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Wagon Train: The Selena Hartnell Story (1961)
Wagon Train Season 5 - what would be Disc 1
Wagon Train Season 5 (5 & 6 are not on disc but available on the internet)
The Captain Dan Brady Story Sep 27, 1961
The Kitty Allbright Story Oct 4, 1961
The Maud Frazer Story Oct 11, 1961
The Selena Hartnell Story Oct 18, 1961
Captain Dan Brady, (Joseph Cotton), like Rex Montana, (Forrest Tucker in The Rex Montana Story, 5/21/58), is obviously based on Buffalo Bill. He sort of attaches himself to the train, (Brady buys his way in), and endeavors to take over based on his reputation. In Montana's case, he's a total phony who has no expertise. Brady has legitimate credentials as a western scout but has been in show business so long that he's not up-to-date on the best equipment, including guns. He claims a single shot guy is more reliable than these new Winchesters, for example. Both men have apparently loyal assistants who secretly loathe their boss. In the Montana story, it's a Ned Buntline character who created the legend and can destroy it. Here's it's an Indian companion who hates Brady for what he did to Indians as a buffalo hunter and a famous and rather phony story in which brady is supposed to have defeated the head of his tribe in combat. This character wants Brady to destroy his reputation by leading the train to disaster. Brady, a more likeable character than Montana, defeats him in combat and becomes famous all over again for that!
Kitty Albright, (Polly Bergen), is a nurse ho has a western-cute meet with Flint McCullough. She shoots him, then patches him up. It takes him a while to warm to her but you know it's going to happen, especially after he has to defend her against the prejudices of the other wagon train member. Apparently, in the west, nurses had a poor reputation, both for their effectiveness and for promiscuity, primarily because they weren't professional nurses, more along the lines of the real-life Julia Bulette and the fictional Elizabeth McQueeney (The Elizabeth McQueeny Story, 10/28/59). But Kitty has bene in England, studying with Florince Nightengale. He encourages people to clean up their wagons and take better care of themselves. Naturally one dubious family comes down with fever and she wins their confidence by caring for them.
Maud Frazer is played by Barbra Stanwyck in a typical role as an ambitious woman who has nagged her husband to take her to the oil fields. When they small party is wiped out, except her, she gets her hooks into Flint. But he's not interested so she goes off on her own and finds a dying soldier that tells her the Indians are on the warpath and will attack the train. She gallops back to the train but doesn't quite make it. She tells Flint they must not camp that night but keep moving. And then dies in his hands, redeemed by finally doing a selfless act. It's an OK episode but here are several references to Barbara being so dazzlingly beautiful that no one can resist her. That's a bit much. I think Barbra is a great actress but I never thought she was a great beauty.
The Selena Hartnell Story involves another amazing wagon train coincidence, sort of. In 1861 in Massachusetts, Claude Akins' character, (Will Cotrell, and the episode should have been named after him), was playing in a poker game in Massachusetts. It was fixed and he objected to it. When the man in charge of the fix pulled a gun, Will, then known as Barrett, pulled his own gun and killed him. All the witnesses were in the employ of the deceased, so he fled but felt so bad about it he decided to become a pacifist. He then collected some other men who had committed crimes and helped to rehabilitate them He also collected a now-deceased wife and is now raising a son. They are on their way to a new life in California but some members of the train resent their pacifism as the train is being harassed by a group of 'scavengers' and, essentially the other members of the train are fighting to protect them.
Flint McCullough and Bill Hawks come across a single wagon with a made and a woman in it. But they aren't married. Selena Hartnell, (Jan Sterling) is a female bounty hunter who employs HM Wynant as her muscle and protector. She's after someone on the train and it turns out to be Will Cotrell. But she has a special interest in it: she is the wife of the man he killed 12 yards and 2,000 miles ago! She and her gunsel take Cotrell away, only to be accosted by the scavengers. It's a good episode if you can believe the backstory.
Rawhide: Incident of the Travellin' Man (1963)
Rawhide Season 6 Disc 1
Incident of the Red Wind Sep 26, 1963
Incident of Iron Bull Oct 3, 1963
Incident at El Crucero Oct 10, 1963
Incident of the Travellin' Man Oct 17, 1963
The "Red Wind" is a desert tornado that is hard for man or beast to survive. Rowdy finds a man, Bowdark, (Neville Brand) who says he knows where there's water. It's a different direction than Rowdy wants to go in. Favor gets injured and Rowdy is in charge, although Bowdark would like the job and convinces Favor it's better to go in the direction he prefers. Rowdy rides out and find the remains of a previous cattle drive - broken down wagons, cow and human skeletons. It turns out Bowdark is a sort of western Ahab, determined to prove that a drive can go through the dessert on the route he tried to wipe the memory of the previous disaster away. A strong start to season 6
Two strong but very different actors dominate Incident of Iron Bull. Michael Ansara plays a mysterious Indian who joins the herd as a drover. He's decided that fighting the white man is pointless and that his people need to find out their ways - selling and buying to make a profit. The drive is joined by legendary Indian fighter Colonel John Macklin (James Whitmore), famed for his 'great victory' on the Washita River, (which means he's Custer). As in real life, the battle of the Washita was at first celebrated as a great victory but later discovered to be the slaughter of an encampment of peaceful Indians. Macklin is suspicious of Ansara, who, it is hint, is his old enemy Iron Bull, although Ansara never admits it. Meanwhile, Iron Bull's tribe is threatening the drive if they don't give up Macklin. But Macklin, it turns out, has lost contact with reality. He starts giving orders to his men at the Washita. Ansara convinces his people that there's no Macklin left to take revenge on. It turns out Favor has been asked to deliver him to a fort, where he is to be escorted to a mental institution. A second straight strong episode in the new season.
The drive is stopped by barbed wire. They have to get the herd to water so Favor orders Rowdy to cut it. He gets a load full of buckshot in his bottom from Elizabeth Montgomery, the head of a family or her brothers. She doesn't want cattle trampling over their farm. The episode is Liz vs. Favor, (at one point she gets called a "witch", (Bewitched would begin the next year). There's a "Taming of the Shrew" aspect to it. Naturally, while fighting each other, they fall in love. Both the feud and the love affair continue to the bitter end.
The Travelin' Man is Simon Oakland, and old hand at playing skalawags. They find him suffering from a fever - and with shackles around his legs. He claims that they were from not the law but a rancher who was forcing him to do work for him to play off a debt. But then Robert Middleton, (which has played a few skalawags himself) shows up with his brothers. (I always wonder about these western families that are so willing to fight with various other groups: is the fight worth losing a son or a brother?) They tell a different story: Oakland was a prisoner of a Sheriff and their father and killed them both. Favor isn't sure who to believe but he's already said that he would deliver Oakland to the nearest law, so he sticks with that. Then Oakland shows is true colors, knifing Wishbone and bloodying up Mushy to make his escape. Favor goes after him. Four really good shows to start the new season.
Wagon Train: The Don Alvarado Story (1961)
Wagon Train Season 4 Disc 10
Wagon to Fort Anderson Jun 7, 1961
The Ah Chong Story Jun 14, 1961
The Don Alvarado Story Jun 21, 1961
A rather strange episode of the other series I'm concurrently reviewing, Rawhide, called "Incident of the Fish Out of Water, (2/17/61) introduces us to Gil Favor's two daughters, who are living with their aunt in Philadelphia, introduces us to two beautiful, charming and talented young actresses who play the daughters: 13 Year old Candy Moore and 12 year old Barbara Baird. Unfortunately, they didn't continue their careers into adulthood: Candy's last IMDB credit is 1966, (she did appear in Raging Bill in 1980 and Lunch Wagon the next year: but is that the same actress?) Barbara's last IMDB credit is her second appearance as Favor's daughter 2/2/62. Both of them however, appeared on Wagon Train, as well. Barbara was in The Will Santee Story (5/3/61) and Candy appears in Wagon to Fort Anderson.
Flint McCullough come across the survivors of an Indian raid: Candy and her older sister, played by Carol Rossen, who has been shocked into silence, (thus wasting Ms. Rosson's considerable talent). Also present are Don Rickles, very effective in a straight bad guy role and his brother, played by Albert Salmi, a simple-minded but decent guy who has always been under his old brother's thumb. They are Army deserters looking to get to the gold fields. Rickles wants to take the one remaining wagon. Salmi isn't so sure. It's a pretty strong episode until they wipe out attacking Indians with a gatling gun. Where did that come from?
Everybody's reaction to The Ah Chong Story is that it's anther example of "yellow face": actors of European decent playing roles of Asian descent. And it sure is. Ah Chong is played by comedian Arnold Stang. He's a Chinese cook who wants to get to Sacramento to meet his family who is coming from China. Charley Wooster has become more interested in playing poker than cooking for Chris Hale and Bill Hawks o they heir Ah Chong to replace him, resulting in a comic rivalry between Charlie and the Chinaman, who also proves to be a better poker player. Ah Chong also has a huge gong with him that scares horses. He's able to repel an Indian attack with it. I've got to say that Stang proved to be a good actor. His performance as Ah Chong has comic elements but it has some subtle, human moments. It's not like Mickey Rooney's Mr. Mr. Yunioshi from the same year's Breakfast at Tiffany's or Jerry Lewis' 'parody' of Japanese from that same era. That said, why couldn't Ah Chong be played by an Asian actor, like, as an example, James Hong? He could have played it just as well with even more subtlety.
The form for a Wagon Train season has been to start the season in Missouri and end it in Sacramento or San Francisco, a form I which Rawhide had held to: each season it the story of one trip. Here Wagon train departs from their formula. They are in Los Angeles. Flint encounters the survivors of an attack. They are Spanish aristocrats who want to hold onto their traditional lands. The father and son are dying or dead. A faithful retainer, (Vladimir Sokoloff, the Russian actor who made the great speech at the end of the Magnificent Seven "Only the farmers have won"), convinces Flint to pretend to be the son so he can take over the family's holdings, (apparently the people there have never seen him as an adult). Flint reluctantly (but too quickly) agrees. Flint has to not only pull off this charade but find out who made the attack, (there's going to be shocked when they see him). The cast is full of non-Hispanic actors trying (sometimes) to speak with a Spanish accent. It's not much of a wind-up to Wagon Train's most significant season.
Rawhide: Incident at Alkali Sink (1963)
Rawhide Season 5 Disc 8
Incident at Rio Doloroso May 10, 1963
Incident at Alkali Sink May 24, 1963
Abilene May 31, 1963
The herd crosses onto what is private land, based on pre-Mexican War grant. A group of men led by a son of the local Don, (Cesar Romeo). The son is killed when he tries to stampede the cattle. His brother, Michael Ansara), insists that Gil Favor and Rowdy Yates must be punished. Romero rules that the punishment must be death. This has a dramatic ending where Romero's people - his 'peons' - refuse to carry out the sentence as they are tired on his harsh rule and they, Gil and Rowdy just walk away, leaving the Don alone to contemplate the loss of his power over them.
In Akali Sink, the herd is celebrating, (in what sounds like a rather foreboding place). One of their hands, (Russell Johnson - yes, "the professor" in Gilligan's Island) is getting married to Ruta Lee. Unfortunately, her father, (Roy Barcroft), who owns part of the herd, won't have it. They battle drought, Indians and Barcroft but everything turns out OK in the end as Barcroft has a (too) sudden change of heart.
'Abilene' is actually the final episode of the previous season, placed at the end of this one for no apparent reason, (they weren't going to Kansas in season 5). I have previously received this episode where it belongs as the end of Season 4, under the title 'The Devil and the Deep Blue'.
Wagon Train: The Janet Hale Story (1961)
Wagon Train Season 4 Disc 9
The Eleanor Culhane Story May 17, 1961
The Chalice May 24, 1961
The Janet Hale Story May 31, 1961
The Eleanor Culhane Story is an interesting effort at high drama that seems to borrow from Gone With the Wind, as others have noted. It has a fine performance from the beautiful Felicia Farr, (soon to become Mrs. Jack Lemmon). It has nothing to do with a wagon train and seems to be the plot for a movie western. But it would be impressive wherever they put it. Farr is an old flame of Flint's, (he has a lot of them). This one is warm enough that Flint is ready to leave the wagon train behind and go off with her when he learns her husband is deceased. He's surprised to find that everyone in the town in which she lives has nothing but contempt for her. Mr. Culhane, (played by John Lasell, who just died a week ago as I write this), was the town boss, a bully and a dangerous gunman. He's said to have been killed in another town. This towns contempt for him has transferred to his wife, a haughty woman who, we learn, pushed Mr. Culhane to be what he was to provide the lifestyle she prefers. Mrs. Culhane now wants Flint to replace him. Except Mr. Culhane isn't really dead.
