Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 890
- Actor
- Costume and Wardrobe Department
- Additional Crew
Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.
A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..
Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.
Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.- Actor
- Writer
- Soundtrack
John Barrymore was born John Sidney Blyth on February 15, 1882 in Philadelphia, Pennsylvania. An American stage and screen actor whose rise to superstardom and subsequent decline is one of the legendary tragedies of Hollywood. A member of the most famous generation of the most famous theatrical family in America, he was also its most acclaimed star. His father was Maurice Blyth (or Blythe; family spellings vary), a stage success under the name Maurice Barrymore. His mother, Georgie Drew, was the daughter of actor John Drew. Although well known in the theatre, Maurice and Georgie were eclipsed by their three children, John, Lionel Barrymore, and Ethel Barrymore, each of whom became legendary stars. John was handsome and roguish. He made his stage debut at age 18 in one of his father's productions, but was much more interested in becoming an artist.
Briefly educated at King's College, Wimbledon, and at New York's Art Students League, Barrymore worked as a freelance artist and for a while sketched for the New York Evening Journal. Gradually, though, the draw of his family's profession ensnared him, and by 1905, he had given up professional drawing and was touring the country in plays. He survived the 1906 San Francisco earthquake, and in 1909, became a major Broadway star in "The Fortune Hunter". In 1922, Barrymore became his generation's most acclaimed "Hamlet", in New York and London. But by this time, he had become a frequent player in motion pictures. His screen debut supposedly came in An American Citizen (1914), though records of several lost films indicate he may have made appearances as far back as 1912. He became every bit the star of films that he was on stage, eclipsing his siblings in both arenas.
Though his striking matinee-idol looks had garnered him the nickname "The Great Profile", he often buried them under makeup or distortion in order to create memorable characters of degradation or horror. He was a romantic leading man into the early days of sound films, but his heavy drinking (since boyhood) began to take a toll, and he degenerated quickly into a man old before his time. He made a number of memorable appearances in character roles, but these became over time more memorable for the humiliation of a once-great star than for his gifts. His last few films were broad and distasteful caricatures of himself, though in even the worst, such as Playmates (1941), he could rouse himself to a moving soliloquy from "Hamlet". He died on May 29, 1942, mourned as much for the loss of his life as for the loss of grace, wit, and brilliance which had characterized his career at its height.- Actor
- Director
- Writer
White-haired London-born character actor, a familiar face in Hollywood for more than five decades. He was born George William Crisp, the youngest of ten siblings, to working class parents James Crisp and his wife Elizabeth (nee Christy). Despite his humble beginnings, Donald was educated at Oxford University. He saw action with the 10th Hussars of the British Army at Kimberley and Ladysmith during the Boer War and subsequently moved to the United States to begin a new life as an actor.
Arriving in New York in 1906 he began as a singer in Grand Opera with the company of impresario John C. Fisher. By 1910, he had climbed his way up the ladder to become stage manager for George M. Cohan. He was a member of D.W. Griffith's original stock company in the early days of the film industry, beginning with Biograph in New Jersey and featured in The Birth of a Nation (1915) (as General Ulysses S. Grant), Intolerance (1916) and Broken Blossoms (1919). He later joined Famous Players Lasky (subsequently Paramount) and turned with some success to directing in the 1920s, on occasion also appearing in his films (as for example in Don Q Son of Zorro (1925), as Don Sebastian). By the early 30s, Crisp concentrated exclusively on acting and became one of the more prolific Hollywood character players on the scene. Though he was actually a cockney, he -- for unknown reasons -- invented a Scottish ancestry for himself early on, claiming that he was born in Aberfeldy and affected a Scottish accent throughout his career. Crisp's particular stock-in-trade types were crusty or benevolent patriarchs, stern military officers, doctors and judges. He had lengthy stints under contract at Warner Brothers (1935-42) and MGM (1943-51) with an impressive list of A-grade output to his credit: Burkitt in Mutiny on the Bounty (1935), Colonel Campbell in The Charge of the Light Brigade (1936), Maitre Labori in The Life of Emile Zola (1937), Phipps in The Dawn Patrol (1938), General Bazaine in Juarez (1939), Francis Bacon in The Private Lives of Elizabeth and Essex (1939) and Sir John Burleson in The Sea Hawk (1940). He is perhaps most fondly remembered as the famous canine's original owner in Lassie Come Home (1943), Elizabeth Taylor's dad Mr. Brown in National Velvet (1944), and, above all, as the head of a Welsh mining family in How Green Was My Valley (1941) (the role which won him an Oscar for Best Supporting Actor). In a less sympathetic vein, Crisp gave a sterling performance as a ruthless tobacco planter in the underrated Gary Cooper drama Bright Leaf (1950).
