In 1947, having abandoned his faith, Father Merrin joins an archaeological excavation in Kenya, where an ancient church has been unearthed and something much older waits to be awoken.In 1947, having abandoned his faith, Father Merrin joins an archaeological excavation in Kenya, where an ancient church has been unearthed and something much older waits to be awoken.In 1947, having abandoned his faith, Father Merrin joins an archaeological excavation in Kenya, where an ancient church has been unearthed and something much older waits to be awoken.
- Awards
- 6 nominations
Israel Oyelumade
- Jomo
- (as Israel Aduramo)
Lydia Darly
- Sebituana's Wife
- (as Lidia Darly)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBoth William Peter Blatty and Paul Schrader were nearly thrown out of this film's premiere for loudly laughing during the screening.
- Goofs(at around 1h 19 mins) Father Gionetti gives Father Merrin a copy of the Rituale Romanum (Roman Ritual). (The administration of exorcism is in Title X of the Rituale Romanum.) The title of the book embossed on its leather cover is "Roman Ritual", in English. Later in the film (at around 1h 35 mins), Father Merrin asks Joseph to help him by reading passages of the book, and we are shown a couple of printed pages, the text of which is also in English. The Rituale Romanum would have been printed in Latin in 1949, when the film is set, because vulgar translations of liturgical texts were not authorized until the promulgation of the Sacrosanctum Concilium (Constitution on the Sacred Liturgy) by Pope Paul VI on 4 December 1963, as part of the Second Vatican Council.
- ConnectionsEdited into Dominion: Prequel to the Exorcist (2005)
Featured review
Here's a film which had a more interesting story behind the cameras rather than on the screen. This beleaguered production originally had Paul Schrader directing, but studio bosses were unhappy with his more intellectual interpretation of the events so they hired go-to guy Renny Harlin for extensive reshoots that amped up the gore content. What emerges is a troubled, visceral production with occasional flashes of greatness. Overall it's a let down, with a sense of what could have been rather than what is.
The film sets off on a poor footing with some extremely bad CGI work of a huge landscape. These kind of schlocky effects periodically turn up and are laughed off screen every time they appeared; a scene involving CGI-ed jackals is particularly bad. The ensuing story is choppy and disjointed, building up a series of portentous moments and religious iconography and then backing away from them. There's also a lot of bad taste stuff involving plague victims, a stillborn birth and colonial racism.
As the sort-of youthful Father Merrin, Stellan Skarsgard is a bit of a mixed bag. He's suitably tough, but his icy exterior never cracks for an instant, meaning it's difficult to feel any sympathy for him. He's supported by a bland James D'Arcy, a pretty-but-wasted Izabella Scorupco and two cameos from Ben Cross (a neat bit of casting, seeing as he himself played an exorcist in THE UNHOLY) and David Bradley. More fun is Alan Ford (SNATCH) as a delightfully scuzzy deadbeat.
Finally, after a lot of spectacle and not a great deal of sense, the film plays its true hand in the last twenty minutes. Here it becomes a full blown EXORCIST copy, complete with an extended and dramatic showdown between good and evil and not bad makeup effects. In actual fact I didn't mind the ending, it may be cheesy but at least there's stuff going on. I wish, thought, that it hadn't taken so long to get there – it's one of those films which is all build up and little actual climax. This isn't a particularly great film, but it isn't particularly bad either; just kind of so-so.
The film sets off on a poor footing with some extremely bad CGI work of a huge landscape. These kind of schlocky effects periodically turn up and are laughed off screen every time they appeared; a scene involving CGI-ed jackals is particularly bad. The ensuing story is choppy and disjointed, building up a series of portentous moments and religious iconography and then backing away from them. There's also a lot of bad taste stuff involving plague victims, a stillborn birth and colonial racism.
As the sort-of youthful Father Merrin, Stellan Skarsgard is a bit of a mixed bag. He's suitably tough, but his icy exterior never cracks for an instant, meaning it's difficult to feel any sympathy for him. He's supported by a bland James D'Arcy, a pretty-but-wasted Izabella Scorupco and two cameos from Ben Cross (a neat bit of casting, seeing as he himself played an exorcist in THE UNHOLY) and David Bradley. More fun is Alan Ford (SNATCH) as a delightfully scuzzy deadbeat.
Finally, after a lot of spectacle and not a great deal of sense, the film plays its true hand in the last twenty minutes. Here it becomes a full blown EXORCIST copy, complete with an extended and dramatic showdown between good and evil and not bad makeup effects. In actual fact I didn't mind the ending, it may be cheesy but at least there's stuff going on. I wish, thought, that it hadn't taken so long to get there – it's one of those films which is all build up and little actual climax. This isn't a particularly great film, but it isn't particularly bad either; just kind of so-so.
- Leofwine_draca
- Feb 23, 2011
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Exorcist IV: The Beginning
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $41,821,986
- Opening weekend US & Canada
- $18,054,001
- Aug 22, 2004
- Gross worldwide
- $78,110,021
- Runtime1 hour 54 minutes
- Color
- Sound mix
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