The Chalice is a fancy cup a family of Italian winemakers are carrying to California with them. They also have 50 sprouts for growing grape vines. Lon Chaney and Richard Jaeckel play a couple of nere-do-well partners who decide the family must be carrying a lot of money and they befriend them with the intention of robbing them. They don't find money but they find the chalice, which is intended to be given to a church when they establish their farm. Chaney and Jackel wind up fighting over the chalice and shooting each other. Ironically the chalice isn't real gold and the jewels encrusted in it aren't real either. The winemaker keeps saying to everyone that it's the thought that counts and that's something Chaney and Jaeckel never understood. Chaney is still alive when they find him and is taken to a local church, to home the winemaker, (Jarold Heifetz) presents the chalice in a moving scene. He tells Bill Hawks he's going to stay there and begin his farm. One problem: his wife and his sprouts are back with the train. Shouldn't he go back for them with Bill first?
Chris Hale was introduced with "The Christopher Hale Story" (3/15/61). We learned there that he was a legendary wagon master who had brought his family and his brother with him and they had decided to settle in an attractive valley they found before crossing the mountains. Chris had gone on. Taking the train to California after negotiating a treaty with the local Indians, he returns to find that his family had been whipped out by a band of renegades from the same tribe. Flint McCullough finds him there and bring his to the train where he eventually leads a rebellion against the tyrannical replacement for Major Adams, (Lee Marvin), and becomes the new wagon master.
The Janet Hale Story dramatizes Chris' backstory. John McIntire is my favorite character actor and his wife Jeanette Nolan is my favorite character actress and she plays Janet Hale, who is tired of waiting for her husband to return from his arduous journeys and demands to be brought along with his family, (a boy and girl played by Robert Hyatt and, I kid you not, Wendy Winkleman). He's very reluctant because of the dangers but agrees. Knowing what is going to happen takes a lot of the drama out of it. Richard Cutting is Chris' brother Josh, who appears to have been his second in command. Janet takes sick and the people of the wagon train pause to build them a house to stay in. (And it's quite a place - on the inside, full of fixtures you wouldn't expect them to have and solid, smooth walls, even though the outside shots are of a log cabin). Josh offers to take the train across the mountains while Chris stays behind but Chris decides it's his responsibility.
There's a 'wrap-around' story with Charles Aidman and Bethel Leslie, in which Aidman wants to stop and build a house, (also with the help of the train members) in a nice-looking valley, despite the fact that there won't be any neighbors for a hundred miles. Bethel wants no part of it. Chris convinces her to give it a shot by telling her his family's story, (how?). He says that "If mankind had invented the rocking chair before he invented the wheel, we'd all be sitting in rocking chairs - in a cave". Thus we have wagon trains.
Rawhide: Incident of White Eyes (1963)
Rawhide Season 5 Disc 7
Incident of the Clown Mar 29, 1963
Incident of the Black Ace Apr 12, 1963
Incident of the Hostages Apr 19, 1963
Incident of White Eyes May 3, 1963
Normally I don't care for the attempts at comic episodes in this series so my heart sank a bit when I saw Eddie Bracken was the guest star in "The Clown", but this one took a different turn. Bracken's character was a circus clown but didn't feel he was accomplishing anything in that profession, so he became a linguist and is studying Indian languages. At first, he seems like a fish out of water and a pest but his clown skills come in handy when a chief's son is sick. The ending is quite touching.
I also have an aversion to gypsy stories in westerns as they tend to be cliché-ridden. The Black Ace isn't that bad but also isn't that good. Walter Slezak is an untrustworthy gypsy father, (he makes his living by gyping people), and the not-very-gypsy-like Karen Sharpe as his daughter, who has been promised to powerful rancher Robert Strauss, who has paid his fee and now wants the other end of the bargain. There a sub-plot about Slezak predicting that Wishbone is going to die and that no one will show up at his funeral. He cooks up a feast to make sure he has friends. It's mildly amusing.
Still another plot I don't normally like is the one where the hero encounters 'Indians' who are obviously white and decides they have to be returned to 'their world'. If they are happy living with the tribe that has adopted them, why not leave them there. Favor encounters three children played by Leslie Wales, (an attractive and talented young actress whose brief career was about to come to an end), Tony Haig and Suzanne Caputo, who is now known as Morgan Brittany. Gil misses his daughters and tries to be a surrogate father to them but they resist. When the Apache chief shows up with a large force and demands them back, Gil is prepared to fight them but when he sees how they respond to the woman who has raised them, he does the right thing, which pleased me greatly. He finds out that the term 'hostages' depends on who is holding them and whether they want to be there.
Favor helps out the passengers on a runaway coach with a dead driver, taking them on to the next way station, which is abandoned and quicky besieged by and Indian tribe who seem to be after one the menagerie of characters the coach was carrying: John Vivyan, (Mr Lucky), as an actor Nita Talbot as his cynical wife, Willaims Schallert as an Army officer with little experience of the west, Diana Millay as a "lonely woman" and Nehemiah Persoff as the mysterious 'Domingo', who sees to know a lot about the tribe besieging them. There are hints he may be the legendary California bandit Joachim Murietta, who would be pretty far from home if he is. (Persoff had played a Murietta-like bandit said to have been his associate in the Wagon Train episode The Tiburcio Mendez Story, 3/22/61). It's a tight, dramatic episode, if a bit wordy.
Wagon Train: The Jim Bridger Story (1961)
Wagon Train Season 4 Disc 8
The Joe Muharich Story Apr 19, 1961
The Duke Shannon Story Apr 26, 1961
The Will Santee Story May 3, 1961
The Jim Bridger Story May 10, 1961
Veteran character actor Akim Tamiroff plays Joe Muharich, an immigrant from eastern Europe who had his family killed by drunken thugs in Nebraska and is now traveling west to forget and start over again. Robert Blake plays a troubled young gunman whom Joe befriends and defends. He sees him as a surrogate son. When Blake gets involved with a shoot-out in a saloon that actually wasn't his fault, Joe leaves the wagon train to help him. The real cause is come cowboys who resemble the men who killed his family. Joe gets in a fight with them and, when they produce guns, he grabs and shot gun and killed them. Both he and Blake wind up in jail. Joe to be hanged. Joe talks to the young man, urging him to avoid trouble in the future. Blake at first defiant. But when he is released and sees Joe preparing to be hanged from the scaffold, he should to him that he heard him and understands now. Excellent performances by both in a fine episode.
There's a strange mystery about the Duke Shannon character on Wagon Train. He first appears, briefly, in "Weight of Command" (1/25/61), in which he has a conversation with Ward Bond as Major Adams. He then gets introduced as a new character in "The Duke Shannon Story" (4/26/61), in which John McIntire as Chris Hale is the Wagon Master. There's no reference of his being with the train before this and he appears in no episode in between these dates. In this one, Frank McHugh, (in a beard), plays his grandfather who is in search of an abandoned goal mine he feels still has plenty of gold in it. He convinces Charley Wooster to help him find it. James Griffth and a couple of thugs overhear them and follow them. Duke and Bill Hawks follow them, leading to a final confrontation. Other than introducing Duke, whom we've already met, it's not a memorable episode.
The Will Santee Story is about the family of a disturbed young man who killed two women. He's been executed but that didn't end the punishment. His family, (mother Virginia Christine, brother Dean Stockwell - he's Will and sister Barbara Beaird, who had just played Gil Favor's daughter on Rawhide), has had their home burned and bene forced out of one town after another because no one will have them. It's the old fear that mental illness was hereditary: whatever the murderer suffered from, his family might have it, too. Will is now head of the family, (he's a man, after all), and he moves them west and gets to join the wagon train under an alias. Naturally, they are found out and the prejudiced wagon train members want them out. Chris Hale tries to talk them out of it. Duke Shannon tells them of a conversation Will had in a town they visited with a mysterious stranger who urged him to stick it out and not let prejudice win out It turns out that man was Edwin Booth! It's a good, strong episode. What interests me is that they don't have John Crawford, (no not the father of Johnny and Bobby Crawford of The Rifleman and Laramie), who plays Booth deliver those lines, Instead, they give them to Denny Miller as Shannon, perhaps to further connect the audience to the new character. Millie Perkins, who played Anne Frank in the 1959 movie plays a wagon train member who falls for Stockwell. Jocelyn Brando, Marlon's sister, plays her mother.
The Jim Bridger Story is marred by an illogical decision made by an Army General, (they didn't have many of them in the old west), played by John Doucette, (a frequent bad guy, often a crime boss, especially on The Adventures of Superman). Doucette arrives at the train, temporarily headed by Flint McCullough, as Chris Hale has gone on ahead to Denver), to find everyone glad they had gotten out of Ute country without conflict. The General has a company of 120 men who are trapped by a force of Indians, (presumably Utes) and is seeking help. But instead of asking for it, he is commandeering the whole train. He wants then to follow his small contingent of soldiers back into Ute country to make it look like a much larger force is coming to the rescue of the company. Maybe with the wagons behind them, the Indians will just flee. What makes no sense is that the general wants to bring the women and children along. Their presence would show the Indians the wagons did not contain a military force. His obvious intent would be hide them in the wagons. Why not simply leave them behind with a small contingent of older men and some guns and maybe enough wagons to allow them to continue their journey? Then have armed, younger men pilot the remaining wagons behind the soldiers. He might have gotten enough volunteers for that if he'd asked for volunteers. And it would have taken less time for the smaller, lighter train to get there. But no, he commands everyone to go and gets stern resistance as a result. Jim Bridger, (Karl Swenson), who helped raise Flint, is his scout and the whole operation is his idea. Jim makes a speech about how the Army has done so much to protect the settlers and now it needs their help. That wins them over. In the depiction of their arrival at the scene of the battle, we see about 20 troopers accompanied by just a couple of wagons when there would have been dozens of them. The whole thing is poorly conceived nonsense.
Rawhide: Incident of the Comanchero (1963)
Rawhide Season 5 Disc 6
Incident of the Gallows Tree Feb 22, 1963
Incident of the Married Widow Mar 1, 1963
Incident of the Pale Rider Mar 15, 1963
Incident of the Comanchero Mar 22, 1963
The Gallows Tree is a Jim Quince episode and Steve Raines again does a fine job. Jim wakes up in a horse barn. Still drunk and, singing and talking to himself, rides back to the drover's camp. What he doesn't know is that a very powerful and popular rancher has been lying nearby, shot in the back and dead. The sheriff arrives with a posse to arrest Quince, who admits that he had a brief confrontation with the man in a saloon and that he doesn't remember what happened after that due to his inebriation. Favor decides to accompany the posse into town in an effort to get Jim a fair trial. The sheriff promises one but the rancher's foreman, (Gregory Walcott) has other plans. The only person in town who seems to be on Jim's side is the saloon owner, Beverly Garland, who believes Jim to be innocent but won't say why or who she thinks did it.
Patricia Barry is another saloon owner with a big picture of her long-lost confederate office, Gil Favor, on her wall. The drovers see that and bring in Gil Favor to see it. He is at first angry, as he knows but has never been married to this woman. He was best man at her wedding to another officer who has been cut out of the picture. Then he hears her side of it: her husband turned bad after the war and got a bad reputation, so she's been pretending to have been married to Gil to keep a good reputation. To the shock of his drovers, he agrees to go through the ruse, saying to everyone that he's been wounded and suffered amnesia and now remembered the marriage. They are even going to renew their vows! But he also has a plan to extricate himself - and herself - from the situation. It's meant to be a change of pace with some humor to it. I thought it was rather silly.
Rowdy has to kill a robber played by Albert Salmi, only to find that a new drover who has signed on with Mr. Favor is also played by Albert Salmi, and thus looks like the man he killed. He even wears identical clothes. But he has a different name and denies even knowing the man who was killed. The deceased did have a twin brother, but he's supposed to be dead. The whole thing is going to come to a head and the truth will be revealed. It's a good dramatic episode but somehow the doughy Salmi isn't quite mysterious or threatening enough to pull this Pale Rider off.
The Comanchero is Robert Loggia, a man so vile even his fellow Comancheros bound him up in a frame designed to slowly kill him. He's found by a couple of nuns, played by Virginia Gregg and Nina Shipman. For some reason, (not revealed), Mr. Favor is away and Rowdy is running the show. He agrees to let the nuns and Loggia travel with them to the nearest two with Loggia turned over to the authorities. His former Comanchero friends, who out-number the drovers by 2-1, and are led by the fearsome-looking Than Wyenn, (a fine actor who always looked to me as if he was missing an eye but can find no mention of it). They demand Loggia be turned over to them. (He stole their money and knows where it is). Rowdy has to decide whether to stick to his agreement or turn Loggia over or cut him loose. Loggia, who has had several debates with Gregg's patient nun, has a decision of his own to make. A good episode but the ending seemed abrupt. I thought there would be more.
