Echa un vistazo a las primeras imágenes de la distopía protagonizada por Henry Golding y Beatrice Grannò. © Filmax
Ya están disponibles las primeras imágenes de “Daniela Forever”, la nueva película de Nacho Vigalondo rodada en Madrid. Se trata del proyecto más personal de Vigalondo hasta la fecha: una original distopia sobre el amor, los dilemas personales y los sueños.
La vida pierde todo sentido para Nicolas (Henry Golding) con la pérdida de su novia Daniela (Beatrice Grannò). Un día le invitan a participar en un ensayo clínico que le permitirá controlar sus sueños y él acepta con la esperanza de recuperarse. Ahora Nicolas puede soñar con Daniela cada noche y reanudar su relación, más idílica que nunca. Aunque sea en sueños. Y corriendo el riesgo de perderse en ellos para siempre.
“Daniela Forever” está protagonizada por dos caras muy conocidas internacionalmente, Henry Golding y Beatrice Grannò (“The White Lotus” temporada...
Ya están disponibles las primeras imágenes de “Daniela Forever”, la nueva película de Nacho Vigalondo rodada en Madrid. Se trata del proyecto más personal de Vigalondo hasta la fecha: una original distopia sobre el amor, los dilemas personales y los sueños.
La vida pierde todo sentido para Nicolas (Henry Golding) con la pérdida de su novia Daniela (Beatrice Grannò). Un día le invitan a participar en un ensayo clínico que le permitirá controlar sus sueños y él acepta con la esperanza de recuperarse. Ahora Nicolas puede soñar con Daniela cada noche y reanudar su relación, más idílica que nunca. Aunque sea en sueños. Y corriendo el riesgo de perderse en ellos para siempre.
“Daniela Forever” está protagonizada por dos caras muy conocidas internacionalmente, Henry Golding y Beatrice Grannò (“The White Lotus” temporada...
- 4/11/2024
- by Marta Medina
- mundoCine
As I get older, I find it harder and harder to find horror movies from the 80s and even 90s to qualify for a recommendation towards a best horror movie you never saw. First is the influx of all these great companies like Vinegar Syndrome, Arrow, and Severin Films, not to mention Kino and Scream Factory, who pull out all the stops finding the most hidden of hidden gems to clean up and release. Second, we have a ludicrous amount of streaming services, and the free ones typically can find these smaller movies that cost way less to license a streamable version. Between my generation recommending everything under the sun to their coworkers, friends, and family as well as newer generations being willing to stream something if its easy to find, the 80s is well represented, for better and for worse. The 2000s are Chock Full of movies that came...
- 2/6/2024
- by Andrew Hatfield
- JoBlo.com
It’s Groundhog Day, a strange little holiday overshadowed by a popular Bill Murray comedy that sees his selfish character become a better person thanks to a bizarre time loop. It’s a fascinating concept that can turn downright sinister within the realm of horror.
So we’re celebrating Groundhog Day by revisiting ten horror and sci-fi time loop movies that bring suspense, terror, and sometimes laughs through messing around with time…
Haunter
From director Vincenzo Natali, Haunter brings a refreshing twist to a haunted house thriller through a time loop. Abigail Breslin stars as Lisa, a teen who slowly comes to realize that she’s a ghost stuck reliving the day she was murdered in 1985 along with her family, on a perpetual loop. Lisa also discovers that she can bend time to communicate with people in other timelines, eventually working with a teen currently living in her home to...
So we’re celebrating Groundhog Day by revisiting ten horror and sci-fi time loop movies that bring suspense, terror, and sometimes laughs through messing around with time…
Haunter
From director Vincenzo Natali, Haunter brings a refreshing twist to a haunted house thriller through a time loop. Abigail Breslin stars as Lisa, a teen who slowly comes to realize that she’s a ghost stuck reliving the day she was murdered in 1985 along with her family, on a perpetual loop. Lisa also discovers that she can bend time to communicate with people in other timelines, eventually working with a teen currently living in her home to...
- 2/2/2024
- by Meagan Navarro
- bloody-disgusting.com
Fresh off the selection of “La Mesías” as the only European series at this year’s Sundance Festival, “Veneno” creators Javier Ambrossi and Javier Calvo – Los Javis – are set to produce Netflix original series “Superestar,” created by Spain’s Nacho Vigalondo, writer-director of 2016’s Anna Hathaway headed “Colossal,” Neon’s first pick-up for the U.S.
The six-episode series is directed by Vigalondo and Claudia Costafreda, co-creator of “Cardo,” an uninhibited portrait of Spain’s young generation eager for a quick fix of sex or drugs for want of a larger sense of direction in life, which was chosen by Variety, as “Veneno,” as one of the best international TV shows of the year.
Set up at Los Javis’ Suma Content, their indie Madrid-based label, “Superestar” is written by Vigalondo, María Bastarós, Paco Bezerra and Costafreda.
Oscar-nominated for his short, “7:35 in the Morning,” Vigalondo is best known for sci-fi comedies and thrillers such as,...
The six-episode series is directed by Vigalondo and Claudia Costafreda, co-creator of “Cardo,” an uninhibited portrait of Spain’s young generation eager for a quick fix of sex or drugs for want of a larger sense of direction in life, which was chosen by Variety, as “Veneno,” as one of the best international TV shows of the year.
Set up at Los Javis’ Suma Content, their indie Madrid-based label, “Superestar” is written by Vigalondo, María Bastarós, Paco Bezerra and Costafreda.
Oscar-nominated for his short, “7:35 in the Morning,” Vigalondo is best known for sci-fi comedies and thrillers such as,...
- 1/11/2024
- by John Hopewell
- Variety Film + TV
Remember how we mentioned that last week was a bit of a “calm before the storm” situation, as we get closer to the Halloween season and its nonstop onslaught of fresh horror movies?
That orange wave has arrived, and it won’t be slowing down until October 31. In fact, there are so many new releases this week that we’re going to break them up into separate days.
Here’s all the new horror that just released for August 22, 2023!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Cinephobia Releasing brings Dane Elcar‘s acclaimed sci-fi thriller Brightwood home today, a time loop horror movie that’s now available on all your favorite VOD outlets.
The indie horror movie centers on a married couple at the end of their rope, and that’s before they get trapped into a loop with a hooded killer in the woods.
That orange wave has arrived, and it won’t be slowing down until October 31. In fact, there are so many new releases this week that we’re going to break them up into separate days.
Here’s all the new horror that just released for August 22, 2023!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Cinephobia Releasing brings Dane Elcar‘s acclaimed sci-fi thriller Brightwood home today, a time loop horror movie that’s now available on all your favorite VOD outlets.
The indie horror movie centers on a married couple at the end of their rope, and that’s before they get trapped into a loop with a hooded killer in the woods.
- 8/22/2023
- by John Squires
- bloody-disgusting.com
Cinephobia Releasing is bringing Dane Elcar‘s acclaimed sci-fi thriller Brightwood to VOD on August 22, and Bloody Disgusting has been provided with a sneak peek today.
The time loop horror movie centers on a married couple at the end of their rope, and that’s before they get trapped into a loop with a hooded killer in the woods.
Check out an exclusive clip below to whet your appetite…
In Brightwood, “Jen and Dan’s marriage is on the rocks with Jen seriously thinking about ending it for good. But when the pair go on a jog around a local pond in an attempt to hash things out, they find themselves running in circles as the exit trail vanishes and they repeatedly return to the same spot.
“Being stuck together in an endless loop would be bad enough, but when a silent hooded killer appears and starts tracking them down,...
The time loop horror movie centers on a married couple at the end of their rope, and that’s before they get trapped into a loop with a hooded killer in the woods.
Check out an exclusive clip below to whet your appetite…
In Brightwood, “Jen and Dan’s marriage is on the rocks with Jen seriously thinking about ending it for good. But when the pair go on a jog around a local pond in an attempt to hash things out, they find themselves running in circles as the exit trail vanishes and they repeatedly return to the same spot.
“Being stuck together in an endless loop would be bad enough, but when a silent hooded killer appears and starts tracking them down,...
- 8/17/2023
- by John Squires
- bloody-disgusting.com
It's the most fantastic time of the year once again, when the fans of the creepy, the weird, the fun, and the bizarre gather in Austin Texas to celebrate a whole week of the best genre cinema has to offer during another iteration of Fantastic Fest.
The ongoing double strike of SAG-AFTRA and the WGA, and the studios' stupid refusal to negotiate already, put all the fall film festivals in doubt. Still, the lineup for this year's Fantastic Fest seems to maintain the expected balance of big genre premieres, international titles, small indies, and all-around weird stuff.
Possibly the biggest announcement is the triumphant return of Mike Flanagan to Austin with the first two episodes of his last Netflix show, "The Fall of the House of Usher," which boasts the most impressive cast for a Flanagan joint yet. The last time the filmmaker was at the festival was with...
