By the mid-1950s, Alfred Hitchcock had firmly established himself as the master director of suspense films, but he still enjoyed experimenting with new technology (including 3-D) and collaborating with novice actresses. On May 29, 1954, he released “Dial M for Murder,” in which he incorporated some filmmaking fads of the day and made a star out of an actress whose short career begat a long-lasting legacy. Read on for more about the “Dial M for Murder” 70th anniversary.
The thriller was written by British playwright Frederick Knott, based on his successful stage play two years prior. When retired pro-tennis player Tony Wendice (Ray Milland) discovers his wealthy socialite wife Margot (Grace Kelly) is having an affair with their friend Mark Halliday (Robert Cummings), he decides her death would be much more profitable than a divorce. He blackmails old acquaintance Charles Swann (Anthony Dawson) to stage a break-in and murder his wife,...
The thriller was written by British playwright Frederick Knott, based on his successful stage play two years prior. When retired pro-tennis player Tony Wendice (Ray Milland) discovers his wealthy socialite wife Margot (Grace Kelly) is having an affair with their friend Mark Halliday (Robert Cummings), he decides her death would be much more profitable than a divorce. He blackmails old acquaintance Charles Swann (Anthony Dawson) to stage a break-in and murder his wife,...
- 5/27/2024
- by Susan Pennington
- Gold Derby
When the news of Roger Corman’s passing was announced, the online film community immediately responded with a flood of tributes to a legend. Many began with the multitude of careers he helped launch, the profound influence he had on independent cinema, and even the cameos he made in the films of Corman school “graduates.”
Tending to land further down his list of achievements and influences a bit is his work as a director, which is admittedly a more complicated legacy. Yes, Corman made some bad movies, no one is disputing that, but he also made some great ones. If he was only responsible for making the Poe films from 1960’s The Fall of the House of Usher to 1964’s The Tomb of Ligeia, he would be worthy of praise as a terrific filmmaker. But several more should be added to the list including A Bucket of Blood (1959) and Little Shop of Horrors...
Tending to land further down his list of achievements and influences a bit is his work as a director, which is admittedly a more complicated legacy. Yes, Corman made some bad movies, no one is disputing that, but he also made some great ones. If he was only responsible for making the Poe films from 1960’s The Fall of the House of Usher to 1964’s The Tomb of Ligeia, he would be worthy of praise as a terrific filmmaker. But several more should be added to the list including A Bucket of Blood (1959) and Little Shop of Horrors...
- 5/24/2024
- by Brian Keiper
- bloody-disgusting.com
Terry Carter, who played sergeant Joe Broadhurst on the TV series “McCloud” and detective Colonel Tigh on the original “Battlestar Galactica,” died at his home in New York, N.Y., Tuesday morning. He was 95.
Born John Everett DeCoste in Brooklyn, N.Y., on Dec. 16, 1928, to parents of Dominican, Argentine and African American descent, Carter would go on to become the first Black TV news anchor for Boston’s Wbz-tv Eyewitness News, where he also became their first opening night drama and movie critic. He was also one of the first Black regulars on the 1956 TV sitcom series “The Phil Silvers Show,” in which he played Private Sugarman.
Carter’s other credits include the 1970 TV movie “Company of Killers,” in which he starred alongside Van Johnson and Ray Milland, and the 1974 film “Foxy Brown” with Pam Grier.
In 1979 Carter formed the Council for Positive Images, a nonprofit dedicated to enhancing intercultural and interethnic understanding through media.
Born John Everett DeCoste in Brooklyn, N.Y., on Dec. 16, 1928, to parents of Dominican, Argentine and African American descent, Carter would go on to become the first Black TV news anchor for Boston’s Wbz-tv Eyewitness News, where he also became their first opening night drama and movie critic. He was also one of the first Black regulars on the 1956 TV sitcom series “The Phil Silvers Show,” in which he played Private Sugarman.
Carter’s other credits include the 1970 TV movie “Company of Killers,” in which he starred alongside Van Johnson and Ray Milland, and the 1974 film “Foxy Brown” with Pam Grier.
In 1979 Carter formed the Council for Positive Images, a nonprofit dedicated to enhancing intercultural and interethnic understanding through media.
- 4/23/2024
- by Lexi Carson
- Variety Film + TV
First released in 1951, this endlessly entertaining film is an absorbing tale of an American arriving in postwar Britain looking for answers about his slain younger brother
This 1951 drama-thriller from director Jacques Tourneur and veteran genre writer Philip MacDonald, which sees Ray Milland coming to grimy postwar Britain demanding answers about his brother’s death, is a gem: focused, fast-moving and a little eccentric. It is a British-set movie that takes us on a travelogue tour from the coast of Tampa, Florida, to London – and from there to Wales, the Scottish Highlands and Birmingham. There is a lovely scene shot on location in London’s Covent Garden, in the days of the fruit and veg market, with crowds of real people looking on.
There are no explicit action sequences: no shootouts, not even a punch-up. But it’s entirely absorbing with an undertow of mystery and tension, a mix of humour...
This 1951 drama-thriller from director Jacques Tourneur and veteran genre writer Philip MacDonald, which sees Ray Milland coming to grimy postwar Britain demanding answers about his brother’s death, is a gem: focused, fast-moving and a little eccentric. It is a British-set movie that takes us on a travelogue tour from the coast of Tampa, Florida, to London – and from there to Wales, the Scottish Highlands and Birmingham. There is a lovely scene shot on location in London’s Covent Garden, in the days of the fruit and veg market, with crowds of real people looking on.
There are no explicit action sequences: no shootouts, not even a punch-up. But it’s entirely absorbing with an undertow of mystery and tension, a mix of humour...
- 1/30/2024
- by Peter Bradshaw
- The Guardian - Film News
Action-paced, international intrigue ensues when a Swiss bank president hires an American investigator to ferret out a group of blackmailers who have been terrorizing his clients in The Swiss Conspiracy, available 20th February 2024 in a special collector’s edition on Blu-ray and DVD from Film Masters.
Scanned in 4K from original 35mm archival elements, The Swiss Conspiracy has never seen a high-quality release to date. Film Masters has enlisted colorist and restoration expert Marc Wielage to painstakingly bring back vibrant and original colors that have not been seen since this film made its original debut in 1976.
Shot entirely in and around Zurich, The Swiss Conspiracy, based on the hit novel by Michael Stanley, was directed by Jack Arnold, best known for B horror/cult movie classics such as The Incredible Shrinking Man, Tarantula, Creature from the Black Lagoon, It Came from Outer Space and The Tattered Dress. One of the...
Scanned in 4K from original 35mm archival elements, The Swiss Conspiracy has never seen a high-quality release to date. Film Masters has enlisted colorist and restoration expert Marc Wielage to painstakingly bring back vibrant and original colors that have not been seen since this film made its original debut in 1976.
Shot entirely in and around Zurich, The Swiss Conspiracy, based on the hit novel by Michael Stanley, was directed by Jack Arnold, best known for B horror/cult movie classics such as The Incredible Shrinking Man, Tarantula, Creature from the Black Lagoon, It Came from Outer Space and The Tattered Dress. One of the...
- 1/19/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Be your January dry or anything but, here’s to boozing in the movies, from The Lost Weekend to Sideways, Whisky Galore! and Harvey
I’ve never been a subscriber to dry January: the month, with its stern back-to-business vibe and doubled-down winter chill, seems austere enough to me already. Yet whether you participate in the no-drinking game or not, January has become the month that compels us to consider our relationship to alcohol, how much space it takes in our lives, and what else can fill it.
Alcoholism is a condition the movies have always treated with varying levels of intensity – it’s somehow the addiction you’re allowed to make a comedy about – though the sober-minded, cautionary drinking drama has forever been a Hollywood mainstay. Nearly 80 years ago, Billy Wilder took a clutch of Oscars for The Lost Weekend, a then shocking, still potent portrait of an alcoholic...
I’ve never been a subscriber to dry January: the month, with its stern back-to-business vibe and doubled-down winter chill, seems austere enough to me already. Yet whether you participate in the no-drinking game or not, January has become the month that compels us to consider our relationship to alcohol, how much space it takes in our lives, and what else can fill it.
Alcoholism is a condition the movies have always treated with varying levels of intensity – it’s somehow the addiction you’re allowed to make a comedy about – though the sober-minded, cautionary drinking drama has forever been a Hollywood mainstay. Nearly 80 years ago, Billy Wilder took a clutch of Oscars for The Lost Weekend, a then shocking, still potent portrait of an alcoholic...
- 1/6/2024
- by Guy Lodge
- The Guardian - Film News
Alice Walker published her acclaimed novel “The Color Purple” in 1982. It sold five million copies; Walker became the first Black woman to win the Pulitzer Prize and she also received the National Book Club Award. Three years later, Steven Spielberg directed the lauded film version which made stars out of Whoopi Goldberg, Oprah Winfrey and Danny Glover. It earned 11 Oscar nominations. The story revolves around a young woman who suffers abuse from her father and husband for four decades until she finds her own identity. Not exactly the stuff of a Broadway musical.