Wagon Train: The Saul Bevins Story (1961)
Wagon Train Season 4 Disc 7
The Christopher Hale Story Mar 15, 1961
The Tiburcio Mendez Story Mar 22, 1961
The Nellie Jefferson Story Apr 5, 1961
The Saul Bevins Story Apr 12, 1961
John McIntire now shows up to become the new wagon master - but not immediately. So many people prefer Ward Bond to John in that role, yet the year Wagon Train reached #1 in the ratings was the year after this one. Ward Bond is one of my favorite character actors but John McIntire is my all-time favorite. Bond had a range from boisterous and domineering, (which he seems to have been in real life), to wonderfully gentle and understanding, (maybe he was that, too). But McIntire's calm, wisdom-soaked voice made me feel good as soon as I heard it. When he had previously appeared on the show playing another, (unrelated) Hale, Andrew, in 'The Andrew Hale Story' (6/3/59), and it was treat to see these two wonderful actors playing off each other. Both have such presence that nobody else could even fit on the screen. On that occasion, Andrew Hale was a preacher who had led his flock on a trek to the west and a disaster, which caused him to lose his faith in God. Chris Hale is a legendary wagon master who's been doing it for a decade, (longer, apparently, than Major Adams and his crew). But he wanted to retire and set his family up on a ranch which he promised to return to after finishing his last trek. But Flint McCullough finds him sitting, with a hundred yard stare, in the ruins of the ranch, where his family has been wiped out by an Indian raid. Flint, not even knowing who he is yet, brings him to the train.
That's a good start. The rest of it is pretty absurd. Major Adams is now absent. The TV audience knows why Ward Bond is absent but are not told why Major Adams is absent. He's never even mentioned. Why not just say he had a heart attack, or that he'd decided to remain with Beth Pearson? Now we were told that the train is owned by something called the "Western Trail Company" and that the "Home Office" has appointed Jud Benedict to take over the train. All prior episodes have depicted the train as being a stand-alone company headed by Major Adams, who made all the decisions. Each wagon owner, (or renter), had a personal deal with him. There was no "home office" Apparently, the Western Trail Company pays its wagon masters just to arrive in Sacramento with whomever manages to survive the trip. It doesn't matter who doesn't. Benedict says he's made twice as much money as Major Adams did because he made two trips a year, taking all kinds of risks. He's accompanied by gunmen who seem to enjoy it if anyone protests so they can shoot them. Benedict prefers public whippings of whoever complains. Why would anyone sign up for that? Even Gil Favor treats his beeves better than that on Rawhide. He wants them fat and healthy when he delivers them to market. Apparently Jud would make the same amount if he arrived in Sacramento alone.
Jud used to work for Chris Hale, who bested him when they had a confrontation. But Hale doesn't feel up to confronting him this time and goes along with him, not wanting to take any responsibility after things went so badly for his family. As the episode goes on, he regains his moral strength, much as Claude Rains does in the Rawhide episode, I recently reviewed, 'Incident of Judgement Day'. But Chris doesn't want to win a debate with Jud. He wants to beat him up again and force him to leave the train, (as if that would do it). He appeals to Benedict's ego, giving him a chance to get revenge for the prior beating, with his gunmen agreeing not to intervene. We then are presented with the 53 year old John McIntire beating up the 36 yard old Lee Marvin, if you can believe that. Benedict, in frustration, grabs a gun and is shot by Bill hawks. The gunsels then leave, having lost their leader. Chris Hale agrees to become the new wagon master. Hopefully the Home Office will go along with that.
And, of course, the next episode, The Tiburcio Mendez Story, doesn't have Chris Hale in it. Terry Wilson as Bill Hawks, is running the train in this one. There's no mention of Chris, It's another example of the ruined continuity of the episodes in this transformative season. This one features Nehemiah Persoff as a follower of famed California bandit Joaquin Murrieta, the "Robin Hood of the West", who in this story was an avenger of Mexican citizens who lost their property in the Gold Rush and the transfer of the land to the USA. He's raised Joaquin Delgado, (Leonard Nimoy, in his best pre-Spock role that I've seen), the son of a deceased friend, to believe in fighting the Yankees as much as he did. But he's aged, too, and has come to doubt the endgame for his people. They have been threatening wagon trains that bring more Americans to the new state. But this one contains a federal judge, (Russell Collins), who says that he's been sent to California to punish all breakers of the law and to sort out who properly owns what land. He convinces Mendez to give him a chance but Delgado isn't buying it. Despite his love for Mendez, his hate for the Americans causes him to break away with like-minded younger members of their group. Your perception of this episode will depend on whether you believe that this federal judge would have straightened out everything in California and that Mendez's martyrdom in the final confrontation would win over Delgado and his friends, (who hardly seem numerous enough to prevent Hawk's train from moving on to California in any case).
The Nellie Jefferson Story is a Charlie Wooster story. I like it when he's given a story to show that Fran McGrath was a good actor and Charlie Wooster more than just a clown providing comic relief. He's a huge fan of Ms. Jefferson, the most famous actress of the period, (she's in Mazeppa so I guess she's intended to be Adah Isaacs Menken, who appeared apparently nude and riding a horse in that play). Here she's played by Janis Paige, (who recently died at the age of 101). Nellie Jefferson has a deranged husband, (played by Don Megowan with an Irish accent). Don's very big and Charlie is rather small but he takes the big guy on to save her and earns her affection. Their trails part afterwards but Charley still treasures the gift of her affection. Note: Chris Hale is in charge in this and the next episode. Hopefully it is the end of the continuity problems.
Wagon Train continued to be a prestigious enough show to draw distinguished actors and Rod Steiger made a rare foray into episodic television to appear on it as Saul Bevins, a blind man but ferociously independent, bringing his family out west to establish a school for the blind in California. Other members of the train question him and his family joining them: it might slow them up. But a series of events prove them wrong. He is waylaid by a couple of robbers who think he must have a lot of money and has to find his way back to the train and manages to identify the culprits. He then uses his heightened senses to detect a wildfire before anyone on the train can and becomes a hero. I'd heard about enhances senses for years. I thought I'd heard that it was a myth. I also thought that maybe blind people just pay closer attention to the information our senses are always sending to the brain. I just googled "Do blind people have heightened senses?" and got a series of articles indicating that the heightened senses are, indeed real. So this episode may not be as outlandish as you think. It was good to see Rod Steiger, a strong but quirky actor, playing a fully sympathetic character.
Rawhide: Incident of Judgment Day (1963)
Rawhide Season 5 Disc 5
Incident at Spider Rock Jan 18, 1963
Incident of the Mountain Man Jan 25, 1963
Incident at Crooked Hat Feb 1, 1963
Incident of Judgment Day Feb 8, 1963
This group of episodes borrows from previous work. Incident at Spider Rock reminded me of "The Child-Woman (3/23/62) and Incident of the Reluctant Bridegroom (11/30/62). In the first, Mushy saves a relative who is a singer for a ruthless saloon owner who comes after the drive to get her back and get revenge. In the second, Rowdy gets drugged and married to a saloon owner's girlfriend and he comes after them. At Spider Rock a runaway heiress, (Susan Oliver), has a job as a saloon singer. She's not popular because of her superior attitude and runs away from the town with the drovers. There's a 'Taming of the Shrew' aspect to the story but one drover, (James Best), decide he wants her and her disdain for him causes him to kidnap her and hold her for ransom, Favor rescues her and reunites her with her father. Not bad but a little too familiar.
Much better is Robert Middleton as 'The Mountain Man', who was out west when the drovers were kids. He was on a wagon train, with his daughter, (Pat Crowley) when he defended her from the attentions Robert Wilke's crude son, resulting in his death. He's being lynched when the wagon train and trail drive intersect. It brought up the dream in my head that the TV series Wagon Tarin and Rawhide could have a cross-over episode, (the narrative on both shows at this time was that they were both headed for Denver). Of course it wasn't possible due to different networks and production companies and here the wagon train is just seen at the beginning of the show. The drovers prevent the lynching but agree to make sure the roaring, over-the-top Middleton will be taken to the local sheriff and given a fair trial. Wilke goes along as the only witness. Middleton insists on escaping and Crowley joins him. Rowdy Yates goes after them but is captured by Middleton. They then encounter a raiding party led by an old Indian friend of Middleton's - but they aren't very friendly. My only problem with this episode is that Crowley seems over-dressed and coiffed for the daughter of a mountain man, even if she's headed for a convent.
As others have pointed out, "Incident at Crooked Hat" is basically 'The Gunfighter', Gregory Peck's 1950 film. James Gregory is a famous gunman incognito as one of Gil Favor's drovers. A young gunman encounters him and goads him into a dual and comes out second best. His big brother, (Arch Johnson), is a powerful rancher and boss of the local town. Gregory and Favor brings the kid to the local doctors and wait for the sheriff in the local saloon were Jeanne Cooper works. She's an old flame of Gregory's. When the kid dies, Johnson lays siege to the place. Gregory, of course, dies at the end and Favor tells Johnson that he will hence be known as the man who killed the famous gunslinger and have to deal with all the kids like his brother that want to earn a reputation by taking him on. It's good but very familiar. Gregory is a bit old for this role at age 51. The young whippersnappers would have gotten him a long time before that.
I just reviewed a Wagon Train episode about some men who had been in a Civil War prison camp and had another man inform on their escape attempted and want revenge. Here it's Rowdy, who insists to John Dehner, Richard Carlyle, John Kellogg, Howard Dayton and Gale Kobe as the wife of a deceased prisoner that he's not the one who informed on them. They wish to hold a star chamber trial in a ghost town but find it has one resident: a drunken former judge, played by the great Claude Rains. Dehner appoints him judge for the trial and makes sure he understands the required verdict. Rains starts out rather meek and delirious but sobers up and finds strength growing within him. He winds up asking the questions and establishing an alternative theory of the crime. It's a little like 12 angry men, leading to a confrontation between Rains and Dehner, two of the best character actors I've ever seen.
Wagon Train: The Nancy Palmer Story (1961)
Wagon Train Season 4 Disc 6
The Odyssey of Flint McCullough Feb 15, 1961
The Beth Pearson Story Feb 22, 1961
The Jed Polke Story Mar 1, 1961
The Nancy Palmer Story Wed, Mar 8, 1961
The Odyssey of Flint McCullough is one of the top-rated Wagon Train episodes on IMDB with good reason. Flint has a few days to himself, somehow), but encounters a burned-out farmhouse and three children hiding with their grandfather, (Henry Hull). The oldest of the three, a teenage girl, is in a catatonic state, having witnessed the death of her parents in an Indian raid. Michael Burns, (later a regular), plays a son. There's also a younger daughter and an infant. He agrees to guide them to the nearest fort. They have no source of milk for the infant and another young boy shows up with a goat. He's the last survivor of another raid by the same Indians. Then they come across a young Indian boy. At first the children reject the Indian boy but Flint points out that he's of another tribe and he's lost. He manages to keep everyone together and they become a 'family' of sorts. They find the fort abandoned but eventually they reach safety. Flint never does get any time to himself. Ultimately, it's a story of tolerance and the need to work together to survive.
The Beth Pearson Story is the final episode Ward Bond appeared in. Major Adams comes across a sole wagon that contains a woman who looks exactly like his great love we were introduced to in the first season two-parter, "The Major Adams Story", (4/23-30/58). I thought this might Just be a clip show, mostly flash back to that earlier story, but it turns out to be a good episode in its own right with another good performance from Bond. The issue is: is he falling in love with Beth Pearson because he loves Beth Pearson or because he still loves Rainie Webster. Pearson is injured in a wagon accident and Major Adams insists on staying with her to care for her. For some reason, this creates a rebellion from the members of the train, who had signed on assuming they'd be guided by Major Adams. (There are many episodes where the train is being led by Flint McCullough, Bill Hawks or even Charlie Wooster in the Major's absence. This episode ends with Beth improving but the Major accidently calling her Rainie and the Major returning to the train but they could have re-edited it to show the Major saying with Beth to explain his ongoing absence from the series but that was not done. I suppose they could have said that the Major died of a heart attack, as Ward Bond did, but they didn't choose to do that, either.
Virginia Grey plays both Rainie in the flashbacks and Beth. She's also played Kate Parker (5/6/59) but Major Adams didn't fall in love with her then. One of the flashback sequences is narrated by an actor trying to impersonate Ward Bond, suggesting that this was, indeed the last episode filmed as Bond was no longer available to do the new narration. I tried to place it but the best I could come up with was Howard Duff with a gravelly voice. I'm maybe 10% sure of that.