The ongoing double strike of SAG-AFTRA and the WGA, and the studios' stupid refusal to negotiate already, put all the fall film festivals in doubt. Still, the lineup for this year's Fantastic Fest seems to maintain the expected balance of big genre premieres, international titles, small indies, and all-around weird stuff.
Possibly the biggest announcement is the triumphant return of Mike Flanagan to Austin with the first two episodes of his last Netflix show, "The Fall of the House of Usher," which boasts the most impressive cast for a Flanagan joint yet. The last time the filmmaker was at the festival was with...
- 8/15/2023
- by Rafael Motamayor
- Slash Film
Cinephobia Releasing is very proud to debut Dane Elcar’s acclaimed sci-fi thriller Brightwood on VOD and DVD on August 22nd.In the twisted vein of Timecrimes and Coherence, Elcar’s chilling mind-bender has wowed festival audiences at Panic Fest, Other Worlds, Popcorn Frights, Another Hole in the Head, Salem Horror Fest, HorrorHound Film Festival, and more, with Dread Central …
The post Sci-Fi Thriller Brightwood Arrives August 22nd! appeared first on Horror News | Hnn.
The post Sci-Fi Thriller Brightwood Arrives August 22nd! appeared first on Horror News | Hnn.
- 7/9/2023
- by Janel Spiegel
- Horror News
Cinephobia Releasing will be giving the sci-fi thriller Brightwood – a film that is said to be a “chilling mind-bender” that’s “in the twisted vein of Timecrimes and Coherence” – a VOD and DVD release on August 22nd. With that date just over a month away, a trailer for Brightwood has arrived online and can be seen in the embed above.
The feature debut of writer/director Dane Elcar, Brightwood has the following synopsis: Jen and Dan’s marriage is on the rocks with Jen seriously thinking about ending it for good. But when the pair go on a jog around a local pond in an attempt to hash things out, they find themselves running in circles as the exit trail vanishes and they repeatedly return to the same spot. Being stuck together in an endless loop would be bad enough, but when a silent hooded killer appears and starts tracking them down,...
The feature debut of writer/director Dane Elcar, Brightwood has the following synopsis: Jen and Dan’s marriage is on the rocks with Jen seriously thinking about ending it for good. But when the pair go on a jog around a local pond in an attempt to hash things out, they find themselves running in circles as the exit trail vanishes and they repeatedly return to the same spot. Being stuck together in an endless loop would be bad enough, but when a silent hooded killer appears and starts tracking them down,...
- 7/7/2023
- by Cody Hamman
- JoBlo.com
Fans of time loop horror movies like Timecrimes and Coherence take note: Cinephobia Releasing has set a summer release date on upcoming time-bending horror feature Brightwood.
Look for Dane Elcar‘s acclaimed sci-fi thriller Brightwood on VOD and DVD on August 22, 2023.
A brand new trailer for the horror film introduces a married couple at the end of their rope, and that’s before they get trapped into a loop with a hooded killer. Marriage counseling by way of horror. Check out the trailer and new poster below.
In Brightwood, “Jen and Dan’s marriage is on the rocks with Jen seriously thinking about ending it for good. But when the pair go on a jog around a local pond in an attempt to hash things out, they find themselves running in circles as the exit trail vanishes and they repeatedly return to the same spot. Being stuck together in an...
Look for Dane Elcar‘s acclaimed sci-fi thriller Brightwood on VOD and DVD on August 22, 2023.
A brand new trailer for the horror film introduces a married couple at the end of their rope, and that’s before they get trapped into a loop with a hooded killer. Marriage counseling by way of horror. Check out the trailer and new poster below.
In Brightwood, “Jen and Dan’s marriage is on the rocks with Jen seriously thinking about ending it for good. But when the pair go on a jog around a local pond in an attempt to hash things out, they find themselves running in circles as the exit trail vanishes and they repeatedly return to the same spot. Being stuck together in an...
- 7/5/2023
- by Meagan Navarro
- bloody-disgusting.com
While previous incarnations of Salem Horror Fest occured in tourist-heavy October, this year’s sixth installment smoothly shifted to two weekends in April. The official selections include 20 features and 37 shorts, along with repertory programming, celebrity guests, live podcasts, panels, after parties, and more.
Here’s what I saw at this year’s event…
Bury the Bride
After making his feature directorial debut with last year’s horror anthology Allegoria, Powerman 5000 frontman Spider One returns with Bury the Bride, exhibiting considerable growth as a filmmaker in a short span of time. He channels a redneck-fueled grit similar to his elder brother Rob Zombie’s ourve, particularly The Devil’s Rejects, coupled with Quentin Tarantino-esque idiosyncrasies.
The film follows bride-to-be June along with her older sister (co-writer Krsy Fox) and three of her closest friends into the California desert for a bachelorette party at a rural house owned by her mysterious fiance,...
Here’s what I saw at this year’s event…
Bury the Bride
After making his feature directorial debut with last year’s horror anthology Allegoria, Powerman 5000 frontman Spider One returns with Bury the Bride, exhibiting considerable growth as a filmmaker in a short span of time. He channels a redneck-fueled grit similar to his elder brother Rob Zombie’s ourve, particularly The Devil’s Rejects, coupled with Quentin Tarantino-esque idiosyncrasies.
The film follows bride-to-be June along with her older sister (co-writer Krsy Fox) and three of her closest friends into the California desert for a bachelorette party at a rural house owned by her mysterious fiance,...
- 5/2/2023
- by Alex DiVincenzo
- bloody-disgusting.com
Exclusive: XYZ Films has claimed North American rights to the sci-fi pic The Artifice Girl, starring Tatum Matthews (The Waltons: Homecoming) and Lance Henriksen (Aliens), which this past weekend had its U.S. premiere at SXSW after world premiering to critical acclaim at Fantasia Film Festival.
The film marking the feature debut of writer-director Franklin Ritch — which like Uni’s horror hit M3GAN, looks at the increasingly top-of-mind subject of AI through a genre prism — is slated for a theatrical release in 15+ U.S. Markets, as well as an accompanying digital debut this spring.
Related Story Oliver Stone Documentary ‘Nuclear Now’ Acquired By Abramorama, Giant Pictures Related Story Netflix Hops On 'Run Rabbit Run', Acquires XYZ Films Sundance Midnight Title Starring Sarah Snook Related Story Justin Benson & Aaron Moorhead's Rustic Films Teams With V Channels & XYZ On Genre Slate
The Artifice Girl follows a small team of...
The film marking the feature debut of writer-director Franklin Ritch — which like Uni’s horror hit M3GAN, looks at the increasingly top-of-mind subject of AI through a genre prism — is slated for a theatrical release in 15+ U.S. Markets, as well as an accompanying digital debut this spring.
Related Story Oliver Stone Documentary ‘Nuclear Now’ Acquired By Abramorama, Giant Pictures Related Story Netflix Hops On 'Run Rabbit Run', Acquires XYZ Films Sundance Midnight Title Starring Sarah Snook Related Story Justin Benson & Aaron Moorhead's Rustic Films Teams With V Channels & XYZ On Genre Slate
The Artifice Girl follows a small team of...
- 3/14/2023
- by Matt Grobar
- Deadline Film + TV
Being a Kaiju fan wasn’t always this easy. Not only were dubbed and subtitled copies of Japanese monster movies hard to come by before the advent of online streaming and boutique Blu-rays, but it was also hard to find other cinephiles with the same taste for rubber-suits and cardboard destruction. Fortunately, times have changed, with the rise of internet culture allowing what were once niche interests to find their way into mainstream culture.
However, while general audiences are now mostly aware of Godzilla and his titanic rogues’ gallery, there’s still a whole world of untapped kaiju flicks out there, just waiting to be discovered by a new generation of fans. And with the internet making even the most obscure creature features more accessible, we’ve decided to come up with a list celebrating six Kaiju movies that aren’t Godzilla-related.
While we obviously have nothing against everyone’s favorite radioactive lizard,...
However, while general audiences are now mostly aware of Godzilla and his titanic rogues’ gallery, there’s still a whole world of untapped kaiju flicks out there, just waiting to be discovered by a new generation of fans. And with the internet making even the most obscure creature features more accessible, we’ve decided to come up with a list celebrating six Kaiju movies that aren’t Godzilla-related.
While we obviously have nothing against everyone’s favorite radioactive lizard,...
- 3/2/2023
- by Luiz H. C.
- bloody-disgusting.com
Up next from Nacho Vigalondo is a sci-fi movie titled Daniela Forever, and Deadline reports that Henry Golding (Snake Eyes) will star.
Daniela Forever is said to be a science fiction romance, and XYZ is financing and launching the project for sales at the upcoming European Film Market in Berlin.
“Golding will play a man struggling to come to terms with the sudden death of his girlfriend in an accident six months prior. So, he signs up for a sleep trial that allows him to reconstruct his life with her through the use of lucid dreams.”
Nahikari Ipiña and Nacho Vigalondo are producing at Sayaka Producciones, along with Benoit Roland at Wrong Men, Leire Apellaniz at Señor y Señora, and XYZ Films.
