. The keynote speaker was famed aviator and eugenics enthusiast Charles Lindbergh. The same aviator who, at an America First rally in Des Moines on Sept. 11, 1941, argued that one of the biggest threats to the United States was the Jewish-controlled media. Lindbergh’s hate-fueled rhetoric is covered at length in the new PBS docuseries, The U.S. and the Holocaust, produced by Ken Burns,...
“We’d rather march to hear Willkie on national unity than be marched into a concentration camp,” Harry Warner firmly stated in the summer of 1941. The mogul was responding to criticism for his encouraging studio employees to attend a rally at the Hollywood Bowl featuring 1940 Republican presidential candidate Wendell Willkie, a strong advocate for U.S. intervention in World War II. That same summer, a competing rally was held at the Hollywood Bowl on behalf of the America First movement. The keynote speaker was famed aviator and eugenics enthusiast Charles Lindbergh. The same aviator who, at an America First rally in Des Moines on Sept. 11, 1941, argued that one of the biggest threats to the United States was the Jewish-controlled media. Lindbergh’s hate-fueled rhetoric is covered at length in the new PBS docuseries, The U.S. and the Holocaust, produced by Ken Burns,...
- 9/22/2022
- by Chris Yogerst
- The Hollywood Reporter - Movie News
Now, at the venerable age of 90, Venice is the oldest major film festival in the world. Founded in 1932, the event is still held on the balmy, beach-filled island of the Lido and has a faded elegance that other events such as Cannes and Berlin simply can’t emulate. In the 1930s, the controversies tended to be political. The main award was called The Mussolini Cup. There were furious rows over movies like Jean Renoir’s Grand Illusion, later banned in Italy for being too left wing, and German director Leni Riefenstahl’s Olympia, which many saw as Nazi propaganda.
The 2022 edition has had plenty of talking points, too, but this time not to do with fascism. Olivia Wilde’s Don’t Look Now, which landed on the Lido midway through the festival like some dangerous UFO with Harry Styles inside, provoked a media feeding frenzy thanks to all the lurid advance...
The 2022 edition has had plenty of talking points, too, but this time not to do with fascism. Olivia Wilde’s Don’t Look Now, which landed on the Lido midway through the festival like some dangerous UFO with Harry Styles inside, provoked a media feeding frenzy thanks to all the lurid advance...
- 9/11/2022
- by Geoffrey Macnab
- The Independent - Film
Opening with a clip 0f Donald Trump is a rare unwise choice made in “The March on Rome,” the latest film from Irish author and documentarian Mark Cousins. That’s not because Trump isn’t a fascist (where you have been?), it’s just that Cousins can, and will, tell the story of far-right politics’ inherent illusions — spring-boarding off Mussolini’s famous, semi-fictional voyage 100 years ago in October — with a little more grace than that.
Maybe grace isn’t the point. “A Noi!” (“To Us”) made for newsreels nationwide, Cousins entertainingly brings history, cinema, and the manipulative power of the movies together in just the way we’ve come to expect from him. If you’re at all intrigued by a movie called “The March on Rome,” you won’t be disappointed.
But don’t be fooled, either; trust no one, illusions are everywhere. Cousins’ title gives away the game,...
Maybe grace isn’t the point. “A Noi!” (“To Us”) made for newsreels nationwide, Cousins entertainingly brings history, cinema, and the manipulative power of the movies together in just the way we’ve come to expect from him. If you’re at all intrigued by a movie called “The March on Rome,” you won’t be disappointed.
But don’t be fooled, either; trust no one, illusions are everywhere. Cousins’ title gives away the game,...
- 8/31/2022
- by Adam Solomons
- Indiewire
Andor always promised to be a different type of Star Wars show. Where series such as The Mandalorian and Obi-Wan Kenobi rely heavily on nostalgia, harkening back to the Original Trilogy or the Prequels, Andor fleshes out a movie from the Disney era, Rogue One. Very few people will be tuning in because they have fond childhood memories of watching Diego Luna’s spy Cassian Andor conduct black ops for the Rebellion.
But if Andor‘s Fiona Shaw is to be believed, the series will also separate itself from other Disney+ shows in a more substantial way: “Our world is exploding in different places right now, people’s rights are disappearing, and Andor reflects that,” the actor told Empire Magazine. For Shaw, this quality comes from showrunner Tony Gilroy, who also directed extensive reshoots for Rogue One. “Tony has written a great, scurrilous [take] on the Trumpian world,” Shaw declared.
That...