John McIntyre as Chris Hale still hasn't shown up. Flint McCullough is in charge of the train in The Jed Polke Story. In another one of those lovely coincidences, Jed is traveling with his family west on a wagon train that also contains some men who remember him from when they were in a prison camp together during the way. Jed, (John Lasell, a John Cassavetes doppelganger), informed on their prison break attempt and they have vowed to kill him for it. The four ex-prisoners are Willard Waterman, Morgan Woodward, Jeff Hayes and Perry Lopez. They are all full of hate but at different levels. Woodward is the worst: he wants to kill Jed's entire family. Hayes is the most pliable: he gets to know Jeff's son and doesn't want him killed. Other reviewers have noted that Waterman is best known as a comic actor, playing "The Great Gildersleeve" on TV, but is excellent here in a dramatic role as the more cultured leader of the group. People always forget that actors - at least the good ones, are capable of much more than the sort of role they are famous for. Ironically, I will shortly be reviewing a Rawhide episode where Rowdy Yates, (Clint Eastwood) is given a trail by former prison mates for informing on their escape attempt, (Incident of Judgment Day, Feb 8, 1963). It's one of those old reliable plots.
Nancy Palmer is none other than Audrey Meadows, now free of Ralph Kramden's cramped Brooklyn apartment and finding herself in the old west. She's still got a ball-and-chain husband, here played by Jack Cassidy as a guy who grew up rich, (as Nancy did) and who wants to be rich again. When the rest of the train is attending a party in a town, Mr. Palmer robs the local bank. Nancy is loyal enough to him to hide the loot and they think they are on the way back to being rich people, (this is their 'get-rich-quick' scheme), and that, once the wagon train pulls out, that they have gotten away with it. But a sheriff's posse shows up to reach the train. Nancy agrees to hold a baby while another wagon is searched and hides the money with the baby until the posse is gone. But Jack wants them to steal some horses and leave the train, which proves to be a dumb move as they are trying to cross a dessert and not taking good care of their horses. Jack even leaves Nancy behind at one point. Audrey was better off in Brooklyn. It's a good episode but this train won't get its momentum back until Chris Hale shows up.
Rawhide: Incident of the Trail's End (1963)
Rawhide Season 5 Disc 4
Incident at Quivira Dec 14, 1962
Incident of Decision Dec 28, 1962
Incident of the Buryin' Man Jan 4, 1963
Incident of the Trail's End Jan 11, 1963
The narrative of this season's episodes are confusing. In the opening credits, they show a map with a dark line moving from Sedalia Missouri, (their destination the first few seasons) to Horseheads, Texas, which seems to have little to do with where they actually are. Some episodes say they are going to Denver, (which is ironic because some Wagon Train episodes I am currently reviewing say they are headed for Denver, so the two shows could conceivably have interacted at some point but there was no cross-over: they were on different networks). In Incident of Decision, Rowdy, Jim Quince and Hey-Soos are on their way to Horseheads to join up with Mr. Favor. But that's not shown at the beginning of the season and, if there is an episode that takes place at Horseheads and explains where they are going, I've yet to see it. Incident of the Trail's End is the end of their drive or of the season but it does say they are headed for Wyoming. I don't think the episodes are shown in the proper order, as they often are not due to network preferences.
Incident at Quivera has some similarities to Season 5's 'Gold Fever' (5/4/62), in which Victor Jory plays a prospector who convinces the drovers he's found gold and they all leave Mr. Favor in their dust as they go off to look for it. They must have learned something so when Royal Dano shows up saying the same thing, they are dubious enough to feel sorry for him that he's gone that crazy. But Mushy falls for it and helps him "borrow" some horses and goes off with him to find 'Quivera', where all the gold is supposed to be. There they find a young boy and follow him to an encampment where some soldiers, (led by the ubiquitous Claude Akins), who deserted long ago have been looking for the gold. They get captured, as does Rowdy Yates, who was assigned by Mr. Favor to retrieve Mushy and the horses. The others want to kill them but Akins wants them to leave with his son who has done nothing wrong and wants to see the big world.
The title "Incident of Decision" seems awkward. I suspect the script was originally titled "Decision" but somebody made a decision that every episode title this season had to being with "Incident of". The first three seasons, almost every episode had a title that began that way. In the fourth they dropped that concept but have brought it back with a vengeance this year.
The decision is one made by Johnny Calvin, (Douglas Lambert), that he can't be a drover after all but he has another direction his life could go in. Johnny has a bad leg but he idolizes drovers and wants to be one. Rowdy Yates, Jim Quince and Hey Soos are on their way to join Mr. Favor at Horseheads and decide they have enough money to buy some 'beeves' for themselves to take along with his herd. They make a deal with a local rancher whose son, Johnny, wants to go with them. Johnny has shown a knack for healing animals but cannot heal his own leg injury or his desire to be a drover. Rowdy turns him down because, with his injury, he could never do the job. Rowdy, Jim and Hey Soos leave with their tiny herd, (15 cows), only to find that Johnny had followed them. Rowdy turns him down again and forces him to go back home. He encounters a small group of bandits, led by Carlos Romeo. Complaining about Rowdy, Johnny gives them too much information and they decide to steal the cattle, leaving the three drovers without horses. They think it's Johnny's revenge on them.
But it's not. Romeo turns out to be the former scion of a wealthy rancher who lost everything in the Mexican wars and had to star over from the bottom. He develops a feeling for the kid, even after mocking his inability to manage the cattle. When Rowdy, Jim and Hey Soos, having walked to a nearby ranch and borrowed horses, return and reverse the situation against the bandits, Romeo has convinced Johnny that spending his life as a veterinarian is a better option. It's not a bad episode but the turnabout of Romero's character was a little hard to swallow.
The 'Buryin' man is a traveling undertaker, played by the Uriah Heap-like King Donovan, who is also a counterfeiter who keeps his printing press in his hearse. The drovers encounter him when he is being followed by Indians. Favor allows him to follow the drive to the next town. He's also being followed by two former partners in crime, Richard Devon and Constance Ford, who want the treasury plates they'd stolen and to gain some revenge on him for running out and leaving them to deal with the consequences. It turns out the Indians want to use the hearse for their chief's funeral and Favor and Yates take care of the other two problems. An attempt at a comedy episode, something this show didn't do very often or very well. Donovan's character is so irritating he couldn't be funny.
Trail's End is not the end of the drive or the season, (we now learn they are on their way to Wyoming), it's the end of the trail for legendary trail boss Harry Maxton, (Harold J. Stone), who is losing his eyesight. Favor gives his old friend and mentor a chance to go one last drive, (but he's riding drag, nice). Unfortunately, one of the drovers, (George Brenlin), used to work for him and was chewed out by Maxton in front of everyone and told to leave. Now he wants revenge. His several confrontations come to noting and he winds up just going away. It comes down to a dry drive and Maxton knows where a stream is that they won't find on a map. Maxton has an earlier scene in which he tells Favor that they don't have anything in their lives that could ever replace being a trail boss. That contradicts Favor's many soliloquys about what a difficult job it is and his desire to buy a ranch so he can settle down with his daughters and Maxton says at the end that, now that he's quitting, he'll go live in St. Louis with his son. Like Johnny Calvin, they had alternatives.
Wagon Train: Path of the Serpent (1961)
Wagon Train Season 4 Disc 5
The Sam Elder Story Jan 18, 1961
Weight of Command Jan 25, 1961
The Prairie Story Feb 1, 1961
Path of the Serpent Feb 8, 1961
The Sam Elder Story has neither the now-deceased Ward Bond, his eventual replacement John McIntyre, (who appears in the credits) or Robert Horton, who is also in the credits. Bill Hawks, (Terry Wilson) and Charlie Wooster, (Frank McGrath) are leading the train. They do a good job and so do the actors playing them. Dramatically, those two characters could conceivably carried on the show but it needed star power and so McIntyre was brought in and Horton would be with the show for another year.
Sam Elder, (Everett Sloane) is a former Union office who led a vain charge during the war to warn his unit of the presence of a tremendous battery of cannon facing them. Most of his men died. To assuage his guilt, he's spent the post-war era gathering together sons of his deceased soldiers and wants to start a military school in California, (why not in the East?), to bring them to manhood. By one of those coincidences that the writers to fuel the stories for this series, the father of one of his deceased men, (the excellent Walter Coy), is on the wagon train and vows to kill Sam. This episode ends with Terry Wilson, as Bill Hawks saying "I guess that's what we all have to have: a reason to go on." I suspect the writer, Wilson, and everyone else knew the meaning of that line to the show.
Weight of Command is Ward Bond's penultimate episode. On review suggested it was the last he actually filmed. That appears unlikely as 'The Beth Pearson Story' contains a voice over done by an actor doing an impression of Bond. But Bond's friend Terry Wilson, (Bill Hawks) gets to tell Bond, (as Major Adams) at the end of this episode, "There ain't a man on earth who can measure up to you, not a one". If that's the last line Wilson had to say to Bond, it's one he was probably pleased he got to say it.
In the episode Hawks goes on a hunt with two men, played by Richard Crane and Tommy Rettig, (the first str of the Lassie TV show, now 18 years old). They are besieged by a group of Cheyenne Indians in war paint. Hawks leaves to get help from the train, because he has the best chance to get through. But the Major wants to move on and get through a mountain pass. He's fearful the whole Cheyenne nation might be at war, despite a treaty. He's seen one of their villages burning. Hawks is incensed that they aren't going back to save Crane and Rettig. He has some very dramatic confrontations with the Major over this. When they get through the pass they get to a fort and find out here has been no rebellion - the hunters just encountered a small rogue band of Cheyenne. The Major leads a force with Wilson where they find the hunters have survived and Wilson gets to deliver that last line. Denny Miller, (decades later, the "Gorton Fisherman") makes his first appearance as Duke Shannon in this episode and would be with the series for the rest of it's run.
The Prairie Story is one of the episodes that showed Robert Horton, (Flint McCullough) leading the train. He comments in James Rosin's book on the series: "After Ward's passing, there was talk of me taking over the role of wagonmaster. I was very much against it. I thought it should be played by an older man. I also felt that part of Flint McCullough's appeal was that he accepted responsibility when he chose to. He had never gotten into a situation where he was tied down.
I did do four episodes which were written for Ward but I did them because Howard Christie (the producer), was in a bind. I can remember one show that contradicted what I had established as my character. The writers simply took Major Adams out of the script and put in Flint McCullough over his speeches. The story involved a woman being dragged off by the Indians. By the time it was cut and edited, it looked as if I stood by and made no effort to prevent it. Now, with an older man in that situation, his physical limitations would prevent him form doing anything. Or, with Ward in the role, with his knowledge and maturity, he'd say 'There's nothing to be done.' And you'd believe it. But when Flint stood in the prime of his life and did nothing, it invalidated his image." In The Prairie Story, the Indians attack and run off with what appears to be a dummy in a dress and Flint, much like Major Adams in Weight of Command announces that they can't afford to go after the poor 'woman' because the train must move on.
The Prairie Story is written to be a tribute to the women who moved west but focuses mostly on women who didn't want to go once they found out how hard the journey could be. One, (Virginia Christine), is so frightened she demands her husband turn their wagon around to go back east, a decision likely to make them far more vulnerable than if they'd stayed with the train. But Flint lets them go. Another goes nuts and rides off in a wagon on her own, dying in an accident. A third, (Jan Clayton, the original Julie Jordan" in Broadway's Carousel) likes to sing songs with her piano, making everybody else feel better. But even she wants to give it up but is persuaded not to by Flint and the philosophical Beulah Bondi. One can imagine Major Adams and Beulah developing a close relationship as kindred souls, but it works OK with Flint, too.
Path of the Serpent features Noah Beery and Jay Silverheels as a legendary mountain man and his faithful Indian companion, (although I didn't realize it was Jay, who had had played Tonto in the Lone Ranger TV series: his dress and make-up were different and he has no actual lines). Beery is an old friend of a dying Army sergeant, (Paul Birch), who asks him to guide his daughter, (Melinda Casey), who is with the wagon train, through a treacherous path in the mountains to him so he can see her once more. Bill Hawks comes along to scout the trail for the train. A young soldier, (Robert Harland) is with the group. He fall in love with the daughter. When they get together, Birch improbably asks Beery to marry his daughter and make sure she's safe. Then he dies. Beery tries to fulfil the request but comes to realize that Harland and Casey love each other and decides to do what's best for everyone. The always agreeable Beery is the only reason to remember this one.
