Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-50 of 121
- Gerel sees her gang falls apart and gradually renounces her violent methods while confronts her past traumas and secrets with Temuulen.
- Unsuccessful radio host Rasa has a small party in his alcoholic father's run-down apartment, and one of his guests is his neighbor Ivan who takes antipsychotics.
- A documentary that tells the stories of Turkish workers who went from Turkey to Germany since 1950. It generally tells the stories of musicians of Turkish origin in Germany.
- On 11 August 1999, most of Europe was engrossed in the total solar eclipse, which momentarily enveloped the Earth in darkness. But in Serbia, people were busy barricading themselves in their homes and shelters for fear of the dark. Filmmaker Natasa Urban returns to the eclipse as motif and metaphor in her paradoxically evocative and thoughtful film about her own upbringing during the war in the former Yugoslavia, to which she travels back in THE ECLIPSE to collect stories and anecdotes from her family and acquaintances. A cotton curtain in the wind on a spring day, a lush forest floor. The war is far away - or is it? Shot on analogue 16mm film with an artist's eye for how traces of the past remain deposited in the present - both physically and mentally - Urban creates a rich, existential work of imagery with a quiet, philosophical weight that is rare and precious. As when her father wanders the lush landscapes while you hear him reading from his journals about the wanderings he took while the war was still going on.
- The young Demir dreams of a wedding. But his Roma tower block at the outskirts of a provincial town in Bulgaria is no place for romance. 25 years ago it had all it takes for panel socialist heaven: from parquet floors to intercom, the coveted hot water central, street lamps, benches under murmuring apple trees. Someone called the place Paradise Hotel - and the name stuck. But now? The parquet disappeared. The water stopped. The lights went off. And if you cross the field behind Paradise Hotel, you will see Bozhidar "The God Given" who protects everyone from evil and excessive happiness in a documentary about panel integration, love, misery, a lot of dreams, a little lyrics and one Gypsy wedding.
- Danish design is known all over the world for its simplicity, functionality and longevity, but most female designers from the so called 'Golden Age of Danish design', which spanned from the 1930's to the 1970's, were overlooked and forgotten. This is the story about one of the few pioneering women who insisted on creating designs that are still popular today; despite the enormous consequences it had for her. She managed as a single mother and under difficult financial conditions to work independently. Combining humanist thinking with an almost scientific methodology, she analyzed her way into all her designs; working, reworking, testing. Her name was Grethe Meyer.
- "Mother married a photo of Father," says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She's not speaking metaphorically though. Her mother Tayi literally married a portrait of Hossein in Teheran -he was in Switzerland studying radiology and was unable to travel back to his homeland for the wedding. The event illustrates the abyss that still exists in their marriage: Hossein is a secular progressive and Tayi a devout, traditional Muslim. But this family history is also a sort of x-ray, laying bare the conflicts of Iranian society in the run-up to, and aftermath of the Iranian Revolution in 1979. Besides Khosrovani's commentary, we hear letters being read aloud and recollections of conversations between her parents. At the same time, we see photographs and videos from the family archive. These fragments of intimacy are interspersed with stylized shots of the filmmaker's parental home, its decor and furnishings subtly reflecting each new phase in her parents' marriage-and in Iranian society. Credit: IDFA 2020.
- Deep in the forests of Uganda, millions of grasshoppers gather to mate in devastating swarms. A group of young men set up a strange contraption at the edge of the crop fields to harvest the prized delicacy among city dwellers.
- Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?
- Outside Kolkata a few jute mills crank on, virtually unchanged since the industrial revolution. Powered by steam and sweat, work is a dance to the dictate of profit and century-old machines. The Golden Thread follows the weft and warp of jute work alongside the creative labour of the film's own making. In this near dystopian industrial town can there be a potential for a collective re-imagination?
- There are more bicycles than people in the Netherlands. Why We Cycle invites regular cyclists and scientists from all walks of live to talk about Dutch cycling culture.
- Trapped in a digital blackmail labyrinth after her computer is stolen, director Pati documents the real-time persecution as a way of survival.
- 'Olmo and the Seagull' is a poetic and existential dive into an actress's mind during the nine months of her pregnancy as she must confront her most fiery inner demons while trying to rewrite a new philosophy of life, identity and love. Underlying this hybrid film is mounting tension over what is real and what is enacted when one is performing one's own life.
