jedly Reviews

Rogue One: A Star Wars Story (2016)

A long time ago in a galaxy far, far away some rebels stole some plans

[9/10 · 17 December 2016]

A long time ago in a galaxy far, far away… there was The STAR WARS franchise's first spin off live action motion picture titled ROGUE ONE: A STAR WARS STORY (2016). And, while this isn't included in the "saga" of episodes, it is for all intents and purposes the 'prequel to STAR WARS EPISODE IV: A NEW HOPE. As previously reported numerous times it does not have the 'crawl', but it is still very much a Star Wars film.

Galen Erso (Mads Mikkelsen) is the Imperial engineer tasked with designing and building the Empire's new space station. Instead, he flees with his family. After being hunted down by the Director of Advanced Weapons Research for the Imperial Military,Orson Krennic (Ben Mendelsohn) his wife, Lyra (Valene Kane) is killed, their daughter, Jyn (Felicity Jones) narrowly escapes capture. She is rescued by Saw Gerrera (Forest Whitaker). Fifteen years pass by until the Rebels learn of Jyn, her whereabouts, and connection to this new super threat. In an effort to gain access to Galen in the hopes of finding a weakness to the Death Star, they recruit her.

Rogue One is a dark film, but it isn't without lighter moments, even among some of the more stoic characters. K-2SO (Alan Tudyk), a reprogrammed imperial droid is a more sarcastic, less naive version of C3PO. Cassian Andor (Diego Luna) is a Rebel Alliance Captain s almost a darker, gritty version of Han Solo. Chirrut Îmwe (Donnie Yen) is a blind warrior who believes in the Force but doesn't quiet channel it like a Jedi. Baze Malbus (Jiang Wen) is also a warrior and mercenary. He is also Chirrut's best friend. Bodhi Rook (Riz Ahmed) is a defected Imperial pilot who has vital information about Galen's location, and then becomes part of this rag tag group of Rebels.

While all of the cast has something to do, and are all more than two dimensional characters, Jyn is the breakout star of this show. She is the protagonist of this tale. She's the strong, intelligent hero Hollywood needs, and Jones rises to the challenge. Part of me believes Jyn could wipe the floor with both Padme and Leia working together. It's a very physical role. There's a lot of running, fighting, shooting a little of parkour, and I can't tell you how many times Jyn had a pull herself up from the side of a ledge.

Director Gareth Edwards and crew need to be praised. They masterfly meld the the 1977 STAR WARS feel with a 2016 flare. It's one of the most visually stunning Star Wars films. Also, despite the fact that we know that the crew of Rogue One successfully delivers the Death Star plans to the Alliance (There wouldn't be Episode IV if they didn't.) they still manage to give enough tension to keep the audience on edge especially for the last half hour.

All in all, I loved this film, especially geeking out at the cameo appearances. (There are several.) Dare I say, it was even better that THE EMPIRE STRIKES BACk.

DC's Legends of Tomorrow: Out of Time (2016) Season 2, Episode 1

The Legends are back, and there headed to 1942, and trouble....again.

[7/10 · 14 October 2016]

With the Time Masters gone, the team from LEGENDS OF TOMORROW (2015- Present), season two, OUT OF TIME, now travel through time in an effort to repair aberrations in the time stream. Due to Rex Tyler's (Patrick J. Adams) advice the team decides to avoid going to 1942. Unfortunately, after they learn that an atomic bomb has been detonated in New York, so it's off to New York to rescue Albert Einstein (John Rubinstein).

The show, despite it's generally formulaic plots, is fun... at times. They travel through time, so each episode is in a different location, and time period. Also, there's a large cast. This, I believe, is both a blessing and curse.

On the one hand, there's plenty of character specific story lines to explore. On the other hand, sometimes one or more main cast member will be thrown into a useless plot line just to get them out of the way for a bit. "Jefferson Jackson (Franz Drameh), go fix the time ship. It's broken again."

I really like shows with actors who share great chemistry with one or more of their co-stars, but I haven't really seen that in this show. Don't get me wrong, the acting is good. At times, really good. They try to create bonding and/or conflict, but there's just something lacking-- a natural, symbiotic flow.

This isn't the only show that experiences this. In fact, seeing actors share that glow between them is rare. The only CW show I've seen it in is SUPERGIRL, with Chyler Leigh and Melissa Benoist. Which, thinking about it, actually might have more to do with Melissa Benoist's personality and acting ability, because she has it with Calista Flockhart and Grant Gustin as well.

The decision to bring back both Damien Darhk (Neal McDonough) and Eobard Thawne (Matt Letscher) doesn't really sit well with me. They were good villains when they were on ARROW and THE FLASH, but come on! Endless time and DC Comics rogues gallery, and they keep bring back villains that have already been defeated? Lazy writing….

When it's all said and done, LEGENDS OF TOMORROW is a pretty decent show. Time Travel and a large cast opens up the endless possibilities. It boils down to how creative the writers are. They need to work on that.

Supergirl: The Adventures of Supergirl (2016) Season 2, Episode 1

Superman comes to town are a mysterious Kryptonian ship crashes in National City

[9/10 · 11 October 2016]

SUPERGIRL (2015-Present) is back and on a new network--The CW. I was happy with the idea of the move from CBS to The CW. SUPERGIRL, although it takes place in an alternate reality, the series has the same show runners as ARROW, THE FLASH, and LEGENDS OF TOMORROW. Future crossover shows are being planned.

After Kara Danvers/ Kara Zor-El/ Supergirl (Melissa Benoist) and J'onn J'onzz/Martian Manhunter/ Hank Henshaw (David Harewood) find a downed Kryptonian craft and it's unconscious pilot, they return to the DEO (Dept of Extranormal Operations).

Meanwhile, Kara and James Olsen (Mehcad Brooks) have a first date, which is interrupted when a commercial spacecraft, The Venture, malfunctions. However, Supergirl isn't the only hero to the rescue. Superman/ Clark Kent (Tyler Hoechlin) joins the rescue effort.. They soon uncover a much larger plot; one involving a never seen Lex Luthor who hires assassin, John Corbin (Frederick Schmidt), to kill his adopted sister Lena Luthor (Kate Mcgrath) who is taking over Lexcorp in the hopes of atoning for her brother's misdeeds.