But the 2005 tuner version received strong reviews, ran 910 performances and earned ten Tony nominations, winning best actress for Lachanze. The 2015 production picked up two Tonys for best revival and actress for Cynthia Erivo. The movie musical version opened strong Christmas Day with $18 million and is a strong contender in several Oscar categories especially for Fantasia Barrino and Danielle Brooks.
But the 2005 tuner version received strong reviews, ran 910 performances and earned ten Tony nominations, winning best actress for Lachanze. The 2015 production picked up two Tonys for best revival and actress for Cynthia Erivo. The movie musical version opened strong Christmas Day with $18 million and is a strong contender in several Oscar categories especially for Fantasia Barrino and Danielle Brooks.
- 1/2/2024
- by Susan King
- Gold Derby
Catering directly to my interests, the Criterion Channel’s January lineup boasts two of my favorite things: James Gray and cats. In the former case it’s his first five features (itself a terrible reminder he only released five movies in 20 years); the latter shows felines the respect they deserve, from Kuroneko to The Long Goodbye, Tourneur’s Cat People and Mick Garris’ Sleepwalkers. Meanwhile, Ava Gardner, Bertrand Tavernier, Isabel Sandoval, Ken Russell, Juleen Compton, George Harrison’s HandMade Films, and the Sundance Film Festival get retrospectives.
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
- 12/12/2023
- by Nick Newman
- The Film Stage
When people think of open-air ice skating in New York City, well, they probably conjure up the festive Christmas-y confines of 30 Rockefeller Plaza. Unless they're old. Baby Boomer old. For members of the generation that protested the Vietnam War before turning into conservative zombies who treat Fox News as an informational IV drip, there is first and foremost the image of the late Ryan O'Neal's Oliver Barrett IV gazing forlornly at the Wollman Skating Rink in Central Park as Francis Lai's brilliantly overwrought main theme jerks tears from our ducts with a vicious intensity worthy of Pinhead.
Most Boomers won't get that reference. And for those born as early as the Reagan era who are generally incurious about movies, you probably haven't watched Arthur Hiller's "Love Story." It is a film of its time, but, oh, what a film it was, at least commercially. Based on Erich Segal...
Most Boomers won't get that reference. And for those born as early as the Reagan era who are generally incurious about movies, you probably haven't watched Arthur Hiller's "Love Story." It is a film of its time, but, oh, what a film it was, at least commercially. Based on Erich Segal...
- 12/9/2023
- by Jeremy Smith
- Slash Film
On Nov. 29, 1945, Paramount Pictures and Billy Wilder brought their adaptation of The Lost Weekend to theaters in Los Angeles. The film would go on to be nominated for seven Oscars at the 18th Academy Awards, claiming four wins, including best picture. The Hollywood Reporter’s original review, headlined “Brackett, Wilder, Milland Do Great Jobs In ‘Weekend,'” is below:
This is undoubtedly the best horror picture of the year and it is without question one of the best pieces of picture-making, so far as writing, directing, acting and any other techniques are concerned, that Hollywood has turned out in many a long moon. The word-of-mouth advertising alone will prove to be as terrific as the picture is horrific.
Effective is a mild word for the picturization of this novel, taken from the book of the same name. With the exception of the end, it has stuck most faithfully to the original,...
This is undoubtedly the best horror picture of the year and it is without question one of the best pieces of picture-making, so far as writing, directing, acting and any other techniques are concerned, that Hollywood has turned out in many a long moon. The word-of-mouth advertising alone will prove to be as terrific as the picture is horrific.
Effective is a mild word for the picturization of this novel, taken from the book of the same name. With the exception of the end, it has stuck most faithfully to the original,...
- 11/28/2023
- by THR Staff
- The Hollywood Reporter - Movie News
The cinema of science fiction began to mature in the 1950s, concurrent with the arrival of the Cold War and the Atomic Age, as well as the growing sophistication of the literature. But it was during the 1960s that the genre really began to expand in different directions, still heavily influenced by the ideological paranoia and existential dread of the previous decade, but finding even more distinctive expressions of it.
At the same time, the 1960s was also the decade in which sci-fi movies truly started to become event films, not just B-movies and drive-in fodder, as evidenced by the likes of landmarks like 2001: A Space Odyssey and Planet of the Apes, both released in 1968. There were other successes as well, some of them on our list below, but a lot of remarkable sci-fi films of the era did not initially score with critics, audiences, or either. Yet nuclear terror,...
At the same time, the 1960s was also the decade in which sci-fi movies truly started to become event films, not just B-movies and drive-in fodder, as evidenced by the likes of landmarks like 2001: A Space Odyssey and Planet of the Apes, both released in 1968. There were other successes as well, some of them on our list below, but a lot of remarkable sci-fi films of the era did not initially score with critics, audiences, or either. Yet nuclear terror,...
- 8/7/2023
- by Don Kaye
- Den of Geek
This month’s installment of Deep Cuts Rising features a variety of horror movies. Some selections reflect a specific day or event in June, and others were chosen at random.
Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.
This month’s offerings include a Japanese slasher, a dark tale about family, a Scandinavian haunting, a terrifying coming-out story, and an aquatic creature-feature.
The Attic (1980)
Directed by George Edwards and Gary Graver.
Fathers are usually depicted as unkind and cruel in horror, and the one in The Attic is no exception. Carrie Snodgress plays the dutiful Louise who has sacrificed her own happiness for far too long. When she tries to turn her life around and do something about her loneliness, which entails adopting a chimpanzee, her tyrannical father (Ray Milland) is quick to stomp out her ambitions.
Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.
This month’s offerings include a Japanese slasher, a dark tale about family, a Scandinavian haunting, a terrifying coming-out story, and an aquatic creature-feature.
The Attic (1980)
Directed by George Edwards and Gary Graver.
Fathers are usually depicted as unkind and cruel in horror, and the one in The Attic is no exception. Carrie Snodgress plays the dutiful Louise who has sacrificed her own happiness for far too long. When she tries to turn her life around and do something about her loneliness, which entails adopting a chimpanzee, her tyrannical father (Ray Milland) is quick to stomp out her ambitions.
- 6/1/2023
- by Paul Lê
- bloody-disgusting.com
Between 1973 and 1975, John Lennon and Yoko Ono separated for a period he later called his “Lost Weekend.” During this time, he dated his assistant, May Pang, and the pair moved to Los Angeles together. The two had a loving relationship, so Pang was upset when John Lennon referred to it as his “Lost Weekend.” According to Pang, the former Beatle did apologize for calling their relationship this.
John Lennon called his separation from Yoko Ono his ‘Lost Weekend’ John Lennon and May Pang | Michael Ochs Archives/Getty Images
Pang started working at Apple Corps., the company founded by The Beatles, at the age of 19, and she shortly became the assistant to Lennon and Ono. The couple started having marital problems in 1973, and Ono approached Pang asking her if she could start a relationship with Lennon. Pang repeatedly said no, but Ono was adamant about orchestrating everything.
Lennon and Pang did start dating,...
John Lennon called his separation from Yoko Ono his ‘Lost Weekend’ John Lennon and May Pang | Michael Ochs Archives/Getty Images
Pang started working at Apple Corps., the company founded by The Beatles, at the age of 19, and she shortly became the assistant to Lennon and Ono. The couple started having marital problems in 1973, and Ono approached Pang asking her if she could start a relationship with Lennon. Pang repeatedly said no, but Ono was adamant about orchestrating everything.
Lennon and Pang did start dating,...
- 4/14/2023
- by Ross Tanenbaum
- Showbiz Cheat Sheet
Winner of SXSW’s narrative grand jury award, “Raging Grace” deserves ample credit both for what it is and what it is not. But it’s difficult to be much more detailed in any appraisal of this cunning thriller without prematurely releasing cats from bags. On the other hand, it is safe to say that Paris Zarcilla, the British-born Filipino writer-director here making his feature debut, does an impressive job of infusing scary movie conventions with the potent urgency of a sharply observed social critique.
Right from the start, Zarcilla generates a compelling rooting interest in his protagonist: Joy (Max Eigenmann), a single Filipina mom who’s trying to maintain a low profile while working at various housekeeping jobs — mostly for well-off folks who sound condescending even during the most innocuous conversational gambits — and saving to purchase a gray-market visa so she and Grace (Jaeden Paige Boadilla), her mischievous young daughter,...
Right from the start, Zarcilla generates a compelling rooting interest in his protagonist: Joy (Max Eigenmann), a single Filipina mom who’s trying to maintain a low profile while working at various housekeeping jobs — mostly for well-off folks who sound condescending even during the most innocuous conversational gambits — and saving to purchase a gray-market visa so she and Grace (Jaeden Paige Boadilla), her mischievous young daughter,...
- 3/19/2023
- by Joe Leydon
- Variety Film + TV
Hollywood’s postwar shift to social consciousness addressed familiar issues like bigotry and discrimination. On his way to making his gargantuan, serious epics, famed director George Stevens paused for this almost entirely forgotten contemplation of American anxiety in the business rat race, with a side order of alcoholism and potential adultery. Ray Milland is the troubled ad man who tries to help the drink-impaired actress, Joan Fontaine. Wife Teresa Wright waits patiently back home, but for how long? Is Stevens just dabbling in neorealistic doldrums, or did he feel the wave of dull existential despair as well? It’s one of his least-known films.