But if Andor‘s Fiona Shaw is to be believed, the series will also separate itself from other Disney+ shows in a more substantial way: “Our world is exploding in different places right now, people’s rights are disappearing, and Andor reflects that,” the actor told Empire Magazine. For Shaw, this quality comes from showrunner Tony Gilroy, who also directed extensive reshoots for Rogue One. “Tony has written a great, scurrilous [take] on the Trumpian world,” Shaw declared.
That...
- 8/4/2022
- by Joe George
- Den of Geek
Watching Written on the Wind was my first introduction to the famous auteur of the melodramatic, Douglas Sirk. The 2K Blu-ray restoration is out now via the Criterion Collection. Sirk was a German filmmaker who fled the country when he was approached by the notorious Joseph Goebbels (Nazi war criminal and the German Minister of Propaganda) to make the films that Leni Riefenstahl ended up working on. There’s more to that story that’s both sad and tawdry; check it out if you have interest in this strange intersection with world history and cinema. Sirk became known for exploring the kind of daily ugly realities that bubbled beneath a bright, polished veneer, a gauntlet later picked up by fellow...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/28/2022
- Screen Anarchy
Born over 125 years ago, the legacy of Buster Keaton endures in everything from Jackass to Jackie Chan. The subject of a lauded new book by Dana Stevens has further renewed interest in the Hollywood icon and now a newly-announced biopic will capture the life of the star.
James Mangold, currently wrapping up production on Indiana Jones 5, will direct and produce the 20th Century Studios film, which will be based on Marion Meade’s 1995 book Buster Keaton: Cut to the Chase, Deadline reports. Check out the synopsis of the book below via Amazon.
Buster Keaton (1895–1966) was a brilliant comedian and filmmaker who conceived, wrote, directed, acted, and even edited most of his ten feature films and nineteen short comedies, which are perhaps the finest silent pictures ever made. With a face of stone and a mind that engineered breathtakingly intricate moments of slapstick, Keaton has become an icon of the American cinema.
James Mangold, currently wrapping up production on Indiana Jones 5, will direct and produce the 20th Century Studios film, which will be based on Marion Meade’s 1995 book Buster Keaton: Cut to the Chase, Deadline reports. Check out the synopsis of the book below via Amazon.
Buster Keaton (1895–1966) was a brilliant comedian and filmmaker who conceived, wrote, directed, acted, and even edited most of his ten feature films and nineteen short comedies, which are perhaps the finest silent pictures ever made. With a face of stone and a mind that engineered breathtakingly intricate moments of slapstick, Keaton has become an icon of the American cinema.
- 2/23/2022
- by Jordan Raup
- The Film Stage
James Mangold is set to produce and direct an untitled biopic about the life of filmmaker and comedian Buster Keaton for 20th Century Studios, according to an individual with knowledge of the project.
The upcoming film will be based on the book “Buster Keaton: Cut to the Chase” by Marion Meade. The project is currently out to writers to adapt the book.
According to the synopsis for the book: “Buster Keaton (1895–1966) was a brilliant comedian and filmmaker who conceived, wrote, directed, acted, and even edited most of his ten feature films and nineteen short comedies, which are perhaps the finest silent pictures ever made. With a face of stone and a mind that engineered breathtakingly intricate moments of slapstick, Keaton has become an icon of the American cinema. Marion Meade’s definitive biography explores his often brutal childhood acting experiences, the making of his masterpieces, his shame at his own lack of education,...
The upcoming film will be based on the book “Buster Keaton: Cut to the Chase” by Marion Meade. The project is currently out to writers to adapt the book.
According to the synopsis for the book: “Buster Keaton (1895–1966) was a brilliant comedian and filmmaker who conceived, wrote, directed, acted, and even edited most of his ten feature films and nineteen short comedies, which are perhaps the finest silent pictures ever made. With a face of stone and a mind that engineered breathtakingly intricate moments of slapstick, Keaton has become an icon of the American cinema. Marion Meade’s definitive biography explores his often brutal childhood acting experiences, the making of his masterpieces, his shame at his own lack of education,...
- 2/23/2022
- by Umberto Gonzalez
- The Wrap
Monday’s Up Next: Germany session at this year’s European Film Market (EFM) in Berlin put the spotlight on a slew of upcoming series, spanning Hamburg’s Red Light district, Germany’s first female undercover cop and the Munich Olympic massacre.