“This movie is built around a deeply human character trapped in twisted plot, something Henry Golding is so perfect for this almost feels unreal,” said Vigalondo. “I’m...
Daniela Forever is said to be a science fiction romance, and XYZ is financing and launching the project for sales at the upcoming European Film Market in Berlin.
“Golding will play a man struggling to come to terms with the sudden death of his girlfriend in an accident six months prior. So, he signs up for a sleep trial that allows him to reconstruct his life with her through the use of lucid dreams.”
Nahikari Ipiña and Nacho Vigalondo are producing at Sayaka Producciones, along with Benoit Roland at Wrong Men, Leire Apellaniz at Señor y Señora, and XYZ Films.
“This movie is built around a deeply human character trapped in twisted plot, something Henry Golding is so perfect for this almost feels unreal,” said Vigalondo. “I’m...
- 2/8/2023
- by John Squires
- bloody-disgusting.com
Madrid shoot scheduled for spring/summer.
Henry Golding (Crazy Rich Asians) will star in the sci-fi romance Daniela Forever from Colossal director Nacho Vigalondo as the producers gear up for a Madrid shoot in spring/summer. XYZ Films is financing and will introduce the project to EFM buyers next week.
The story follows a man (Golding) struggling to come to terms with the accidental death of his girlfriend who signs up for a sleep trial that would allow him to reconstruct his life with his girlfriend through lucid dreams.
Nahikari Ipiña and Vigalondo are producing for Sayaka Producciones, along with Benoit Roland at Wrong Men,...
Henry Golding (Crazy Rich Asians) will star in the sci-fi romance Daniela Forever from Colossal director Nacho Vigalondo as the producers gear up for a Madrid shoot in spring/summer. XYZ Films is financing and will introduce the project to EFM buyers next week.
The story follows a man (Golding) struggling to come to terms with the accidental death of his girlfriend who signs up for a sleep trial that would allow him to reconstruct his life with his girlfriend through lucid dreams.
Nahikari Ipiña and Vigalondo are producing for Sayaka Producciones, along with Benoit Roland at Wrong Men,...
- 2/8/2023
- by Jeremy Kay
- ScreenDaily
Set to film in 2023, the thriller will be presented at San Sebastian’s Creative Investors’ Conference.
Leading Spanish distribution and production company A Contracorriente has boarded Whalemen – At the Ends of Earth (Baleazaleak), which is to be directed by veteran Icelandic filmmaker Baltasar Kormákur.
The project is at an advanced stage of development and will be presented to potential co-producers and international distributors at the San Sebastian Film Festival’s inaugural Creative Investors’ Conference, which runs on September 19 and 20 as part of the Spanish Screenings: Financing & Tech strand.
A Contracorriente has boarded as a co-producer and will distribute the title in Spain.
Leading Spanish distribution and production company A Contracorriente has boarded Whalemen – At the Ends of Earth (Baleazaleak), which is to be directed by veteran Icelandic filmmaker Baltasar Kormákur.
The project is at an advanced stage of development and will be presented to potential co-producers and international distributors at the San Sebastian Film Festival’s inaugural Creative Investors’ Conference, which runs on September 19 and 20 as part of the Spanish Screenings: Financing & Tech strand.
A Contracorriente has boarded as a co-producer and will distribute the title in Spain.
- 9/15/2022
- by Emilio Mayorga
- ScreenDaily
Mubi has announced its lineup of streaming offerings for next month and amongst the highlights are a Ricky D’Ambrose double bill, including his new film The Cathedral, as well as a trio of films by Maurice Pialat, Gaspar Noé’s Vortex, David Osit’s Mayor, Paul Thomas Anderson’s The Master, an expansion of their Tilda Swinton series, and more.
Also including films by Tsai Ming-liang, Sky Hopinka, Nacho Vigalondo, Anton Corbijn, and more check out the lineup below and get 30 days free here.
September 1 – Classical Period, directed by Ted Fendt | Ted Fendt Focus
September 2 – 2 Days in New York, directed by Julie Delpy
September 3 – Timecrimes, directed by Nacho Vigalondo
September 4 – Małni – Towards the Ocean, Towards the Shore, directed by Sky Hopinka
September 6 – Mayor, directed by David Osit
September 7 – Friendship’s Death, directed by Peter Wollen | The One and Only: Tilda Swinton
September 8 – Hideous, directed by Yann Gonzalez | Brief Encounters
September 9 – The Cathedral,...
Also including films by Tsai Ming-liang, Sky Hopinka, Nacho Vigalondo, Anton Corbijn, and more check out the lineup below and get 30 days free here.
September 1 – Classical Period, directed by Ted Fendt | Ted Fendt Focus
September 2 – 2 Days in New York, directed by Julie Delpy
September 3 – Timecrimes, directed by Nacho Vigalondo
September 4 – Małni – Towards the Ocean, Towards the Shore, directed by Sky Hopinka
September 6 – Mayor, directed by David Osit
September 7 – Friendship’s Death, directed by Peter Wollen | The One and Only: Tilda Swinton
September 8 – Hideous, directed by Yann Gonzalez | Brief Encounters
September 9 – The Cathedral,...
- 8/29/2022
- by Jordan Raup
- The Film Stage
Forget flux capacitors and sports almanacs. Where these underrated time travel movies are going, you don't need mainstream references. This year-hopping corner of cinema may be predominantly dominated by Marty and the Doc's souped-up DeLorean and emotionless machines sent back in time to kill us, but take a deeper look and you'll find a range of stories that take time travel to some pretty unexpected places.
If we were to have our way, this list wouldn't be quite as brief. After all, with the entire space-time continuum at their fingertips, you'd think filmmakers would've put a little more effort into mining time travel for the full mind-bending potential the genre contains. However, as it stands, truly left-field adventures can often seem few and far between.
That said, we're lucky to have a handful of movies that use time and space as a jumping-off point to tell tales that are wild,...
If we were to have our way, this list wouldn't be quite as brief. After all, with the entire space-time continuum at their fingertips, you'd think filmmakers would've put a little more effort into mining time travel for the full mind-bending potential the genre contains. However, as it stands, truly left-field adventures can often seem few and far between.
That said, we're lucky to have a handful of movies that use time and space as a jumping-off point to tell tales that are wild,...
- 8/24/2022
- by Simon Bland
- Slash Film
Circle of Confusion, the talent management and production company behind “The Walking Dead,” has joined production and finance outfit Carte Blanche and Roadmap Writers’ genre screenwriting competition.
Josh Dove at Circle is handling their side of the partnership alongside Kyle Stroud and Frank Ponce at Carte Blanche and Joey Tuccio and Dorian Connelley at Roadmap Writers.
Carte Blanche will be greenlighting and fully financing at least one genre film. The script will have no more than five characters and five locations, and will focus on a contained, character-driven story. “Timecrimes,” “Buried,” “Monsters,” “Locke,” “Another Earth” and “Oxygen” serve as artistic inspiration.
The competition’s jury consists of producer Liz Cardenas (“7 Days”), Carolina Groppa, who is the executive in charge of production at Issa Rae’s ColorCreative, Giselle Johnson of Sony Pictures’ Screen Gems and Pixar alumnus Colin Levy, who is currently developing sci-fi series “Skywatch” for Peacock. They will decide the top three scripts,...
Josh Dove at Circle is handling their side of the partnership alongside Kyle Stroud and Frank Ponce at Carte Blanche and Joey Tuccio and Dorian Connelley at Roadmap Writers.
Carte Blanche will be greenlighting and fully financing at least one genre film. The script will have no more than five characters and five locations, and will focus on a contained, character-driven story. “Timecrimes,” “Buried,” “Monsters,” “Locke,” “Another Earth” and “Oxygen” serve as artistic inspiration.
The competition’s jury consists of producer Liz Cardenas (“7 Days”), Carolina Groppa, who is the executive in charge of production at Issa Rae’s ColorCreative, Giselle Johnson of Sony Pictures’ Screen Gems and Pixar alumnus Colin Levy, who is currently developing sci-fi series “Skywatch” for Peacock. They will decide the top three scripts,...
- 8/5/2022
- by Naman Ramachandran
- Variety Film + TV
Exclusive: Kyle Stroud and Frank Ponce of production and finance outfit Carte Blanche, which has credits including Paul Schrader’s The Card Counter, are partnering with Joey Tuccio and Dorian Connelley’s Roadmap Writers to launch a genre screenwriting competition.
Carte Blanche will greenlight and finance at least one feature that comes through the initiative at a budget of sub-1M, though this figure could be increased depending on the elements involved such as cast.
Scripts should have no more than five characters and five locations, and will focus on a contained, character-driven story. Projects including Timecrimes, Buried, and Monsters are all cited as comps, the producers said.
The competition’s jury will consist of producer Liz Cardenas of A24’s A Ghost Story, Carolina Groppa, who is in charge of production at Issa Rae’s ColorCreative, Giselle Johnson of Sony/Screen Gems (Don’t Breathe), and Pixar alumni Colin Levy.