Something to Live For
All Region Blu-ray
Viavision [Imprint] #199
952 / B&w / 1:37 Academy / 89 min. / Street Date February 22, 2023 / Available from [Imprint] / au 34.95
Starring: Joan Fontaine, Ray Milland, Teresa Wright, Richard Derr, Douglas Dick, Harry Bellaver, Paul Valentine, King Donovan, Kasey Rogers, Douglas Spencer, Mari Blanchard.
Cinematography: George Barnes
Production Designer: Hal Pereira,...
Something to Live For
All Region Blu-ray
Viavision [Imprint] #199
952 / B&w / 1:37 Academy / 89 min. / Street Date February 22, 2023 / Available from [Imprint] / au 34.95
Starring: Joan Fontaine, Ray Milland, Teresa Wright, Richard Derr, Douglas Dick, Harry Bellaver, Paul Valentine, King Donovan, Kasey Rogers, Douglas Spencer, Mari Blanchard.
Cinematography: George Barnes
Production Designer: Hal Pereira,...
- 3/14/2023
- by Glenn Erickson
- Trailers from Hell
Movie star John Wayne had dedicated fans who hated seeing any deaths surrounding the characters he played. He held an image that represented America to many moviegoers, making it hard for some to stomach watching his characters die. Nevertheless, Wayne had 8 character deaths out of his large filmography totaling over 200 motion pictures, not including 1955’s The Sea Chase, which left his character’s fate unknown.
‘Reap the Wild Wind’ (1942) L-r: Paulette Goddard as Loxi Claiborne and John Wayne as Captain Jack Stuart | FilmPublicityArchive/United Archives via Getty Images
Cecil B. DeMille’s Reap the Wild Wind is set in the 1840s, when a group of salvagers go from profiting off shipwrecks to to causing them. All those in the American South consider King Cutler (Raymond Massey) the most dangerous, who sets his eyes on the ships of the wealthy Devereaux Company, Captain Jack Stuart (Wayne), and the company’s lawyer,...
‘Reap the Wild Wind’ (1942) L-r: Paulette Goddard as Loxi Claiborne and John Wayne as Captain Jack Stuart | FilmPublicityArchive/United Archives via Getty Images
Cecil B. DeMille’s Reap the Wild Wind is set in the 1840s, when a group of salvagers go from profiting off shipwrecks to to causing them. All those in the American South consider King Cutler (Raymond Massey) the most dangerous, who sets his eyes on the ships of the wealthy Devereaux Company, Captain Jack Stuart (Wayne), and the company’s lawyer,...
- 2/15/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
When it comes to classic movie stars from Hollywood's golden age in the '40s and '50s, few cast a shadow larger than John Wayne. In a five-decades-long career, Wayne became an iconic western hero -- landing close to 200 performances in film and television. Wayne is one of those rare movie cowboys whose work has lived on past the genre's peak popularity -- making Wayne himself one of the most enduringly rugged stars in history.
Though we've already covered the greatest films in Wayne's career, there are scores of films viewers haven't seen. From bringing the American war effort to the silver screen at the height of World War II to dramatic turns that expanded Wayne's range, Wayne has shown a surprising amount of acting skill. Here we'll explore the underrated movies across Wayne's filmography. Some titles were overshadowed by his more high-profile work whereas others have endured the...
Though we've already covered the greatest films in Wayne's career, there are scores of films viewers haven't seen. From bringing the American war effort to the silver screen at the height of World War II to dramatic turns that expanded Wayne's range, Wayne has shown a surprising amount of acting skill. Here we'll explore the underrated movies across Wayne's filmography. Some titles were overshadowed by his more high-profile work whereas others have endured the...
- 2/8/2023
- by Samuel Stone
- Slash Film
The recent passing of David Crosby was an enormous blow to the world of music. As a member of the Byrds, and one of Cosby, Stills & Nash, David Crosby helped revolutionize the folk-friendly arm of the entire 1960s rock scene. Compared to the kid-friendly bubblegum pop of the era, Crosby's work was more touching, emotional, and intelligent. He will be missed.
Also, Crosby grew up with an Oscar in his house. As it happens, David Crosby's father was none other than the Academy Award-winning cinematographer Floyd Crosby.
Floyd Crosby is not necessarily a household name, but his career as a cinematographer spanned over 30 years. Indeed, Floyd's career got an enormous kickstart in 1931 when he filmed F.W. Murnau's silent semi-documentary "Tabu: A Story of the South Seas." That film aimed to tell the authentic story of life on the island of Bora Bora, and, for the most part, cast only...
Also, Crosby grew up with an Oscar in his house. As it happens, David Crosby's father was none other than the Academy Award-winning cinematographer Floyd Crosby.
Floyd Crosby is not necessarily a household name, but his career as a cinematographer spanned over 30 years. Indeed, Floyd's career got an enormous kickstart in 1931 when he filmed F.W. Murnau's silent semi-documentary "Tabu: A Story of the South Seas." That film aimed to tell the authentic story of life on the island of Bora Bora, and, for the most part, cast only...
- 1/20/2023
- by Witney Seibold
- Slash Film
There are few pettier on this Earth than an actor who chased a coveted role and received little to no consideration from the director. Sure, some have thicker skin than others and can handle rejection with little bruising to their ego. And then there are guys like John Wayne, who didn't like losing anything. Ever.
The Duke had slugged it out in poverty row Westerns throughout the 1930s before landing his breakout role in John Ford's 1939 triumph, "Stagecoach." After the success of that film, Wayne had zero interest in groveling for a part ever again. But he made an exception for Cecil B. DeMille, the master of the Hollywood epic who, in early 1940, was casting "North West Mounted Police." Despite the yawner of a title, this was a big-deal motion picture — Gary Cooper was set to star as a Texas Ranger who joins forces with Canadian lawmen to track down a fugitive outlaw.
The Duke had slugged it out in poverty row Westerns throughout the 1930s before landing his breakout role in John Ford's 1939 triumph, "Stagecoach." After the success of that film, Wayne had zero interest in groveling for a part ever again. But he made an exception for Cecil B. DeMille, the master of the Hollywood epic who, in early 1940, was casting "North West Mounted Police." Despite the yawner of a title, this was a big-deal motion picture — Gary Cooper was set to star as a Texas Ranger who joins forces with Canadian lawmen to track down a fugitive outlaw.
- 12/22/2022
- by Jeremy Smith
- Slash Film
Less sexualized than Gary Cooper and less filled with warm-hearted optimism than James Stewart, Gregory Peck nonetheless found a place for himself in classical Hollywood with a stoic (if occasionally muted), comfortingly authoritative presence. His career began in the early 1940s, when he found quick success as a leading man, and developed throughout the 1950s and 1960s when he took on the role that most people identify him with to this day: Atticus Finch in "To Kill a Mockingbird." Beyond that, he continued making appearances in film and television until 2000, just a few short years before his death in 2003 at the age of 87.
Although he's occasionally overlooked in favor of the more overtly charismatic leading men of his day, Gregory Peck has an incredibly impressive filmography that could go toe-to-toe against any other actor from the classic Hollywood era. He even has the awards to prove it, with one competitive Oscar to his name,...
Although he's occasionally overlooked in favor of the more overtly charismatic leading men of his day, Gregory Peck has an incredibly impressive filmography that could go toe-to-toe against any other actor from the classic Hollywood era. He even has the awards to prove it, with one competitive Oscar to his name,...
- 10/6/2022
- by Audrey Fox
- Slash Film
The world was at war 80 years ago. The United States was grieving over the attack on Pearl Harbor on Dec. 7, 1941 by the Japanese military and the defeat of our forces that month at Wake Island. And then the beloved Carole Lombard, her mother, servicemen and the crew perished in a plane crash west of Las Vegas on January 16, 1942. She was returning to Hollywood after raising 2 million in a war bond drive in Indianapolis.
How would Hollywood and audiences respond to World War II? They certainly didn’t shy away from the war. If you look at the top 10 films of the year, there are some escapist films but also movies dealing with the global conflict.
In fact, the No. 1 film of the year William Wyler’s “Mrs. Miniver” broke records at Radio City Music Hall in New York playing 10 weeks. Production began on the stirring, sentimental drama about a British...
How would Hollywood and audiences respond to World War II? They certainly didn’t shy away from the war. If you look at the top 10 films of the year, there are some escapist films but also movies dealing with the global conflict.
In fact, the No. 1 film of the year William Wyler’s “Mrs. Miniver” broke records at Radio City Music Hall in New York playing 10 weeks. Production began on the stirring, sentimental drama about a British...
- 9/18/2022
- by Susan King
- Gold Derby
The Oscars don’t always get it right. There have been many notable injustices since the first ceremony took place in 1929, but surely none more surprising than the absence of Alfred Hitchcock’s name from the list of winners.
The man responsible for some of the greatest films ever made, and who committed many of cinema’s most deathless images to celluloid, never won an Academy Award despite being nominated for best director on five occasions: Rebecca in 1940, Lifeboat in 1944, Spellbound in 1945, Rear Window in 1954 and Psycho in 1960.
However, these five movies represent just a small percentage of Hitchcock’s magnificent oeuvre of 52 films. To counteract this injustice, here is my selection of his 20 greatest.
