A woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are purs... Read allA woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are pursuing him after he escaped their underworld.A woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are pursuing him after he escaped their underworld.
- Awards
- 2 wins & 6 nominations
- 1st Victim
- (as Antony Allen)
- Director
- Writer
- Clive Barker(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring an interview Doug Bradley described hell as a prison; the Cenobites are the prison guards, Pinhead is the prison warden, the puzzle box is the key to the prison cell, and the demons are the escaped inmates.
- Goofs(at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible.
- Quotes
[Pinhead appears from the shadows behind Kirsty]
Lead Cenobite: We have such sights to show you!
- Alternate versionsThe UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue.
- ConnectionsEdited into Hellbound: Hellraiser II (1988)
The main reason Hellraiser stands out among horror films is because of its themes. Barker weaves shades of love, eroticism and, of course, pain and pleasure into his tale of demons and scarred flesh - and this really makes the film. We can care for the characters and what happens to them because of what Barker puts between them, and it's always evident that this film is head and shoulders above the rest of the schlock-horror sub-genre. The special effects, particularly on the screen time surrounding Frank, are simply stunning and show how real effects beat all this CGI rubbish hands down, while also showing that a low budget can be overcome. The film is never gratuitous with its gore or effects either, and everything in this film is there because it has to be. This is what annoys me about non-horror fans - films like this are dismissed by them because they're "too gory" or "stupid" - but Hellraiser breaks the mould because it's a truly original story and the way that Barker implements a macabre love story amidst a plethora of shocking horror is extremely skilfully handled, and more than challenges many of the so-called 'A-class' films.
A writer directing his own work tends to ensure that it will get proper treatment, and this is mostly true here. Some things have been changed from the book for no apparent reason (mostly with the characters of Larry and Kristy), but the only thing that really annoyed me was the ending. I suppose it's due to the time that it was made, but the ending feels tacked on to me. Barker's ending in the book was perfectly judged - just open enough to hint at more, while closing the story enough so that the reader is satisfied. Here, we have a schlock finale that is entertaining, but pulls away from the closed atmosphere that Barker has spent the film creating. This film differs from most other eighties horror films because of the fact that the actors are a talented bunch. You come to expect bad acting from this sort of film - but Hellraiser has none of it! The entire cast shine, with Clare Higgins making the biggest impression as the evil Julia. This was Clive Barker's directorial debut, and at times, it's clear that this is the case; but Barker makes the best of his locations, and while his camera sometimes feels enclosed; it fuses with the tragic music brilliantly, and all this helps the film to create that fabulous atmosphere so convincingly.
Overall, I have pointed out a couple of flaws here; but I really can't bring myself to give this masterpiece any less than full marks. The originality on display throughout Hellraiser is astounding, as is the atmosphere and the performances pulled out of the actors, along with the fact that this film has entertained me many times and is still as good today as the first time I saw it. All of this ensures that Hellraiser will be an endearing favourite of mine for the rest of my life. If you consider yourself a fan of horror and haven't seen this; shame on you. Make sure you read the book, too!
- The_Void
- Oct 26, 2005
Details
- Release date
- Country of origin
- Language
- Also known as
- Clive Barker's Hellraiser
- Filming locations
- 187 Dollis Hill Lane, Dollis Hill, Brent, London, England, UK(55 Lodovico Street)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,000,000 (estimated)
- Gross US & Canada
- $14,564,027
- Opening weekend US & Canada
- $4,453,232
- Sep 20, 1987
- Gross worldwide
- $14,575,526
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1