Carte Blanche will greenlight and finance at least one feature that comes through the initiative at a budget of sub-1M, though this figure could be increased depending on the elements involved such as cast.
Scripts should have no more than five characters and five locations, and will focus on a contained, character-driven story. Projects including Timecrimes, Buried, and Monsters are all cited as comps, the producers said.
The competition’s jury will consist of producer Liz Cardenas of A24’s A Ghost Story, Carolina Groppa, who is in charge of production at Issa Rae’s ColorCreative, Giselle Johnson of Sony/Screen Gems (Don’t Breathe), and Pixar alumni Colin Levy.
- 4/7/2022
- by Tom Grater
- Deadline Film + TV
Been meaning to check out some Oscar-nominated films before the 94th Academy Awards on March 27? Well does HBO Max have some good news for you! HBO Max’s list of new releases for March 2022 is filled with classic films, new originals, and yes: plenty of current Oscar nominees.
Two Best Picture nominees roll out on HBO Max on March 2: Steven Spielberg’s epic musical adaptation West Side Story and Japanese drama Drive My Car. Those two contenders will be followed by Dune on March 10 and King Richard on March 24.
Read more Movies Oscars 2022: Predictions and Analysis By David Crow Movies How Dune’s Director Helped with Marvel’s Eternals By Joseph Baxter
HBO Max is not neglecting its original responsibilities this month either. March 3 sees the arrival of pirate comedy Our Flag Means Death. That will be followed by Adam McKay-produced Lakers drama Winning Time on March...
Two Best Picture nominees roll out on HBO Max on March 2: Steven Spielberg’s epic musical adaptation West Side Story and Japanese drama Drive My Car. Those two contenders will be followed by Dune on March 10 and King Richard on March 24.
Read more Movies Oscars 2022: Predictions and Analysis By David Crow Movies How Dune’s Director Helped with Marvel’s Eternals By Joseph Baxter
HBO Max is not neglecting its original responsibilities this month either. March 3 sees the arrival of pirate comedy Our Flag Means Death. That will be followed by Adam McKay-produced Lakers drama Winning Time on March...
- 3/1/2022
- by Alec Bojalad
- Den of Geek
HBO Max has a crowded month of new movies and shows streaming in March, from franchise films to original series debuts — and it’s shaping up to be a go-to streaming service for awards contenders, just in time to get caught up before the Oscars.
Warner Bros. films “Dune” and “King Richard,” both of which are nominated in several key categories including Best Picture, make their return to streaming on HBO Max. “Dune” returns on March 10, but last-minute viewers looking to catch up before the Oscars will only have a few days to stream “King Richard,” which returns on March 24. The 94th Academy Awards ceremony airs on March 27.
Fellow Best Picture contenders “Drive My Car” and “West Side Story” are also arriving on HBO Max in the coming weeks. “Drive My Car,” which has been in limited theaters, is finally available to stream on March 2, as is “West Side Story...
Warner Bros. films “Dune” and “King Richard,” both of which are nominated in several key categories including Best Picture, make their return to streaming on HBO Max. “Dune” returns on March 10, but last-minute viewers looking to catch up before the Oscars will only have a few days to stream “King Richard,” which returns on March 24. The 94th Academy Awards ceremony airs on March 27.
Fellow Best Picture contenders “Drive My Car” and “West Side Story” are also arriving on HBO Max in the coming weeks. “Drive My Car,” which has been in limited theaters, is finally available to stream on March 2, as is “West Side Story...
- 2/26/2022
- by Haleigh Foutch
- The Wrap
David Pérez Sañudo, Manuel Martín Cuenca, Leire Apellániz Unveil New Films at Eave on Demand Sevilla
New projects by David Pérez Sañudo, the rising young star of Basque cinema, Manuel Martín Cuenca, whose last four films have all been selected for Toronto, and Leire Apellániz, with one of the most ambitious Basque features in the making, all feature in a high-caliber lineup of projects at Eave on Demand Sevilla, a development workshop.
Madrid Ecam Incubator alum Ainhoa Menéndez and Berlinale Teddy Award winner María Trénor Colomer also have already announced projects at Eave on Demand, which kicks off industry events at Seville on Nov. 8 with a masterclass, Script Development Strategies, by Clare Downs.
Further masterclasses, given by Oliver Damian, on European Co-Production and the Role of the Producer, and Aranka Matits, on Distribution & the International Market, aim to provide the directors with the necessary skills to navigate a highly competitive market, which Martín Cuenca and Apellániz already have experience with titles such as “Cannibal” and “The Sacred Spirit.
Madrid Ecam Incubator alum Ainhoa Menéndez and Berlinale Teddy Award winner María Trénor Colomer also have already announced projects at Eave on Demand, which kicks off industry events at Seville on Nov. 8 with a masterclass, Script Development Strategies, by Clare Downs.
Further masterclasses, given by Oliver Damian, on European Co-Production and the Role of the Producer, and Aranka Matits, on Distribution & the International Market, aim to provide the directors with the necessary skills to navigate a highly competitive market, which Martín Cuenca and Apellániz already have experience with titles such as “Cannibal” and “The Sacred Spirit.
- 11/5/2021
- by John Hopewell
- Variety Film + TV
Horror fans don’t have to wait until October to celebrate the scary movies, but this month offers a welcome opportunity to embrace the form. Last year, when the pandemic made in-person film festivals hard to achieve, four respected genre festivals from around the country — Boston Underground, Brooklyn Horror, North Bend, and Overlook — joined forces for a virtual festival event called Nightstream. Blending traditional horror programming with broader examples of genre filmmaking, the lineup provided a welcome opportunity to bring the festival experience to audiences nationwide.
This year is no exception: The second edition of Nightstream begins tonight and runs through October 13, with an exciting online program of films and events accessible to anyone in the U.S. Badgeholders will be able to tune into conversations with David Lowery, “Malignant” writer Akela Cooper, and “Creepshow” showrunner Greg Nicotero, as well as recurring events like The Future of Film Is Female...
This year is no exception: The second edition of Nightstream begins tonight and runs through October 13, with an exciting online program of films and events accessible to anyone in the U.S. Badgeholders will be able to tune into conversations with David Lowery, “Malignant” writer Akela Cooper, and “Creepshow” showrunner Greg Nicotero, as well as recurring events like The Future of Film Is Female...
- 10/7/2021
- by Eric Kohn
- Indiewire
After shelving the 2020 iteration of YouTube Rewind due to myriad tragedies that emerged last year, YouTube has exclusively confirmed to Tubefilter that it is doing away with the annual compendium for good.
The decision was made on what would be the 10th anniversary of Rewind. YouTube says it is not abandoning the project because of the hate it has received on more recent efforts, but because its platform has become so massive that it is impossible to encapsulate its vastness and diversity within a five-minute compilation.
Accordingly, YouTube says it will be passing the baton to creators, who have increasingly been producing their own unofficial iterations of YouTube Rewind in recent years.
Visit Tubefilter for more great stories.
The decision was made on what would be the 10th anniversary of Rewind. YouTube says it is not abandoning the project because of the hate it has received on more recent efforts, but because its platform has become so massive that it is impossible to encapsulate its vastness and diversity within a five-minute compilation.
Accordingly, YouTube says it will be passing the baton to creators, who have increasingly been producing their own unofficial iterations of YouTube Rewind in recent years.
Visit Tubefilter for more great stories.
- 10/7/2021
- by Geoff Weiss
- Tubefilter.com
PBS led all networks in nominations for the 42nd annual News and Documentary Emmy Awards, landing 52 overall — thanks to the strength of signature series “Frontline,” “Independent Lens,” “Pov,” “Nova,” “PBS News Hour” and “Nature.”
The National Academy of Television Arts and Sciences announced this year’s nominees on Tuesday morning, noting that more than 2,200 submissions were entered, from content that premiered in calendar year 2020. CNN was next with 41 nods, including five each for “AC360,” CNN Films and “The Situation Room with Wolf Blitzer.” CNN Films docs earning nominations included three for “John Lewis: Good Trouble.”
When combined with various partnerships, “Frontline” landed the most nominations overall, with 19. Next in line, with 16 each, were CBS’ “60 Minutes” and Vice’s “Vice News Tonight.”
Best documentary nominations included three for PBS: Frontline’s “Once Upon A Time In Iraq,” Independent Lens’ “Belly of the Beast” and Pov’s “Advocate.” They’re up against Netflix’s “Athlete A,...
The National Academy of Television Arts and Sciences announced this year’s nominees on Tuesday morning, noting that more than 2,200 submissions were entered, from content that premiered in calendar year 2020. CNN was next with 41 nods, including five each for “AC360,” CNN Films and “The Situation Room with Wolf Blitzer.” CNN Films docs earning nominations included three for “John Lewis: Good Trouble.”