20. Blackmail (1929)
A young woman kills a man who tries to rape her and then finds herself caught between the investigating policeman, who happens to be her fiance, and a blackmailer. Generally considered to be the first British talkie,...
The man responsible for some of the greatest films ever made, and who committed many of cinema’s most deathless images to celluloid, never won an Academy Award despite being nominated for best director on five occasions: Rebecca in 1940, Lifeboat in 1944, Spellbound in 1945, Rear Window in 1954 and Psycho in 1960.
However, these five movies represent just a small percentage of Hitchcock’s magnificent oeuvre of 52 films. To counteract this injustice, here is my selection of his 20 greatest.
20. Blackmail (1929)
A young woman kills a man who tries to rape her and then finds herself caught between the investigating policeman, who happens to be her fiance, and a blackmailer. Generally considered to be the first British talkie,...
- 8/26/2022
- by Graeme Ross
- The Independent - Film
The Oscars don’t always get it right. There have been many notable injustices since the first ceremony took place in 1929, but surely none more surprising than the absence of Alfred Hitchcock’s name from the list of winners.
The man responsible for some of the greatest films ever made, and who committed many of cinema’s most deathless images to celluloid, never won an Academy Award despite being nominated for best director on five occasions: Rebecca in 1940, Lifeboat in 1944, Spellbound in 1945, Rear Window in 1954 and Psycho in 1960.
However, these five movies represent just a small percentage of Hitchcock’s magnificent oeuvre of 52 films. To counteract this injustice, here is my selection of his 20 greatest.
20. Blackmail (1929)
A young woman kills a man who tries to rape her and then finds herself caught between the investigating policeman, who happens to be her fiance, and a blackmailer. Generally considered to be the first British talkie,...
The man responsible for some of the greatest films ever made, and who committed many of cinema’s most deathless images to celluloid, never won an Academy Award despite being nominated for best director on five occasions: Rebecca in 1940, Lifeboat in 1944, Spellbound in 1945, Rear Window in 1954 and Psycho in 1960.
However, these five movies represent just a small percentage of Hitchcock’s magnificent oeuvre of 52 films. To counteract this injustice, here is my selection of his 20 greatest.
20. Blackmail (1929)
A young woman kills a man who tries to rape her and then finds herself caught between the investigating policeman, who happens to be her fiance, and a blackmailer. Generally considered to be the first British talkie,...
- 8/26/2022
- by Graeme Ross
- The Independent - Film
The Oscars don’t always get it right. There have been many notable injustices since the first ceremony took place in 1929, but surely none more surprising than the absence of Alfred Hitchcock’s name from the list of winners.
The man responsible for some of the greatest films ever made, and who committed many of cinema’s most deathless images to celluloid, never won an Academy Award despite being nominated for best director on five occasions: Rebecca in 1940, Lifeboat in 1944, Spellbound in 1945, Rear Window in 1954 and Psycho in 1960.
However, these five movies represent just a small percentage of Hitchcock’s magnificent oeuvre of 52 films. To counteract this injustice, here is my selection of his 20 greatest.
20. Blackmail (1929)
A young woman kills a man who tries to rape her and then finds herself caught between the investigating policeman, who happens to be her fiance, and a blackmailer. Generally considered to be the first British talkie,...
The man responsible for some of the greatest films ever made, and who committed many of cinema’s most deathless images to celluloid, never won an Academy Award despite being nominated for best director on five occasions: Rebecca in 1940, Lifeboat in 1944, Spellbound in 1945, Rear Window in 1954 and Psycho in 1960.
However, these five movies represent just a small percentage of Hitchcock’s magnificent oeuvre of 52 films. To counteract this injustice, here is my selection of his 20 greatest.
20. Blackmail (1929)
A young woman kills a man who tries to rape her and then finds herself caught between the investigating policeman, who happens to be her fiance, and a blackmailer. Generally considered to be the first British talkie,...
- 8/26/2022
- by Graeme Ross
- The Independent - Film
When was the last time you were truly dazzled by a special effect? Our mainstream media landscape has been consumed by CGI to the point where we don't even think about the logistics of what we see anymore. In the series premiere of "House of the Dragon," Were you awed by the presence of multiple dragons, or did you just go, "Oh, yeah. Dragons. Sure?" Bear in mind, these creatures don't exist in real life and look entirely real.
At a time where effects are more seamless than ever before, we no longer feel their power because entire movies and television shows go by without a single frame using them. Before digital effects, you had to build this stuff by hand and have them ready to shoot on the day. Because they took so much time, money, and manpower to create, productions would focus their special effects on one single thing: a set piece,...
At a time where effects are more seamless than ever before, we no longer feel their power because entire movies and television shows go by without a single frame using them. Before digital effects, you had to build this stuff by hand and have them ready to shoot on the day. Because they took so much time, money, and manpower to create, productions would focus their special effects on one single thing: a set piece,...
- 8/24/2022
- by Mike Shutt
- Slash Film
Alfred Hitchcock is behind several decades' worth of celebrated films, but some of the English director's best works were adaptations of stage plays. "Dial M For Murder" was one such adaptation, based on Frederick Knott's Broadway hit concerning an affair, a murder plot, and the trial that followed. Meticulously plotted and visually sparse, the thriller has one of the most satisfying endings of any of Hitchcock's films.
"Dial M For Murder" came to him from one of his previous players. "Notorious" star Cary Grant brought the project to the filmmaker with ambitions to play a hired killer, an appealing role after the suave menace he showed years earlier in Hitchcock's "Suspicion." At the time, Hitchcock was with Warner Bros., who paid thousands of British pounds for the film rights from filmmaker Alexander Korda (who had previously acquired the rights for much cheaper). After previously scrapping a feature adaptation...
"Dial M For Murder" came to him from one of his previous players. "Notorious" star Cary Grant brought the project to the filmmaker with ambitions to play a hired killer, an appealing role after the suave menace he showed years earlier in Hitchcock's "Suspicion." At the time, Hitchcock was with Warner Bros., who paid thousands of British pounds for the film rights from filmmaker Alexander Korda (who had previously acquired the rights for much cheaper). After previously scrapping a feature adaptation...
- 8/22/2022
- by Anya Stanley
- Slash Film
Alfred Hitchcock's 1954 film "Dial M for Murder" is one of the filmmakers' delightfully nasty little thrillers wherein the audience is asked to sympathize — and ultimately kind of care for -- a horrendous villain. Ray Milland plays Tony, a retired tennis player who has learned that his wife Margot (Grace Kelly) has been having an affair with an American named Mark (Robert Cummings). Rather than merely divorce, Tony elects to have Margot murdered. He colludes with an old criminal buddy named Charles (Anthony Dawson) to commit the murder for him. Charles, being blackmailed, agrees.
What follows is a hotbox procedural tracing Tony's plan for the murder, the elements that go right, and the elements that go horribly, horribly wrong. Most notably: When Charles attacks Margot, she fights back and kills him with a pair of scissors. Oops.
"Dial M for Murder" was filmed in 3D, and it's difficult to understand why.
What follows is a hotbox procedural tracing Tony's plan for the murder, the elements that go right, and the elements that go horribly, horribly wrong. Most notably: When Charles attacks Margot, she fights back and kills him with a pair of scissors. Oops.
"Dial M for Murder" was filmed in 3D, and it's difficult to understand why.
- 8/19/2022
- by Witney Seibold
- Slash Film
David Koepp knows suspense.
The prolific screenwriter has written edge-of-your-seat thrillers for Brian De Palma, David Fincher (“Panic Room”), and Ron Howard. He’s also directed a few for himself, including 1996’s excellent “The Trigger Effect.”
A new David Koepp thriller is a very big deal indeed, especially if it’s directed by the legendary Steven Soderbergh. And that’s what we’ve got in “Kimi,” a paranoid techno-thriller debuting Thursday on HBO Max.
“Kimi” stars Zoë Kravitz as Angela, an agoraphobic young woman in Seattle working for a start-up introducing a new digital assistant named Kimi. Her job is to scrub through janky audio recordings; one day she comes across a recording that rattles her to the core – did a woman seemingly record her violent attack? Did Angela become the ear-witness to a murder?
TheWrap talked with Koepp about what it was like working with Soderbergh, how the pandemic...
The prolific screenwriter has written edge-of-your-seat thrillers for Brian De Palma, David Fincher (“Panic Room”), and Ron Howard. He’s also directed a few for himself, including 1996’s excellent “The Trigger Effect.”
A new David Koepp thriller is a very big deal indeed, especially if it’s directed by the legendary Steven Soderbergh. And that’s what we’ve got in “Kimi,” a paranoid techno-thriller debuting Thursday on HBO Max.
“Kimi” stars Zoë Kravitz as Angela, an agoraphobic young woman in Seattle working for a start-up introducing a new digital assistant named Kimi. Her job is to scrub through janky audio recordings; one day she comes across a recording that rattles her to the core – did a woman seemingly record her violent attack? Did Angela become the ear-witness to a murder?
TheWrap talked with Koepp about what it was like working with Soderbergh, how the pandemic...
