The best music and the best whiskey come from the same part of the country.The best music and the best whiskey come from the same part of the country.The best music and the best whiskey come from the same part of the country.
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Entertaining music docu
Shot in 1976, "Heartworn Highways" is a laid-back documentary look at several fringe talents in Country and Western music, who represent something of an alternative to the mainstream of that genre. Pic's strengths lie in its superb stereo recording of the music and its imparting the folksy charm of the performers, but absence of narration or traditional interview material leaves the viewer with little historical background and no way to "place" the artists within the current musical scene.
Director-cameraman James Szalapski does not attempt to dramatize or inflate the importance of his subject, preferring a matter-of-fact approach. The eccentricities of singers Townes Van Zandt and ex-con turned "Rhinestone Cowboy" David Allan Coe come through without any coaxing and yield some light comic elements to interrupt the standard performance-film format.
Besides slice-of-life peeks at rustic types in Nashille's Wigwam Tavern, pic's highlights include a very entertaining and elaborate talk-preamble to a song by Gamble Rogers, several moving folk-like ballads by Guy Clark and a strange performance at Tennessee State Prison by Coe. Music takes on a rock orientation in concert footage of the Charlie Daniels Band.
Both sound and 35mm blowup quality are excellent.
My review was written in April 1981 after a Times Square screening.
Director-cameraman James Szalapski does not attempt to dramatize or inflate the importance of his subject, preferring a matter-of-fact approach. The eccentricities of singers Townes Van Zandt and ex-con turned "Rhinestone Cowboy" David Allan Coe come through without any coaxing and yield some light comic elements to interrupt the standard performance-film format.
Besides slice-of-life peeks at rustic types in Nashille's Wigwam Tavern, pic's highlights include a very entertaining and elaborate talk-preamble to a song by Gamble Rogers, several moving folk-like ballads by Guy Clark and a strange performance at Tennessee State Prison by Coe. Music takes on a rock orientation in concert footage of the Charlie Daniels Band.
Both sound and 35mm blowup quality are excellent.
My review was written in April 1981 after a Times Square screening.
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- Dec 31, 2022
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