Invited to the Berlinale studio, with some participants taking part online, several of Germany’s top creatives made the play date to talk with Julia Fidel, head of the Berlinale Series. Hanno Hackfort (“4 Blocks”), Jella Haase (“Lollipop Minster”), Lisa Kreimeyer (Netflix), Viviane Andereggen (“Tatort”), Christian Beetz (“Make Love”), Georg Tschurtschenthaler (“Viral Dreams”), and actor Detlev Buck were amongst those that took part.
The idea of the panel was to present new material straight from the editing room with many of the series still six months away from being seen. The session provided a first look at a number of projects nearing completion, including the comedy “Greenlight – German Genius,...
Invited to the Berlinale studio, with some participants taking part online, several of Germany’s top creatives made the play date to talk with Julia Fidel, head of the Berlinale Series. Hanno Hackfort (“4 Blocks”), Jella Haase (“Lollipop Minster”), Lisa Kreimeyer (Netflix), Viviane Andereggen (“Tatort”), Christian Beetz (“Make Love”), Georg Tschurtschenthaler (“Viral Dreams”), and actor Detlev Buck were amongst those that took part.
The idea of the panel was to present new material straight from the editing room with many of the series still six months away from being seen. The session provided a first look at a number of projects nearing completion, including the comedy “Greenlight – German Genius,...
- 2/16/2022
- by Liza Foreman
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Lina Wertmüller in Behind the White Glasses (2015).Italian filmmaker Lina Wertmüller, the first woman to be nominated for a directing Oscar (for 1975's Seven Beauties), died on December 9. After working as an assistant director for Federico Fellini on 8 1/2, Wertmüller went on to become a prolific and distinctive filmmaker in her own right, combining politics and sex and humor in films like The Seduction of Mimi and Swept Away. In an interview with Criterion, she stated: "I consider myself a director, not a female director. I think there’s no difference. The difference is between good movies and bad movies. We should not make other distinctions." The prolific critic and theorist bell hooks has died today. In addition to her many writings on the feminist movement and cultural politics, hooks was also an important media theorist.
- 12/15/2021
- MUBI
If you weren’t around at the time, it’s hard to communicate just what a splashy, dominating place the Italian filmmaker Lina Wertmüller occupied during the 1970s. Wertmüller, who died on Thursday at 93, was far from the first celebrated woman director — just think of Agnès Varda, Shirley Clarke, Elaine May, Lois Weber, Ida Lupino, Dorothy Arzner, or Barbara Loden. But apart from the infamous Leni Riefenstahl, it’s fair to say that Wertmüller was the first woman filmmaker to become a household name. She was the first to receive an Academy Award nomination for best director, the first to adorn the cover of major magazines, the first to rule and own the zeitgeist.
And rule it she did. “Swept Away,” Wertmüller’s controversial 1974 drama about a wealthy snob (Mariangela Melato) and one of her lowly yacht crew members (Giancarlo Giannini), who wind up swapping roles after the two are stranded on a desert island,...
And rule it she did. “Swept Away,” Wertmüller’s controversial 1974 drama about a wealthy snob (Mariangela Melato) and one of her lowly yacht crew members (Giancarlo Giannini), who wind up swapping roles after the two are stranded on a desert island,...
- 12/10/2021
- by Owen Gleiberman
- Variety Film + TV
Yet another Before Sunrise imitator – this time with two men who have 15 hours to spend together in Berlin – falters because of a subpar script and annoying characters
Richard Linklater has a lot to answer for. Ever since Before Sunrise, countless indie films have tried to ape the incandescent spirit of that 1995 classic, usually to middling results. Daniel Sanchez Lopez’s Boy Meets Boy is the latest unfortunately failed attempt, and once again reveals the achilles heel of these copycat projects. Before Sunrise might appear improvised but it has a tightly constructed script. Without good writing, watching random people walking around rarely makes for a good time at the movies.
At least the chosen location is charming enough. Having locked eyes the previous night at a club, Johannes (Alexandros Koutsoulis) and Harry (Matthew James Morrison), wander about on a sun-drenched day in Berlin, before the latter’s flight back to the UK.
Richard Linklater has a lot to answer for. Ever since Before Sunrise, countless indie films have tried to ape the incandescent spirit of that 1995 classic, usually to middling results. Daniel Sanchez Lopez’s Boy Meets Boy is the latest unfortunately failed attempt, and once again reveals the achilles heel of these copycat projects. Before Sunrise might appear improvised but it has a tightly constructed script. Without good writing, watching random people walking around rarely makes for a good time at the movies.
At least the chosen location is charming enough. Having locked eyes the previous night at a club, Johannes (Alexandros Koutsoulis) and Harry (Matthew James Morrison), wander about on a sun-drenched day in Berlin, before the latter’s flight back to the UK.