- 2/9/2022
- by Drew Taylor
- The Wrap
The comedian and former The Daily Show correspondent talks about his favorite Blaxploitation movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Casablanca (1942) – John Landis’s trailer commentary
The Castle (1997)
The Spook Who Sat By The Door (1973) – Bill Duke’s trailer commentary
Pressure (1976)
Robinson Crusoe On Mars (1964) – Mick Garris’s trailer commentary
Boss (1975)
Django Unchained (2012) – Brian Trenchard-Smith’s trailer commentary
The Thing With Two Heads (1972) – Stuart Gordon’s trailer commentary
The Incredible 2-Headed Transplant (1971)
The Liberation of L.B. Jones (1970)
Last of the Mobile Hot Shots (1970)
Black Samurai (1977)
Truck Turner (1974)
Schindler’s List (1993)
Black Caesar (1973) – Larry Cohen’s trailer commentary
Hell Up In Harlem (1973) – Larry Cohen’s trailer commentary
Judas And The Black Messiah (2021)
Friday Foster (1975)
That Man Bolt (1973)
Blacula (1972)
Foxy Brown (1974) – Jack Hill’s trailer commentary
Dr. Black, Mr. Hyde (1976)
Willie Dynamite (1973) – Glenn Erickson’s Blu-ray review
Billy Jack (1971)
John Wick (2014)
The Matrix (1999)
Cleopatra Jones...
Show Notes: Movies Referenced In This Episode
Casablanca (1942) – John Landis’s trailer commentary
The Castle (1997)
The Spook Who Sat By The Door (1973) – Bill Duke’s trailer commentary
Pressure (1976)
Robinson Crusoe On Mars (1964) – Mick Garris’s trailer commentary
Boss (1975)
Django Unchained (2012) – Brian Trenchard-Smith’s trailer commentary
The Thing With Two Heads (1972) – Stuart Gordon’s trailer commentary
The Incredible 2-Headed Transplant (1971)
The Liberation of L.B. Jones (1970)
Last of the Mobile Hot Shots (1970)
Black Samurai (1977)
Truck Turner (1974)
Schindler’s List (1993)
Black Caesar (1973) – Larry Cohen’s trailer commentary
Hell Up In Harlem (1973) – Larry Cohen’s trailer commentary
Judas And The Black Messiah (2021)
Friday Foster (1975)
That Man Bolt (1973)
Blacula (1972)
Foxy Brown (1974) – Jack Hill’s trailer commentary
Dr. Black, Mr. Hyde (1976)
Willie Dynamite (1973) – Glenn Erickson’s Blu-ray review
Billy Jack (1971)
John Wick (2014)
The Matrix (1999)
Cleopatra Jones...
- 8/17/2021
- by Kris Millsap
- Trailers from Hell
“People don’t commit murder on credit.”
Alfred Hitchcock’s Dial M For Murder (1954) starring Grace Kelly and Ray Milland is one of the most suspenseful films of the 1950’s . Those thrills will be on the big screen when it plays at The Wildey Theater in Edwardsville, Il at 7:00pm Tuesday August 17th. $3 Tickets available starting at 3pm day of movie at Wildey Theatre ticket office. Cash or check only. Lobby opens at 6pm.
In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen.
Alfred Hitchcock’s Dial M For Murder (1954) starring Grace Kelly and Ray Milland is one of the most suspenseful films of the 1950’s . Those thrills will be on the big screen when it plays at The Wildey Theater in Edwardsville, Il at 7:00pm Tuesday August 17th. $3 Tickets available starting at 3pm day of movie at Wildey Theatre ticket office. Cash or check only. Lobby opens at 6pm.
In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen.
- 8/11/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Legendary screenwriter and director Shane Black discusses some of his favorite movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
The Last Boy Scout (1991)
Sweet Smell of Success (1957) – John Landis’s trailer commentary
High and Low (1963)
Hard Times (1975) – Josh Olson’s trailer commentary
The Good, The Bad And The Ugly (1966) – Ernest Dickerson’s trailer commentary, Glenn Erickson’s Blu-ray review, Glenn Erickson’s 4K Blu-ray review
The Man Who Shot Liberty Valance (1962) – Glenn Erickson’s Blu-ray review
The Beguiled (1971) – John Landis’s trailer commentary
Bring Me The Head Of Alfredo Garcia (1974) – Josh Olson’s trailer commentary, Glenn Erickson’s Kino Lorber Blu-ray review, Glenn Erickson’s Twilight Time Blu-ray review
Convoy (1978) – Dennis Cozzalio’s review
8 Heads In A Duffel Bag (1997)
Diner (1982)
The Bodyguard (1992)
12 Angry Men (1957)
Godzilla vs. Kong (2021)
Fist of Fury a.k.a. The Chinese Connection (1972) – Larry Karaszewski’s trailer commentary...
Show Notes: Movies Referenced In This Episode
The Last Boy Scout (1991)
Sweet Smell of Success (1957) – John Landis’s trailer commentary
High and Low (1963)
Hard Times (1975) – Josh Olson’s trailer commentary
The Good, The Bad And The Ugly (1966) – Ernest Dickerson’s trailer commentary, Glenn Erickson’s Blu-ray review, Glenn Erickson’s 4K Blu-ray review
The Man Who Shot Liberty Valance (1962) – Glenn Erickson’s Blu-ray review
The Beguiled (1971) – John Landis’s trailer commentary
Bring Me The Head Of Alfredo Garcia (1974) – Josh Olson’s trailer commentary, Glenn Erickson’s Kino Lorber Blu-ray review, Glenn Erickson’s Twilight Time Blu-ray review
Convoy (1978) – Dennis Cozzalio’s review
8 Heads In A Duffel Bag (1997)
Diner (1982)
The Bodyguard (1992)
12 Angry Men (1957)
Godzilla vs. Kong (2021)
Fist of Fury a.k.a. The Chinese Connection (1972) – Larry Karaszewski’s trailer commentary...
- 8/10/2021
- by Kris Millsap
- Trailers from Hell
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“The Devil Makes Him Do It”
By Raymond Benson
The actor Ray Milland always presented himself on screen with a serious intensity. His Oscar-winning turn as an alcoholic in The Lost Weekend (1945) catapulted him into the upper ranks of Hollywood stardom in those years. He didn’t always appear in A-list pictures, though. Film noir and thrillers like The Big Clock and So Evil My Love (both 1948) featured Milland in what might be perceived as moonlighting roles, but he is nonetheless effective.
Such is the case with Alias Nick Beal, directed by frequent Milland collaborator, John Farrow. This is not a film noir, per se, but rather a thriller-cum-supernatural tale that borrows heavily from the Faust myth. And while Milland is the fire that energizes Nick Beal, it is third-billing Thomas Mitchell who is the protagonist of the story.
Mitchell is Joseph Foster,...
“The Devil Makes Him Do It”
By Raymond Benson
The actor Ray Milland always presented himself on screen with a serious intensity. His Oscar-winning turn as an alcoholic in The Lost Weekend (1945) catapulted him into the upper ranks of Hollywood stardom in those years. He didn’t always appear in A-list pictures, though. Film noir and thrillers like The Big Clock and So Evil My Love (both 1948) featured Milland in what might be perceived as moonlighting roles, but he is nonetheless effective.
Such is the case with Alias Nick Beal, directed by frequent Milland collaborator, John Farrow. This is not a film noir, per se, but rather a thriller-cum-supernatural tale that borrows heavily from the Faust myth. And while Milland is the fire that energizes Nick Beal, it is third-billing Thomas Mitchell who is the protagonist of the story.
Mitchell is Joseph Foster,...
- 7/14/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Alias Nick Beal
Blu ray
Kino Lorber
1949 / 1.33:1 / 93 Min.
Starring Ray Milland, Audrey Totter
Cinematography by Lionel Lindon
Directed by John Farrow
The most sinister light comedian in Hollywood, Ray Milland was never more charming than when he was fixing to cut your throat. In John Farrow’s Alias Nick Beal, the actor dropped that two-faced mask to play an unambiguous villain—Nicholas Beal, a well-tailored but malevolent entity who makes his first appearance from behind a curtain of fog. As we begin to understand the tricky Mr. Beal, we realize that it isn’t fog swirling round his shoulders, it’s sulfur, billowing up from a pit of brimstone. Unfortunately Joseph Foster, an ambitious district attorney, understands it too late. When Foster decides to run for governor, Beal materializes to offer his own kind of campaign advice. Beal’s plan comes with a high price tag but he makes...
Blu ray
Kino Lorber
1949 / 1.33:1 / 93 Min.
Starring Ray Milland, Audrey Totter
Cinematography by Lionel Lindon
Directed by John Farrow
The most sinister light comedian in Hollywood, Ray Milland was never more charming than when he was fixing to cut your throat. In John Farrow’s Alias Nick Beal, the actor dropped that two-faced mask to play an unambiguous villain—Nicholas Beal, a well-tailored but malevolent entity who makes his first appearance from behind a curtain of fog. As we begin to understand the tricky Mr. Beal, we realize that it isn’t fog swirling round his shoulders, it’s sulfur, billowing up from a pit of brimstone. Unfortunately Joseph Foster, an ambitious district attorney, understands it too late. When Foster decides to run for governor, Beal materializes to offer his own kind of campaign advice. Beal’s plan comes with a high price tag but he makes...