Rawhide: Incident of the Querencias (1962)
Rawhide Season 5 Disc 3
Incident of the Wolvers Nov 16, 1962
Incident at Sugar Creek Nov 23, 1962
Incident of the Reluctant Bridegroom Nov 30, 1962
Incident of the Querencias Dec 7, 1962
The herd is once again besieged by wolves, as they were in 'Incident of the Judas Trap' (Jun 5, 1959). Dan Duryea offers his services as a wolfer to Rowdy, who is running the herd in Gil Favor's absence. Rowdy doesn't trust Duryea, especially when he finds out the Army is already paying him to kill the wolves, but he needs the help and agrees to pay him extra for his services around the herd. At that point the story stops being about the wolves and becomes about Duryea's overly protective attitude toward his daughter, who with two sons, travel with him on his journeys to kill wolves. He's afraid of what the human 'wolves will do to his daughter and even more so that she will leave him and won't do the chores she does for him and his sons. Patty McCormick of "The Bad Seed", (still only 17 and maybe 16 when they filmed this), plays the daughter. The ending is kind of predictable, especially since it's perennial bad guy Duryea.
Sugar Creek doesn't like Sam Garrett, (John Larch). The reason seems weak: He sold cotton to a businessman from Boston, (I got the impression it was after the war, not during it as the plot summary says). He was convicted of "treason". Also his father in law was against his marriage to hi now-deceased daughter and has taught his young son to hate the father has no memory of knowing. Sam is working with Mr. Favor's, drive, trying to earn enough money to start over. But he gets badly injured and needs a doctor. The closest one is in Sugar Creek and refuses to treat him, (so much for the Hippocratic Oath), except at gunpoint. The gun belongs to the one person in the town who still cares for Sam, saloon owner Marcie, (Beverly Garland, who has bought some land to help Sam on his comeback. Larch and Garland are two members of an excellent cast: Everett Sloane as the Doctor, John Litel as the father-in-law, Arthur Franz as an unhelpful sheriff and James Westerfield as an unhelpful storekeeper. My only complaint is that that Litel would have been better as the doctor and Sloane as the father-in-law. Also Franz turns color and deals rather harshly with Litel at the end.
Rowdy gets drugged by a bartender and winds up married to the saloon owner's girlfriend. That's the plot of The Reluctant Bridegroom. The always wonderful Ruta Lee is the girl and Arch Johnson, who could be comic or intimidating, (he's a bit of both here), is the saloon owner. But the best part of it is Ed Nelson as the phony cleric who marries them. It seems he dresses that way to collect contributions to the 'church' and then uses the money to gamble with.
A Querencia is an animal that doesn't want to leave its own turf. Edward Andrews plays a down-and-out old friend of Gil's who wants to bring a small herd of Querencias along on his drive to try to start a new ranch. Against his better judgment, Gil agrees, slowing own the herd. Andrews proves to be an incompetent drover and himself slows the herd down. He doesn't want to do any real work and creates various problems until Gil has to order him to leave the drive. But he redeems himself by warning the drovers of an impending Indian attack at the cost of his own life in an unconvincingly maudlin ending.
Rawhide: Incident of the Dogfaces (1962)
Rawhide Season 5 Disc 2
Incident of the Prodigal Son Oct 19, 1962
Incident of the Four Horsemen Oct 26, 1962
Incident of the Lost Woman Nov 2, 1962
Incident of the Dogfaces Nov 9, 1962
The Prodigal Son is Carl Reindel, a handsome, talented young actor of the early 60's for whom big things were apparently expected. He had twice, (5/5/62 and 9/15/62) played a strong-minded character named 'Cale' on Gunsmoke. The latter episode was the beginning of a new season. At the end of it, he resides way and Matt Dillion tells Chester that he thinks Cale has quite a few adventures ahead of him. It sure looks like a pilot for a prospective series but Carl never appeared in one. He spent the 60's and 70's as a supporting player in various movies or TV series. His IMDB resume ends with a 1981 appearance in "Buck Rogers in the 25th Century" in which he played an Air Force sergeant. He died of a heart attack at age 74 in 2009. Obviously, he found something else to do with his life and that's good. There are a lot of Carl Reindels in these old shows, and a lot of them in the new shows today. Talent and looks are not enough. You need that big break.
Shortly after those 'Cale' episodes, Carl played the scion of a railroad magnate who has rebelled from his father and is out on his own but not doing well. He's found drying of thirst as he reaches a waterhole and faints. The drovers find him and revive him. Favor offers him a job when he fully recovers. Gene Evans plays a veteran drover who gets along with no one but takes the young man under his wing. It seems his bad attitude toward life stems from the death of his own son. Reindel accepts the attentions of the older man: his father had ignored him. But Evans is a very disturbed man. He threatens to kill anyone who comes between him and Reindel. When Rowdy Yates chews the kid out, Evans ropes him and drags him. It all winds up in tragedy and a reunion with his real father. A good solid, dramatic episode.
I don't know about The Four Horsemen but that episode has a remarkable cast, full of prolific TV actors from this period: Claude Akins, John Dehner, Jena Engstrom, James Griffith, Ron Hayes, Myron Healey and Robert Wilke. The story is about two feuding families. Wilke is a powerful rancher. Hayes is a younger rancher from a numerous family that bands together to fight their battles. Favor and Rowdy get involved in the feud when they are asked to be witnesses at a wedding on Hayes and Engstrom, Wilke's willful daughter. They know nothing about the feud but now they are in the middle of it. Dehner, (who might normally have had Wilke's role) is Wilke's henchman, who changes sides, even working for Favor at one point. Akins is a mysterious guy who asks the two drovers to witness the wedding who seems unaligned and gets a job with Favor. He always looks like he's up to something but we never find out what. Griffith seems to be a victim of the feud but is he? Healey's presence is so brief I never knew what his role was about. But to have so many recognizable faces in one episode was amazing.
The plot was more confusing than amazing. Favor tries to be a peacemaker and also to try to get his herd across a river to avoid the coming conflict, (they bring back the situation from a previous episode: you can't get steers to cross a stream the sun is shining off of: it scares them). Some the situation resolves itself down to Favor offering to be a 'champion' for Wilke to fight Dehner, who has now jumped over to the side of Hayes' family. Gil doesn't do too well in this battle until Dehner's tendency to suddenly lose consciousness at unpredictable times betrays him. It doesn't make much sense. Who was pestilence again?
The drovers find an unconscious woman, (Fay Spain) woman with a baby. Later they encounter rough, crude RG Armstrong and son Harry Dean Stanton, as well as his other son, Hampton Francher, who isn't crude. He doesn't care about the woman but the baby, he says, is his as the deceased father was his oldest son and heir and so is his only son. Favor says the woman can stay as long as she wants and that she can keep her baby. After they win a briefly violent confrontation, the drovers send Armstrong away. But he doesn't go away. Instead, he decides to stampede the herd and steal some of them along with the baby. They forgot that the fate of all bad guys who stampede herds is the same.
The best of this group is the one about 'Dogfaced' soldiers, which also has some excellent character actors in it. Rowdy and Clay Forrester come to the rescue of three soldiers fighting off a small group of Indians: James Whitmore, as a sergeant who was a Confederate office, who became a 'Galvanized Yankee': a prisoner who agreed to join the federal army and fight Indians, which freed frontier soldiers to fight against the Confederacy. There was a rule that galvanized Yankees could not become officers, so he's stuck at sergeant. John Douchette, frequent villain, especially in the "Adventures of Superman" series, playing a former member of the Czar's armies who somehow wound up with Whitmore and Steve Brodie, former wanna be movie star in the 1940's, now part of the TV guest star rotation, playing an Irishman whit a streak of loyalty to Whitmore. They were being attacked because Whitmore had killed a chief's son and the chief wants him to gain revenge. Whitmore's men refuse to let the Indians get him and the Chief now threatens the herd and the drovers as long as they protect the soldiers. Whitmore gives one of his smiling mouth-threatening eye performances but wins the respect of everybody at the end.
Wagon Train: The Patience Miller Story (1961)
Wagon Train Season 4 Disc 4
The Roger Bigelow Story Dec 21, 1960
The Jeremy Dow Story Dec 28, 1960
The Earl Packer Story Jan 4, 1961
The Patience Miller Story Jan 11, 1961
Robert Vaughn is Roger Bigelow, and he's got an interesting dilemma. The opening scene shows that he's insanely jealous of anyone who looks at his wife, to the point of almost beating them to death. Somehow he avoids the legal consequences of that and winds up on the Wagon Train, where we find out that he's a recently ordained minister with a strong conviction that there's good in everybody and that he, Roger Bigelow, can bring it out by insisting that he be treated well. His greatest test is Claude Akins, as a famous outlaw he encounters, injured from a fall from his horse, and takes into his wagon to Major Adams objections. He thinks he's making progress with the outlaw but then notices him looking at his pretty wife, (Audrey Dalton). Can he now bring out the goodness in himself - and will it do any good?
He Jeremy Dow Story is one I have faint recollections of watching when I was a kind. He's a former school teacher who is famous for going into the flames of his school to try to save his young students - and dying. He actually ran from the scene. It was another man who tried to get into the school while Dow fled and was so embarrassed by his cowardice he just kept running, leaving his family behind but not his memories. He, (Leslie Nielsen) wakes up hearing the screaming of the children he didn't save. He's a drunk who has lived out west doing whatever jobs he can get for years. In another of many Wagon Train coincidences, his wife is now a member of the wagon train and has a son with her who remembers his father as a hero. She needs a driver and he gets the job from Flint McCullough - before he realizes who these people are.
When a hunter Nielsen knows, (Morgan Woodward), kills an Indian Chief's son, the Chief kidnaps a boy from the wagon train - Nielsen's son. He will release the boy when the hunter is delivers to him. Nielsen presents himself to the Chief as the hunter and his son is released. We last see him burning at the steak with a contented look on his face. He has finally become a hero, worthy of his son's admiration. It's a powerful episode but the thing I remembered after all these years is the screaming of those children.
The Earl Packer Story, show 1/4/61, is another great episode but the most interesting about it comes at the beginning. Bill Hawks asks Charlie Wooster "When will Chris be back?" Chris Hale is the wagon master, played by the great John McIntyre, who replaced Ward Bond after Bond died of a heart attack. And, indeed the opening credits feature a picture of McIntyre, not of Bond. Yet Chris Hale hasn't been introduced into the series yet and doesn't appear in this epsidoe. This is network meddling with the broadcast order, destroying any sense of continuity. Bond appears in the credits of the next episode, The Patience Miller Story, but does not appear in it. McIntyre appears in the credits of the 1/18 episode, "The Sam Elder Story" but doesn't appear in it. In that episode, (per another reviewer), Bill Hawks gets Bonds' lines. Bond appears in "Weight of Command: (1/25), and the trivia section says that that his Bond's 'last appearance'. McIntyre is back in the credits but not the episode in "The Prairie Story" on 2/1. Bond is in the credits but not the story in "Path of the Serpent" (2/8) and "The Odyssey of Flint McCullough" (2/15). Bond's last broadcast episode is "The Beth Pearson Sory" on 2/22, although perhaps Weight of Command is the actual last one he filmed. McIntyre is in the credits only for the Jed Polke Story (3/1). Bond is back in the credits for "The Nancy Palmer Story" (3/8) and we finally meet Chris Hale in "The Christopher Hale Story" on March 15. Per IMDB, both Bond and McIntyre appear in the credits of that one but that's the last image we'll see of Ward Bond. I guess the idea was to make it appear as if Bond was still starring in the show as long as they could. One wonders how many shows we've seen in which he didn't appear since his death on 11/5/60 where done after his death and how many were just episodes filmed before that that he was not originally scheduled to do. In any case they should not have had Chris Hale in the credits if they hadn't introduced the character yet.
Anyway, back to "The Earl Packer Story. I agree it should be "The Bill Strode Story" because it's more about Edward Binns' legendary lawman who has come apart than Ernest Borgnine's ruthless bounty hunter, although he's an interesting character, too. He's after Strode, who has eroded into a corrupt drunken, even slightly deranged fugitive Packer is after, not only because of a $5,000 reward, dead or alive but because Strode killed a woman he loved. Binns, a really good actor who usually plays bad guys or authority figures who have their act together, is remarkable as a panicked shell of a man whose malfeasance has caught up with him. But Borgnine is subtlety very good as well, as a man who initially with stop at nothing to get at Strode but comes to feel sorry for him and even befriend s Flint, who has been helping Strode as a man he admired. Really fine acting from all three principles in a fine episode.
Patience Miller, (the beautifully coiffed Rhonda Fleming) is a Quaker whose husband ahs been killed by a Commanche who vows to continue to serve as an Indian agent for the Arapaho in her husband's place. Like Roger Bigelow, she believes her faith in God and in people will triumph - and it does in the end. Her relationship with the Arapaho chief, (the always excellent Michael Ansara) resembles that of Anna and the King of Siam. It's a 'nice' episode that doesn't have quite the punch of the previous ones.
