In Talladega Nights, Will Farrell and Jon C. Reilly head a nicely assembled cast (without a lot of star power) in a story about a fool who happens to be a race car driver and who has based his entire life philosophy around a phrase uttered by his alcoholic father during a drunk - "If you ain't first, you're last". Ricky Bobby rides high in his largely unexamined life until, predictably, he eventually crashes hard when confronted with a gay French intellectual who just might be a better driver than he is, and a boss who does not appreciate his arrogance.
Talladega Nights uses a narrative and editing style reminiscent of the brilliant Deathrace 2000 to create an entirely different effect - unlike Deathrace 2000's intellectually challenging political and social commentary, Talladega Nights is a simple absurdist comedy played out by several stereotypes in the contemporary racing entertainment industry. The film is successful largely because of it's careful plotting and occasional substitution of slap-stick for (dumb) dialogue driven comedy. The script is nothing special, but was probably well edited in the final construction of the film in order to emphasize its occasional moments of brilliance. If you go into this without much in the way of expectations, you just might enjoy it.
Talladega Nights uses a narrative and editing style reminiscent of the brilliant Deathrace 2000 to create an entirely different effect - unlike Deathrace 2000's intellectually challenging political and social commentary, Talladega Nights is a simple absurdist comedy played out by several stereotypes in the contemporary racing entertainment industry. The film is successful largely because of it's careful plotting and occasional substitution of slap-stick for (dumb) dialogue driven comedy. The script is nothing special, but was probably well edited in the final construction of the film in order to emphasize its occasional moments of brilliance. If you go into this without much in the way of expectations, you just might enjoy it.