Donald Crisp died in May 1974 in Van Nuys, California, at the age of 91. He is commemorated by a star on the Hollywood Walk of Fame on Vine Street.- Actor
- Writer
- Director
James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).- Actress
- Soundtrack
Margaret Dumont would not consider it a tragedy that she is best-known for her performances as the ultimate straight woman in seven of the Marx Brothers' films (including most of their best). It is a popular myth that she never understood their jokes (offscreen and on); restored footage of Groucho's "Hooray for Captain Spaulding" shows her laughing at his ad libs. Apart from a small role in a 1917 Dickens adaptation, she spent her early career on the stage, ending up with the Marxes in the late 1920s in the stage versions of The Cocoanuts (1929) and Animal Crackers (1930), and was given a Paramount contract at the same time they were. She played similar roles alongside other great comedians, including W.C. Fields, Laurel & Hardy and Jack Benny and also played straight dramatic parts (her chief love), but few of them made much impact - it is as Groucho Marx's foil that she ranks among the immortals, and she died shortly after being reunited with him on The Hollywood Palace (1964).- Actor
- Soundtrack
Respected character actor of the silent and early sound period, specializing in cruel villains. The son of Kansas City policeman Noah Webster Beery and Frances Margaret Fitzgerald Beery, Noah Nicholas Beery and his younger brother Wallace Beery both left home in their teens, each seeking a career as a performer. Noah made his stage debut at the age of 16 and worked steadily in the theatre until his early 30s. Following his brother into films, he quickly established himself as a competent player and a familiar heavy in all sorts of films, particularly westerns. He never achieved the great fame of his younger brother, but succeeded in carving a memorable niche for himself in the history of film. His son Noah Beery Jr. became equally familiar as a character actor, though usually in more genial roles.- Actor
- Soundtrack
Beginning his show business career at age 13 as an entertainer on Mississippi riverboats, Guy Kibbee graduated to the legitimate stage and spent many years in the theater. In the 1930s he was signed by Warner Brothers, and became part of what was known as "the Warner Brothers Stock Company", a cadre of seasoned character actors and actresses who enlivened many a Warners musical or gangster film. Kibbee specialized in playing jovial, but not particularly bright, businessmen and government officials. He was memorable as the stuffy lawyer with a secret weakness for showgirls in Gold Diggers of 1933 (1933).- George Bancroft was raised in Philadelphia and attended high school at Tomes Institute (Philadelphia). He won an impressive appointment to the United States Naval Academy at Annapolis and graduated as a commissioned officer. He served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theater manager. He worked in the old and fading minstrel show variety format into the 1920s but then decided to try his hand at acting. By 1923, he was good enough for Broadway and spent about a year there doing two plays. But he was already good enough for some early camera work for by 1921, so he had made his first appearance in the silent movie medium. Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the James Cruze Western The Pony Express (1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. His roles as tough guy took on more flesh into the later 1920s, especially in association with director Josef von Sternberg and his well-honed gangster films that started with Underworld (1927). Their work culminated with Sternberg's Thunderbolt (1929) for which Bancroft received an Oscar nomination. He was tops at the box office.