This episode, aptly titled ADVENTURES OF SUPERGIRL, was nothing short of spectacular. It was about forty some odd minutes of action, adventure, comedy,and drama. Most of all it was fun. I didn't want it to end.

Have been very pleased with the acting and the chemistry emanating from this cast, specifically the relationship between Kara and her adoptive sister, Alex (Chyler Leigh). This duo has very strong on screen chemistry that I find very appealing. After a strong plot line, I love seeing actors that just have this incredibly strong bond on screen. It almost feels like Benoist and Leigh have known each other for years.

I also love the evolution of the relationship between Kara and her boss, Cat Grant (Calista Flockhart). Flockhart expertly totes the line between THE DEVIL WEARS PRADA and the pushy "big sister" who really does want nothing but the best for her younger counterpart, and will continue to push her to success. Since the show has moved filming from LA to Vancouver, Flockhart will now only be a recurring cast member, which is a bit of a shame.

As stated, Superman has a guest starring role in this week's (and next) episode. A few months ago, The CW released a poster of Supergirl and Superman. Hoechlin didn't look all that bad. I liked it. What really got my attention, though was the two minute clip of them in action.

Tyler Hoechlin doesn't disappoint. He actually seems to channel both Dean Cain and Christopher Reeve. This version of Superman is approachable, kind, and even cracks a few small jokes. At one point, Clark and Kara are in the elevator with a another female occupant, and Clark has an accidental clumsy mishap. Later, Kara notes that Clark really has the act down. He responds by saying that he had meant to do that.

This was a terrific second season premiere, and the best episode since The Flash came to town. It's everything a primetime superhero show should be, and I'm very much looking forward to the next episode.

Westworld (2016–2022)

Westworld, a western adult theme park begins to malfunction.

[8/10 · 10 October 2016]

WESTWORLD (2016) is a science fiction drama TV show that takes place in fictional Westworld, a technologically advanced, Western- themed amusement park populated completely by androids referred to as "Hosts". Westworld's visitors are known as "Newcomers", who can do whatever they wish within the park, without fear of retaliation from the Hosts.

The fact that "Newcomers" can do whatever that want to the "Hosts" is disturbing. It's primal Rape, murder, mutilation--it's all fair game. Westworld allows "Newcomers" to throw their morals away. Everything we've fought to overcome as a society is ignored.

We sort of already live in a reality based society. Folks seem more at home with what's going on with "Reality TV" rather than what's actually going on in the real world. Even the 'news programs" sell sensationalism. If we can achieve the level of technology Westworld has this show won't be fiction. The series, originally conceived as a movie written and directed by Michael Crichton in 1973, despite being fiction, is definitely we're only decades away from.

The first episode, and probably the series, deals with several malfunctioning 'Hosts" which as seemingly caused by a recent software update. As the episode progresses, it leads the audience to believe that this software malfunction could lead to the "Hosts" becoming self aware, and possible a danger to the "Newcomers."

The idea of technology getting away from us, and our creations taking revenge isn't a new concept, but this show is still intriguing. Maybe it will actually teach us a lesson we'll listen to.

Timeless: Pilot (2016) Season 1, Episode 1

A criminal steals a time machine, and three people are sent to stop him from changing history.

[8/10 · 9 October 2016]

TIMELESS (2016-Present) Is a new sci-fi drama with the pilot episode plot focusing around an experimental time machine which is stolen by a criminal named Garcia Flynn (Goran Višnjić), a trio consisting of history professor/anthropologist Lucy Preston( Abigail Spencer), Master Sergeant Wyatt Logan (Matt Lanter), and engineer and time travelling pilot Rufus Carlin (Malcolm Barrett) are sent back in time using a prototype machine to capture him. However, they soon realize that Flynn and his associates are attempting to rewrite American history.

I actually really liked the pilot episode. Carlin is reluctant to travel back because he's black, and he shares some major secret with the time machine's creator, Connor Mason (Paterson Joseph). Logan might military, but he acts more out of impulse and emotion, and Preston shares a yet to be revealed secret with Flynn. The main cast is rounded out with Agent Denise Christopher (Sakina Jaffrey), because until the time machine was stolen, the government didn't know it existed, let alone that it isn't even the first one built.

Of course time travel always come with a price. This isn't like DOCTOR WHO where there are fixed points in time that can't be changed no matter what happens. If something in the past is changed, there's consequences

The episode does have some personal tidbits, but there's only so much that you can cover in an hour. Enough seeds were planted to raise interest. I'm hoping that some of these "secrets" are revealed sooner rather than later.

All in all, the plot is solid and the acting is good. I'm looking forward to the next episode.

Arrow: Legacy (2016) Season 5, Episode 1

Arrow returns for a fifth season...

[7/10 · 8 October 2016]

Arrow (2012-present) is back for a fifth season, and it was, what it was. These shows are starting to feel like those old 8-bit video games. The hero fights through the level (AKA each season) to then fight the end boss. Each preceding level gets harder and harder. Very formulaic , and some what predictable.

Episode one, LEGACY, has Oliver Queen (Stephen Amell) both as Green Arrow and as mayor of Star City, although the former occupies more of his time. Also back is is younger sister, Thea (Willa Holland) who has given up her "Speedy" persona, and now only works on his mayoral staff. . Felicity Smoak (Emily Bett Rickards) is still Overwatch, but her romance with Oliver is smoke. John "Dig" Diggle (David Ramsey) has gone back to the army, and no longer fights with the Arrow. Former 'Police Captain' Quentin Lance (Paul Blackthorne) has completely fallen off of the wagon. Although, it does look like Curtis Holt (Echo Kellum) will have a much more active role this season, beyond that of snappy comic relief.

All in all; the episode was OK. I'm a little tired of the flashback scenes, as I think are many people. Of course, there are a couple of new villains, but it remains to be seen if they actually have any lasting impact beyond that of just another 'end level boss'.

With the promise of assembling a new Team Arrow comes new faces. I hope they can add a new dynamic to the show, and shake things up a bit. As of right now, I'm sort of losing interest, but I've invested this much….For now, I'll keep watching.