- 8/31/2021
- by Phuong Le
- The Guardian - Film News
In November 1938, Nazi filmmaker Leni Riefenstahl visited Hollywood to secure an American distribution deal for Olympia, her epic two-part, four-and-a-half hour long documentary record of the 1936 Berlin Olympics, a dazzling showcase for athletic prowess, cinematic virtuosity, and Nazi pageantry. The trip did not go well.
Riefenstahl’s winter of discontent in California has inspired a radio play, Leni Goes to Hollywood, by the prolific multi-hyphenate Colin Shindler, film scholar (Hollywood in Crisis: Cinema and American Society 1929-1939), novelist (The Worst of Friends: The Betrayal of Joe Mercer), memoirist (Manchester United Ruined My Life), and radio playwright (How to Be an Internee with No ...
Riefenstahl’s winter of discontent in California has inspired a radio play, Leni Goes to Hollywood, by the prolific multi-hyphenate Colin Shindler, film scholar (Hollywood in Crisis: Cinema and American Society 1929-1939), novelist (The Worst of Friends: The Betrayal of Joe Mercer), memoirist (Manchester United Ruined My Life), and radio playwright (How to Be an Internee with No ...
- 8/24/2021
- The Hollywood Reporter - Movie News
In November 1938, Nazi filmmaker Leni Riefenstahl visited Hollywood to secure an American distribution deal for Olympia, her epic two-part, four-and-a-half hour long documentary record of the 1936 Berlin Olympics, a dazzling showcase for athletic prowess, cinematic virtuosity, and Nazi pageantry. The trip did not go well.
Riefenstahl’s winter of discontent in California has inspired a radio play, Leni Goes to Hollywood, by the prolific multi-hyphenate Colin Shindler, film scholar (Hollywood in Crisis: Cinema and American Society 1929-1939), novelist (The Worst of Friends: The Betrayal of Joe Mercer), memoirist (Manchester United Ruined My Life), and radio playwright (How to Be an Internee with No ...
Riefenstahl’s winter of discontent in California has inspired a radio play, Leni Goes to Hollywood, by the prolific multi-hyphenate Colin Shindler, film scholar (Hollywood in Crisis: Cinema and American Society 1929-1939), novelist (The Worst of Friends: The Betrayal of Joe Mercer), memoirist (Manchester United Ruined My Life), and radio playwright (How to Be an Internee with No ...
- 8/24/2021
- The Hollywood Reporter - Film + TV
Jonathan Taplin with Anne-Katrin Titze on Wim Wenders and Edward Hopper: “Obviously Wim is a student of Hopper in every possible way.”
During my conversation with film producer (and so much more) Jonathan Taplin on his terrific memoir, The Magic Years: Scenes From A Rock-And-Roll Life (Heyday), we discussed his working with Martin Scorsese and Wim Wenders (Until The End Of The World); Shelley Duvall’s Faerie Tale Theatre; Aretha Franklin in Amazing Grace; Eric Clapton and faith; Quentin Tarantino, Charles Manson and Once Upon a Time … in Hollywood; Robert Frank and The Rolling Stones; Leni Riefenstahl, Jodie Foster, and John Hinckley, and Scott Hicks, Shine, and Harvey Weinstein.
Julie Christie in John Schlesinger’s Billy Liar, Billy Wilder’s Double Indemnity, Edward Hopper and Wim Wenders, Katharine Hepburn and his mother, the joyous rebellion of Elvis Presley, Little Richard, and Jerry Lee Lewis turning into Bob Dylan and The.
During my conversation with film producer (and so much more) Jonathan Taplin on his terrific memoir, The Magic Years: Scenes From A Rock-And-Roll Life (Heyday), we discussed his working with Martin Scorsese and Wim Wenders (Until The End Of The World); Shelley Duvall’s Faerie Tale Theatre; Aretha Franklin in Amazing Grace; Eric Clapton and faith; Quentin Tarantino, Charles Manson and Once Upon a Time … in Hollywood; Robert Frank and The Rolling Stones; Leni Riefenstahl, Jodie Foster, and John Hinckley, and Scott Hicks, Shine, and Harvey Weinstein.
Julie Christie in John Schlesinger’s Billy Liar, Billy Wilder’s Double Indemnity, Edward Hopper and Wim Wenders, Katharine Hepburn and his mother, the joyous rebellion of Elvis Presley, Little Richard, and Jerry Lee Lewis turning into Bob Dylan and The.
