IMDb RATING
6.0/10
2.8K
YOUR RATING
Billy, his parents, siblings and neighbors have their fair share of accidents in 1974 and 1982. Boys will be boys.Billy, his parents, siblings and neighbors have their fair share of accidents in 1974 and 1982. Boys will be boys.Billy, his parents, siblings and neighbors have their fair share of accidents in 1974 and 1982. Boys will be boys.
- Awards
- 2 wins & 2 nominations
Harrison Sloan Gilbertson
- Billy Conway
- (as Harrison Gilbertson)
Katrina Retallick
- Connie Conway-Kellywood
- (as Katrina Retalick)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGeena Davis's first live-action film in seven years.
- GoofsWhile Billy Conway is delivering a cake to his neighbor Doug Post, from the angle looking out of the house once Doug opens the door. We see Billy standing there with the cake and a there is a large portion of the microphone along with the crew's fingers holding the mic just below the cake.
- Quotes
Billy Conway: Mom's in the hospital. They took a lot of her female stuff out, like her filipino tubes. Everything except her Aunt Mildred.
- ConnectionsReferenced in Behind the Scenes of 'Drown' (2015)
- SoundtracksDreaming
Written by Debbie Harry
composed by Chris Stein
Performed by Blondie
courtesy of Chrysalis Records
Featured review
Accidents Happen – Sydney Film Festival, June 2009 I was sold on this film by a description of Geena Davis who "shines as the screwball mother". The SFF program seemed to promise a screwball family comedy, with Davis' fearlessness in performance carrying the required bravado. So I was surprised when the opening sequence, a slow-motion shot of a playing child interrupted by an elderly neighbour accidentally barbecuing himself, suggested another tone was in the offing: a coming-of-age black comedy. That combination works well here.
To labour the labeling a little, ladling on a portmanteau, ACCIDENTS HAPPEN is a 'dramedy'. It's a realistic story of an early 80s suburban family unit fractured by an auto accident. The emotional weight of their tragedy squeezes absurdity out of the cracks in their stasis. Gloria Conway (Davis) turns her rapid-fire wit to lashing her 'useless' ex-husband but that is clearly a losing game for her as she is not much more on top of her grief for their lost children than he is.
The relationship between surviving but bereft younger son Billy and his ballsy mother is the meat of the film. They present a remarkably compelling take on an interdependent relationship. They made me really care that they would work it out, and a refreshing change from the common film stereotype of merely alienated teens.
The film overall is a showcase of great characterization through screen writing and performances, not just from the poised teen-aged leads but also minor characters like the barbecue-induced widow Mrs Smolensky. She steps startlingly out of being a background character in the payoff scene at the film's end.
That final sequence also left me backpedaling on conclusions I leapt to earlier about the film's symbolism. Up until that point, the crucial role of a bowling ball in the plot lent itself to symbolism of emotional baggage, a crushing burden to carry and destructively out of control when neglected. That ball's ultimate destination revealed over the end-credits indicates the authors either didn't have that in mind, or were pointing us to some other significance entirely. Comments here suggesting what that significance might be are very welcome.
Originally posted at http://moviebookchats.posterous.com/movie-review-accidents-happen
To labour the labeling a little, ladling on a portmanteau, ACCIDENTS HAPPEN is a 'dramedy'. It's a realistic story of an early 80s suburban family unit fractured by an auto accident. The emotional weight of their tragedy squeezes absurdity out of the cracks in their stasis. Gloria Conway (Davis) turns her rapid-fire wit to lashing her 'useless' ex-husband but that is clearly a losing game for her as she is not much more on top of her grief for their lost children than he is.
The relationship between surviving but bereft younger son Billy and his ballsy mother is the meat of the film. They present a remarkably compelling take on an interdependent relationship. They made me really care that they would work it out, and a refreshing change from the common film stereotype of merely alienated teens.
The film overall is a showcase of great characterization through screen writing and performances, not just from the poised teen-aged leads but also minor characters like the barbecue-induced widow Mrs Smolensky. She steps startlingly out of being a background character in the payoff scene at the film's end.
That final sequence also left me backpedaling on conclusions I leapt to earlier about the film's symbolism. Up until that point, the crucial role of a bowling ball in the plot lent itself to symbolism of emotional baggage, a crushing burden to carry and destructively out of control when neglected. That ball's ultimate destination revealed over the end-credits indicates the authors either didn't have that in mind, or were pointing us to some other significance entirely. Comments here suggesting what that significance might be are very welcome.
Originally posted at http://moviebookchats.posterous.com/movie-review-accidents-happen
- moviebookchats
- Jun 27, 2009
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Şeytan karışmış
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- A$6,000,000 (estimated)
- Gross worldwide
- $36,857
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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