The Flash: Flashpoint (2016) Season 3, Episode 1

It's FLASH POINT and everything in Barry Allen's life has changed, but not all for the better.

[7/10 · 7 October 2016]

THE FLASH (2014-Present) returns for a third season, and it's not really with a bang. It tries too, but the premiere episode, FLASHPOINT, doesn't make much of a splash. With the death of Barry Allen's/The Flash (Grant Gustin) father, Dr. Henry Allen (John Wesley Shipp, who also played Barry Allen/ The Flash in the 1990 series.), at the end of season two, Barry uses the speed force to travel back in time to prevent his mother, Nora Allen's (Michelle Harrison) death at the hands of Eobard Thawne/ The Reverse Flash (Matt Lescher).

He succeeds. Both parents are alive, well, and in love. However, there's a cost for his personal happiness. Detective Joe West (Jesse L Martin) is a drunk and not speaking to his daughter. Iris West (Candice Patton) is a reporter, as before is a reporter, but she barely knows Barry. Cisco Ramon (Carlos Valdes) is a tech billionaire, Caitlin Snow (Danielle Panabaker) is an opthamologist, and Wally West (Keiynan Lonsdale) is now Kid Flash.

FLASHPOINT essential circles back to old themes and stories. It separates Barry and Iris, again. It forces Barry to choose duty over love, again.

The show feels very formulaic. There's the usual will they/ won't they get together, and the villain of the week/ story arc, but there's very little guess work. The show works, somewhat, because it's it's not as dark as ARROW or LEGENDS OF TOMORROW. The cast has great chemistry. I really do love the cast. All of the performances are strong, and never really just dialed in, but this show sort of needs some pizazz. The writers are getting a bit lazy.

All said and done, it's the actor who carry the show, and since I'm invested I'll keep watching

Elementary: Folie a Deux (2016) Season 5, Episode 1

A bomber threatens Queens

[6/10 · 5 October 2016]

ELEMENTARY (2012-present) is back for a fifth season, and it premiered low again. It's been flirting with cancellation for several seasons now, but until now it's managed to avoid the chopping block. The show seems tried; stories just formulaic, and the acting seems dialed in. It's a shame, because both Lucy Liu and Jonny Lee Miller are great actors. The chemistry is still there, sort of, but who cares?

They only spend like five minutes on the personal stuff, anyhow. OK, OK...That's an exaggeration, but most of the show is spent on the case of the week, with the personal stuff as just a minor side note that's often not even mentioned only a few episodes later.

Episode 1, Folie à Deux, is pretty much the same. It's a 'who done it' bomber in Flushing, NY. The characters go through the motions; bomber caught, motive discovered, case closed, and we move on.

I just didn't care. I feel like I've invested all this time, so I'll keep watching. It's not really enough anymore. It's not a bad show, nor is it badly acted, it's just not clever. I'm not even sure it's trying to be at this point. With so many other options, I'm holding on with a thread, which is about to break.

Luke Cage: Who's Gonna Take the Weight? (2016) Season 1, Episode 3

How far will Cage go to protect and avenge his own?

[8/10 · 1 October 2016]

Luke CAGE, episode 3, WHO'S GONNA TAKE THE WEIGHT? Finds Luke attempting to keep Pop's barber shop and memory alive. Take matters into his own hands, he ambushes seven of Cottonmouth's safe houses, and eventually the "bank" at the Crispus Attucks.

From street camera footage, Detective Knight believes Cage is somehow involved in what has been happening between the shooting and the attacks against Cottonmouth.

After Chico confesses to Detective Scarfe is revealed to be on "the payroll" and murders Chico, but not before Chico tells him that it's Cage who had raid his safe houses.

Cottonmouth, in a very dramatic fashion, rocket launches the Chinese restaurant Luke is eating at.

This episode was definitely an "eye for an eye" sort of deal. It's going to be all out war, but even with Cage's powers he's just one man, and he has a conscious. Despite the fact that he raided Cottonmouth's stash, he's hasn't killed any of his men.

I can see this putting people Cage cares about in harm's way. At least, even more than it already has.

I like that I don't know what Cage is really capable of. Colter plays that line very well. Will he cross the line? Only time will tell. I hope he doesn't. It's a hero's burden, but this isn't necessarily a story about heroes.

Luke Cage: Code of the Streets (2016) Season 1, Episode 2

Pop asks Cage to set a parley with Cotton Mouth,but it goes horribly wrong.

[8/10 · 1 October 2016]

MARVEL'S Luke CAGE, episode 2,CODE OF THE STREETS puts Cage back in the soup-- a place he'd tried so hard to avoid. Enquiring about Chico's whereabouts, Cottonmouth visits Pop. Pop, calling in an old favor, asks Cage to track down Chico for his protection. Chico refuses, but eventually relents, and surprises them at the barber shop. Unfortunately, there's witnesses.

As Detectives Rafael Scarfe (Frank Whaley) and Knight continue their investigation leading them to Pop, and Cage. Pop doesn't tell them anything, but after they leave, Pop asks Cage meet with Cottonmouth who agrees to parley with Pop given their close history.

Tone (Warner Miller), who gets a tip about Chico's location, shoots the up shop to hell shop in an effort to kill Chico. Cage protects one of the young kids , but Pop is killed and Chico is badly injured. Cottonmouth,who respects Pop and did not sanction the shooting, throws him off a roof. Cage, distraught about the loss of Pop, decides he can no longer sit on the side lines.

This episode, to me, seems like it'll set the tone for the rest of the series. It's dark and gritty. At times, though, it still "on the nose" where some of the dialogue is concerned. Cage is now aware of of Knight's true profession. They had a one night stand in episode one, and she lied to him.

Cage is basically just a good guy trying to do right by the people he cares about, but that can be difficult when you're living in a tough neighborhood.

I really like the fact that Cage is just an ordinary guy endowed with powers, but wants nothing more than to be an ordinary guy. He not going to put on a pair of tights any time soon. Now that Pop is dead, he's out for vengeance, so the quiet life he desperately craved is a fleeting memory. I can only imagine that as the series goes on, things will get, not only more complicated for him, but worse.

I really liked the episode. Despite some minor predictability with the plot, I'm eager to see how the series plays out.