Bancroft's various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, "One bullet can't kill Bancroft!" Although he stayed busy through the 1930s, he was older and stouter -- the stuff of featured characters. And Bancroft was also getting a lot of competition from younger character actors. In the early '30s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier -- if with more variety -- in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (1936); a doctor in A Doctor's Diary (1937); a few sea captains along the way; and most memorably Marshal Curly Wilcox in the John Ford Western (his first with sound) Stagecoach (1939). Here he is particularly engaging tough lawman but with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director -- Cecil B. DeMille -- in one of his always epic yarns. This time it was a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (1940) with a stellar cast including Gary Cooper, everybody's favorite blond Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. - Paul Harvey was born on 10 September 1882 in Sandwich, Illinois, USA. He was an actor, known for Spellbound (1945), Calamity Jane (1953) and Algiers (1938). He was married to Merle Stanton and Ottye Henrietta Cramer (actress). He died on 15 December 1955 in Los Angeles, California, USA.
- US character actor; he of the close-cropped gray hair, thick spectacles and clipped, ominous tones who would serve most memorably as the nemesis of evil-doers and monsters in 30's and 40's horror movies and suspensers, antagonizing first the likes of Bela Lugosi and Boris Karloff and then, years later, Erich von Stroheim.
- Creighton Hale was born on 24 May 1882 in County Cork, Ireland. He was an actor, known for The Cat and the Canary (1927), The Circle (1925) and Riley of the Rainbow Division (1928). He was married to Victoire Lowe and Kathleen Bering. He died on 9 August 1965 in South Pasadena, California, USA.
- Actor
- Writer
- Soundtrack
Movies, especially comedies, have always needed big, blustery, booming authoritarian types for the lead to play off of (or against), and one of the best was Thurston Hall, most famous for his role of Mr. Schuyler in the Topper (1953) series of the early 1950s. Hall was a tall, distinguished, imposing-looking man, which fit perfectly with the variety of military officers, wealthy businessmen, bankers and upper-crust types he played so well. The Boston-born Hall was attracted to a theatrical career as a youth, and toured New England with a theater troupe and eventually journeyed to Britain, where he spent several years on the stage. He formed his own theater company and successfully toured South Africa, New Zealand and Australia. By the time he entered films he was an established and successful stage actor, in both the U.S. and Europe. He started out in silent films, but his rich baritone voice enabled him to easily transition into talkies. He appeared in more than 200 films, his final one being Affair in Reno (1957), although he had kept busy in television, with appearances on many different series in addition to his co-starring role on "Topper". He died of a heart attack in 1958.- Sam Flint was born on 19 October 1882 in Gwinnett County, Georgia, USA. He was an actor, known for My Pal Trigger (1946), A Face in the Fog (1936) and Junior Prom (1946). He was married to Ella Ethridge. He died on 17 October 1980 in Woodland Hills, Los Angeles, California, USA.
- Actress
- Additional Crew
Scots actress, long in the United States, who specialized in housekeepers and mothers, most notably the housekeeper Mrs. Hudson in the Sherlock Holmes series of movies of the Thirties and Forties. She was born Mary Gilmour, the daughter of a Glasgow wire weaver. She worked as a dressmaker before finding work on the stage. Joining a company bound for an American tour, she came to the U.S. in her twenties, apparently making a few appearances on Broadway in small roles, but primarily touring in stock. With her mother Mary and daughter (also named Mary), she arrived in Los Angeles in the mid-Twenties and began playing variations on the roles she would spend her career doing. She became friends with John Ford while making Hangman's House (1928) and made seven more films for him. In 1939, she took on her most famous role as Sherlock Holmes's housekeeper and played the role in ten films and numerous radio plays. She was a charter member of the Hollywood Canteen, entertaining servicemen throughout the Second World War. On the radio show "Those We Love," she played the regular role of Mrs. Emmett. She entered retirement just as television reshaped the entertainment industry, making only a single appearance in that medium. Very active in the Daughters of Scotia auxiliary of the Order of Scottish Clans, she lived out her final years in Pasadena, California with her daughter and grandson. She died after a long illness on August 23, 1963.- Actor
- Director
- Writer
Leo White started in comedy on the boards of English music hall in the late 1890's. He accompanied theatrical producer Daniel Frohman (later a partner of Adolph Zukor in Famous Players Lasky) to Hollywood in 1910. From 1914, he appeared in Essanay comedies and filmed the 'Sweedie' series with Wallace Beery. He then became a regular supporting player in Charles Chaplin's films at Essanay and, later Mutual, playing dapper, moustachioed continental (particularly French) villains and pompous aristocrats. That image remained with him, as he was contracted by Essanay to play the comic foil to their new French star comedian Max Linder.