When combined with various partnerships, “Frontline” landed the most nominations overall, with 19. Next in line, with 16 each, were CBS’ “60 Minutes” and Vice’s “Vice News Tonight.”
Best documentary nominations included three for PBS: Frontline’s “Once Upon A Time In Iraq,” Independent Lens’ “Belly of the Beast” and Pov’s “Advocate.” They’re up against Netflix’s “Athlete A,...
- 7/27/2021
- by Michael Schneider
- Variety Film + TV
How about we end the week with a very entertaining video game conspiracy theory? According to a group of gamer sleuths on Reddit and ResetEra forums, a recently announced indie game coming exclusively to the PS5 called Abandoned may secretly be a new Silent Hill game from none other than auteur Hideo Kojima.
The theory is gathering so much steam online that even Bloomberg’s Jason Schreier, arguably gaming’s foremost investigative journalist, was almost 100% convinced the conspiracy was true at one point (although he’s no longer sure). There’s also a whole subreddit now dedicated to “The Blue Box Conspiracy,” where you can follow and post your latest finding in a strange sort of Arg.
So, what exactly is happening here? Rumors of a connection to a secret Silent Hill game and Hideo Kojima have followed Abandoned since it was first teased last April. The game is being...
The theory is gathering so much steam online that even Bloomberg’s Jason Schreier, arguably gaming’s foremost investigative journalist, was almost 100% convinced the conspiracy was true at one point (although he’s no longer sure). There’s also a whole subreddit now dedicated to “The Blue Box Conspiracy,” where you can follow and post your latest finding in a strange sort of Arg.
So, what exactly is happening here? Rumors of a connection to a secret Silent Hill game and Hideo Kojima have followed Abandoned since it was first teased last April. The game is being...
- 6/18/2021
- by John Saavedra
- Den of Geek
RCA Records has announced a new partnership and label deal with Loud Robot, the record label from J.J. Abrams’ Bad Robot, to release new musical talent.
To kick off this partnership, Nnena, the first musical signing to Loud Robot, today releases a brand-new track and video for “Heart Moan,” the second track from her forthcoming debut EP “Bipolar Af,” which is set for release on June 25. Other new artist signings to Loud Robot/RCA Records will be announced soon.
Rapper-singer-songwriter Nnena Adigwe was born in Cleveland to Nigerian parents. A former basketball player, she began writing comedic sketches during college which led to more full-fledged projects that required music. Rather than pay licensing fees, she decided to do it herself.
RCA COO John Fleckenstein said, “Nnena is such a talent. Full of personality, stories and song. We are thrilled to announce her debut! And I cannot imagine a more...
To kick off this partnership, Nnena, the first musical signing to Loud Robot, today releases a brand-new track and video for “Heart Moan,” the second track from her forthcoming debut EP “Bipolar Af,” which is set for release on June 25. Other new artist signings to Loud Robot/RCA Records will be announced soon.
Rapper-singer-songwriter Nnena Adigwe was born in Cleveland to Nigerian parents. A former basketball player, she began writing comedic sketches during college which led to more full-fledged projects that required music. Rather than pay licensing fees, she decided to do it herself.
RCA COO John Fleckenstein said, “Nnena is such a talent. Full of personality, stories and song. We are thrilled to announce her debut! And I cannot imagine a more...
- 6/11/2021
- by Jem Aswad
- Variety Film + TV
Actress Taapsee Pannu and filmmaker Anurag Kashyap's cryptic tweets on Thursday have left fans wondering if the duo is set to return with a new film together.
Taapsee and Kashyap have in the past collaborated on the 2018 release, Manmarziyaan, co-starring Vicky Kaushal and Abhishek Bachchan.
On Thursday, the actress and the filmmaker tweeted using the identical hashtag #WhatsCult.
"Courage, creativity, clutter breaking, cult! Rare to find them all together... Any idea what I am hinting at? Guess what am I talking about?! #WhatsCult," Taapsee Pannu wrote.
Guess what am I talking about?! #WhatsCult pic.twitter.com/GyUXdFKwNs
— taapsee pannu (@taapsee) February 11, 2021
"Collaborating with a 'cult' team on something special! Guess what? Confused? Hona bhi chahiye. Accha hain. Wait and watch #WhatsCult," Kashyap tweeted.
Confused? Hona bhi chahiye. Accha hain. Wait and watch...
Taapsee and Kashyap have in the past collaborated on the 2018 release, Manmarziyaan, co-starring Vicky Kaushal and Abhishek Bachchan.
On Thursday, the actress and the filmmaker tweeted using the identical hashtag #WhatsCult.
"Courage, creativity, clutter breaking, cult! Rare to find them all together... Any idea what I am hinting at? Guess what am I talking about?! #WhatsCult," Taapsee Pannu wrote.
Guess what am I talking about?! #WhatsCult pic.twitter.com/GyUXdFKwNs
— taapsee pannu (@taapsee) February 11, 2021
"Collaborating with a 'cult' team on something special! Guess what? Confused? Hona bhi chahiye. Accha hain. Wait and watch #WhatsCult," Kashyap tweeted.
Confused? Hona bhi chahiye. Accha hain. Wait and watch...
- 2/11/2021
- by Glamsham Editorial
- GlamSham
After a year that forced the world to confront the toughest issues before it, many of the contenders in the 2021 Oscar short film categories explore those issues in 40 minutes or less. Six of those contenders joined TheWrap’s Awards Screening Series to discuss their work on topics from Black Lives Matter to sexist abuse around the world.
Emmy-winning filmmaker Travon Free and rapper Joey Bada$$ are gunning for a nomination with their live-action short “Two Distant Strangers,” which follows in the vein of “Groundhog Day,” “Palm Springs” and the “Twilight Zone” episode “Rewind” as it follows a Black cartoonist who is forced to relive his George Floyd-esque murder at the hands of multiple cops over and over. Free wrote the film in five days just weeks after Floyd’s death and was filmed in the midst of the Covid-19 pandemic.
“It was really important to tell this story and...
Emmy-winning filmmaker Travon Free and rapper Joey Bada$$ are gunning for a nomination with their live-action short “Two Distant Strangers,” which follows in the vein of “Groundhog Day,” “Palm Springs” and the “Twilight Zone” episode “Rewind” as it follows a Black cartoonist who is forced to relive his George Floyd-esque murder at the hands of multiple cops over and over. Free wrote the film in five days just weeks after Floyd’s death and was filmed in the midst of the Covid-19 pandemic.
“It was really important to tell this story and...
- 2/3/2021
- by Jeremy Fuster
- The Wrap
KollywoodThe Tamil teaser was released by Ar Rahman while Bollywood director Anurag Kashyap released the Hindi version.Digital NativeDigital NativeSilambarasan is celebrating his 38th birthday on Wednesday and the makers of his next film, Maanaadu directed by Venkat Prabhu, released the film’s teaser on the occasion. Anurag Kashyap, Ar Rahman, Ravi Teja, Kichcha Sudeep and Prithviraj Sukumaran came together to release the Hindi, Tamil, Telugu, Kannada and Malayalam versions respectively of the teaser. The Tamil teaser was released by Oscar winning music composer Ar Rahman. He tweeted, “Here is the teaser of Maanaadu. #Maanaaduteaser #HBDSilambarasan #Rewind #Maanaadu #aVPpolitics @silambarasanTR_ @vp_offl @sureshkamatchi @thisisysr.” Here is the teaser of Maanaadu. https://t.co/dFeyq21W6K#Maanaaduteaser #HBDSilambarasan #Rewind #Maanaadu #aVPpolitics @silambarasanTR_ @vp_offl @sureshkamatchi @thisisysr — A.R.Rahman (@arrahman) February 3, 2021 The Hindi version of Maanaadu has been titled Rewind and its teaser was released by acclaimed Bollywood director Anurag Kashyap.
- 2/3/2021
- by Vidya
- The News Minute
Monday is the start of five days of voting to determine shortlists in the nine Oscar categories that narrow down the field before the start of nomination balloting. In the Best Documentary Feature and Best International Feature Film categories, 238 and 93 films, respectively, will be reduced to 15 semifinalists.
In each of those categories, voters must see a minimum number of entries, drawn from a “required viewing” list sent to each member, in order to vote. Documentary voters must see more than 30 films, international voters must see 12. Shortlists in all categories will be announced on Feb. 9.
Here are our thoughts on these contests; on Tuesday, we’ll look at the below-the-line categories that also use shortlists.
‘Time’ / Amazon Studios
Best Documentary Feature
Ever since the Documentary Branch rules were changed to do away with the small committees that previously viewed films in the preliminary round of voting, the documentary shortlists have invariably...
In each of those categories, voters must see a minimum number of entries, drawn from a “required viewing” list sent to each member, in order to vote. Documentary voters must see more than 30 films, international voters must see 12. Shortlists in all categories will be announced on Feb. 9.
Here are our thoughts on these contests; on Tuesday, we’ll look at the below-the-line categories that also use shortlists.