Luke Cage (2016–2018)

Looking for a quiet life, Luke Cage has moved to Harlem.

[8/10 · 30 September 2016]

MARVEL'S Luke CAGE (2016) is now streaming on Netflix, and the first episode, WHO'S GONNA TAKE THE WEIGHT, really get the ball rolling. Cage (Mike Colter) is a former convict now endowed with invulnerability and super strength, really just wants to be left alone. He first appeared in MARVEL'S JESSICA JONES as her confidant and lover, but left to move to Harlem. He was hoping for a quiet life, but this is a Marvel show so that isn't going to happen. I'm not sure Harlem is the place to go for peace and quiet, especially in his neighborhood.

The first episode was rather slow. It sets the environment; the location, time, mood of the show making it almost straight drama. Almost. We have the crooked night club owner, Cornell "Cottonmouth" Stokes (Mahershala Ali), the detective with an agenda, Misty Knight (Simone Missick),Hernan "Shades" Alvarez (Theo Rossi) as a street smart criminal some sort of ties to Cage's past, Willis Stryker / Diamondback (Erik LaRay Harvey) as a powerful arms dealer, and Mariah Dillard (Alfre Woodard) a questionable politician and they all have angels and agendas.

It's an intriguing cast of characters, but they work well together. It's the acting that keeps the show from being too dry. The story is somewhat methodical, and a tad "on the nose", but it's the characters that make this show.

There was also no mention of the Sokovia Accords. Luke Cage is a powered person, and under the new law he must register with the government. So far, he's flying under the radar. Like I said, this is a Marvel show. Cage flying under the radar isn't going to last.

There's a little side note, that was a bit confusing at first; Alfre Woodard is in CAPTAIN America: CIVIL WAR, but she doesn't play the same character at all. It kind of threw me at first.

All in all, I'm looking forward to seeing where this story goes. JESSICA JONES was a little slow in the beginning, but ended strong. I have yet to be really disappointed with Marvel. I suspect this show will end strong.

Agents of S.H.I.E.L.D.: Meet the New Boss (2016) Season 4, Episode 2

We get to meet the new guy in town, and Daisy confronts Robbie

[8/10 · 29 September 2016]

AGENTS of S.H.I.E.L.D., episode 2, Season 4, MEET THE NEW BOSS was a tad more interesting than last week's premiere. We have semi corporeal beings who were trapped by "him" (Ghost Rider, maybe, but it hasn't been made clear) and have managed to free themselves, Mack and Fitz having finally met up with Daisy, and were saved by Robbie Reyes/Ghost Rider, as well as the introduction of the new Director of S.H.I.E.L.D., Jeffrey Mace (Jason O'Mara), and we learn that if someone is touched by them, the victim goes a little south of sanity. It's been an eventful episode.

Although the introduction of Ghost Rider still seems a little out of place with the show, in this episode it's developed a little more purpose. The writers should be careful, though. The Daisy/Reyes interaction is bordering on cliché. Especially, during the last few moments.

Director Mace seems like he could be a nice addition to the cast. With Mace on board the shake up in chain of command is explained, and there's a twist. But, come on, of course there is. With this Mace character, I suspect there's more "twists" to come. He certainly has his secrets. One of our beloved S.H.I.E.L.D. agents is at the receiving end of one.

All in all, it was better than last week. There was more of a forward motion with the character. They weren't just running aimlessly around.

I hope the trend continues throughout the rest of the season.

Once Upon a Time: The Savior (2016) Season 6, Episode 1

ONCE UPON A TIME returns for season six with new heroes, villains, and a look into what it means to be "the Savior".

[9/10 · 26 September 2016]

ONCE UPON A TIME (2011-present) is back for another season, and continues to make a splash with audiences. I've really enjoyed the fresh take of these classic mythical, fictional, and fairy tale characters. With heroes presented as villains, villains presented as heroes, and villains redeeming themselves and now siding with heroes this show definitely keeps the audience guessing.

This season we'll also get to see what being a "Savior" really means, and even get to meet at least one other-- Aladdin (Deniz Akdeniz) and his nemesis, Jafar (Oded Fehr).

There have been missteps here and there, but I like the fact that the writers don't generally draw too many story lines out. Sure, Rumpelstiltskin/ The Beast (Robert Carlyle) is still basically evil, but Regina Mills, The Evil Queen (Lana Parrilla) isn't anymore. She's even forged close bonds with both Snow White/ Mary Margaret Blanchard (Ginnifer Goodwin) and her daughter Emma Swan (Jennifer Morrison). Regina and Emma are even happily sharing parental duties of their son, Henry (Jared S. Gilmore). Even after five years, the Sunday primetime show has maintained loyal audience.

As both a writer and reader, I really enjoy the creativity of this show. Last night's sixth season premiere, THE SAVIOR was no exception to that rule. In fact, it had some very powerful performances in the form of scenes between Emma Swan and Dr. Hopper/ Jiminy Cricket (Raphael Sbarge), Regina Mills and Mary Margaret, and Mr. Hyde (Sam Witwer) is a true antagonist.

I was first introduced to Witwer when he played Davis Bloome/ Doomsday on Smallville. I didn't really like his performance on that show. The same cannot be said about this episode. He's menacing, villainous, sinister, and a perfect counterpoint for the heroes.

The on/off/on/off/on/off relationship between Belle (Emilie de Ravin) and Rumple does get a bit taxing at times, but the premiere did add a new dynamic to it and even a little more romance, which might give it a fresh perspective. Only time will tell how this story line pans out.

THE SAVIOR was a great start to the show's sixth season, with a strong ensemble cast.. I'm eagerly waiting to see how it pans out, and I still recommend this fun, imaginative, family friendly show.

ONCE UPON A TIME airs on ABC on Sundays at 8PM EST.

Agents of S.H.I.E.L.D.: The Ghost (2016) Season 4, Episode 1

The Agents are back, and facing off against a Ghost

[7/10 · 22 September 2016]

You would think after four years AGENTS OF S.H.I.E.L.D. (2013- present) would find it's footing. I'm not really sure it has. S.H.I.E.L.D. has gone from sanctioned government agency, to way, way off the books secret agency, to somewhat sanctioned secret agency (with the help of General Glenn Talbot (Adrian Pasdar) and President Matthew Ellis (William Sadler)), and once again, thanks to the Sokovian Accords, back to sanctioned government agency with a twist.