Wagon Train: The River Crossing (1960)
Wagon Train Season 4 Disc 3
The Colter Craven Story Nov 23, 1960
The Jane Hawkins Story Nov 30, 1960
The Candy O'Hara Story Dec 7, 1960
The River Crossing Dec 14, 1960
The Colter Craven Story is probably the most famous episode of Wagon Train because it's directed by John Ford and John Wayne makes a very brief appearance in it, (as "Michael Morris": his real name was Marion Morrison). It's two stories in one, with the John Ford stock company sprinkled throughout. Ken Curtis and John Carradine make an early appearance as the owners of a well they charge exorbitant prices to use but that's not really the story. Major Adams discovers a broken wagon with a drunken doctor and his appalled wife. The titular doctor, played by Carleton Young, (also the prosecuting attorney in Ford's Sergeant Rutledge) is the real focus of the story. He joins a train and doctor is needed for a difficult birth but the drunken Craven, (what a name!) isn't up to it. Major Adams tells him the story of another drunk he knew from his days back in Galena, Illinois named "Sam", (Paul Birch). He'd been a soldier in the Mexican War but didn't seem to be good at anything else and took to drink. But when the Civil War began, he was recommissioned as an officer and get his identity back. He wound up in command of the whole army and was now president of the United States: Ulysses Simpson "Sam" Grant. Major Adams last saw Sam at Shiloh where he also meets General William Tecumseh Sherman, (played by Wayne). This story stirs Dr. Craven to gather himself up and save the mother and baby.
The episode features some footage from Ford's film, "Wagonmaster" from 1950, which featured young Ben Johnson in the lead as the Wagonmaster, who is hired by a group of Mormons led by Ward Bond. Major Adams, Bill Hawks and Charley Wooster are dressed a bit differently in this episode to match the footage from the movie.
The Jane Hawkins Story appears to be brief: Jane, (Myrna Fahey), is shot in the opening scene by a ruthless gunman played by Sherwood Price. Flint McCullough discovers her and brings her into the nearest two, only to be told by the doctor that he's made a big mistake. This is one of those "boss of the town" stories. Edgar Buchannan, who could play bad guys as well as good, is the big rancher who founded the town and controls everything in it. His son has been murdered and the evidence points to Jane as the murderer. He sent one of his gunmen out to get her. Flint is not intimidated and elects to pose as her cousin to find out what happened. It winds up with a "High Noon" type ending where Flint gets the townspeople to rebel against Buchannan, who winds up begging for mercy in a great performance.
The Candy O'Hara Story is also The Gabe Henry Story. Gabe is played by Jim Davis, a widower with a young son who has promised to remarry and gets him a mother. The train visits a town and Gabe sets his eyes on Candy, (Joan O'Brien), not knowing that he's the girl of a gambler, (Robert Lowery). It's a gentle story. The only violence comes when Gabe invites the gambler down an alley for a 'discussion' and later we see the beaten gambler, humble and wishing the newlyweds a happy life. It's a nice change of pace from an episode where the first scene is of a woman being gunned down, (see above).
And from The River Crossing, a harrowing episode showing the wagon train being cut in half by a flooded stream with pockets of quicksand underneath and then besieged by Comanche Indians. Flint McCullough takes charge of this back half of the train. The Comanche are on the warpath due to the stupidity of the head of a local fort, played by Charles Aidman, who, when one of his officers is killed with an arrow, wipes out the nearest Indian encampment. Never mind that the arrow is Kiowa and the encampment Comanche, with whom the army had a treaty. His fort is then wiped out by the entire Comanche nation, save for him and a lieutenant, (Ron Harper), who fled the battle and are now asking Flint to protect them from the Comanche. Aidman's character is both a coward and a fool. So is Robert Wilke's character, this week's garrulous wagon train member, who insists that he and his family are going to try and cross the river, which costs him his life and nearly his family's as well. That's what this episode is really about: foolishness and its consequences. Flint eventually resolves things through his friendship with the Comanche chieftain.
This is a family show, they all were back then, (Wagon Train was broadcast at 7:30PM at this point), and the scene where Wilke attempts to drive his family across the river must have been scary to kids watching this show. He's got his wife next to him and two young boys in the wagon. There's not much of a current, (it's obviously a studio pond), but we know they've hit a patch of quicksand because the actors say so. I thought the horses had hit the quicksand but Flints able to swim to them and go under the water surface and free them while the actors say their wagon is sinking even though it doesn't appear to be, (apparently rigging up a system for the wagon to actually sink was too expensive), so it's the wagon, not the horses that are sinking - because the actors say so. (But if the wagon is stuck in quicksand, why didn't that happen to the horses?). Charley comes up with a couple of horses and picks up the kids and Flint saves the wife but poor Bob Wilke can't swim and disappears beneath the non-existent waves while his family watches. That would have been a disturbing image for you kids watching the show. I was a young kid who would have been watching this show but I don't remember it. Maybe the inadequate staging of the incident or the fact that I've seen Bob Wilke die in so many westerns that I'm inured to it.
Rawhide: Incident at Cactus Wells (1962)
Rawhide Season 5 Disc 1
Incident of El Toro Sep 21, 1962
Incident of the Hunter Sep 28, 1962
Incident of the Portrait Oct 5, 1962
Incident at Cactus Wells Oct 12, 1962
The fifth season of Rawhide doesn't begin with assembling the drive back in Texas. It's already started. But the strained relationship between Gil Favor and his men in the last few episodes of the previous season has carried over. A young drover is killed. A wild bull is disturbing the herd and they have to ford a difficult river. Another drover gets killed trying to get rid of the bull. Favor has had enough and decides to quit. He's 'burned out' There's no discussion of the ranch he had wanted to buy in the episode Abeline, (that was supposed to be shown as the last episode of season four but was instead shown at the end of this season), but it seems to be on his mind. An act of courage and responsibility by Hey Soos, his young remuda guard, turns him around and Favor is again shouting "Head 'em up! Move 'em out! At the end of this one. It's possible the wild bull could be a symbol of what has been lost to Favor as the stag in the movie "The Queen" was to Queen Elizabeth but that may be reading too much into it.
The plot of someone joining or following the drive who wants to kill or apprehend someone on the drive is used multiple times in this series. The very first was "Incident with an Executioner", (Jan 23, 1959) with Dan Duryea as "The Executioner". This disc has two such episodes. "Incident of the Hunter" features Mark Stevens as famous war hero educed to being a bounty hunter after the war deprived him of his property. In a very effective scene, Wishbone and the drovers try to think of what they've done in their past might cause someone to put a bounty on them and agree that everybody makes mistakes in their life. It turns out the 'poster' is on Gil Favor, who was falsely accused of murder!
"Incident at Cactus Wells" presents us with Keenan Wynn, who is after the man who, in his view, caused his wife to kill herself. They were separated and the man he's after broke up with her just before she did the deed. The man, a handsome young guy who sees himself as Gd's gift to women, is found dead, having fallen off his horse. The men want to hang him but Favor doesn't want them to be guilty of a lynching. He convinces them to let the law handle it. Wynn thanks Favor he tells him he knows he set up the 'accident' and will present evidence to prove it. The resulting confrontation is won by the guy who has to appear in the next episode.
The best of the episodes, and one of the best in the series is "Incident of the Portrait". John Ireland, who had been in 1948's "Red River", the obvious progenitor to "Rawhide", plays a wanderer who invades a home due to hunger and confronts the owner, (played, briefly, by Emile Meyer, who had played Rufus Ryker in Shane back in 1953), who is accidently killed after a brief fight. Ireland leaves after being confronted by Meyer's beautiful, blind daughter, played by Nina Shipman. He takes with him a small portrait of Shipman and imagines that to be his girl.
Ireland encounters Gil Favor's drive and asks for job as a drover and gets it. A lawman, (Ted De Corsia, who normally plays bad guys), arrives with Shipman, asking Favor to escort her on the drive as far at the next town, where she can be transported to relatives to care for her while he searches for the killer. Favor assigns Ireland to drive her wagon, unaware, of course, that he is the killer. Shipman becomes Ireland's girl for real but the portrait he took is discovered and he is arrested.
What makes the episode great is two scenes with something you never see on television: thoughts emotions being conveyed with no or minimal lines. Shipman wants to explore Ireland's face with her hands. He's not good looking, especially due to a scar on his face that he's hypersensitive about that symbolizes his guilt. So he gets Rowdy Yates, (Clint Eastwood) to stand in for him to give Shipman the illusion that he is handsome. We see Shipman hopefully feeling Eastwood's face, beaming with gladness, Eastwood looking confused and uncomfortable, (he's doing it because he knows Ireland's feelings about his scar), and Ireland looking on in the background, wishing she was feeling his pristine face.
The second scene is Ireland's farewell, where he tells her that the murderer has been arrested and is being taken off to jail. He's got to leave, too, he says, fulfilling his desire to see Oregon. She asks for a kiss and feels his scar as she touches him. She knowns he's not Clint Eastwood. Has she figured out he's the murderer? Maybe. We don't know. I've never seen another TV episode with such scenes.
I'd recently seen an old interview with Henry Fonda and Ireland's acting style reminded me of Henry's: restrained, hitting the important points, not over-doing it. He was just short of handsome, in a craggy way, which gave him a lot of tough guy and bad guy roles Fonda would never have gotten and denied him the thoughtful and heroic roles Fonda got, but there is a similarity there.
Wagon Train: The Bleymier Story (1960)
Wagon Train Season 4 Disc 2
The Jose Morales Story Oct 26, 1960
Princess of a Lost Tribe Nov 2, 1960
The Cathy Eckhart Story Nov 9, 1960
The Bleymier Story Nov 16, 1960
Wagon Train goes all over the place in these episodes. In the first we get Lee Marvin as a Mexican bandito. Bill Hawks is leading three wagons who have broken off from the train. One of them is owned by Lon Chaney Jr., who plays a garrulous man who won't let anyone touch his possessions and trusts no one. Another is preacher, (Clark Howat - you'll recognize him) who trusts everyone and his wife and young son. A third is owned by Gregg Palmer, normally a henchman but here a sacrificial lamb. Marvin and his small, (3 other guys), band of banditos invade and quickly takes over, killing Palmer. Marvin recognizes Chaney as a guy who opted out of the Alamo - Marvin was part of Santa Anna's army. Marvin mocks him.
The Indians, (Mescalero Apaches) attack. Marvin's three companions are all killed. The others hold up in an old building. The preacher walks out, beseeching the Indians to be his friend. He is killed. After much philosophical discussion, it's decided that Hawks will drive a wagon with the preacher's wife and child in it away while they are waiting for the next attack. Marvin, who always expected to die violently and Chaney who finally ahs a chance to be a hero, will take the brunt of the next attack and take down as many Indians as they can, just as the heroes at the Alamo did. This is easily the best of these four episodes.
Every show, even the best, has to have a worst episode. For Star Trek, it's "Spock's Brain". For Wagon Train, it's "Princess of a Lost Tribe". It's their version of "Lost Horizon. Flint McCullough leads a group of men into the mountains. One is looking to find his father. One is trying to find out how his brother could have been murdered with an Aztec knife. The third is a professor who studies the Aztecs. They find a miraculous mountain city, (a painting) bult by Aztecs who fled from Cortez. Their leader is Raymond Massey, who calls himself Montezuma. He has a lovely daughter played by Linda Lawson that Flint falls in love with. Unfortunately, she's scheduled to be sacrificed to the Gods. Flint convinces Montezuma to be more modern and allow him to may Linda. But this causes a rebellion and Montezuma is killed. Lia tells Flint she must stay to allow Flint's group to escape.
The preposterous plot and the cheap production values, (cardboard shields, Halloween-like costumes) give the episode no chance to be taken seriously. The only thing that impressed me was the earnestness of the actors, especially Robert Horton, Massey and Lawson in trying to 'sell' the material. They didn't treat it as a joke. Massey used all of his Shakespearean power. Horton and Lawson give intelligent readings. Just because the material was ridiculous it didn't mean that they had to be.
The Cathy Eckhardt Story was something completely different. Cathy is played, briefly by Susan Oliver in a very similar performance to the one she gave in the Maggie Hamilton Story, (4/6/60). I actually checked that one to see if this was supposed to be the same character. Both Maggie and Cathy are teenagers coming into their sexual maturity and getting involved with the men in the train. But Cathy gets killed in a grisly fashion: she's both hung and scalped. (we see neither). Major Adams has o figure out who did this and narrows it down to four people: a scout they hired who is rumored to be in league with the local Indians, (Gregory Walcott), a preacher who may not be a preacher, (Martin Landau), a man, (Ron Hayes), who wanted some attention from Cathy and didn't get it and the widow, (Vivi Janiss) of a man who was previously tried and hung for the murder of a rival for Cathy's attention. The episode is shot with all kinds of unusual touches, such as the actors addressing the camera, in one case looking through a noose.