- 6/26/2021
- by Charlie Largent
- Trailers from Hell
The legendary punk god joins us to talk about movies he finds unforgettable. Special appearance by his cat, Moon Unit.
Show Notes: Movies Referenced In This Episode
Tapeheads (1988)
Rock ‘n’ Roll High School (1979) – Eli Roth’s trailer commentary
A Face In The Crowd (1957) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Meet John Doe (1941)
Bob Roberts (1992)
Bachelor Party (1984)
Dangerously Close (1986)
Videodrome (1983) – Mick Garris’s trailer commentary
F/X (1986)
Hot Rods To Hell (1967)
Riot On Sunset Strip (1967)
While The City Sleeps (1956) – Glenn Erickson’s trailer commentary
Leaving Las Vegas (1995)
It’s A Mad, Mad, Mad, Mad World (1963) – John Landis’s trailer commentary
Spider-Man (2002)
The Killing (1956) – Michael Lehmann’s trailer commentary
Serpent’s Egg (1977)
The Thin Man (1934)
Meet Nero Wolfe (1936)
The Hidden Eye (1945)
Eyes In The Night (1942)
Sudden Impact (1983) – Alan Spencer’s trailer commentary
Red Dawn (1984)
Warlock (1989)
The Dead Zone (1983) – Mick Garris’s trailer commentary
Secret Honor (1984)
The Player (1992) – Allan Arkush’s trailer commentary,...
Show Notes: Movies Referenced In This Episode
Tapeheads (1988)
Rock ‘n’ Roll High School (1979) – Eli Roth’s trailer commentary
A Face In The Crowd (1957) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Meet John Doe (1941)
Bob Roberts (1992)
Bachelor Party (1984)
Dangerously Close (1986)
Videodrome (1983) – Mick Garris’s trailer commentary
F/X (1986)
Hot Rods To Hell (1967)
Riot On Sunset Strip (1967)
While The City Sleeps (1956) – Glenn Erickson’s trailer commentary
Leaving Las Vegas (1995)
It’s A Mad, Mad, Mad, Mad World (1963) – John Landis’s trailer commentary
Spider-Man (2002)
The Killing (1956) – Michael Lehmann’s trailer commentary
Serpent’s Egg (1977)
The Thin Man (1934)
Meet Nero Wolfe (1936)
The Hidden Eye (1945)
Eyes In The Night (1942)
Sudden Impact (1983) – Alan Spencer’s trailer commentary
Red Dawn (1984)
Warlock (1989)
The Dead Zone (1983) – Mick Garris’s trailer commentary
Secret Honor (1984)
The Player (1992) – Allan Arkush’s trailer commentary,...
- 6/22/2021
- by Kris Millsap
- Trailers from Hell
So Evil My Love
Blu ray
Kino Lorber
1948 / 1.33:1 / 112 min.
Starring Ray Milland, Ann Todd, Geraldine Fitzgerald
Cinematography by Mutz Greenbaum
Directed by Lewis Allen
In 1944 Ray Milland starred in The Uninvited, the story of an orphan plagued by the vengeful spirit of her mother. The film remains a shivery classic of familial strife but contrary to its inhospitable title, Milland never looked so at home. But then the actor had always appeared haunted. Even in his comedies—and he made a lot them—Milland delivered his lines like a condemned man, as if he understood the tragic implications of a pratfall. There was an advantage to his angst—in It Happens Every Spring, one of the most lighthearted farces of the 40’s, Milland’s sourpuss keeps the movie from being so frothy that it floats away. Savvy directors tapped into that grave quality more than once; he was a...
Blu ray
Kino Lorber
1948 / 1.33:1 / 112 min.
Starring Ray Milland, Ann Todd, Geraldine Fitzgerald
Cinematography by Mutz Greenbaum
Directed by Lewis Allen
In 1944 Ray Milland starred in The Uninvited, the story of an orphan plagued by the vengeful spirit of her mother. The film remains a shivery classic of familial strife but contrary to its inhospitable title, Milland never looked so at home. But then the actor had always appeared haunted. Even in his comedies—and he made a lot them—Milland delivered his lines like a condemned man, as if he understood the tragic implications of a pratfall. There was an advantage to his angst—in It Happens Every Spring, one of the most lighthearted farces of the 40’s, Milland’s sourpuss keeps the movie from being so frothy that it floats away. Savvy directors tapped into that grave quality more than once; he was a...
- 2/16/2021
- by Charlie Largent
- Trailers from Hell
In Los Angeles Times film critic Justin Chang’s appreciative and insightful review of Thomas Vinterberg’s “Another Round,” Chang notes “ ‘Another Round,’ while very much about addiction, isn’t really an addiction drama. It’s a male midlife-crisis comedy in which drinking to excess is less a cause than a symptom of Martin’s funk — and sometimes, yes, a viable solution to it.”
Chang, aware of the film’s provocative examination of intoxication, quotes director Vinterberg, who calls the film’s Pov a “scandalous approach to a serious topic,” and Chang notes that “Round” “not only acknowledges, but also celebrates the life-giving buzz his characters experience with every swig of absinthe or Smirnoff.”
This unorthodox and non-judgmental view of the possible joys of dipsomania doesn’t just run counter to the cultural moment we’re in, but it’s also in stark contrast to the mainstream cinema’s traditionally...
Chang, aware of the film’s provocative examination of intoxication, quotes director Vinterberg, who calls the film’s Pov a “scandalous approach to a serious topic,” and Chang notes that “Round” “not only acknowledges, but also celebrates the life-giving buzz his characters experience with every swig of absinthe or Smirnoff.”
This unorthodox and non-judgmental view of the possible joys of dipsomania doesn’t just run counter to the cultural moment we’re in, but it’s also in stark contrast to the mainstream cinema’s traditionally...
- 1/27/2021
- by Steven Gaydos
- Variety Film + TV
Viavision’s first deluxe Film Noir boxed set gives us four titles that emphasize star power — Glenn Ford, Ray Milland, Kirk Douglas and Lee J. Cobb. The Australian release includes three Columbia titles and the home video premiere of a rare Paramount picture. Which ones are core Noir and which are merely ‘noir adjacent?’ The special extras invest in a quartet of audio commentaries from the top experts and Film Noir Foundation creators Eddie Muller and Alan K. Rode. There’s nothing that pair doesn’t know about these pictures.
Essential Film Noir Collection 1
Blu-ray
Viavision [Imprint] 18, 19, 20, 21
1947-1957 / B&w / 1:37 Academy / 366 min. / Street Date October 28, 2020 / Available from Viavision [Imprint] / 149.99
Starring: Glenn Ford, Janis Carter, Barry Sullivan; Ray Milland, Audrey Totter, Thomas Mitchell; Kirk Douglas, Eleanor Parker, Joseph Wiseman, Lee Grant; Lee J. Cobb, Richard Boone, Kerwin Mathews.
Directed by Richard Wallace, John Farrow, William Wyler, Vincent Sherman
The Australian disc boutique...
Essential Film Noir Collection 1
Blu-ray
Viavision [Imprint] 18, 19, 20, 21
1947-1957 / B&w / 1:37 Academy / 366 min. / Street Date October 28, 2020 / Available from Viavision [Imprint] / 149.99
Starring: Glenn Ford, Janis Carter, Barry Sullivan; Ray Milland, Audrey Totter, Thomas Mitchell; Kirk Douglas, Eleanor Parker, Joseph Wiseman, Lee Grant; Lee J. Cobb, Richard Boone, Kerwin Mathews.
Directed by Richard Wallace, John Farrow, William Wyler, Vincent Sherman
The Australian disc boutique...
- 1/16/2021
- by Glenn Erickson
- Trailers from Hell
Instead of a second review today I offer this end-of-the-year CineSavant Article suggested by some American-International promotional graphics from late 1961, saved by collector Bill Shaffer. It’s a fun ‘what is that movie?’ puzzle geared to specific fan curiosities. The target audience is the crowd that remembers reading ‘coming to your theater soon’ notices for movies that never seemed to show up, at least not under the titles given. Bill sent me three entries for 1962, with graphics that he thought were the most interesting. I’m hoping to get a look at more…. Oh, and Happy New Year!
Collector and PBS broadcaster Bill Shaffer has been a friend for going on 22 years now; he was one of several Sergio Leone experts that offered assistance for some great Leone DVD extras back in 2003. I’ve been encouraging Bill to write about his childhood: his father was a theater manager in the midwest for many years.
Collector and PBS broadcaster Bill Shaffer has been a friend for going on 22 years now; he was one of several Sergio Leone experts that offered assistance for some great Leone DVD extras back in 2003. I’ve been encouraging Bill to write about his childhood: his father was a theater manager in the midwest for many years.
- 1/2/2021
- by Glenn Erickson
- Trailers from Hell
Billy Wilder’s first big Oscar winner holds up as fine work in every respect, and serves as evidence of the writer-director’s moviemaking instincts at a time when he could do no wrong. Starring Ray Milland as a self-destructive alcoholic, Wilder and Charles Brackett manage to retain much of the sordid truth and nightmarish horror of the ordeal of would-be writer Don Birnham, who ducks his guilty self-loathing by taking to the bottle. It’s still a harrowing experience, with a sharp emotional kick. This new remastered edition carries a commentary by Joseph McBride. Co-starring Jane Wyman, Howard Da Silva, Doris Dowling, Frank Faylen and Phillip Terry; the scary music is by Miklos Rozsa.
