Like Children Of Heaven,this film also focuses on the relationship between a brother and his sister,the difference that in Beyond The Clouds,the siblings are grown ups.Is this a sufficiently Majidi work ? I guess child actors,focus on relationships,good photography and a feeling of overall optimism are the main features of Majidi cinema.A strong storyline has never been his forte,it is in the treatment of subject that the master scores high.In these senses,it is a typical Majid Majidi film.
Fellow Iranian Asghar Farhadi has won two Oscars in the past few years.Perhaps ,Majidi harbours similar ambitions.This is why he came to India to make a universal film,based in Mumbai slums .But not everybody can be as lucky as Danny Boyle.Majidi aimed for the transcendental in his previous film,Muhammad-The Messanger Of God,but was not able to set the world on fire.Even the setting of this film could have been anywhere.The vices shown are global,and virtues universal. Ishan Khatter plays a drug runner and an orphan ,who has a difficult relationship with his sister,played by Malvika Mohanan.The latter ends up in jail on charges of attempt to murder a potential rapist Gautam Ghose (how brilliant !) .The brother tries to keep the injured man alive,takes care of his family,tries to secure his sister's release and somehow survive on Mumbai streets.In a short runtime,Majidi manages to showcase a myriad of human emotions.IK sometimes overdoes his anger,but emotes well ,comes across as a sincere,earnest guy and dances as good as his brother.Even in a dud like Dhadak,he had managed to leave a good mark,and here he has shown through the clouds.G Ghose has been wasted in a cameo,as has been Tannishtha Chatterjee. Two child artists have been acted in the film.The thing about them is that they rarely perform perfectly,but are mostly honest in front of the camera.The director is a tad too affected,what with a lot of emphasis on motifs and symbols like pigeons and coops,marshes and streets showing the underbelly,silhouttes,colours of holi and those painted on the wall .Majid Majidi has tried too hard to make a beauty of an artwork,but unfortunately has failed to make a very good film. Watch it for IK,and understanding of relationships.Do not watch it in the hope of unearthing a Majidi classic,since it falls short.
Fellow Iranian Asghar Farhadi has won two Oscars in the past few years.Perhaps ,Majidi harbours similar ambitions.This is why he came to India to make a universal film,based in Mumbai slums .But not everybody can be as lucky as Danny Boyle.Majidi aimed for the transcendental in his previous film,Muhammad-The Messanger Of God,but was not able to set the world on fire.Even the setting of this film could have been anywhere.The vices shown are global,and virtues universal. Ishan Khatter plays a drug runner and an orphan ,who has a difficult relationship with his sister,played by Malvika Mohanan.The latter ends up in jail on charges of attempt to murder a potential rapist Gautam Ghose (how brilliant !) .The brother tries to keep the injured man alive,takes care of his family,tries to secure his sister's release and somehow survive on Mumbai streets.In a short runtime,Majidi manages to showcase a myriad of human emotions.IK sometimes overdoes his anger,but emotes well ,comes across as a sincere,earnest guy and dances as good as his brother.Even in a dud like Dhadak,he had managed to leave a good mark,and here he has shown through the clouds.G Ghose has been wasted in a cameo,as has been Tannishtha Chatterjee. Two child artists have been acted in the film.The thing about them is that they rarely perform perfectly,but are mostly honest in front of the camera.The director is a tad too affected,what with a lot of emphasis on motifs and symbols like pigeons and coops,marshes and streets showing the underbelly,silhouttes,colours of holi and those painted on the wall .Majid Majidi has tried too hard to make a beauty of an artwork,but unfortunately has failed to make a very good film. Watch it for IK,and understanding of relationships.Do not watch it in the hope of unearthing a Majidi classic,since it falls short.
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