Ward Bond is said to have strenuously objected to this episode, saying it was about a "perverted killer" and not the kind of family fare this show was supposed to be about. But he had investigated the murder of a woman before in The Lita Foladaire Story (Jan 6, 1960) and, in 1939 'Young Mr. Lincoln' determined that he was a murderer. The Cathy Echardt Story was the first episode shown after Ward Bond died of a heart attack on November 5, 1960.
The Bleymier Story should be The Samuel Bleymier Story. Dan Duryea plays him and he's a jealous father who sees everything that happens as pre-ordained and revealed by various signs that only he can interpret. His daughter is played by the beauteous Ellen Willard, (who gave up acting a few years later as it made her too nervous - but she's excellent here). They are part of another small train that splinters off from the main group and is being led to 'farmland' by Flint McCullough. He doesn't take them to Aztec's city but rather across sacred Indian burial grounds. For some reason, he puts that to a vote rather than taking command and insisting they not do such a thing. But their bigger problem is a coming storm that brings them a tornado. James Drury is on this train and falls for Ellen and comes in conflict with her father. The ending is pretty predictable.
The fact that Ward Bond is not in this episode suggest that this was filmed after he died but that is unlikely: the episodes would have been filmed months in advance and Bond will appear in several more of them before his last appearance in "The Beth Pearson Story", (2/22/61).
Rawhide: The Devil and the Deep Blue (1962)
Rawhide Season 4 Disc 8
House of the Hunter Apr 20, 1962
Gold Fever May 4, 1962
The Devil and the Deep Blue May 11, 1962
Abilene 5/31/63
A series of not very satisfactory episodes. The first has Rowdy lured into a large house that contains several other characters. Anyone who tries to leave is shot. There are people of different backgrounds: Rosemary DeCamp plays a nurse. Peter Adams and Paula Raymond play a show business team. Lester Matthews is a judge. Lane Bradford is a criminal. Robert F. Simon is an amiable drunk. It turns out one of them isn't what they claim to be. Instead that person is a wealthy rancher who is angry that his/her son is dead. The other partis remember that all had some contact with him. They did nothing wrong, but the parent insists they are responsible for the son's death. It ends with a ghostly ruse that alarms the parent and allows Rowdy to disarm that person. Nothing to do with a trail drive. A reasonable b-movie with a hardly credible ending, although the reveal of the villain is pretty good.
Gold Fever involves Victor Jory as an old prospector with three attractive daughters who convinces the drovers that he's discovered gold to get them to come to the ghost town he and his daughters somehow live in so they can fall for them and marry them. It gets out of hand the drovers, including Rowdy and some regulars give up on the drive, only to find out that the old man was lying. I wasn't convinced that Rowdy and the others would abandon Mr. Favor.
They abandon him again in "The Devil an the Deep". Diseased cattle are found in a rival herd and Tod Andrews, playing the lover of the owner/trail boss's, (Ted DeCorsia), daughter, Coleen Gray, decides the solution is to mix the diseased cows in with Favor's herd. DeCorsia refuses and Andrews murders him and does the deed. The local Sheriff, (John Pickard), conducts reviews of each herd and finds the diseased cattle among Favor's herd. They have to be killed and the rest of the herd tested. Gray asks Favor to boss her herd as a favor to her father, (who better than Favor?). He agrees to do so and decides that DeCorsia would have advanced his 'clean' drive to Abeline while Favor's herd is stuck going through the examinations. That means that the market for Favor's herd will collapse and the drovers, who, with Favor, own a piece of the herd, are going to lose money. They immediately decide that Favor must have taken a bribe to advance this other herd ahead of theirs. There' a bitter confrontation, especially with Rowdy. Again, I find it hard to imagine these guys who have been through multiple drives with Mr. Favor would turn on him like this and believe that he is corrupt.
There's a 'bonus' episode that's actually the last episode of Season 5 but is on this disk. The IMDB trivia section on that episode says: "Originally intended to be aired as Season 4 finale on May 18, 1962 but postponed at last minute and a repeat of The Peddler (1962) was aired instead. Then intended to be aired as Season 5 premiere but postponed again and Incident of El Toro (1962) aired as Season 5 premiere instead. It finally aired as Season 5 finale on May 31, 1963." It fits in with the last two episodes noted above because again the drovers get in conflict with Mr. Favor and they really don't seem to like each other.
The drovers are in Abilene to celebrate with the money they've made but one of them comes down with a fever. It may be smallpox, (we are never told but apparently it isn't because they get released from quarantine, even though the guy dies). They wind up locked in a hotel, surrounded by the sheriff and his deputies. Rowdy and Bing Russell, (Kurt's father) lead a rebellion which Favor quashes. But then Favor tries to escape himself because he intends to use his money to buy a ranch and live there with his daughters but the sellers will sell to someone else if he doesn't deliver the money quickly. That is thwarted as well and he loses the ranch, this necessitating season five.
Showing this last episode a year later pokes holes in the continuity of the show. But the overall impression of these last three episodes is that Favor and his men just don't like or respect each other anymore and that punches a hole in the series until the next season.
Wagon Train: The Allison Justis Story (1960)
Wagon Train Season 4 Disc 1
Wagons Ho! Sep 28, 1960
The Horace Best Story Oct 5, 1960
The Albert Farnsworth Story Oct 12, 1960
The Allison Justis Story Oct 19, 1960
The fourth season of Wagon Train got off to a great start with a series of strong episodes. No one could know that Major Adams, (Ward Bond), would never make it to California. But the series had really hit its stride and its greatest days, (in the ratings, anyway), were still ahead.
Wagons Ho! Is a sequel to Season 3's The Greenhorn Story (Oct 7, 1959) and, unlike most sequels, this one is much superior. There's some of the goofy greenhorn gags of the first one but there's enough serious drama to make the character and the show deeper. It's really about the same trip out west as Mickey Rooney's character has written a book describing the previous year's journey and this episode is a series of flashbacks, bracketed by Rooney's reading of the text with tributes to the wagon train and the epic of opening the west. A non-funny episode is the finale when Rooney's wagon, with his pregnant wife in it, tumbles down a ravine and we see the engineering of the rescue operation by Major Adams and Flint McCullough. This part is particularly tense as Ward Bond and Robert Horton seem to be doing most of their own stunts and one cannot avoid thinking of Ward Bond's heart that was to fail him in a few weeks.
The Horace Best Story is the real beginning of the 4th trip across the country. Horace is a distant relative of Major Adams who wants to be a wagon master, just like his hero. He seems way to naïve and inexperienced for such a role. But that doesn't stop him. His real talent is as a wheeler-dealer. We winds up dominating the market for wagons, horses and supplies and even hires Flint McCullough, Bill Hawks and Charlies Wooster away from him. Major Adams wishes him well and gives him a long speech about all the difficulties of the drive and all the decisions a wagon master has to make and of the burden of caring for so many people. Horace gets intimidated by this and tried to skip town. He's brought back and decides to become a silent partner of Major Adams. It's as close to a wagon master as he'll ever get. It's a cute, very entertaining episode. One of the odd things I this episode is that a pre-Festus Ken Curtis has a role as a Seminole Indian, (they were transferred to Oklahoma territory by the government) but his lines are, for some reason, dubbed by Gobel. There's got to be a story behind this, but I don't know what it is.
The Albert Farnsworth Story starts out being pretty over-the-top but winds up being quite moving, (appropriate for a wagon train), even if doesn't make a lot of sense. Farnsworth is a British officer, played by the great Charles Laughton, who is a veteran of various British colonial wars. He has his loyal adjutant, played by James Fairfax and he's his only friend. Farnsworth doesn't believe in making friends, at least not quickly. That's obvious from the way he treats everyone on the train, including Major Adams, whom Farnsworth feels he out-ranks since he was a Lt. Colonel. The script introduces an Irish family to make the situation even more tense, including master of brogues Terrence de Marney, (who was actually a Londoner), and the excellent Gina Gillespie and his 9 year old granddaughter. It's unclear why Farnsworth and his adjutant are on the train until we learn late in the episode that they all get attacks of malaria and were hoping to find a place to live in sunny California to reduce the impact of the disease. It's also unclear why he has such an obnoxious personality why he is so bitterly arrogant. The only explanation seems to be that he's a British officer. Conveniently, he's also a doctor. When the Cheyenne tribe kidnaps Gina he offers his services to treat their smallpox outbreak. He somehow has a cure for it and secures the return of the child at the risk of his own life. Meanwhile his loyal adjutant has died of a gunshot wound. Thus, there is a combination of greater respect and sympathy for Farnsworth among the wagon train members and the view. He seems to be relaxing his obnoxious defenses against people he doesn't know and it ends with Farnsworth, Adams and de Marney's Irishman share a toast of Irish whiskey to the adjutant.
Allison Justis, (Gloria DeHaven), is an old flame of Flint McCullough's who has married a much admired man named, (appropriately), Ed Justis. He's the mayor of the town they live in and a former lawyer who got the current sheriff out of jail when he was sent to prison unjustly. Everybody loves the guy and he's well off financially. As Flint prepares to leave for the reunion, a man runs up and shouts "Horse Thief! Horsethief!". Flint, the major, Hawks and Wooster run to their remuda and se a man leading a horse away. Flint orders him to stoop. The man goes for his gun and Flint shoots him. They then examine his
Wallet. Flint sees a picture of Allison, looks at the man and sees he's just shot Ed Justis. But how could he be a horse thief? How can Flint tell Allison and her young son, (played by the excellent Michael Burns, in the first of several appearances before he becomes a regular), that he's killed Ed - and that Ed was stealing a horse?
Spoiler: It all comes down to the fact that nobody can recognize the guy who said there was a horse thief. It was somebody who wanted Ed shot as one. But that seems a strange murder plot: Take your mayor out to a wagon train, pretend to be selling him a horse and then go shout "Horsethief!" so somebody will shoot him while you get away?
By the way, the deputy is played by Edward G. Robinson Jr., although you could never have realized it. He totally lacks the old man's presence and charisma.
Rawhide: Reunion (1962)
Rawhide Season 4 Disc 7
The Child-Woman Mar 23, 1962
A Woman's Place Mar 30, 1962
Reunion Apr 6, 1962
The child-woman is a teenager cousin of Mushy's who has taken to the stage and sings well enough to bring in the customer's for Cesar Romeo's ruthless saloon owner. She's played by an outstanding you actress named Jena Engstrom who made a strong impression on several TV series of the early 60's, including Gunsmoke, Bonanza, Wagon Train and the Virginian. Then her acting career abruptly halted due to some unnamed illness at the age of 22. She's still alive and was married once, for 14 days in 1968. I don't know what her story was, (and it's not my business anyway), but she showed enough to think she might have been was a great loss to the acting profession. When the drovers come in on Mushy's side, Romero vows revenge, with the rebellious young woman as an ally - until she realizes the extent of the revenge. A good episode, primarily due to Engstrom.
A Woman's Place is not in the doctor's office, everyone thinks when Favor and his men bring an injured drover in. The doctor, played by Gail Kobe, not only butts heads with them but has already done so with everyone in the town, including Jacques Aubuchon, in a typically oily role as a quack who was using leeches to try to cure people. Then there's Mala Powers, a woman who thinks she's contracted leprosy and doesn't want to tell her husband, the town mayor, (Eduard Franz). When she tells him she's leaving him for a (non-existent) lover, he kills her. It all gets very complicated but it's fun watching the principles work their way out of it while Aubuchon riles the town against his competition.
Reunion brought back Sheb Wooley as Pete Nolan for a one-off episode. Pete's still a military scout who has to deal with Walter Pigeon playing a martinet similar to Henry Fonda's Colonel Thursday in John Ford's Fort Apache, only worst. He regards the Indian wars as a continuous thing and ignore any agreements that have been made with them, causing violence to be constantly renewed, which feeds his reputation as a great "Indian fighter". Meanwhile his son, (Darryl Hickman, in his second appearance on this show - he was a now-deceased bad guy in 'Incident of the Running Iron' 3/10/61), has graduated from West Point and been assigned to Pidgeon's command. He doesn't see why his father has to do the things he does and winds up being threatened with court martial by his father who sees him as weak. Meanwhile Favor and Pete try to avoid an Indian war, which would endanger the herd. The whole thing is very melodramatic, ending with Hickman and the Indian chief's, (Anthony Caruso, in another dignified, deep-voiced performance), son wind up dying in battle and falling next to each other, serving to draw the fathers together.
Wagon Train: The Shadrack Bennington Story (1960)
Wagon Train Season 3 Disc 10
The Charlene Brenton Story Jun 8, 1960
The Sam Livingston Story Jun 15, 1960
The Shadrack Bennington Story Jun 22, 1960
In 1955 Warner Brothers entered television. They invented the "wheel": multiple series alternating in one time slot: two shows based on famous Warner Brothers movies, Casablanca and Kings Row) and one a TV western called 'Cheyenne', which, to their surprise became a bit hit when the famous titles didn't. Warners then put Cheyenne in a series of wheels with other Warners shows, including 'Sugarfoot' and 'Bronco'. The advantage of this form was that they could film multiple episodes for those time slots at the same time, which was not just convenient but a necessity because Warners was also committed to making hour long dramas, which were unheard of on TV prior to this. When they devised a show called 'Maverick', about a traveling gambler, they decided to give Bret Maverick a brother, Bart. They became a 'wheel' within their own show, alternating episodes between the brothers for the same practical reason.