Agent Phil Coulson (Clark Gregg) is now just a field agent partnered with Agent Alphonso "Mack" MacKenzie (Henry Simmons), and they've spent most of their time trying to track Daisy Johnson/Skye/Quake (Chloe Bennett) down. She went MIA at the end of season three. Agents Leo Fitz (Iain De Caestecker) and Jemma Simmons (Elizabeth Henstridge) now work in S.H.I.E.L.D. 's science division. Agent Melinda May (Ming-Na Wen) heads up the "muscle", Elena "Yo-Yo" Rodriguez (Natalia Cordova-Buckley) an inhuman, must report to S.H.I.E.L.D.for regular check ups and check ins.

With Daisy on the lamb, she encounters a new powered individual,Robbie Reyes / Ghost Rider (Gabriel Luna), who has been hunting and killing several bad people throughout the L.A. area. With Daisy wrongfully accused of some of Ghost Rider's murders, her S.H.I.E.L.D. "family" tries to intercept her before the new Director, law enforcement, and the Government find out.

Meanwhile, Fitz meets up with Dr. Holden Radcliffe (John Hannah) who despite his role in season three's events has been pardoned, albeit, he's on a short leash. He has created a female android (because they're always attractive women.) named AIDA (Mallory Jansen) in an effort to 'aid" S.H.I.E.L.D. Fitz is none too happy about this, and he decides to not only keep this new development not only from S.H.I.E.L.D., but also from Simmons as well.

Aside from Fitz and Simmons relationship evolution, these characters more or less kind of bop around life; one assignment to the next, and this new shake up in the S.H.I.E.L.D. hierarchy feels more like a step backward. Don't get me wrong-- I do like a show that's not predictable, but AGENTS OF S.H.I.E.L.D.feels more like Marvel's middle child Captain America, The Avengers, Iron Man, and even Thor have all had a direct effect on the show. While Marvel's Netflix universe remains relatively untouched by the MCU (For now.), AGENTS OF S.H.I.E.L.D isn't so lucky. It gets tossed from one story to the next like a pinball.

With episode one, of season four, THE GHOST, we're off in a new direction….again. Over all, the individual episode flows well, action, drama, even a little comedy. The show, and it's constant bopping around still has me worried. How the Ghost Rider fits into all of this is anyone's guess. The character seem out of place.

Anyhow, I'm still curious to see how the season pans out.

Lucifer: Everything's Coming Up Lucifer (2016) Season 2, Episode 1

Lucifer returns for a second season, and he's looking for his potentially very angry mother.

[8/10 · 21 September 2016]

LUCIFER (2015-Present) is back with it's second season. As a quick recap, Lucifer (Tom Ellis) is bored of ruling over hell, so he abdicates (He cuts his wings off, and later burns them.), settles in Los Angeles as a nightclub owner of Lux, and begins consulting for the LAPD. He partnered himself with Detective Chloe Decker (Lauren German), solving cases and punishing sinners.

Abandoning Hell leaves his brother, Amenadiel (D.B. Woodside), a bit cross, and it's the it's the source of general conflict for them for most of the first season.

Due to his extended time on Earth, Lucifer also experiences a slew of unforeseen emotions, which causes him to see out the help of therapist, Dr. Leslie Martin (Rachael Harris), in which he takes up a sexual relationship. Despite elements of heavy drama, this show is a comedy, and it's fun. You're not going to get LAW AND ORDER: HELL.

I like the aspect that this version of Lucifer Morningstar, the Devil, wasn't 'cast out' of Heaven. His 'father' requested that he take the post. It was more of a mandatory request, but it wasn't a war. This show's version of the Heaven/Hell conflict is prime time friendly-- no end of days, fire and brimstone here. I also like how the writers play with the fact that Lucifer has been honest about who he really is, but people generally just don't believe him.

The major cliché for me is the fact that not only do none of his powers of persuasion work around Chloe, but neither does his invulnerability. He essentially becomes more 'human' when he's around her. Because of this he nearly gets himself killed last season. It's a cliché, but one i can live with....for the moment.

Season two, episode two, EVERYTHING'S COMING UP LUCIFER, we find Lucifer and Amenadiel on the hunt for their 'Mum' (Tricia Helfer), who has escaped Hell. She was cast out of Heaven by 'Dear Old Dad (We don't know why yet.), and sent to Hell where she had less than a stellar relationship with Lucifer. Lucifer now believes she will come after him, and try to kill him.

Chloe and Lucifer are called to a murder, which Lucifer believe is the work of his mother, and we're off. At this point, it becomes a 'police procedural dramedy' with Lucifer still trying to prove to Chloe that he really is the Devil, and Amenadiel trying dissuade Lucifer and his claims. Despite this, Lucifer and Amenadiel are a bit more of a united front this season.

This was a great start to season two. The cast is much more integrated. There's a new dynamic to Mazikeen (Lesley-Ann Brandt) that involves Dr. Martin. Mazi isn't just Lucifer's right hand demon. She's becoming very much her own flushed out character.

Amenadiel even has a new dynamic, and a little more interaction with Chloe. Chloe's Ex and fellow detective, Dan Espinoza (Kevin Alejandro) has avoided jail for his season one misdeeds, but has been demoted to basically detective gofer, and, Forensic Scientist Ella Lopez (Aimee Garcia) is a perky, fresh face.

This was a fun, engaging 'who done it' episode. I'm really looking forward to seeing out these new characters and character dynamics play out. I highly recommend it, and if you haven't yet, check out the thirteen episodes of season one. I don't think you'll be disappointed..