- 7/21/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
While the summer movie season will kick off shortly––and we’ll be sharing a comprehensive preview on the arthouse, foreign, indie, and (few) studio films worth checking out––on the streaming side, The Criterion Channel and Mubi have unveiled their May 2021 lineups and there’s a treasure trove of highlights to dive into.
Timed with Satyajit Ray’s centenary, The Criterion Channel will have a retrospective of the Indian master, along with series on Gena Rowlands, Robert Ryan, Mitchell Leisen, Michael Almereyda, Josephine Decker, and more. In terms of recent releases, they’ll also feature Fire Will Come, The Booksellers, and the new restoration of Tom Noonan’s directorial debut What Happened Was….
On Mubi, in anticipation of Undine, they’ll feature two essential early features by Christian Petzold, Jerichow and The State That I Am In, along with his 1990 short documentary Süden. Also amongst the lineup is Sophy Romvari’s Still Processing,...
Timed with Satyajit Ray’s centenary, The Criterion Channel will have a retrospective of the Indian master, along with series on Gena Rowlands, Robert Ryan, Mitchell Leisen, Michael Almereyda, Josephine Decker, and more. In terms of recent releases, they’ll also feature Fire Will Come, The Booksellers, and the new restoration of Tom Noonan’s directorial debut What Happened Was….
On Mubi, in anticipation of Undine, they’ll feature two essential early features by Christian Petzold, Jerichow and The State That I Am In, along with his 1990 short documentary Süden. Also amongst the lineup is Sophy Romvari’s Still Processing,...
- 4/26/2021
- by Jordan Raup
- The Film Stage
This year’s awards will be a battle between political propriety and cinematic excellence. But will medium or message finally triumph?
What is the point of cinema? For most people: entertainment; for some: art. And for a few: a means of shaping attitudes. Such purposes are not mutually exclusive – just ask Ken Loach.
Proudly political engagement isn’t new. The movies fought the cold war, decried Vietnam and took sides on many grand issues of the past.
What is the point of cinema? For most people: entertainment; for some: art. And for a few: a means of shaping attitudes. Such purposes are not mutually exclusive – just ask Ken Loach.
Proudly political engagement isn’t new. The movies fought the cold war, decried Vietnam and took sides on many grand issues of the past.
- 4/23/2021
- by David Cox
- The Guardian - Film News
From "Modern Lusts," Berghahn 2020, 340PPErnest Borneman not only wrote the greatest detective novel set in the movie-business, with one of the best titles, The Face on the Cutting-Room Floor (1937), but was also a screenwriter, editor, producer, distributor and director who worked closely with two cinema colossi, John Grierson and Orson Welles. He was also a painter, musician, revered jazz critic and historian of African-American life, a radical agitator and sexologist whose stated aim was to destroy the patriarchy. Modern Lusts, the first biography of this protean polymath, reveals a man who did everything, knew everyone, and remained in the forefront of avant-garde art and politics, Black liberation and sexual freedom, like some ultra-woke Zelig. Never in the field of human culture was so much done, so many met, now known to so few.Born in Berlin in 1915, Borneman attended Karl Marx school and by 15 had met Brecht, with whom he collaborated over the decades,...
- 12/23/2020
- MUBI
When a documentary is called “The Meaning of Hitler,” there are two things you know off the bat. One is that the film probably won’t live up to that title — and doesn’t have to, because how could it? The other thing you know is that it’s trying for something audacious, placing itself on the high bar of who-was-Adolf-Hitler? meditation. And that’s a good thing, since for all the mystery that still surrounds Hitler we do know a great deal about him, and we want a movie like this one to jolt us with the shock of the new. The author Martin Amis, who’s one of the most compelling people interviewed here, says that if you can expand our knowledge of Hitler by just a millimeter, you’ve done something. We go into “The Meaning of Hitler” craving that millimeter of insight, of intrigue and revelation.
- 11/26/2020
- by Owen Gleiberman
- Variety Film + TV
Petra Epperlein and Michael Tucker’s ever more timely The Meaning Of Hitler, a Doc NYC highlight, features Saul Friedländer and Francine Prose on Leni Riefenstahl’s Triumph Of The Will, Martin Amis on political tactics and characterology, Klaus Theweleit on strangers, Deborah Lipstadt, Beate Klarsfeld, Serge Klarsfeld, Ute Frevert, and Yehuda Bauer. The filmmakers start in 2017 with a commuter train ride into New York City, and then on to a subway - Epperlein is seen reading books that mark the moment by the likes of Timothy Snyder, Hannah Arendt, George Orwell, Theweleit, and the one by Sebastian Haffner that gives the film its name.