With the popularity of the Warner's hour shows, TV dramas switched from their traditional half hour formats to an hour. The two shows I'm following here, Rawhide and Wagon Train, were both hour shows with ensemble casts. They had stars: Eric Fleming as trail boss Gil Favor and Clint Eastwood as ramrod Rowdy Yates on Rawhide, Ward Bond as wagon master Seth Adams and Robert Horton as scout Flint McCullough on Wagon Train. But they also had strong supporting casts: Paul Brinegar as Rawhide's cook, sort of doctor and whatever else he needed to be, Wishbone, Sheb Wooley as their scout, Pete Nolan, Steve Raines as drover Jim Quince, James Murdock as Mushy, Wishbone's assistant, Frank McGrath as Adam's cook and whatever, Terry Wilson as Bill Hawks, Adams' second in command and whoever Wagon Train's 'story' was about this week. As these series have gone on, I've come to realize that they are 'wheels'. There are episodes that focus on one or more of these characters but not the others: clearly, they are being filmed simultaneously. There are more and more of these episodes that split the cast up rather than showing them dealing with the situations of the same episode all together.
Flint McCullough, (Robert Horton) does not appear in the last three episodes of Wagon Train's third season. It's known that Horton and Ward Bond were not getting along on the show. I've noticed that even in episodes in which they both appear, their scenes together are limited only to those that seemed necessary to the plot. Of course it could be that Horton was simply filming the episodes that focused on his character when these were done and the network just decided to show these episodes at the end, although the last two of them make specific reference to the journey to California coming to an end.
In the first one, Bill Hawks and Charley Wooster are going to two for supplies. A stage arrives with a woman who has died with her baby. A saloon keeper declares the cause to be the plague and nobody wants to care for the child. Charley overhears a sheep farmer saying that he's going to supply a lamb for a party and that he's going to "kill the kid". Charley misinterprets this and 'napps' the kid, hiding what turns out to be her in their wagon. Eventually the child is discovered and Charley, who has fallen for it refuses to give her up, even when her grandfather, (played by Raymond Bailey, shortly to be Mr. Drysdale on The Beverly Hillbillies). It's nice to see Frank McGrath get another chance to show his acting chops and not just be comic relief.
It was also nice to see the underrated Charles Drake, playing a Joel McCrea type role, get a chance to show what he can do. He plays an easy-going guy, (is there a more easy-going name than 'Sam Livingston'?), who tries to help a religious young woman, Abigail Newkirk, (Barbara Eiler), find a driver for the rest of the trip to California after her previous driver has joined a gold rush. But here's a darker side to the story. Sam hires an older man, Cass Fleming, (Onslow Stevens), who he claims to be a close friend of. Be goes along with the wagon and keeps insisting Cass stop at places they both knew - places where Cass had mistreated or cheated a younger Sam Livingston. It 's all going to come to a head and both Abigail, who has fallen for Sam, and Major Adams see it coming. A really good episode, not the sort that will be indelibly written on you memory but a well-conceived and executed drama. I was hoping this would have been the final show of the season.
Instead, we get David Wayne as Shadrack Bennington, a traveling salesman for patent medicine who joins the train and starts passing out his semi-alcoholic elixir and creating problems. Also, he has a pet lion. A young woman, (the beautiful Maggie Pierce, who was actually 28 when she filmed this, about a decade older than her character, but you wouldn't have known it) and a small boy fall for him. He doesn't want to get married or take care of a kid, so he discourages them. It turns out the boy's wealthy grandfather was the most famous of all patent medicine salesman and wants Shadrack to take care of the boy and the girl wants to become his assistant, so it all ends happily. It's a harmless but rather lightweight story to end the season. At least you get to see Major Adams pulling a lion's infected tooth!
The most memorable thing in it is Major Adams tribute to the journey west and the people who accompanied them on it. Having watched all the episodes of the season, (and the previous two), in order, I found it very moving. The fact that Major Adams would start out on another journey to open season four but would never get to California because Ward Bond died halfway though make it even more profound.
Rawhide: The Immigrants (1962)
Rawhide Season 4 Disc 6
Grandma's Money Feb 23, 1962
The Pitchwagon Mar 2, 1962
Hostage Child Mar 9, 1962
The Immigrants Mar 16, 1962
In 1955 Warner Brothers entered television. They invented the "wheel": multiple series alternating in one time slot: two shows based on famous Warner Brothers movies, Casablanca and Kings Row) and one a TV western called 'Cheyenne', which, to their surprise became a bit hit when the famous titles didn't. Warners then put Cheyenne in a series of wheels with other Warners show, including 'Sugarfoot' and 'Bronco'. The advantage of this form was that they could film multiple episodes for those time slots at the same time, which was not just convenient but a necessity because Warners was also committed to making hour long dramas, which were unheard of on TV prior to this. When they devised a show called 'Maverick', about a traveling gambler, they decided to give Bret Maverick a brother, Bart. They became a 'wheel' within their own show, alternating episodes between the brothers for the same practical reason.
With the popularity of the Warner's hour shows, TV dramas switched from their traditional half hour formats to an hour. The two shows I'm following here, Rawhide and Wagon Train, were both hour shows with ensemble casts. They had stars: Eric Fleming as trail boss Gil Favor and Clint Eastwood as ramrod Rowdy Yates on Rawhide, Ward Bond as wagon master Seth Adams and Robert Horton as scout Flint McCullough on Wagon Train. But they also had strong supporting casts: Paul Brinegar as Rawhide's cook, sort of doctor and whatever else he needed to be, Wishbone, Sheb Wooley as their scout, Pete Nolan, Steve Raines as drover Jim Quince, James Murdock as Mushy, Wishbone's assistant, Frank McGrath as Adam's cook and whatever, Terry Wilson as Bill Hawks, Adams' second in command and whoever Wagon Train's 'story' was about this week. As these series have gone on, I've come to realize that they are 'wheels'. There are episodes that focus on one or more of these characters but not the others: clearly they are being filmed simultaneously. There are more and more of these episodes that split the cast up rather than showing them dealing with the situations of the same episode all together.
In three of these four episodes Eric Fleming appears as Gil Favor only in the credits. One wonders if they were moving toward his leaving the series but that didn't happen until much later. In the first one, Clint Eastwood as Rowdy Yates encounters an old woman, (Josephine Hutchinson), in a wagon who is fearful of bandits. He agrees to accompany her to the nearest town. She turns out to be a con-woman who even robs a bank while smiling sweetly. Rowdy gets blamed for that and winds up in jail. Hutchinson's charm, (she's not all bad), and intelligence carry the episode.
In the Pitchwagon, Buddy Ebsen is a patent medicine hawker. He's being chased by Indians whoa re mad at him. The drovers save him but one of them is killed. Ebsen has enough of a conscience to want to do something for his family. The episode then morphs into two stories: one is a comic attempt to rip off a crooked and ruthless gambler, (Jack Elam) and a show Ebsen asks his former flame, (Joan O'Brien) to put on pretending to be Jenny Lind while he tries to get her to cut bait with her fiancé, (Hugh Marlowe). Somehow it all works out.
Hostage Child is another version of a common western theme: the blood-thirsty, glory-seeking military officer with a wife and second in command who don't see things his way. James Coburn plays the officer and Debra Paget is his wife. She has the same secret she had in Incident in the Garden of Eden (Jun 17, 1960), in which he was living the life of the daughter of a transplanted English aristocrat but was actually the daughter of his Indian servant. Here she's an Indian, loyal to the local tribe who pretended to be Mexican and married Coburn to try to calm his tendencies by having his child. When that fails, she takes the baby to her tribe after he threatens to wipe it out. The ending is fairly predictable. Coburn is over-the-top but Paget could act as well as looking incredibly beautiful.
The Immigrants is an absurd episode that actually gets off to a good start. A drover is sick and Wishbone is summoned by Jim Quince and new regular Clay Forrester, (Charles Gray). It turns out the drover and a cow have died of a fever and they three men have to quarantine themselves to see if they come down with it anthrax. If that's what it is, the end is near for all three of them. That's a splendid dramatic situation.
Unfortunately, it gets blown up when the men are taken prisoner by some gunmen with German accents who ignore their argument that they must be left alone and take them to their leader, a transplanted German 'Junker' (nobleman), who was disgraced by losing virtually all of his men in a battle and who now runs a cattle ranch in Texas. This man is played with preening arrogance by the excellent Dutch actor John Van Dreelen. He's never heard of anthrax but feels that his German cattle will be immune to it or that German medicine can cure it. He sets his prisoners to helping his men to build the mansion he intends to live in. When one of his men dies, he agrees that the cattle must be destroyed but, since the man was his cook, he now enlists wishbone as his cook. Meanwhile Forrester and Quince convince the Junker's men that that, since the Civil War, no person in America can be owned by anther, (a strange stand for them to take and hey they were in the Confederate Army) and convince them to rebel- even the housekeeper who is secretly in love with her boss. It all ends happily as the Junker is humbled and nobody has anthrax.
Wagon Train: The Luke Grant Story (1960)
Wagon Train Season 3 Disc 9
Wagon Train Season 3 Disc 9
The Dick Jarvis Story May 18, 1960
Dr. Swift Cloud May 25, 1960
The Luke Grant Story Jun 1, 1960
Dick Jarvis, (Tom Nolan, previously in "The Cappy Darrin Story"), is a supposedly crippled boy now crippled mostly by his over-protective mother, (Vivi Janiss, who appears in many radio shows of the period). Bobby Diamond, formerly on 'Fury', is a slightly older kid who has run away from a man who adopted him as an orphan just for the purpose of having a personal slave. The major has taken him in and he befriends Dick. But his mother thinks he'll be a bad influence. Not a really memorable story but a good one. I like the 'Tiny Tim' meets 'Oliver Twist' reference
'Dr. Swift Cloud' is a sequel, (as you might expect) to 'The Swift Cloud Story' (4/8/59), in which Major Adams made peace with an Indian chief by promising to bring his son to a doctor who could cure him of his limp. Not only did that happen, but the son decided to become a doctor himself. He arrives back at the wagon train just after an Indian attack where a boy, (Brad Morrow), has just lost his mother and may lose his wounded father. Emotions are running high and the boy refuses to let an Indian touch his father. He's backed up by some angry wagon train members, led by Dabbs Greer, (ironically, the boy is named Dabbs). Dr. Swift Cloud is driven away and proceeds to his tribe, where he finds that his father is dying from a bullet wound received in the same battle. Maybe he can save him with his new medical knowledge. But the tribe's medicine man, (Francis McDonald) sees him as a threat, not only to his position but that of his son, (Phillip Pine), who would be Swift Cloud's rival for the chieftainship. Swift Cloud finds his much-need expertise rejected in one camp because he's an Indian and in another because he's learned from the whites. Two twists here: Usually the intolerant Indian is a young rival for the chieftainship who hates the whites and wants war. The old chief is wiser and wants peace. Here it's the old man who is intolerant and ambitious and it's the young man, (the usually villainous Pine), who becomes tolerant and magnanimous.
The Luke Grant Story is similar to the Andrew Hale Story, (6/3/59) with Donald Woods this time as a preacher who has lost his faith. In the former story, it was because Hale had led his flock into an ambush of which he was the only survivor. In this one his wife left him and his congregation rejected him because of the scandal his wife caused. This seems a weak reason to lose faith in God and life itself. I'm not religious and believe that our religions are products of our imaginations. This man seems to have imagined a God who would not allow such things to happen to him. As ye sew, so shall ye reap.
Suddenly a wagon full of beautiful Hollywood starlets arrive. They are a signing group who ask to join the wagon train to get to their next gig. (Is that how such a troupe would travel in the old west - with no male accompaniment?). By the sort of coincidence that can only happen on television, the leader of the group, Joan O'Brien, is an old flame of the preacher - the one he really wanted to marry. Flint is in charge of the wagon train. Major Adams is off somewhere: they don't say where. But when Indians attack, they are routed by the cavalry, led by Major Adams. This and the singing of hymns by the troupe of starlets reconverts Woods to his old faith. It ends with McCullough giving the major a hard time for deserting the train to "go play solider" in an unconvincing scene. Since when does Major Adams desert the train when it's under threat to go get the cavalry? That's Flint's job. And if God sent the cavalry to save Wood's train from the Indians, why did he do that for Andrew Hale?