The Night Of: The Call of the Wild (2016) Season 1, Episode 8

The real story of this series is revealed

[3 September 2016]

THE NIGHT OF, Episode 8, The Call of the Wild, and it's a wrap. The last episode of a widely critically acclaimed show. Personally, for me, it ended much stronger than it started. It literally felt like the first six episodes were there just to set up the ending. This show....this series was all about the ending. Is Naz innocent? From the get go, even as we learn of some of his own past dark deeds, we kind of knew the truth anyway. Yes, he is. So, who cares? Who killed Andrea? Was it Mr. Day, the creepy mortician? Was it Ray Halle (Paulo Costanzo), Andrea's CPA? Former Detective Box has some new evidence now. So, maybe… Or maybe Duane Reade and /or Trevor Williams. Or, maybe it's none of the above. But, who cares, because at the end Andrea's death, as tragic as it was, isn't the story. The real story is simple, and it's universal; the story is about people. People who muddle through life experiencing both good and bad things. People who go through life with luck, love, loneliness. People who have everything, including the kitchen sink, thrown right at their head, and they still move forward. Why? Because, life moves forward. Not sideways, and certainly not backwards (Although, I here Dr. Neil deGrasse Tyson is working on that one.). Life, in all it's craziness, moves forward. The real story is what happens now? Where does life go from here. Naz has a drug problem. While in prison he embraced the "thug life". Can he return to "civilized society"? His relationship with his parents is strained. Will that mend? Stone's eczema is back-- an allergic reaction brought on entirely by stress. Being lead attorney on a high profile case does not do wonders for his complexion. Will he finally overcome that? He does keep the cat, so that's something positive. The real "plot" of this show: a tragic event alters the lives of a series of people, and how do they move forward from there? This series, consistent in its presentation, ends with more questions than answers. But, hey, that's life….

The Night Of: Ordinary Death (2016) Season 1, Episode 7

NAZ is full on convict, as his case continues on.

[8/10 · 2 September 2016]

THE NIGHT OF, Episode 7, ORDINARY DEATH and.well.um...OK, Naz has gone completely convict, because, hell, it's the in thing this season. He's become much closer to Freddy, who seems to trust him. And, why not? Naz has done everything Freddy has asked. Naz is still smuggling drugs in, and he's also addicted them.

More reasons to doubt his innocence have come to light in the form of a second assault incident, and profitable college drug dealing in the form of Adderall. Was he really ever a good kid? Or was the naive 'golly gee' clueless look just an act?

Chandra Kapoor brings Dr. Katz (Chip Zien) and expert pathologist and photographer to discredit the state's case. As the audience already knows, Katz's assumptions are correct, but Weiss isn't buy into it. But, then again, that's her job.

Despite this being her first big case, Chandra's actually doing a pretty solid job as lead attorney, but he seems attracted to "bad boys", and kisses Naz. That's not going to end well, I think. The whole scenario sort of reeks of cliché. 'Rookie attorney finds her stride, but it abruptly derailed when he doe something monumentally stupid.' I hope I'm wrong.

Stone, who's egcma is cured, has grown suspicious of Don Taylor, for all intents and purposes, is a gigolo with a temper to boot Unfortunately, John Stone isn't as stealthy as he though, and it doesn't really end well from him.

The story seems to finally be coming to together. I still believe the story up to this point was a tad clunky, but it's coming together. These last two episodes were pretty damn good. We're learning more about Naz. We're finding more suspects. The case and the characters are becoming more layered. I am interested to be if they can keep this momentum going through the next, and last, episode.

As long as you stick with it, this show is worth the watch.

The Night Of: Samson and Delilah (2016) Season 1, Episode 6

Naz continues to spiral, and affects everyone around him.

[8/10 · 1 September 2016]

THE NIGHT OF, Episode 6, SAMSON AND DELILAH (2016) we learn that Naz has lied again. He's not such a good kid. The post 9/11 world has been so kind to Naz, who was bullied in school. In high school, in what seems to have been unprovoked, Naz pushes a classmate down the stairs. Shortly after the incident, he transfers to another school. In the process of trying to retrace Naz's steps, Chandra learns that Andrea and Naz had a short encounter with a hearse driver, Mr Day, whose demeanor spooks her. Naz parents, in an effort to make some money, take retail jobs, as he trial begins.

I'm really not sure where to begin on this one. The character interactions really do make the show. The editing, cinematography, score and acting remain top notch, but the plot, well, not so much. It doesn't strike me as being different than LAW & ORDER, SVU, or BROADCHURCH, and that's fine. It's not an original show, and certain aspects aren't realistic. I've read that the criminal proceedings are almost all wrong, and that an accused murder would be in a jail cell.

In this episode, these aspects aren't abrasive. Both Naz's lawyers, Stone and Chandra are very realistic, and both, especially, Stone remain the stand out characters. Also, we're finally seeing possible motives and even some creepy behavior from other characters.

The hearse driver, Mr. Day, creeps Chandra out, and is now on her radar as another suspect, and Stone learns that now that Andrea is dead, her step father, Don Taylor, would be the sole claimant of Andrea's mother's hefty inheritance.

I have feeling I know how it'll end, given how things have unfolded thus far. All in all, the episode was better, with more suspects to focus on. It's hard to edge the passage of time between the first episode and the sixth, but I wish they would have given us some more suspects a little earlier on. Maybe the series would have benefited from ten or twelve episodes instead of just eight.

It's not a terrible show, please don't get me wrong, it's a good show. I just don't feel like it's a great show, but that's just my opinion.

The Night Of: The Season of the Witch (2016) Season 1, Episode 5

Naz is in it neck deep, as he becomes fully indoctrinated into Freddy's life. And the case continues to mount against him. Stone and Chandra discover a second witness.

[6/10 · 31 August 2016]

THE NIGHT OF, Episode 5, SEASON OF THE WITCH (2016) has Naz completely under Freddy's protection. Naz now has his own "suite" next to Freddy, which over looks the sleeping area of some of the other inmates. Freddy even has Calvin beat up for him, and allows Naz to continue to hit him after Calvin calls him a name.. Naz also has a violent temper, and is stopped short of almost killing Calvin. And, to top it off he begins to "bully" some of the other inmates, and he shaves his head. He's gone from naive college student to hardened criminal in a blink of an eye. I get it--I really do. Prison can change a person, but Naz has literally done everything wrong. He isn't listening to the advice of his attorneys. He's become fully indoctrinated into prison culture.