White's major dramatic film credits of the silent period included Blood and Sand (1922) with Rudolph Valentino and the biblical epic Ben-Hur: A Tale of the Christ (1925). He successfully made the transition to talking pictures and had supporting roles in two Marx Brothers comedies, Monkey Business (1931) and the classic A Night at the Opera (1935), as well as playing a barber in Chaplin's The Great Dictator (1940). In the years just prior to his death, he worked as an extra in several films for Warner Brothers.- Music Department
- Actor
- Soundtrack
Flamboyant, latterly white-maned, U.S. conductor known best for his popularization of classical music. (He is also known for teaching 'Mickey Mouse' a few things about music in Walt Disney's Fantasia (1940), in which Stokowski was featured with the Philadelphia Orchestra). He was a pioneer in the use of hi-fi sound and bringing great music to the screen.- Actress
- Soundtrack
Lively, buxom character actress Mary Boland made a name for herself playing vacuous or pixilated motherly types during the 1930s. One of her most memorable performances was as the addle-brained Mrs. Rimplegar of Three Cornered Moon (1933), who gives away her family fortune to a swindler because he seemed like 'such a nice young man'. She also made a series of popular homespun comedies under contract to Paramount, in which she co-starred opposite Charles Ruggles. She was notable as a social snob in Ruggles of Red Gap (1935), the oversexed and alcoholic Countess DeLave in The Women (1939) and as Mrs. Bennet in MGM's classic Pride and Prejudice (1940). For all her scatty or matronly character roles in the movies, Mary Boland had once been a star comedienne on Broadway.
Born in Philadelphia, the daughter of traveling actor William A. Boland (who happened to be on tour at her birth), she was educated at Sacred Heart Convent in Detroit. At 25, Mary appeared in her first play, 'Strongheart', and was on Broadway two years later in 'The Ranger', with Dustin Farnum. She started in silent films in 1915, her debut being Thomas H. Ince's 'The Edge of the Abyss'. After a wartime interval, entertaining troops on the Western Front during World War I, she made a return to the stage and had notable successes with the comedies 'Clarence' (1919-20,with Alfred Lunt) as Mrs.Wheeler, 'Meet the Wife' (1923-24,with a young Humphrey Bogart) and 'Cradle Snatchers' (1925-26), starring as Susan Martin. These performances established her as one of theaters foremost comediennes, ideally cast as dithery wives and mothers, or social climbers.
Mary's film career ended in 1950 and she appeared in her last play, 'Lullaby', in 1954. She retired to live out the rest of her days in her suite at the Essex House in New York.- Actress
- Soundtrack
This distinguished theatrical tragedienne will be remembered forever if only for the fact George Bernard Shaw wrote his classic "Saint Joan" work specifically for her. Her over six-decade career allowed for a gallery of sterling, masterful portrayals, both classic and contemporary, performing all over the world including Australia, New Zealand, South Africa, India and both Western and Eastern Europe. She was created a Dame of the British Empire in 1931, when her career was not quite half over, and in 1970 was made Companion of Honor to Queen Elizabeth.
