- Runtime
- 59m
- 15h 36m(936 min) (entire series)
- Sound mix
- Color
- Aspect ratio
- 1.33 : 1(some scenes)
- 1.78 : 1
- Camera
- Arriflex 416, Zeiss Ultra 16 and Canon Lenses
- Arriflex 435, Panavision Primo and Angenieux Optimo Lenses
- Ikegami HL-79
- Ikegami ITC 730A
- Kodak Super 8 Camera
- Panavision Panaflex Millennium XL2, Panavision Primo, Ultra Speed Z-Series MKII and Angenieux Optimo Lenses
- Pro8mm Classic Pro, Angenieux Lenses
- Sony Betacam
- Laboratory
- Company 3, Los Angeles (CA), USA(post-production lab)
- FotoKem Laboratory, Burbank (CA), USA(film processing, telecine)
- PIX System, San Francisco (CA), USA(digital dailies)
- Pro8mm, Burbank (CA), USA(film processing: 8 mm)
- Negative Format
- 16 mm(Kodak Vision3 50D 7203, Vision3 250D 7207, Vision3 500T 7219)
- 35 mm(Kodak Vision3 250D 5207, Vision3 500T 5219, Eastman Double-X 5222)
- 8 mm(Kodak Vision3 50D 7203, Vision3 250D 7207, Vision3 500T 7219, Tri-X 7266, Ektachrome 100D 7294)
- Betacam SP
- Cinematographic Process
- Digital Intermediate(4K, master format)
- Max 8(source format, some shots)
- Super 16(source format)
- Super 35(3-perf, source format)
- Super 8(source format, some shots)
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What was the official certification given to Winning Time: The Rise of the Lakers Dynasty (2022) in the United Kingdom?
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