I realize I'm in the minority with this, but this show is really starting to hit some major problems for me, and it isn't with Naz's behavior. It's with the storytelling itself. Rikers Island is a maximum security prison, yet they have this open living space with cots lined next to one another. Not many of the prisoners are locked up, regardless of whatever crime they've committed. This actually allowed Naz to be attacked twice. It feels like the male version of ORANGE IS THE NEW BLACK, even though the fictional Litchfield Prison is minimum security.

As payment for Freddy's protection, Naz is instructed to help another inmate, Petey (Aaron Moten) smuggle in drugs. Petey's mother will give Petey the drugs, and Petey will hand them off to Naz. Petey's mother has hidden the drugs up her vagina. Now, I think this is the scene I have the most issues with.

Petey's mother, in full view of thirty or forty prisoners, guards, lawyers, family members, etc is literally pulling the drugs out from inside her. Petey somewhat discretely hands them to Naz who in full view of Stone and Chandra swallows the small bags, right after they inform him the the toxic screen found amphetamines in his system.

The big question, however, is how did Freddy become Emperor of Rikers Island? Everyone, including the guards are subservient to him. He "gifts" new solo "suite" to Naz. Naz isn't put there as punishment, it was a gift. Freddy, at least during Naz's tenure at Rikers Island has brutally assaulted two prisoners, which goes unnoticed by the guards. I thought this was maximum security. Where is everyone? What am I missing here?

The stand out, at least for me, still remains John Stone. I'm finding his plight with eczema, his social relationship with a hooker, his relationship with his high school age son, and his of adoption of Andrea's cat (he's allergic) more gripping. He continues to investigate the case; questioning some of Andrea's friends at her funeral, getting hired by Chandra for $30,000, taking her under his wing in almost a fatherly manner, and even tracking down a second witness, Duane Reade (Charles Hudson III), who Stone loses in a foot chase. Yes, the character's name really is Duane Reade. It isn't an alias.

I love the actual film making of this show. The cinematography, editing, score, and acting are all amazing, but the story, unless I'm really not getting it, is kind of weak. I'll take flack for that, but it's just my opinion after all.

The Night Of: The Art of War (2016) Season 1, Episode 4

Naz trying to adapt to prison life, and his naiveness isn't going to help.

[7/10 · 30 August 2016]

THE NIGHT OF, Episode 4, THE ART OF WAR (2016) finds Naz trying to adapt to prison life, and his naiveness isn't going to help. Naz's parents have become prisoners in their own home as the all of the media outlets in the tri state have camped out in front of their house, and despite being let go of the case, John Stone continues to investigate and passes the information he's collected to Chandra for a fee.

A prisoner named, Calvin Hart (Ashley Thomas) takes Naz under his wing; who to avoid, not to talk to, etc. Naz, for his part, continues to avoid Freddy even though Freddy is still trying to court him. Calvin, who is sick of hearing of how everyone in prison is innocent, betrays Naz, and burns him with acid. This leads Naz to accept Freddy's protection.

Meanwhile, Allison Crowe has negotiated a plea deal that will leave Naz only serving fifteen years. This, however, means that Naz must plead guilty. Initially, he agrees, but during the trial changes his mind. Feeling slighted, the reversal leads to Allison drop Naz as a client but not from the firm iteself. She makes Chandra the new lead attorney, and revokes the pro bono status.

This episode primarily focuses on manipulation and betrayal. Also, just about everyone believes Naz is guilty, and they act accordingly. John Stone, who questions some of Andrea's friends at her funeral, seems to have some doubt towards Naz's guilt. Although, he to realizes there's a mountain of evidence against Naz, and still advises him to take the deal. In fact, everyone advises him to take the deal.

The pace and flow of the episode is in line with the last three, and there's a consistent continuity there. We're not just thrown into chaos. The crumbling of Naz's world is gradual, but he is far too trusting of the people around him. Which is highly ironic, as the convicts he associates with constantly tell him to keep to himself, and keep his head down.

We also slowly starting to see how this affects his family, they own relationships toward each other, and towards him. THE NIGHT OF is very much a character driven show, not a murder mystery. We're four episodes in, and there still isn't any mention of alternative motives or suspects.

Part of me thinks it would have added the mystery and drama to the show if the first episode had started with Naz waking up in the kitchen, leaving the audience in the dark as to his guilt or innocence. As of right now, because we have insight into the events before the murder, we're the own ones who even might think he's entirely innocent.

Still, it's all around well acted, and well thought out, but I'd be lying if I said I was jumping out of my skin with anticipation of episode five and beyond. As it stands, I'm pleased enough with it to continue to recommend it.

On to episode five….

The Night Of: The Beach (2016) Season 1, Episode 1

A dumb kid is framed for murder

[7/10 · 28 August 2016]

THE NIGHT OF: Episode 1- THE BEACH follows Nasir "Naz" Khan (Riz Ahmed) is a naive, or maybe flat out dumb ass is more appropriate, Pakistani-American college student living in Jackson Heights, Queens, New York who, after being unable to procure a ride, borrows his father's taxi to attend a popular.

Problem one; the cab's "on duty" light is on, and he can't figure out how to turn it off. This leads to a series of unhappy passengers who he refuses rides to.

Problem two; this leads to meeting Andrea Cornish (Sofia Black D'Elia) who wants a ride to the beach. Being both a woman, and attractive he doesn't say 'no.' It actually doesn't take long for Naz to tell Andrea, who had caught the quick blurb "This isn't my cab." when they first met, the truth. Instead of Naz attending the party, Naz and Andrea go to the river and chat which leads to a seeming 'emotional connection', drugs, alcohol, and sex at her place in the Upper West Side with a woman who turns out to be both mysterious and nuts.

Problem three; he wakes up the next morning sitting at the kitchen table. He wanders back into the bedroom to get dressed only to find Andrea stabbed to death. He panics, and runs, but the cab is locked, and he left the keys in the apartment, and now the main entrance of the building is also locked. He breaks back in, grabs his keys, and the knife (presumably the murder weapon), and flees again.

Problem four; he's pulled over by cops for ignoring a "no left turn" sign. They get pulled away to another call, taking Naz with them, without reading him his rights. The call they're pulled away to.., You guessed it The crime scene quickly becomes a circus all while Naz sits in the back of the police cruiser. When the lead detective shows up, Naz, who has not been linked to the crime is transferred to another car and taken to the police station.