‘Time’ / Amazon Studios
Best Documentary Feature
Ever since the Documentary Branch rules were changed to do away with the small committees that previously viewed films in the preliminary round of voting, the documentary shortlists have invariably...
- 2/1/2021
- by Steve Pond
- The Wrap
Stars: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Dimple Kapadia, Aaron Taylor-Johnson, Himesh Patel, Clémence Poésy, Michael Caine, Martin Donovan | Written and Directed by Christopher Nolan
“Don’t try to understand it”, says a character near the beginning of Christopher Nolan’s brain bending sci-fi blockbuster Tenet. That turns out to be excellent advice for audiences, because after it’s all over, there’s a sneaking suspicion that maybe the plot doesn’t quite add up and perhaps you’d better see it again, just to make sure. It’s a shrewd strategy that will guarantee repeat business in these troubled times.
Tenet centres on The Protagonist (BlacKkKlansman’s John David Washington), a skilled secret agent who’s recruited for a complex mission involving a device that allows objects and people to change the direction they travel through time. In the hands of the wrong people – in this...
“Don’t try to understand it”, says a character near the beginning of Christopher Nolan’s brain bending sci-fi blockbuster Tenet. That turns out to be excellent advice for audiences, because after it’s all over, there’s a sneaking suspicion that maybe the plot doesn’t quite add up and perhaps you’d better see it again, just to make sure. It’s a shrewd strategy that will guarantee repeat business in these troubled times.
Tenet centres on The Protagonist (BlacKkKlansman’s John David Washington), a skilled secret agent who’s recruited for a complex mission involving a device that allows objects and people to change the direction they travel through time. In the hands of the wrong people – in this...
- 12/14/2020
- by Matthew Turner
- Nerdly
YouTube will launch the New Year alongside a number of Hollywood names including Matthew McConaughey, RuPaul and Storm Reid with its global celebration video Hello 2021. Set to premiere in the Americas, United Kingdom, Korea, Japan and India, Hello 2021 is also set to feature appearances from Dua Lipa, Demi Lovato, J Balvin and more.
“With the world ready to move past an extremely challenging year, YouTube will use its global reach to celebrate the hope and promise of 2021,” said Susanne Daniels, YouTube’s Global Head of Original Content. “We look forward to closing the book on 2020 and throwing a worldwide celebration that our YouTube community can safely enjoy from home.”
Set to feature speeches, musical performances and dance parties, Hello 2021 has a lineup of five different shows and will celebrate the year’s most notable videos across the globe, the David Blaine Ascension to Hbcu Homecoming.
The Hello 2021 announcement nearly a...
“With the world ready to move past an extremely challenging year, YouTube will use its global reach to celebrate the hope and promise of 2021,” said Susanne Daniels, YouTube’s Global Head of Original Content. “We look forward to closing the book on 2020 and throwing a worldwide celebration that our YouTube community can safely enjoy from home.”
Set to feature speeches, musical performances and dance parties, Hello 2021 has a lineup of five different shows and will celebrate the year’s most notable videos across the globe, the David Blaine Ascension to Hbcu Homecoming.
The Hello 2021 announcement nearly a...
- 12/10/2020
- by Alexandra Del Rosario
- Deadline Film + TV
In the annals of genre cinema, time-travel has been a relatively common occurrence from everything like “Event Horizon” and “Haunter” to “Timecrimes” and “Army of Darkness,” exploring outlandish concepts in a fairly common-place setting. Director Lee Chung-hyun is the latest to tackle this concept, as he uses it for his feature-film debut, the chilling new thriller “The Call” now available on Netflix.
Heading out to the countryside, a lost phone causes Seo-yeon (Park Shin-hye) to begin looking for an answer to what happened. Eventually, she manages to reach Young-sook (Jun Jong-seo), a girl who claims to have lived in the same house twenty years earlier. Communicating over the phone, they begin to talk to each other about what happened over the years. When it transpires that something in the past affects the future timelines of each other, the resulting changes begin to affect the relationship they have, eventually resulting in...
Heading out to the countryside, a lost phone causes Seo-yeon (Park Shin-hye) to begin looking for an answer to what happened. Eventually, she manages to reach Young-sook (Jun Jong-seo), a girl who claims to have lived in the same house twenty years earlier. Communicating over the phone, they begin to talk to each other about what happened over the years. When it transpires that something in the past affects the future timelines of each other, the resulting changes begin to affect the relationship they have, eventually resulting in...
- 12/10/2020
- by Don Anelli
- AsianMoviePulse
For the first time since 2010, YouTube has decided to forgo its annual retrospective Rewind video.
The popular video streaming platform made the announcement Thursday morning, confirming the decision on social media. In a statement posted on Twitter, the official YouTube account told fans that they can expect not to see the annual walk down memory lane this year.
“Rewind was always meant to be a celebration of you. But 2020 has been different,” the official YouTube statement said. “And it doesn’t feel right to carry on as if it weren’t. So, we’re taking a break from Rewind this year.”
With the Covid-19 pandemic throwing the globe off its balance as early as January, 2020 has been a year defined by loss and uncertainty. As of Thursday, Johns Hopkins reports over 52 million Covid-19 cases worldwide and more than 1,289,000 deaths around the globe.
The Covid-19 pandemic, which seems to have no...
The popular video streaming platform made the announcement Thursday morning, confirming the decision on social media. In a statement posted on Twitter, the official YouTube account told fans that they can expect not to see the annual walk down memory lane this year.
“Rewind was always meant to be a celebration of you. But 2020 has been different,” the official YouTube statement said. “And it doesn’t feel right to carry on as if it weren’t. So, we’re taking a break from Rewind this year.”
With the Covid-19 pandemic throwing the globe off its balance as early as January, 2020 has been a year defined by loss and uncertainty. As of Thursday, Johns Hopkins reports over 52 million Covid-19 cases worldwide and more than 1,289,000 deaths around the globe.
The Covid-19 pandemic, which seems to have no...
- 11/12/2020
- by Alexandra Del Rosario
- Deadline Film + TV
In a decision that's arrives both jarringly and not entirely unexpectedly, YouTube -- for the first time in nearly a decade -- has opted not to release an annual Rewind video, looking back on the year 2020.
Annually, Rewind serves as a snacky look back at the year’s most impactful YouTube videos, creators, and trends -- set to a mix of the year's most popular songs. The endeavor, which typically drops during the first week of December, has long been produced by digital studio Portal A. But this year, amid not only the coronavirus pandemic, but all of the hardships and heaviness faced by its community, YouTube says -- presumably including a painful reckoning with systemic racism precipitated by the murder of George Floyd -- it has ultimately decided to sit this one out.
“2020 has been different,” the company shared in social media posts today, “and it doesn't feel right...
Annually, Rewind serves as a snacky look back at the year’s most impactful YouTube videos, creators, and trends -- set to a mix of the year's most popular songs. The endeavor, which typically drops during the first week of December, has long been produced by digital studio Portal A. But this year, amid not only the coronavirus pandemic, but all of the hardships and heaviness faced by its community, YouTube says -- presumably including a painful reckoning with systemic racism precipitated by the murder of George Floyd -- it has ultimately decided to sit this one out.
“2020 has been different,” the company shared in social media posts today, “and it doesn't feel right...
- 11/12/2020
- by Geoff Weiss
- Tubefilter.com
The Academy dropped another 33 feature films into the online screening room for members of its Documentary Branch on Oct. 30, giving the Oscars doc race its biggest influx of new films to date. The branch now has 86 films to consider, with two or three more batches of films (and potentially more than 50 additional contenders) likely to be added to the field by early January.
Coming the same week that the Critics Choice Documentary Awards announced its nominees and the International Documentary Association’s Ida Documentary Awards revealed the 30-film shortlist from which it will make its final choices, the Academy move kicked the Oscar doc race into another gear in a year that promises to be highly competitive.
Among the docs that were made available to voters this week were Bryce Dallas Howard’s film about fatherhood, “Dads,” which means she’ll be competing against her father, Ron Howard, who is...
Coming the same week that the Critics Choice Documentary Awards announced its nominees and the International Documentary Association’s Ida Documentary Awards revealed the 30-film shortlist from which it will make its final choices, the Academy move kicked the Oscar doc race into another gear in a year that promises to be highly competitive.
Among the docs that were made available to voters this week were Bryce Dallas Howard’s film about fatherhood, “Dads,” which means she’ll be competing against her father, Ron Howard, who is...
- 11/2/2020
- by Steve Pond
- The Wrap
“Crip Camp: A Disability Revolution,” “Gunda” and “Mr. Soul” lead the fifth annual Critics Choice Association’s documentary nominations, with five apiece. Among the eclectic list of nominees are Taylor Swift, Greta Thunberg, veteran filmmaker Werner Herzog and longtime disability advocate Judith Heumann, as well as docs about such notables as John Lewis, Muhammad Ali, Bruce Lee and Frank Zappa.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
- 10/26/2020
- by Tim Gray
- Variety Film + TV
“Crip Camp,” “Gunda” and “Mr. Soul!” led all films in nominations for the fifth annual Critics Choice Documentary Awards, which were announced on Monday by the Critics Choice Association.