A little avalanche of movie clips, from Mel Brooks’s [film id=10451]The...
A little avalanche of movie clips, from Mel Brooks’s [film id=10451]The...
- 11/22/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Francine Prose will join Roger Berkowitz, head of the Hannah Arendt Center, Petra Epperlein and Michael Tucker for a conversation on Doc NYC Facebook Live this Monday at 2:00pm (Est) Photo: Anne-Katrin Titze
Petra Epperlein and Michael Tucker’s kaleidoscopic investigation into the past and our future takes us on the road of history and the state of the world at this moment in time, featuring interviews with Saul Friedländer and Francine Prose on Leni Riefenstahl’s Triumph Of The Will, Martin Amis on political tactics and characterology, Deborah Lipstadt, Beate Klarsfeld, Serge Klarsfeld, and 94-year-old Yehuda Bauer getting the last word. We enter with books by Timothy Snyder, Hannah Arendt, George Orwell, Klaus Theweleit, and the one by Sebastian Haffner that gives the film its name.
Clips from Mel Brooks’s The Producers to Bruno Ganz in Oliver Hirschbiegel’s Downfall to Anthony Hopkins in George Schaefer’s...
Petra Epperlein and Michael Tucker’s kaleidoscopic investigation into the past and our future takes us on the road of history and the state of the world at this moment in time, featuring interviews with Saul Friedländer and Francine Prose on Leni Riefenstahl’s Triumph Of The Will, Martin Amis on political tactics and characterology, Deborah Lipstadt, Beate Klarsfeld, Serge Klarsfeld, and 94-year-old Yehuda Bauer getting the last word. We enter with books by Timothy Snyder, Hannah Arendt, George Orwell, Klaus Theweleit, and the one by Sebastian Haffner that gives the film its name.
Clips from Mel Brooks’s The Producers to Bruno Ganz in Oliver Hirschbiegel’s Downfall to Anthony Hopkins in George Schaefer’s...
- 11/15/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Robert Yapkowitz and Rich Peete’s In My Own Time: A Portrait Of Karen Dalton executive producer Wim Wenders on Nick Cave and Karen Dalton: “Just like Nick, Karen’s music had a profound effect on me.” Photo: Anne-Katrin Titze
Victor Kossakovsky’s Gunda, co-written with Ainara Vera, executive produced by Joaquin Phoenix, co-produced by Anita Rehoff Larsen from Sant & Usant with Joslyn Barnes and Susan Rockefeller of Louverture Films and a Main Slate selection of the 58th New York Film Festival; Petra Epperlein and Michael Tucker’s ever more timely The Meaning Of Hitler; Malia Scharf and Max Basch’s intimate portrait, Kenny Scharf: When Worlds Collide, produced with David Koh (featuring remembrances from Kenny of Keith Haring, Klaus Nomi, <a...
Victor Kossakovsky’s Gunda, co-written with Ainara Vera, executive produced by Joaquin Phoenix, co-produced by Anita Rehoff Larsen from Sant & Usant with Joslyn Barnes and Susan Rockefeller of Louverture Films and a Main Slate selection of the 58th New York Film Festival; Petra Epperlein and Michael Tucker’s ever more timely The Meaning Of Hitler; Malia Scharf and Max Basch’s intimate portrait, Kenny Scharf: When Worlds Collide, produced with David Koh (featuring remembrances from Kenny of Keith Haring, Klaus Nomi, <a...
- 11/15/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
What does it mean for cinema to redeem physical reality? Developing this idea is the primary concern of Siegfried Kracauer’s substantial book Theory of Film: The Redemption of Physical Reality, now in the 60th anniversary of its initial publication. Kracauer is a common name to film folk, mostly for his previous book, From Caligari to Hitler: A Psychological History of the German Film, published just after WWII. Theory of Film remains lesser known in the Kracauer oeuvre, but it is a masterwork of film writing in the broadest sense. Taking nearly two decades to write, the result is a work of genuine care and intellectual titillation, where tossed-off observations feel foundational and the central thesis leaves contusive marks on one’s understanding of what film is and can do.Two years after its publication, Pauline Kael published a snot-nosed reviewed in Sight & Sound. Titled “Is there a Cure for Film Criticism?...