Problem five; the cops who "arrested" him did so for a minor traffic violation (and possible DUI, although he's never tested) were just basically being jerks about it. The cops in the police car which takes Naz back to the station think Naz is a witness to the murder, but otherwise not linked to the crime, but Naz doesn't really know any of this.

Meanwhile, due to a racist exchange earlier in the evening with a twenty something, an eye witness puts Andrea with an "Arab" earlier in the evening who eventually positively identifies Naz. To make matters worse, his parents discover that he's not home, and begin to fear for his safety.

The first episode is a series of unfortunate, and unlucky events for Naz; a stew of bad choices, stupid twenty something horny kid, and a little Islamophobia. With the Miranda Rights never being explained, nor the right to an attorney, or a phone call-- all seems hopeless for this kid.

Naz, however, does have two things going for him; lead detective, Dennis Box (Bill Camp) is a fair guy. He doesn't necessarily believe Naz, but he isn't playing "bad cop" either. He's professional and courteous.

Without even asking for it, world weary lawyer, John Stone (John Turturro) takes his case. As he doesn't show up until the near the end of the episode, not much is yet known about Stone.

Other than the big mystery of who killed Andrea Cornish, the show is a drama focusing on a stupid kid caught up in an unfortunate situation. It's basically something that could have happened to anyone.

THE NIGHT OF, loosely based on the British Crime Drama, CRIMINAL JUSTICE (2008-2009), seems to be mostly a character driven piece more than a murder mystery. Sure there's the big 'who done it?', but it isn't what drives the story. Naz's plight does, at least for now.

Despite the fact that this kid does everything wrong, and some of the cops are a bit of a schmuck, it's a decent episode. Although, it doesn't really distinguish itself from any other crime/mystery/drama it's still worth the watch, at least for now.

The Night Of: Subtle Beast (2016) Season 1, Episode 2

Kid is framed for murder

[7/10 · 28 August 2016]

THE NIGHT OF, EPISODE 2: SUBTLE BEAST (2016) finds Naz Khan (Riz Ahmed) sitting in prison mulling over the events leading up to the murder. While the officers who 'arrested' him are questioned, Naz's new attorney, John Stone (John Turturro) preps him for the future events of this case, and Naz's parents, Salim (Peyman Moaadi) and Safar (Poorna Jagannathan) are finally able to procure a ride to the jail where Naz is being held, and thanks to Detective Box (Bill Camp) they're able to see him.

Meanwhile, we're introduced to Paul Sparks (Don Taylor), Andrea's stepfather. Both of her biological parents are dead. We learn that she has priors for drug possession, and lots of boyfriends.

Naz, still refusing to confess, is formally booked and taken to Manhattan Central Booking, then to arraignment court, and final Rikers Island.

The title of the episode SUBTLE BEAST refers to Det. Box. Meaning, he could seem nice, and fair, but he still wants to close the case. All of this true, but he also fair, and he takes the job seriously. He continues to mount evidence against Khan, but despite his claims to the contrary he seems to have a midge of doubt in Naz's guilt.

John Stone is a small potatoes lawyer, he's either divorced or separated with a teenage son. This is his biggest case. Despite this fact to still plenty capable of steering Naz in the right direction.

While the first episode was seen mostly from Naz's perspective, this episode is very much an ensemble piece. We get a much deeper look into all of the major players of the story. As the cops are certain they have the right person, it still very much a criminal drama.

Naz still comes of as a naive kid, and not a murder, and given that the story opens from his perspective leads me to believe that he's been framed for this crime. Although, I've been wrong before.

The gritty, noir feel, and frame work of the story are nothing new, but the characters are compelling, and it's we'll acted. It's enough to keep me interested in the story-- for now. On to episode 3.

The Night Of: A Dark Crate (2016) Season 1, Episode 3

Dumb kid gets framed for murder

[8/10 · 28 August 2016]

THE NIGHT OF, Episode 3: A DARK CRATE has the plot thickening. John Stone lays his legal fee down; $50,000. It's negotiated down from $75,000 The Khan's can't afford it. Meanwhile, Naz is fully processed at Rikers Island, and the audience is introduced to influential (even among the guards) inmate Freddie Knight (Michael Kenneth Williams) who likes schtupping an attractive female prison guard in exchange for drugs. And, then there's the DA Helen Weiss (Jeannie Berlin) who, with all the evidence mounting against Khan, is going to have a cakewalk of a trial.

On top of all this, Naz's father, Salim, and the taxi's two other co-owners, Tariq (Mohammad Bakri) and Yusuf (Nabil Elouahabi) can't get back to work, because the taxi is still impounded. The only option to get it out would be to file Grand Theft charges against his son.

The plot thickens when another attorney-- a powerhouse attorney, Alison Crowe (Glenne Headley) is very intrigued by all of the media attention of the case, offers to take it pro bono. Crowe uses an employee, Chandra Kapoor (Amara Karan) and discredits John Stone to attract the Khan's interest, and it works. This leaves Stone out in the cold.

Aside from the basic, sort of standard plot line, it's the compelling characters that make this story work. The two things this show has going for it; well acted, believable characters and the cinematography is eerie, and yet beatifically shot. The camera gives the audience's eyes time to take in every shot. It isn't just rapid fire scene change--- shot, shot, shot, shot--scene change-- done. I really like that it doesn't rush.

Likewise, the each episode builds the character development; backgrounds, quirks, likes/dislikes, and humor. None of these characters are paper thin, especially character actor John Turturro. He's, at least so far, the stand out.

Also, the Islamophobia, which becomes increasingly more prevalent as the story goes on, adds to the somewhat annoying realism of the world they live in. After all of the BS in the 2016 Presidential Election it's a little tasking to see in a TV show, but it does aide the realistic story line. This is also why Freddie Knight takes a liking to Naz. The other "Muslim" inmates aren't real. They're opportunistic. Naz is natural born, which according to Knight makes Naz a celebrity. As a result Knight offers him protection. Refusal, which Naz does, brings complications.

I really liked this episode. The show doesn't rush. It doesn't throw drama, intrigue, and action at you rapid fire. It just lets it flow like a stream. It's definitely worth the time.