When originally told, that i would be viewing what is considered to be one of the most renowned, and for lack of a better word..."classic" adaptations around, I was intrigued...
I was equally assumptive...already expecting a traditional, over-dramatic rendition followed by a painful theme accompanying a string of credits, and an overly-verbose post-view commentary. Which, admittedly may have not been the ideal prospect, but it was bearable, nonetheless.
So, you could only imagine my surprise, when i found myself, already mesmerized by an almost surreal, yet stunning...opening sequence. That is to say; it pulled me in. Each character, larger than life, and rich in breath. Their tension was palpable, sorrow was painful, and of course the antagonist was HATED. The cast was not just 'in the moment' rather, i was immersed...in their moment. At times, the striking visuals, foreboding shadows, and interesting close-ups brought about a sinister depth of a darker humanity. It was as daring, as expressive.
With the cozy familiarity of a period-drama, and the refreshing transition, only a great 'short' can have...Piana didn't just adapt the story. His, undoubtedly patient, and keen eye, sleight of hand perspective, and soulful intent, welcomed us... into HIS world.