The three films each received five nominations, including nods in the Best Documentary Feature category. As usual, that category cast a very wide net and contains far more nominees than other awards for nonfiction filmmaking — 14 this year, with nominations also going to “Athlete A,” “Belushi,” “Dick Johnson Is Dead,” “Feels Good Man,” “The Fight,” “The Go-Go’s,” “My Octopus Teacher,” “The Painter and the Thief,” “A Secret Love,” “The Social Dilemma” and “Time.”
Films with four nominations are “Athlete A,” “Dick Johnson Is Dead,” “Octopus Teacher” and “Totally Under Control.”
The list was missing many of the year’s most acclaimed nonfiction films, including “Welcome to Chechnya,” “The Dissident,” “Collective,” “Disclosure,” “76 Days” and “On the Record,” none of which received any nominations.
The three films each received five nominations, including nods in the Best Documentary Feature category. As usual, that category cast a very wide net and contains far more nominees than other awards for nonfiction filmmaking — 14 this year, with nominations also going to “Athlete A,” “Belushi,” “Dick Johnson Is Dead,” “Feels Good Man,” “The Fight,” “The Go-Go’s,” “My Octopus Teacher,” “The Painter and the Thief,” “A Secret Love,” “The Social Dilemma” and “Time.”
Films with four nominations are “Athlete A,” “Dick Johnson Is Dead,” “Octopus Teacher” and “Totally Under Control.”
The list was missing many of the year’s most acclaimed nonfiction films, including “Welcome to Chechnya,” “The Dissident,” “Collective,” “Disclosure,” “76 Days” and “On the Record,” none of which received any nominations.
- 10/26/2020
- by Steve Pond
- The Wrap
In a year packed with superb documentaries, the Critics Choice Association Documentary Awards nominations, which honor the best non-fiction achievements of 2020, will help other awards groups to winnow down the list of must-sees. “Crip Camp: A Disability Revolution” (Netflix), “Gunda” (Neon), and “Mr. Soul!” lead this year’s nominations with five each. Netflix leads the field with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine.
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
- 10/26/2020
- by Anne Thompson
- Thompson on Hollywood
In a year packed with superb documentaries, the Critics Choice Association Documentary Awards nominations, which honor the best non-fiction achievements of 2020, will help other awards groups to winnow down the list of must-sees. “Crip Camp: A Disability Revolution” (Netflix), “Gunda” (Neon), and “Mr. Soul!” lead this year’s nominations with five each. Netflix leads the field with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine.
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
“The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch, in an official statement. “Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Winners will be announced on November 16, 2020.
The Sundance debut “Crip Camp” is nominated for Best Documentary Feature, and also earned nods for James Lebrecht and Nicole Newnham for Best Director, along with Best Editing,...
- 10/26/2020
- by Anne Thompson
- Indiewire
In what is signaling a very good year for documentaries, the Critics’ Choice Association on Monday announced its list of nominations for the fifth annual Critics’ Choice Documentary Awards, and if the past is any clue it could be an indicator of what to expect from the Oscars next spring.
With an inclusive list, to say the least, of about 50 films from approximately 200 submissions, three docs led the way with five noms apiece: Mr. Soul, about a historic Black TV show; Gunda, a touching film about the daily life of a pig and farm companions from exec producer Joaquin Phoenix; and Netflix’s Crip Camp: A Disability Revolution, an archival film about a summer camp catering to disabled young people.
Close behind with four nods each were Alex Gibney’s striking Covid-19 docu Totally Under Control that was actually just completed about two weeks ago; the personal story of a father and daugher, Dick Johnson Is Dead; the remarkable nature doc My Octopus Teacher; and gymnastics scandal pic Athlete A. The latter three hail from Netflix, which swamped the competition with 31 nominations, a more than 2-to-1 distance between next closest distributor Neon with 14. They are the only two distributors to reach double digits.
Overall the critics were in a generous mood, offering 15 films noms for Best Documentary Feature alone.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, president of the documentary branch of Cca. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling — and sometimes frightening. It is a great honor for the Cca to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Nominees were selected by Critics’ Choice members who were divided into five committees to whittle down the field.
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. Soul! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
Best Director
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
Best First Documentary Feature
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. Soul! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
Best Cinematography
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
Best Editing
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
Best Score
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
Best Narration
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. Soul! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Melissa Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
Best Archival Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO Max)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. Soul! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
Best Historical/Biographical Documentary
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. Soul! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
Best Music Documentary
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
Best Political Documentary
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
Best Science/Nature Documentary
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
Best Sports Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super Ltd)
Best Short Documentary
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/Ryot Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
Most Compelling Living Subjects Of A Documentary (Honor)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
Distributor Nominations
Netflix: 31
Neon: 14
Magnolia Pictures: 9
Showtime: 6
Amazon Studios: 5
HBO: 5
National Geographic: 5
PBS Independent Lens: 5
Shoes in the Bed Productions: 5
Apple: 4
ESPN: 3
Focus Features: 3
Wavelength Productions: 3
Field of Vision: 2
Hulu: 2
IFC: 2
MTV Documentary Films: 2
Sony: 2
7th Empire Media: 1
50 Eggs Films: 1
Disney+: 1
Epix: 1
Factory 25: 1
Greenwich Entertainment: 1
Grizzly Creek Films: 1
HBO Max: 1
Kino Lorber: 1
Moving Art: 1
Quibi: 1
Spin Film/Vulcan Productions/Ryot Films: 1
Stemal Entertainment: 1
Super Ltd: 1
Universal: 1...
With an inclusive list, to say the least, of about 50 films from approximately 200 submissions, three docs led the way with five noms apiece: Mr. Soul, about a historic Black TV show; Gunda, a touching film about the daily life of a pig and farm companions from exec producer Joaquin Phoenix; and Netflix’s Crip Camp: A Disability Revolution, an archival film about a summer camp catering to disabled young people.
Close behind with four nods each were Alex Gibney’s striking Covid-19 docu Totally Under Control that was actually just completed about two weeks ago; the personal story of a father and daugher, Dick Johnson Is Dead; the remarkable nature doc My Octopus Teacher; and gymnastics scandal pic Athlete A. The latter three hail from Netflix, which swamped the competition with 31 nominations, a more than 2-to-1 distance between next closest distributor Neon with 14. They are the only two distributors to reach double digits.
Overall the critics were in a generous mood, offering 15 films noms for Best Documentary Feature alone.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, president of the documentary branch of Cca. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling — and sometimes frightening. It is a great honor for the Cca to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Nominees were selected by Critics’ Choice members who were divided into five committees to whittle down the field.
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. Soul! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
Best Director
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
Best First Documentary Feature
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. Soul! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
Best Cinematography
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
Best Editing
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
Best Score
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
Best Narration
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. Soul! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Melissa Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
Best Archival Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO Max)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. Soul! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
Best Historical/Biographical Documentary
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. Soul! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
Best Music Documentary
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
Best Political Documentary
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
Best Science/Nature Documentary
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
Best Sports Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super Ltd)
Best Short Documentary
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/Ryot Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
Most Compelling Living Subjects Of A Documentary (Honor)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
Distributor Nominations
Netflix: 31
Neon: 14
Magnolia Pictures: 9
Showtime: 6
Amazon Studios: 5
HBO: 5
National Geographic: 5
PBS Independent Lens: 5
Shoes in the Bed Productions: 5
Apple: 4
ESPN: 3
Focus Features: 3
Wavelength Productions: 3
Field of Vision: 2
Hulu: 2
IFC: 2
MTV Documentary Films: 2
Sony: 2
7th Empire Media: 1
50 Eggs Films: 1
Disney+: 1
Epix: 1
Factory 25: 1
Greenwich Entertainment: 1
Grizzly Creek Films: 1
HBO Max: 1
Kino Lorber: 1
Moving Art: 1
Quibi: 1
Spin Film/Vulcan Productions/Ryot Films: 1
Stemal Entertainment: 1
Super Ltd: 1
Universal: 1...
- 10/26/2020
- by Pete Hammond
- Deadline Film + TV
"Treehouse of Horror Xxxi", written by Julia Prescott and directed by Steven Dean Moore, is the fourth episode of season 32 of "The Simpsons" and the thirty-first installment in the annual "Treehouse of Horror" series, airing November 1, 2020 on Fox:
Segments include:
"Toy Gory"
"Marge asks Bart if he's boxing his toys to sell for charity, and Bart says he's saying good bye to them, but Bart has other plans: he destroys them in many possible ways, between explosions and distortions. When he is done, Marge gives him a Radioactive Man toy. When Bart leaves the new toy alone, he comes to life..."
"Be Nine, Rewind"
"...it's Lisa's 9th birthday, half way to adulthood. When she comes down to the party, 'Sherri' and 'Terri' makes her realize it's a party for losers, and asks for somebody to kill her, when a car comes through the window hitting her. But she suddenly...
