- Born
- Died
- Birth nameChristian Ludolf Ebsen Jr.
- Height6′ 3¼″ (1.91 m)
- Buddy Ebsen began his career as a dancer in the late 1920s in a Broadway chorus. He later formed a vaudeville act with his sister Vilma Ebsen, which also appeared on Broadway. In 1935 he and his sister went to Hollywood, where they were signed for the first of MGM's Eleanor Powell movies, Broadway Melody of 1936 (1935). While Vilma retired from stage and screen shortly after this, Buddy starred in two further MGM movies with Powell. Two of his dancing partners were Frances Langford in Born to Dance (1936) and Judy Garland in Broadway Melody of 1938 (1937). They were a little bit taller than Shirley Temple, with whom he danced in Captain January (1936). MGM studio chief Louis B. Mayer offered him an exclusive contract in 1938, but Ebsen turned it down. In spite of Mayer's warning that he would never get a job in Hollywood again, he was offered the role of the scarecrow in The Wizard of Oz (1939). Ebsen agreed to change roles with Ray Bolger, who was cast as the Tin Man. Ebsen subsequently became ill from the aluminum make-up, however, and was replaced by Jack Haley. He returned to the stage, making only a few pictures before he got a role in the Disney production of Davy Crockett: King of the Wild Frontier (1955). After this, he became a straight actor, and later won more fame in his own hit series, The Beverly Hillbillies (1962) and Barnaby Jones (1973).- IMDb Mini Biography By: Stephan Eichenberg<eichenbe@fak-cbg.tu-muenchen.de>
- SpousesDorothy Ebsen(March 3, 1985 - July 6, 2003) (his death)Nancy Craft Wolcott(September 6, 1945 - 1985) (divorced, 5 children)Ruth Margaret McCambridge(July 10, 1933 - January 15, 1945) (divorced, 2 children)
- Children
- ParentsFrances EbsenChristian Ludolph Ebsen Sr.
- RelativesRylee Jean Ebsen(Grandchild)Bobby Dolan(Niece or Nephew)
- Towering height.
- White hair & elderly appearance
- Thick, croaky commanding voice.
- A few of his characters have a folksy, friendly personality.
- After seeing Ebsen in Breakfast at Tiffany's (1961), the creator of The Beverly Hillbillies (1962) wanted him to play family patriarch Jed Clampett. At the time, Ebsen was thinking of retiring, but the producers sent him a copy of the script, and he changed his mind.
- Ebsen had a unique Disney connection. It was Disney that hired him in 1955 for the Davy Crockett series that ended an almost 20 year absence from leading movie roles after he rejected MGM's 1938 contract offer. Disney, however, appears to have always been a "good luck" charm for Ebsen. In his first film, Broadway Melody of 1936, in his first scene he is wearing a Mickey Mouse sweater. Ebsen appeared just a few years later in the followup film, Broadway Melody of 1938. In the second scene in which he appears, he is wearing a Donald Duck sweater/shirt.
- Originally cast as the Tin Man in The Wizard of Oz (1939), Buddy had a severe allergic reaction and was hospitalized as a result of inhaling aluminum powder used as part of his make-up. One chorus of "We're Off to See the Wizard" in the movie and soundtrack album retain Ebsen's original vocals as the Tin Man, recorded before he was forced to leave the production. Because of the prolonged hospitalization, he was replaced by Jack Haley (whose reformulated make-up used pre-mixed aluminium dust), and Ebsen's scenes were re-shot using Haley. Footage of Ebsen as the Tin Man still exists, and was included as an extra with the U.S. 50th anniversary video release of The Wizard of Oz (1939).
- Initially wanted to become a doctor. He took premed courses at Rollins College ( Winter Park, Florida) and the University of Florida, but his mother persuaded him into show business.
- An outspoken Republican, he helped defeat Nancy Kulp, his co-star in The Beverly Hillbillies (1962), in her 1984 Democratic congressional bid in Pennsylvania. Ebsen made radio ads for her opponent accusing Kulp of being "too liberal" and not good for the district. The two did not speak for years after the incident, but eventually settled their differences.
- You take a blank piece of paper and, whatever you're thinking, you write it down. I'm very satisfied if, in my mind, it increased the value of the paper. That's what writing should do. It should increase the value of the paper.
- [Commenting on having written a romance novel at age 93]: "There are a lot of me's."
- You get more negative reactions than positive reactions as you go through life, and the big lesson is nobody counts you out but yourself...I never have, I never will.
- 'As the twig is bent, so grows the tree.' Often the values of the influences imposed on us by our mothers and fathers, our teachers and certain friends, are not realized until years later, when we, as a sailor does, look back at our wakes to determine the course we have steered that got us to where we are. Today when I look back, then look around me to see with whom I am standing, I fully realize the influence on my life that must be credited to DeMolay.
- [When asked why he had returned to the rigors of a weekly show (Matt Houston (1982)), at the age of 76. (1984)]: "I'm used to getting up at dawn and going to the studio to be with my pals on the set. It's my lifestyle and I wouldn't trade it for any other."
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