The Lost Weekend
Blu-ray
Kl Studio Classics
1945 / B&w / 1:37 flat Academy / 101 min. / Street Date November 24, 2020 / available through Kino Lorber / 29.95
Starring: Ray Milland, Jane Wyman, Phillip Terry, Howard Da Silva, Doris Dowling, Frank Faylen, Douglas Spencer,...
The Lost Weekend
Blu-ray
Kl Studio Classics
1945 / B&w / 1:37 flat Academy / 101 min. / Street Date November 24, 2020 / available through Kino Lorber / 29.95
Starring: Ray Milland, Jane Wyman, Phillip Terry, Howard Da Silva, Doris Dowling, Frank Faylen, Douglas Spencer,...
- 12/26/2020
- by Glenn Erickson
- Trailers from Hell
Gerard Butler’s screen career of late has been all about saving presidents and warding off geostorms, but “Greenland” throws an extinction event in the actor’s path that’s so apocalyptic, the best he can do is try to get himself and his family to safety.
The fact that a rain of comets has no jaw for Butler to punch makes it one of his more engaging vehicles of late, particularly since director Ric Roman Waugh feels more at home making a disaster epic than he did with his previous collaboration with the actor, the ludicrous “Angel Has Fallen.” It’s a specific skill set to find individual stakes against a backdrop of mass destruction, but the filmmaker finds moments of humanity as the doomsday clock ticks down.
Butler stars as architect and structural engineer John Garrity. Everyone’s excited about the approach of Clarke, a comet that has suddenly appeared from another galaxy,...
The fact that a rain of comets has no jaw for Butler to punch makes it one of his more engaging vehicles of late, particularly since director Ric Roman Waugh feels more at home making a disaster epic than he did with his previous collaboration with the actor, the ludicrous “Angel Has Fallen.” It’s a specific skill set to find individual stakes against a backdrop of mass destruction, but the filmmaker finds moments of humanity as the doomsday clock ticks down.
Butler stars as architect and structural engineer John Garrity. Everyone’s excited about the approach of Clarke, a comet that has suddenly appeared from another galaxy,...
- 12/16/2020
- by Alonso Duralde
- The Wrap
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“The DTs In High Definition”
By Raymond Benson
In 1945, Billy Wilder’s The Lost Weekend was a big deal. If it wasn’t the first Hollywood movie to portray alcoholism as a serious problem, then it was certainly the most visible and influential one.
In the latter 1940s, Hollywood’s output changed from the sunshine-feel good-entertainments that the Golden Age had produced in the 30s and early 40s. American GIs came home from the war, and many were disillusioned and cynical. The war was the catalyst for Americans to “grow up.” They were ready to accept more serious, darker fare. Thus, we got film noir—crime pictures that were full of angst and betrayals—and we got the “social problem film.” The latter tackled subjects that Hollywood had previously never touched—alcoholism, racism, anti-Semitism, government corruption, and drug abuse. Titles like Gentleman’s Agreement,...
“The DTs In High Definition”
By Raymond Benson
In 1945, Billy Wilder’s The Lost Weekend was a big deal. If it wasn’t the first Hollywood movie to portray alcoholism as a serious problem, then it was certainly the most visible and influential one.
In the latter 1940s, Hollywood’s output changed from the sunshine-feel good-entertainments that the Golden Age had produced in the 30s and early 40s. American GIs came home from the war, and many were disillusioned and cynical. The war was the catalyst for Americans to “grow up.” They were ready to accept more serious, darker fare. Thus, we got film noir—crime pictures that were full of angst and betrayals—and we got the “social problem film.” The latter tackled subjects that Hollywood had previously never touched—alcoholism, racism, anti-Semitism, government corruption, and drug abuse. Titles like Gentleman’s Agreement,...
- 11/30/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
A “Dial M for Murder” anthology series from Alicia Vikander and Terence Winter is in development at MGM/UA Television, TheWrap has learned.
Winter will executive produce the series, based on the 1952 Frederick Knott play and subsequent Alfred Hitchcock film adaptation. The series is said to retell the crime drama from a female perspective, with Vikander eyed to star.
“Vinyl” alum Michael Mitnick is writer and creator on the series, with Winter overseeing.
Charles Collier of Vikander’s Vikarious Film banner will also executive produce alongside Andrew Mittman of 1.21 and Lloyd Braun.
Knott previously adapted his own play for Hitchcock’s 1954 film adaptation, which starred Ray Milland, Grace Kelly, Robert Cummings, Anthony Dawson, and John Williams. NBC previously aired a feature adaptation starring the original Broadway cast in 1958, and ABC produced its own version in 1968. No network is attached to the new anthology.
Should Vikander star in the series herself, it...
Winter will executive produce the series, based on the 1952 Frederick Knott play and subsequent Alfred Hitchcock film adaptation. The series is said to retell the crime drama from a female perspective, with Vikander eyed to star.
“Vinyl” alum Michael Mitnick is writer and creator on the series, with Winter overseeing.
Charles Collier of Vikander’s Vikarious Film banner will also executive produce alongside Andrew Mittman of 1.21 and Lloyd Braun.
Knott previously adapted his own play for Hitchcock’s 1954 film adaptation, which starred Ray Milland, Grace Kelly, Robert Cummings, Anthony Dawson, and John Williams. NBC previously aired a feature adaptation starring the original Broadway cast in 1958, and ABC produced its own version in 1968. No network is attached to the new anthology.
Should Vikander star in the series herself, it...
- 11/16/2020
- by Reid Nakamura
- The Wrap
MGM/UA Television is developing limited series Dial M For Murder, based on the 1952 play of the same name by Frederick Knott, which was adapted into the 1954 Alfred Hitchcock movie.
Oscar winner Alicia Vikander is executive producing through her Vikarious Film banner with an eye to potentially star in the series, which reimagines the classic suspense thriller story from the female perspective. In Hitchcock’s film, the role was played by Grace Kelly.
Michael Mitnick (The Giver) is creating and writing the series with Boardwalk Empire creator Terence Winter overseeing. Mitnick is a playwright-screenwriter whose sole previous TV series writing credit was on HBO’s Vinyl, co-created and executive produced by Winter.
Winter executive produces alongside Vikander and Charles Collier via Vikarious Film. Andrew Mittman of 1.21, who has a deal at MGM/UA TV, and Lloyd Braun will also serve as executive producers.
Dial M For Murder is being developed as...
Oscar winner Alicia Vikander is executive producing through her Vikarious Film banner with an eye to potentially star in the series, which reimagines the classic suspense thriller story from the female perspective. In Hitchcock’s film, the role was played by Grace Kelly.
Michael Mitnick (The Giver) is creating and writing the series with Boardwalk Empire creator Terence Winter overseeing. Mitnick is a playwright-screenwriter whose sole previous TV series writing credit was on HBO’s Vinyl, co-created and executive produced by Winter.
Winter executive produces alongside Vikander and Charles Collier via Vikarious Film. Andrew Mittman of 1.21, who has a deal at MGM/UA TV, and Lloyd Braun will also serve as executive producers.
Dial M For Murder is being developed as...
- 11/16/2020
- by Nellie Andreeva
- Deadline Film + TV
With Lovecraft Country finishing its acclaimed first season, you may be looking to fill that new gap in your viewing schedule with more content based on or inspired by the works of the enigmatic author from Providence, Rhode Island.
Let’s get one thing clear upfront: Howard Phillips Lovecraft was very much a product of his time and upbringing, and his views on race, ethnicity, and class — while commonplace for where and when he lived — were truly noxious, an aspect of his legacy that Lovecraft Country addresses in its own themes. But it’s also clear that Lovecraft was arguably the most influential horror writer of the 20th century, with a reach that extends to this day.
While there have been a number of movies based directly on stories by Lovecraft — including titles like Die, Monster, Die! (1965), The Dunwich Horror (1970), Re-Animator (1985) and its sequels, From Beyond (1986), Dagon (2001), The Whisperer in Darkness...
Let’s get one thing clear upfront: Howard Phillips Lovecraft was very much a product of his time and upbringing, and his views on race, ethnicity, and class — while commonplace for where and when he lived — were truly noxious, an aspect of his legacy that Lovecraft Country addresses in its own themes. But it’s also clear that Lovecraft was arguably the most influential horror writer of the 20th century, with a reach that extends to this day.
While there have been a number of movies based directly on stories by Lovecraft — including titles like Die, Monster, Die! (1965), The Dunwich Horror (1970), Re-Animator (1985) and its sequels, From Beyond (1986), Dagon (2001), The Whisperer in Darkness...
- 10/18/2020
- by Don Kaye
- Den of Geek
Producer-star Richard Widmark may have thought he was inventing a new kind of spy film but his adaptation of an Alistair MacLean novel just grinds the Cold War grist, mixing good atmosphere with unconvincing action derring-do. The handsome production makes good use of Austrian and Swiss locations and the unfamiliar cast is a big assist. German star Sonja Ziemann gets the plum role, but Hollywood’s discovery is the lovely Senta Berger.
