A society girl tries to reform her playboy husband by making him jealous.A society girl tries to reform her playboy husband by making him jealous.A society girl tries to reform her playboy husband by making him jealous.
Charles Ruggles
- Edgar
- (as Charlie Ruggles)
Joan Fontaine
- Caroline
- (as Joan Burfield)
David S. Horsley
- Duffy
- (as David Horsley)
E.J. Babille
- Desk Clerk
- (as E.J. Babiel)
Jean Acker
- Nightclub Extra
- (uncredited)
Gertrude Astor
- Nightclub Extra
- (uncredited)
Clem Beauchamp
- Drunk
- (uncredited)
Brooks Benedict
- Joe Williams - Bar Owner
- (uncredited)
Veda Buckland
- Marcia's Maid
- (uncredited)
Storyline
Did you know
- TriviaFilm debut of Joan Fontaine (listed as Joan Burfield).
- GoofsWhen Sherry and Fanny are talking in front of the fireplace, from one scene to the next his position changes back and forth. First he's standing and facing Fanny who is sitting as they talk; then he is to her side kneeling on a sofa bench with his back to her and leaning on the fireplace hearth; then he is back opposite her, standing and facing her as they talk; then he's back again kneeling on the sofa and leaning on the hearth; and then he's back again standing and facing Fanny.
- Quotes
Oliver Allen: Look here, you can't go up there--she might be in bed!
Sheridan 'Sherry': Since when has a lady in bed been an object of repugnance?
- ConnectionsFeatured in Joan Crawford: The Ultimate Movie Star (2002)
- SoundtracksAll I Do Is Dream Of You
(1934) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on banjo by Arthur Treacher and
Sung by Gail Patrick at the party
Featured review
Glamorous fluff...Edna May Oliver is the only reason for staying with it...
MGM gloss is evident in every Joan Crawford close-up. As a matter of fact, it's evident in the loving way Robert Montgomery and Franchot Tone have also been given handsome close-ups. But the big scene-stealer here is the lady who gets the best lines and the least flattering close-ups: Edna May Oliver.
As a silver-haired dowager who enjoys putting stuffy society swells in their place with a tart remark, she's a welcome presence in a film with a plot so ordinary that it was hardly worth bothering about. You can sit through the whole film admiring the costumes Joan Crawford wears with her special flair for looking like a well-dressed mannequin, her marble face with those high cheekbones and huge eyes assuring us that she is the STAR of this tiresome nonsense, but your eyes will stray to Edna May whenever she takes hold of a scene. Thankfully, that's pretty often.
When a baby-talking house guest calls someone "Peggy Weggy" she turns to Oliver who is supposed to introduce herself as Crawford's aunt. Missing hardly a beat, Oliver quips: "Just call me Fanny Aunty".
Is this the same playwright who later wrote THE PHILADELPHIA STORY for Hepburn? The plot is simply boy loves girl, boy loses girl, boy loves girl in a nutshell. There are a few pleasant moments with Charlie Ruggles and Gail Patrick--and if you don't blink--Joan Fontaine makes a fleeting appearance with a pained expression on her face. Hardly an inspiring debut.
Typical of the kind of fluff that began harming careers back in the 1930s. You can afford to miss it, believe me.
As a silver-haired dowager who enjoys putting stuffy society swells in their place with a tart remark, she's a welcome presence in a film with a plot so ordinary that it was hardly worth bothering about. You can sit through the whole film admiring the costumes Joan Crawford wears with her special flair for looking like a well-dressed mannequin, her marble face with those high cheekbones and huge eyes assuring us that she is the STAR of this tiresome nonsense, but your eyes will stray to Edna May whenever she takes hold of a scene. Thankfully, that's pretty often.
When a baby-talking house guest calls someone "Peggy Weggy" she turns to Oliver who is supposed to introduce herself as Crawford's aunt. Missing hardly a beat, Oliver quips: "Just call me Fanny Aunty".
Is this the same playwright who later wrote THE PHILADELPHIA STORY for Hepburn? The plot is simply boy loves girl, boy loses girl, boy loves girl in a nutshell. There are a few pleasant moments with Charlie Ruggles and Gail Patrick--and if you don't blink--Joan Fontaine makes a fleeting appearance with a pained expression on her face. Hardly an inspiring debut.
Typical of the kind of fluff that began harming careers back in the 1930s. You can afford to miss it, believe me.
helpful•104
- Doylenf
- Nov 7, 2005
Details
- Release date
- Country of origin
- Language
- Also known as
- Inga fler kvinnor!
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $765,000 (estimated)
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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