- 10/30/2020
- MUBI
During his monologue on Tuesday’s episode of “The Late Show,” Stephen Colbert laid into the ridiculous spectacle that was Donald Trump’s attempt to pretend Covid-19 is no big deal. Among other things, Colbert mocked Trump for telling people Covid-19 isn’t that big of a deal, and as evidence citing a level of medical care available pretty much only to the most powerful person in the world.
Trump was discharged — or discharged himself, a point no one has actually clarified — on Monday night and upon returning home, he walked up a short flight of stairs in front of the White House for a photo-op in which he visibly appeared to struggle for breath. Afterward, he released a pair of videos. The first was a deceptively edited clip set to generic swelling music of Trump walking from Marine One to the White House.
Colbert played an excerpt from that...
Trump was discharged — or discharged himself, a point no one has actually clarified — on Monday night and upon returning home, he walked up a short flight of stairs in front of the White House for a photo-op in which he visibly appeared to struggle for breath. Afterward, he released a pair of videos. The first was a deceptively edited clip set to generic swelling music of Trump walking from Marine One to the White House.
Colbert played an excerpt from that...
- 10/7/2020
- by Ross A. Lincoln
- The Wrap
Albert Hughes takes us on a wild journey through the movies that made him, then explains why he’s not a cinephile (Spoiler: He is). Heads up – you’re going to hear some words you’ve never heard on our show before, and only one of them is Metropolis.
Show Notes: Movies Referenced In This Episode
Gremlins (1984)
A Christmas Story (1983)
The Candidate (1972)
Menace II Society (1993)
Die Hard (1988)
Raiders of the Lost Ark (1981)
Scarface (1983)
Goodfellas (1990)
Full Metal Jacket (1987)
A Clockwork Orange (1971)
Midnight Cowboy (1969)
Raging Bull (1980)
Taxi Driver (1976)
Alpha (2018)
Battleship Potemkin (1925)
Metropolis (1927)
True Romance (1993)
Who Framed Roger Rabbit? (1988)
The Matrix (1999)
Man Bites Dog (1992)
Looney Tunes: Back In Action (2003)
A Serbian Film (2010)
Scarface (1932)
The Book of Eli (2010)
The Departed (2006)
Infernal Affairs (2002)
The Godfather (1972)
Casino (1995)
JFK (1991)
Dead Presidents (1996)
Eve’s Bayou (1997)
Basic Instinct (1992)
Psycho (1960)
The Cremator (1969)
The Firemen’s Ball (1967)
Halloween (2018)
From Hell (2001)
Bram Stoker’s Dracula (1992)
Hoffa (1992)
V For Vendetta (2005)
Spartacus (1960)
You Were Never Really Here...
Show Notes: Movies Referenced In This Episode
Gremlins (1984)
A Christmas Story (1983)
The Candidate (1972)
Menace II Society (1993)
Die Hard (1988)
Raiders of the Lost Ark (1981)
Scarface (1983)
Goodfellas (1990)
Full Metal Jacket (1987)
A Clockwork Orange (1971)
Midnight Cowboy (1969)
Raging Bull (1980)
Taxi Driver (1976)
Alpha (2018)
Battleship Potemkin (1925)
Metropolis (1927)
True Romance (1993)
Who Framed Roger Rabbit? (1988)
The Matrix (1999)
Man Bites Dog (1992)
Looney Tunes: Back In Action (2003)
A Serbian Film (2010)
Scarface (1932)
The Book of Eli (2010)
The Departed (2006)
Infernal Affairs (2002)
The Godfather (1972)
Casino (1995)
JFK (1991)
Dead Presidents (1996)
Eve’s Bayou (1997)
Basic Instinct (1992)
Psycho (1960)
The Cremator (1969)
The Firemen’s Ball (1967)
Halloween (2018)
From Hell (2001)
Bram Stoker’s Dracula (1992)
Hoffa (1992)
V For Vendetta (2005)
Spartacus (1960)
You Were Never Really Here...
- 9/29/2020
- by Kris Millsap
- Trailers from Hell
The show must go on. At least the Venice Film Festival must go on. Even a pandemic can’t stop the oldest international film festival from taking place Sept. 2 through Sept. 12 in the picturesque of grand canals. Of course, safety is first with masks, social distancing etc. are all in place as critics get a first glance at possible award-winners.
Over the past seven years, the festival has held world premieres of such Oscar-winners as 2013’s “Gravity”; 2014’s “Birdman”; 2015’s “Spotlight”; 2016’s “La La Land”; 2017’s “The Shape of Water”; 2018’s “Roma”; and 2019’s “Joker.” Only two films that won the festival’s top prize have gone on to win Best Picture at the Oscars: 1948’s “Hamlet” and 2017’s “The Shape of Water.”