Born Agnes Sybil Thorndike on October 24, 1882 in Gainsborough, Lincolnshire, she was the daughter of a minor canon of Rochester Cathedral. She was the eldest of four children. One younger brother, Frank, was killed in WWI action, a tragedy that left her father inconsolable. He himself would die a few months later. Sybil first became a concert pianist until nerve injuries in her hands quickly altered her destiny. She, at brother Russell Thorndike's suggestion, decided upon acting. Russell would later become a novelist and his sister's biographer.
Not a classic beauty by any stretch, Dame Sybil had sharp features, prominent cheek bones and a pronounced chin that gave her a rather severe look. At age 21 she and her brother began professionally in a touring company guided by actor-manager Ben Greet. She performed as Portia in a production of The Merchant of Venice in 1907 while touring in New York. The following year she met playwright George Bernard Shaw while understudying the role of Candida in a tour which was being directed by the writer himself. It was also during this tour that Sybil met and married actor Sir Lewis Casson and solidified one of the most respected personal and professional relationships the acting realm has known. She stayed with The Old Vic for five years (1914-1919) and in 1924 earned stardom as Shaw's Joan of Arc.
Sybil's film career, unlike that of her esteemed contemporary Edith Evans, fell far short of expectations. Silent films recreated some of her finest theatrical experiences, including Lady Macbeth and, of course, Joan of Arc, but she would not evolve into a film star. She was sporadically utilized in later years as a flavorful character support and played a number of queens, dowagers and old crones with equal finesse. Such classic costumed fare would include Major Barbara (1941), The Life and Adventures of Nicholas Nickleby (1947), Stage Fright (1950), Gone to Earth (1950), The Lady with a Lamp (1951), Melba (1953), as Queen Victoria, and The Prince and the Showgirl (1957) in which she managed to grab focus during her scenes with Laurence Olivier and Marilyn Monroe. In 1969, Sybil lent her name to the new theatre in Leatherhead, Surrey, which became The Thorndike. Despite her 87 years, she performed in the new play There Was An Old Woman in its first season. It was to be her final theatrical performance. Always a healthy, vigorous woman, she died of a heart attack on June 9, 1976 at the ripe young age of 93. She was survived by four children and a number of grandchildren and great-grandchildren.- Director
- Writer
- Cinematographer
Although his name nowadays means very little except to animation buffs (and even they have to be pretty well informed), Wladyslaw Starewicz ranks alongside Walt Disney, as one of the great animation pioneers, and his career started nearly a decade before Disney's. He became an animator by accident - fascinated by insects, he bought a camera and attempted to film them, but they kept dying under the hot lights. Stop-motion animation provided an instant (if slow) solution, and Starewicz discovered that he had a natural talent for it. He subsequently made dozens of short films, mostly featuring his trademark stop-motion puppets, but also live action films (some blending live action and animation), moving to France after the Russian Revolution to continue his career. His longest and most ambitious film was the feature-length 'Tale of the Fox', which took ten years to plan and eighteen months to shoot. Starewicz' films were virtually one-man shows (writer/director/cameraman/designer/animator), though other important contributions (in front of and behind the camera) were made by his daughters.- London-born Virginia Woolf came from a wealthy family and, unlike her brothers, received her education at home, an unusual step for the times. Her parents had both had children from previous marriages, so she grew up with a variety of siblings, stepbrothers and stepsisters. Her father was a well-respected editor and author and the former son-in-law of William Makepeace Thackeray. Author James Russell Lowell was her godfather, and Henry James and George Elliott were regular visitors and guests at the family home. As she recalled later in life, her most pleasant childhood memories were of the summers spent at the family home in Cornwall, by Porthminster Bay (the Godrevy Lighthouse there was the basis for her novel "To the Lighthouse").
The sudden death of Virginia's mother in 1895, when she was 13, and the passing of her sister two years later led to the first of Virginia's mental breakdowns. In 1904 her father died, which caused a complete mental and physical collapse and for a while she was sent to a mental institution to recover. Nervous breakdowns and bouts of severe depression tormented Virginia throughout her life, and the fact that as children she and her sister Vanessa were sexually abused by two of their stepbrothers added to her already considerable feelings of guilt and inferiority.
