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Hart to Hart: Hart to Hart (1979)
Hart To Hart is Hart-warming...and fun.
First of all, the cast is great with Stefanie Powers (as the gorgeous Jennifer Hart), Robert Wagner (as the self made millionaire, Jonathan Hart) and Lionel Stander (as the gruff but lovable butler/chauffeur/chef and side-kick, Max). Max introduced the show each week, wherein he explained to the audience that when the two Hart's met it was "Moider". The adorably cute dog, Freeway, is the pampered pooch and Hart Family mascot.
Together, these two Bel-Aire denizens go on to solve crimes on a weekly basis. It would seem that after having a hundred of your friends and acquaintances suddenly or mysteriously die, you'd be hard pressed to have much in way of a social life. But they did, and a glorious social life it was. And it was always so much fun to watch. The stories were mostly trite, but the Hart's were always able to make them amusing. Each episode has some great guest stars ala Love Boat and Fantasy Island, so you are never bored with the same cast over and over as some other shows have. The murders were, as I recall, nothing too gory so it's a show that is suitable to watch with your mother.
The thing that always made the show stand out from the others was the genuine affection that the two leading stars had for one another. Not that I am suggesting that there was any hanky-panky going on between Stefanie and Robert, but one could always tell that behind closed doors Jennifer and Jonathan had a very healthy sex life. The kissing was always fun and flirtatious. And in each and every episode my friends and I were always waiting for Jennifer to shout out "JooooooooooNathaaaaaNN!!!!". The night in shining armor (Jonathan Hart) was always there to rescue his fair maiden.
The sets were always fun. With lots of glitzy late 70's and early 80's touches. Black lacquer, glossy finishes and lots of razzle dazzle (along with what I remember to be a T'ang Horse and possibly a Renoir and other blue chip paintings) could be seen inside chez Hart. The architecture of the house itself was oddly humble and subdued by today's standards. From the outside it appears to be a Byrd-type house, with lots of quaint and charming touches. Inside we find a large living room and dining room, a somewhat smallish entrance hall, a really dark kitchen (but I think they were popular back then) and lots of wood paneling and even a secret room. It is not a Spelling type Manse or in the same league as the house owned by the Clampets in The Beverly Hillbillies. Their cars (a Bentley and a Mercedes) and clothes were, I imagine, the chicest purchases one could make on Rodeo Drive.
I love this show but have only seen it in syndication (and that was a few years ago). I am so disappointed that it is still not available on DVD. Hopefully, this sad state of affairs will be rectified soon.
The Passion of the Christ (2004)
Passion-less pit of a film
GOD!!! What a stinker. The only way that I was able to stay put and sit through this overstuffed sausage of cinematic dimensions, was to keep making myself believe that I was watching a horror/slasher flick. Mel Gibbs force feeds us a diet of blood and gore and expects the audience NOT to gag. I watched this with a friend on a borrowed DVD and we both reacted similarly to it. I assume the theatrical experience must have been somewhat different, but this film was way too lauded by the religious crazies for me to sit in a room-full of them in a theater. Besides the blood and gore, I found the visuals to be somewhat satisfying and the sound was good and loud. The premise of the movie I won't bother to repeat because I think it has been re-hashed quite a few times on this site, and I think most people know how it ends anyway. I didn't feel any passion while watching any of this...only some mild repulsion and a vague feeling of ennui. I cannot believe that anyone would get teary eyed watching this thing...but then again some people have the most maudlin of tastes. I would only recommend this movie if I were to play a dirty trick on a bud, otherwise stay away from this Stink-Fest.
Moon Over Miami (1941)
This is one of the BEST WWII-era Musicals
This wonderful movie is filled with great songs and dance numbers featuring Betty Grable at her absolute best. She dances and sings beautifully...and after watching this movie (I've seen it at least 50 times) I can never stop singing "You Started Something". Both Don Ameche and Robert Cummings are also perfectly cast in their light romantic and debonair roles. As stand-outs though you can't compete with Charlotte Greenwood (who could lift her legs higher than anyone from her generation) and Jack Haley who's comic mugging for the camera never fails to make me laugh. The movies colors and gowns are everything you could want and then some of a great Hollywood Musical. The sets, too, are the stuff Hollywood Dreams are made of...the height of chic. I love watching this movie with Spring Time in the Rockies and Down Argentine Way for a full on Betty Grable Musical Film Fest.