The festival began in 1932 as part of the Venice Biennale, the city’s legendary exhibition of the arts under the guidance of President of the Biennale, Count Giuseppe Volpi di Misurata,...
Over the past seven years, the festival has held world premieres of such Oscar-winners as 2013’s “Gravity”; 2014’s “Birdman”; 2015’s “Spotlight”; 2016’s “La La Land”; 2017’s “The Shape of Water”; 2018’s “Roma”; and 2019’s “Joker.” Only two films that won the festival’s top prize have gone on to win Best Picture at the Oscars: 1948’s “Hamlet” and 2017’s “The Shape of Water.”
The festival began in 1932 as part of the Venice Biennale, the city’s legendary exhibition of the arts under the guidance of President of the Biennale, Count Giuseppe Volpi di Misurata,...
- 9/2/2020
- by Susan King
- Gold Derby
“Women Make Film.” The title of Irish film savant Mark Cousins’ sprawling 14-hour follow-up to “The Story of Film” serves both as a statement of fact and, if punctuated slightly differently, a call to action: “Women, Make Film!”
Where the earlier documentary was a monumental survey of the medium, attempting to cram its entire history into a single project, with footage shot through the windshields of cars on nearly every continent. He and editor Timo Langer have assembled montage upon montage of magic moments, the vast majority plucked from films even I was unfamiliar with, amounting to an invaluable film appreciation workshop. It’s ideal for those with open minds and eclectic tastes, such as festival audiences and subscribers of Turner Classic Movies and The Criterion Channel, where the film can be absorbed in bite-size chunks.
“This is a film school of sorts in which all the teachers are women,...
Where the earlier documentary was a monumental survey of the medium, attempting to cram its entire history into a single project, with footage shot through the windshields of cars on nearly every continent. He and editor Timo Langer have assembled montage upon montage of magic moments, the vast majority plucked from films even I was unfamiliar with, amounting to an invaluable film appreciation workshop. It’s ideal for those with open minds and eclectic tastes, such as festival audiences and subscribers of Turner Classic Movies and The Criterion Channel, where the film can be absorbed in bite-size chunks.
“This is a film school of sorts in which all the teachers are women,...
- 9/1/2020
- by Peter Debruge
- Variety Film + TV
Perverse, erotic, debasing, and powerful, fashion photographer Helmut Newton’s photographs throughout the 20th century displayed a worship of women similar to a domineering male director and his female star. Fittingly, Newton is most famous in cinephile circles for a 1988 photograph he took in Los Angeles of David Lynch and his muse Isabella Rossellini, at the height of their “Blue Velvet” fame. In the black-and-white photo, the filmmaker fondles Rossellini’s face, looking into her soul not as a human being, but as a vessel for an idea. He’s a puppeteer, and she his puppet.
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
- 7/23/2020
- by Ryan Lattanzio
- Indiewire
In the absence of this summer’s Tokyo Olympics, why not dive into Japanese cinema instead, beginning with an Olympic classic…
This was supposed to be the month when all eyes would be on Japan, with the presumably lavish festivities for the Tokyo Olympic Games due to kick off shortly. It’s rather surreal to imagine any such scenario now: perhaps, in a year’s time, the hype of an Olympics won’t feel like such an alien concept, though even that feels soon for such a different world to come back into being.
In the meantime, if you are feeling a Tokyo 2020-shaped hole in your life, there is a nostalgic solution. The Olympic Channel, amid its bevy of Games-related video content, has the magnificent Tokyo Olympiad available to stream for free. Kon Ichikawa’s ravishing, nearly three-hour official documentary of the 1964 event belongs in the pantheon of great sporting documentaries,...
This was supposed to be the month when all eyes would be on Japan, with the presumably lavish festivities for the Tokyo Olympic Games due to kick off shortly. It’s rather surreal to imagine any such scenario now: perhaps, in a year’s time, the hype of an Olympics won’t feel like such an alien concept, though even that feels soon for such a different world to come back into being.
In the meantime, if you are feeling a Tokyo 2020-shaped hole in your life, there is a nostalgic solution. The Olympic Channel, amid its bevy of Games-related video content, has the magnificent Tokyo Olympiad available to stream for free. Kon Ichikawa’s ravishing, nearly three-hour official documentary of the 1964 event belongs in the pantheon of great sporting documentaries,...
- 7/18/2020
- by Guy Lodge
- The Guardian - Film News
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