Segments include:
"Toy Gory"
"Marge asks Bart if he's boxing his toys to sell for charity, and Bart says he's saying good bye to them, but Bart has other plans: he destroys them in many possible ways, between explosions and distortions. When he is done, Marge gives him a Radioactive Man toy. When Bart leaves the new toy alone, he comes to life..."
"Be Nine, Rewind"
"...it's Lisa's 9th birthday, half way to adulthood. When she comes down to the party, 'Sherri' and 'Terri' makes her realize it's a party for losers, and asks for somebody to kill her, when a car comes through the window hitting her. But she suddenly...
- 10/22/2020
- by Unknown
- SneakPeek
The finale of Lovecraft Country landed last night with a roar marking a closer to one of the most exciting, intelligent horror series around. As well as the characters, the settings, the history, politics and winding plot some of the biggest delights of the show are the monsters and monstrous effects within the show.
UK FX house Framestore worked across the whole of the show in different capacities, including creating early concept art of some of the show’s key episodes.
“You start with mood boards and it gives the director or the production designer a very clear idea of the yes and no camp,” explains Martin Macrae, Head of Art Department at Framestore, of how the process works.
Read more TV Lovecraft Country Episode 9 Review: Rewind 1921 By Nicole Hill TV Lovecraft Country Episode 8 Review: Jig-a-Bobo By Nicole Hill
“The photographic reference really helps you quickly narrow down areas which...
UK FX house Framestore worked across the whole of the show in different capacities, including creating early concept art of some of the show’s key episodes.
“You start with mood boards and it gives the director or the production designer a very clear idea of the yes and no camp,” explains Martin Macrae, Head of Art Department at Framestore, of how the process works.
Read more TV Lovecraft Country Episode 9 Review: Rewind 1921 By Nicole Hill TV Lovecraft Country Episode 8 Review: Jig-a-Bobo By Nicole Hill
“The photographic reference really helps you quickly narrow down areas which...
- 10/19/2020
- by Rosie Fletcher
- Den of Geek
Can 2020 get any scarier? The Simpsons is willing to bet it can with the arrival of its latest Halloween special. Every fall for the last 31 years (!), Homer and his clan have delivered three new tales of terror and hilarity with the record-breaking animated show’s traditional Treehouse of Horror specials. This year, though, we’ve lived through enough real-life horrors, so maybe it’ll be refreshing to witness some over-the-top cartoon ones.
With Treehouse of Horror Xxxi landing this Sunday, a new trailer has been released for the episode and you can check it out below:
Can 2020 get any scarier?
Find out in a sweet new Treehouse of Horror this Sunday! pic.twitter.com/GeWpl9eZNa
— TheSimpsons (@TheSimpsons) October 15, 2020
The Simpsons Spoof Pixar In New Treehouse Of Horror Xxxi Images 1 of 10
Click to skip
More From The Web Click to zoom
What’s more, a clip from the episode has also been unveiled.
With Treehouse of Horror Xxxi landing this Sunday, a new trailer has been released for the episode and you can check it out below:
Can 2020 get any scarier?
Find out in a sweet new Treehouse of Horror this Sunday! pic.twitter.com/GeWpl9eZNa
— TheSimpsons (@TheSimpsons) October 15, 2020
The Simpsons Spoof Pixar In New Treehouse Of Horror Xxxi Images 1 of 10
Click to skip
More From The Web Click to zoom
What’s more, a clip from the episode has also been unveiled.
- 10/16/2020
- by Christian Bone
- We Got This Covered
This article contains spoilers for Lovecraft Country episode 9.
“Rewind 1921” is the second in as many episodes of Lovecraft Country that draws directly from a real historical event. In it, Tic, Leti, and Montrose travel to the past to retrieve the Book of Names from the last place it was known to be, in the hands of Tic’s family in Tulsa, Oklahoma in 1921.They arrive in Greenwood, overlooking Black Wall Street, the night of the Tulsa Race Massacre.
Lovecraft Country is not the first show this TV season to bring attention to what the Oklahoma Historical Society calls “the single worst incident of racial violence in American history.” The series premiere of HBO’s Watchmen opens on the Tulsa Massacre, which becomes an anchor point of sorts for the entire story. In the show’s reality, the racial divide is reflected in the social and political structures of modern-day Tulsa,...
“Rewind 1921” is the second in as many episodes of Lovecraft Country that draws directly from a real historical event. In it, Tic, Leti, and Montrose travel to the past to retrieve the Book of Names from the last place it was known to be, in the hands of Tic’s family in Tulsa, Oklahoma in 1921.They arrive in Greenwood, overlooking Black Wall Street, the night of the Tulsa Race Massacre.
Lovecraft Country is not the first show this TV season to bring attention to what the Oklahoma Historical Society calls “the single worst incident of racial violence in American history.” The series premiere of HBO’s Watchmen opens on the Tulsa Massacre, which becomes an anchor point of sorts for the entire story. In the show’s reality, the racial divide is reflected in the social and political structures of modern-day Tulsa,...
- 10/14/2020
- by Alec Bojalad
- Den of Geek
A review of “Rewind 1921,” this week’s episode of Lovecraft Country, coming up just as soon as I tell you the ingredients for “road rash”…
“I got ya, kid.” —Tic
“Rewind 1921” debuts about a week shy of the one-year anniversary of the Watchmen series premiere, which put the Tulsa Race Massacre at the center of half the cultural conversations many of us have been having for the past 12 months. That two HBO shows should devote mid-October episodes to recreating the same historical atrocity is a fluke of timing — and a...
“I got ya, kid.” —Tic
“Rewind 1921” debuts about a week shy of the one-year anniversary of the Watchmen series premiere, which put the Tulsa Race Massacre at the center of half the cultural conversations many of us have been having for the past 12 months. That two HBO shows should devote mid-October episodes to recreating the same historical atrocity is a fluke of timing — and a...
- 10/12/2020
- by Alan Sepinwall
- Rollingstone.com
You can tell we’re approaching October when more scary content starts to appear on major services, with the latest offering, Spanish psychological horror The Paramedic, having a trailer and batch of images released.
When you see news about a movie with any kind of medical or sickness connotation to its title or central concept, it’s difficult to not immediately jump to the assumption that it’s a cynical attempt to exploit current world circumstances, such as the hatefully abysmal Corona Zombies. Thankfully, The Paramedic is nothing like that, instead being an insidious tale of paranoia and control.
After a road accident during a call-out, the titular first responder Ángel is confined to a wheelchair, his bitterness and reliance on his partner Vane leading him to suspect she’s cheating on him, resulting in him first stalking her movements and communications, then keeping her prisoner in their apartment, in...
When you see news about a movie with any kind of medical or sickness connotation to its title or central concept, it’s difficult to not immediately jump to the assumption that it’s a cynical attempt to exploit current world circumstances, such as the hatefully abysmal Corona Zombies. Thankfully, The Paramedic is nothing like that, instead being an insidious tale of paranoia and control.
After a road accident during a call-out, the titular first responder Ángel is confined to a wheelchair, his bitterness and reliance on his partner Vane leading him to suspect she’s cheating on him, resulting in him first stalking her movements and communications, then keeping her prisoner in their apartment, in...
- 9/15/2020
- by Andrew Marshall
- We Got This Covered
In the first of a new series of Rewind reviews looking back at the career of writer/director Ben Wheatley, Chris takes a look at his 2011 hit, Kill List.
Stars: Neil Maskell, Michael Smiley, MyAnna Buring, Harry Simpson, Emma Fryer, Struan Rodger | Written by Ben Wheatley, Amy Jump | Directed by Ben Wheatley
My initial terror when re-watching Kill List was that I realised it had been almost 10 years since I had seen it in a Cineworld in South West London..!
Kill List starts as a bit of realist, family drama, with our ex-soldier and “hero” Jay (Neil Maskell) out of work. He enjoys playing sword fighting with his beloved son but is under great pressure to get back to work from his wife as their savings dwindle. seemingly haunted by a mission in Kiev, Jay loves his family but is quite possibly suffering from Ptsd. His wife then arranges a little dinner party,...
Stars: Neil Maskell, Michael Smiley, MyAnna Buring, Harry Simpson, Emma Fryer, Struan Rodger | Written by Ben Wheatley, Amy Jump | Directed by Ben Wheatley
My initial terror when re-watching Kill List was that I realised it had been almost 10 years since I had seen it in a Cineworld in South West London..!
Kill List starts as a bit of realist, family drama, with our ex-soldier and “hero” Jay (Neil Maskell) out of work. He enjoys playing sword fighting with his beloved son but is under great pressure to get back to work from his wife as their savings dwindle. seemingly haunted by a mission in Kiev, Jay loves his family but is quite possibly suffering from Ptsd. His wife then arranges a little dinner party,...
- 8/14/2020
- by Chris Thomas
- Nerdly
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