She studied at London's Kings College, where she became acquainted with such literary figures as Lytton Strachey, Saxon Sydney-Turner and Leonard Woolf. She married Woolf in 1912. Virginia was always ashamed of what she termed her "unattractive countenance", and once wrote that "being wanted [was] a pleasure that I have never felt". In 1922 she met Vita Sackville-West, and the two women began a relationship that lasted for almost ten years. She was said to have written her novel "Orlando" as a love letter to West.
After the publication of her novel "Between the Acts" she fell into a deep depression, exacerbated by the destruction of her London home by Nazi planes during the bombing of that city, and the less than enthusiastic critical reaction to her biography of her close friend Roger Fry. Her condition deteriorated to the point where she was unable to write or even read. She finally had a full-blown nervous breakdown. Unable and unwilling to continue, she wrote a note to her husband saying that "I am certain I am going mad again" and "I shan't recover this time . . . I can't fight any longer . . . I can't go on spoiling your life any longer." On March 28, 1941, she left her home, walked to the banks of the nearby River Ouse, loaded heavy stones into her pockets and walked into the water. She was 59 years old. - Ida Moore was born on 1 March 1882 in Altoona, Kansas, USA. She was an actress, known for Johnny Belinda (1948), The Egg and I (1947) and The George Burns and Gracie Allen Show (1950). She died on 26 September 1964 in Los Angeles, California, USA.
- Fritz Leiber was born on 31 January 1882 in Chicago, Illinois, USA. He was an actor, known for Bagdad (1949), Monsieur Verdoux (1947) and Anthony Adverse (1936). He was married to Virginia Bronson. He died on 14 October 1949 in Pacific Palisades, California, USA.
- Actor
- Soundtrack
Holmes Herbert was a tall, intense English actor who made his first films after coming to America. He began in silent movies as a leading man but eventually was relegated to less important roles as a character actor when sound came in. He played in several of the Universal "Sherlock Holmes" movies, the title character of which was the initial inspiration for his stage name. His career spanned a total of 37 years, and he retired in 1952.- Actor
- Additional Crew
- Soundtrack
Charles Judels or Charles Judel was born in Amsterdam in 1882. Starred on vaudeville in the early 1900s, and made his Broadway stage debut in 'The Ziegfeld Follies of 1912'. Highly talented chubby man who appeared in more than 130 American comedy and drama movies, his expertise with dialects served him well throughout his career. His first film was the comedy Old Dutch (1915) directed by Frank Hall Crane and starring Lew Fields for the Shubert Film Co. He is perhaps best remembered as the cheese-store proprietor in the Laurel & Hardy film Swiss Miss (1938). He also did extensive work as a voice actor in animated films, most notably as the voice of Stromboli in Disney's Pinocchio (1940). His last appearance on screen was as a Danite Merchant in Samson and Delilah (1949).- Actor
- Second Unit Director or Assistant Director
A character actor whose film career spanned from Hollywood's Silent Era until the 1950s. Born in Kansas City, Missouri, on September 11, 1882, Erville would start his film career in 1918 at the age of 36 in Her Man (1918). Film pioneer D.W. Griffith utilized Erville in many of his films, including 1924's America (1924) and Isn't Life Wonderful (1924). In 1926, Erville was in Sally of the Sawdust (1925), and for the first time, worked behind as well as in front of the camera, as the movie's Assistant Director. By the time talkies became the norm, Erville found his age and white hair earned him many "old codger" roles as everything from a sheriff to a blank clerk, although a lot of his roles fell into the the "uncredited" bit category. Despite this, he did manage to make his mark in several credited roles, with one of the best being his portrayal of Nate Tompkins in 1941's Sergeant York (1941). His last film role would be uncredited in 1957's The Spirit of St. Louis (1957), and on August 4, 1957, he would pass away at the age of 74 in Glendale, California.