- The film follows a young anthropologist, Zdenka, who moves with her family to Svalbard, Norway, to study how life is changing in the polar regions. After falling in love with her new home, she discovers that more than icebergs and permafrost are vanishing in the Arctic. She has to work out to what extent she can get involved in the local community that she only originally intended to observe.
- "I have already lived my death and now all that is left is to make a film about it." So said the filmmaker Hector Babenco to Bárbara Paz when he realized he did not have much time left. She accepted the challenge to fulfill the last wish of her late partner: to be the main protagonist in his own death. In this tender immersion into the life of one of the greatest filmmakers from South America, Babenco himself consciously bares his soul in intimate and painful situations. He expresses fears and anxieties, and also memories, reflections, and fantasies, in this face-off between his intellectual vigor and physical frailty, which were the hallmarks of his career. From the onset of cancer at the age of 38 until his death at 70, Babenco made of the cinema his medicine and the nourishment that kept him alive. "Babenco - Tell me when I Die" is Barbara Paz's first feature film, but is also in a way Hector's last work: a film about filming so never to die.
- A film constructed using the opposition of what a huge collection of recently discovered glass-plate photographs from the 30's and 40's tell us about Romania and what they do not show.
- Mr. Gay Syria follows two gay Syrian refugees who are trying to rebuild their lives. Husein is a barber in Istanbul, living a double life between his conservative family and his gay identity. Mahmoud is the founder of Syria's LGBTI movement and is a refugee in Berlin. What brings them together is a dream: to participate in an international beauty contest as an escape from their trapped lives and an answer to their invisibility. Will the dream come true or will the refugee crisis and the harsh consequences of being gay in the Muslim world shatter it to pieces?
- The Seasons in Quincy' is the result of a five-year project by Tilda Swinton, Colin MacCabe and Christopher Roth to produce a portrait of the intellectual and storyteller John Berger. It was produced by the Derek Jarman Lab, an audio-visual hub for graduate filmmaking based at Birkbeck, University of London, in collaboration with the composer Simon Fisher Turner.
- The ancient knowledge of indigenous peoples challenges high-tech science in a near-cosmic tale from a South African desert where the world's largest radio telescope is being built with antennae aimed at the far corners of the universe.
- A documentary about Christian Courtship, an alternative to dating that seeks to ensure physical and emotional purity until marriage. Kelly, a 33 year old virgin, renounces dating believing that her parents along with God should find her husband. Problem is, her parents think she is crazy. Enter the Wright family who become her spiritual parents. They finally discover a promising suitor, but when his religious beliefs conflict with theirs, they wonder whether he is really the man God has chosen.
- Helena Trestikova is the author of 10 episodes from the series Women on the Brink of the New Millennium, intimate portraits of both successful women and women on the social periphery. The tragic story of a girl named Katka who believes that joy and happiness can be applied through a hypodermic needle. All she is left with is despair. We first meet Katka at a rehab clinic in Nemcice, still full of optimism and faith in a drug-free future. The film tries to draw attention to the drug problem from a somewhat different point of view.
- A cinematographic essay that centers around the region of the Bosnian-Croatian border near Velika Kladusa, and explores questions of displacement, violence and also everyday life and coincidence. It is about scars that break open, war memories that are awakened, profound encounters between people. A kaleidoscope of landscape and fury.
- Teenage immigrant pursues Muay Thai dream, combating injustice beyond the ring.
- Impressions from the lives of young skaters, artists and musicians in the Republic of Georgia, creating their own open spaces.
- In Alexandra, South Africa, where two thirds of the women are abuse survivors, a group of mothers are on a mission to change the fate of their neighbourhood, right from the beginning. Through a series of inimate, and at times, uncomfortable, conversations, 1001 DAYS takes the audience on a journey. Through the chaotic and narrow streets of Alexandra, we follow the fearless and charismatic health-workers Zanele, Thandiwe and Khosi. They are three mothers from the heart of the community, who doggedly support hundreds of new mothers, during some of their happiest-and lowest-moments. Their aim: to help new mothers during the first 1001 days of their babies' lives, which are the most critical in any human's life.