Before “The Kings of the World,” the latest feature from Colombian writer-director Laura Mora, inserts us in the bustling streets of Medellín, where teenagers wield machetes to protect themselves, a shot of a fairy-tale-appropriate white horse introduces the dreamlike atmosphere of this .
Homeless and with no blood family to guard them, the young souls at the forefront of this electrifying social drama fend for themselves in a gritty urban environment. Their only comfort comes from the brotherly affection they display for one another. That state, caught between tenderness and violence as they navigate an inhospitable reality, defines the visceral energy of “The Kings of the World,” Colombia’s most recent Oscar entry.
The leader of the group, 19-year-old Rá (Carlos Andrés Castañeda), has just learned that the land his grandmother was forcefully evicted from many years in the past has finally been returned to him, the sole heir, as part...
Homeless and with no blood family to guard them, the young souls at the forefront of this electrifying social drama fend for themselves in a gritty urban environment. Their only comfort comes from the brotherly affection they display for one another. That state, caught between tenderness and violence as they navigate an inhospitable reality, defines the visceral energy of “The Kings of the World,” Colombia’s most recent Oscar entry.
The leader of the group, 19-year-old Rá (Carlos Andrés Castañeda), has just learned that the land his grandmother was forcefully evicted from many years in the past has finally been returned to him, the sole heir, as part...
- 1/10/2023
- by Carlos Aguilar
- Indiewire
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