The Secret Ways
Blu-ray
Kl Studio Classics
1961 / B&w / 1:85 widescreen / 112 min. / Street Date October 27, 2020 / available through Kino Lorber / 24.95
Starring: Richard Widmark, Sonja Ziemann, Charles Regnier, Walter Rilla, Senta Berger, Howard Vernon, Hubert von Meyerinck, Oskar Wegrostek, Stefan Schnabel, Elisabeth Neumann-Viertel, Ady Berber, Jochen Brockman, Reinhard Kolldehoff, Herbert Fux.
Cinematography: Max Greene
Film Editor: Aaron Stell
Original Music: Johnny Williams
Written by Jean Hazelwood from the novel by Alistair MacLean
Produced by Richard Widmark
Directed by Phil Karlson...
The Secret Ways
Blu-ray
Kl Studio Classics
1961 / B&w / 1:85 widescreen / 112 min. / Street Date October 27, 2020 / available through Kino Lorber / 24.95
Starring: Richard Widmark, Sonja Ziemann, Charles Regnier, Walter Rilla, Senta Berger, Howard Vernon, Hubert von Meyerinck, Oskar Wegrostek, Stefan Schnabel, Elisabeth Neumann-Viertel, Ady Berber, Jochen Brockman, Reinhard Kolldehoff, Herbert Fux.
Cinematography: Max Greene
Film Editor: Aaron Stell
Original Music: Johnny Williams
Written by Jean Hazelwood from the novel by Alistair MacLean
Produced by Richard Widmark
Directed by Phil Karlson...
- 10/10/2020
- by Glenn Erickson
- Trailers from Hell
Film producer Gene Corman, who frequently collaborated with his older brother Roger Corman, died at his home on Sept. 28. He was 93.
Roger Corman confirmed Gene Corman’s passing and said, “My brother was a great man, both as a producer and as a family man.”
Gene Corman was born in Detroit in 1927, 17 months after his brother. In 1940, the family moved from Detroit to Beverly Hills and both attended Beverly Hills High School and Stanford University.
Gene Corman broke into the entertainment business as an agent at McA, where his clients included Joan Crawford, Fred MacMurray, Ray Milland, Harry Belafonte, Richard Conte and Nicholas Ray. He also arranged the distribution deal for Roger Corman’s first film, “Monster From the Ocean Floor,” in 1954.
The brothers first collaborated on the 1958 film “Hot Car Girl,” followed by “Night of the Blood Beast,” “Beast From Haunted Cave,” “Premature Burial,” and “Tower of London.” The...
Roger Corman confirmed Gene Corman’s passing and said, “My brother was a great man, both as a producer and as a family man.”
Gene Corman was born in Detroit in 1927, 17 months after his brother. In 1940, the family moved from Detroit to Beverly Hills and both attended Beverly Hills High School and Stanford University.
Gene Corman broke into the entertainment business as an agent at McA, where his clients included Joan Crawford, Fred MacMurray, Ray Milland, Harry Belafonte, Richard Conte and Nicholas Ray. He also arranged the distribution deal for Roger Corman’s first film, “Monster From the Ocean Floor,” in 1954.
The brothers first collaborated on the 1958 film “Hot Car Girl,” followed by “Night of the Blood Beast,” “Beast From Haunted Cave,” “Premature Burial,” and “Tower of London.” The...
- 10/9/2020
- by Dave McNary
- Variety Film + TV
Special Bonus Episode – Author/filmmaker/Hitchcock Laurent Bouzereau expert discusses five Hitchcock movies he wishes got more love.
Show Notes: Movies Referenced In This Episode
Natalie Wood: What Remains Behind (2020)
Rear Window (1954)
Psycho (1960)
Vertigo (1958)
The Birds (1963)
Matinee (1993)
Marnie (1964)
The Man Who Knew Too Much (1956)
Rope (1948)
Dial M For Murder (1954)
Dr. No (1962)
Family Plot (1976)
Explorers (1985)
Body Double (1984)
Stage Fright (1950)
Scrooge (1951)
The Wrong Man (1956)
Citizen Kane (1941)
The Trouble With Harry (1955)
Suspicion (1941)
Torn Curtain (1966)
North By Northwest (1959)
Topaz (1969)
Foreign Correspondent (1940)
Young And Innocent (1937)
Waltzes from Vienna (1934)
Under Capricorn (1949)
Jamaica Inn (1939)
Dr. Strangelove (1964)
Other Notable Items
Laurent’s book Alma Hitchcock: The Woman Behind The Man (2004)
The Alfred Hitchcock Classics Collection Blu-ray collection (2020)
Thomas Narcejac
James Stewart
Laurent’s Five Came Back TV series (2014)
Kim Novak
Vera Miles
Grace Kelly
Tippi Hedren
Cary Grant
Alain Resnais
Ray Milland
Anthony Dawson
The Tower Theater in Philadelphia
Bruce Dern
Rod Taylor
Jessica Tandy
Craig Wasson
Suzanne Pleshette...
Show Notes: Movies Referenced In This Episode
Natalie Wood: What Remains Behind (2020)
Rear Window (1954)
Psycho (1960)
Vertigo (1958)
The Birds (1963)
Matinee (1993)
Marnie (1964)
The Man Who Knew Too Much (1956)
Rope (1948)
Dial M For Murder (1954)
Dr. No (1962)
Family Plot (1976)
Explorers (1985)
Body Double (1984)
Stage Fright (1950)
Scrooge (1951)
The Wrong Man (1956)
Citizen Kane (1941)
The Trouble With Harry (1955)
Suspicion (1941)
Torn Curtain (1966)
North By Northwest (1959)
Topaz (1969)
Foreign Correspondent (1940)
Young And Innocent (1937)
Waltzes from Vienna (1934)
Under Capricorn (1949)
Jamaica Inn (1939)
Dr. Strangelove (1964)
Other Notable Items
Laurent’s book Alma Hitchcock: The Woman Behind The Man (2004)
The Alfred Hitchcock Classics Collection Blu-ray collection (2020)
Thomas Narcejac
James Stewart
Laurent’s Five Came Back TV series (2014)
Kim Novak
Vera Miles
Grace Kelly
Tippi Hedren
Cary Grant
Alain Resnais
Ray Milland
Anthony Dawson
The Tower Theater in Philadelphia
Bruce Dern
Rod Taylor
Jessica Tandy
Craig Wasson
Suzanne Pleshette...
- 10/2/2020
- by Kris Millsap
- Trailers from Hell
As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.***I believe David Thomson once said something about Fox's fifties output being "the antithesis of cinema," which is very slightly nuts if you consider the films of Samuel Fuller (Pick-Up on South Street among others), Nicholas Ray (Bigger Than Life), Frank Tashlin (The Girl Can't Help It), and more.But we sort of know what he means: the advent of CinemaScope caused aesthetic confusion, as technical advances often do, and we can all picture laundry lines of less-than-fresh 1940s actors eking out their remaining B.
- 9/1/2020
- MUBI
The following contains spoilers for Perry Mason season 1.
Perry Mason ended its introductory season with a hung jury for the accused, and never got the chance to put the main culprit on the stand. And, boy did defense attorney Perry Mason (Matthew Rhys) want that. He fantasized about the confrontation, roleplaying it in front of an audience of legal authorities who all disagreed with his opinion. Mason wasn’t only robbed of a pure victory in the case, his true prey was stolen.
Detective Ennis was sentenced to death by his own partner, and with him went one of the most interesting characters on the series. This guy could have evolved into one of the great HBO villains, a bad cop who kept getting worse. The ends only justified the means but he wasn’t born mean. Andrew Howard brought more than moral ambiguity to the role. He captured the...
Perry Mason ended its introductory season with a hung jury for the accused, and never got the chance to put the main culprit on the stand. And, boy did defense attorney Perry Mason (Matthew Rhys) want that. He fantasized about the confrontation, roleplaying it in front of an audience of legal authorities who all disagreed with his opinion. Mason wasn’t only robbed of a pure victory in the case, his true prey was stolen.
Detective Ennis was sentenced to death by his own partner, and with him went one of the most interesting characters on the series. This guy could have evolved into one of the great HBO villains, a bad cop who kept getting worse. The ends only justified the means but he wasn’t born mean. Andrew Howard brought more than moral ambiguity to the role. He captured the...
- 8/21/2020
- by Alec Bojalad
- Den of Geek
Release was delayed for a year while Paramount mulled an offer by the liquor industry to shelve the picture. Well-deserved Oscars went to Ray Milland, Charles Brackett and Billy Wilder for a movie that was only made because the studio owed Wilder a picture of his choosing. Critic James Agee bemoaned the dropping of the novel’s explanation for the hero’s drinking: a homosexual affair in college. Frank Faylen is unforgettable as Bim, the creepy male nurse at the Bellevue alcoholic ward.
The post The Lost Weekend appeared first on Trailers From Hell.
The post The Lost Weekend appeared first on Trailers From Hell.
- 8/7/2020
- by TFH Team
- Trailers from Hell
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