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Reviews
The Last Kumite (2024)
Cheap and Disgraceful Bloodsport-Knockoff
Story: Karate champion Rivers (Mathis Landwehr) retires to avoid permanent injuries. Soon after, shady businessman Hall (Hues) offers him a huge prize to join a deadly Kumite tournament. Michael declines, but his daughter Bree (Kira Kortenbach) is kidnapped. To save her, Michael must enter the tournament.
The film is as shallow and superficial as the story, with nonsensical dialogues.
Fight scenes poorly choreographed, though Mike Möller's fights were a highlight.
Others actors were shoddy and sluggish.
This is not a B-Movie. A D-Movie. D for dreadful/disgraceful mess.
Next time, Clarkson should bring Til Schweiger, and throw in Steven Seagal to complete the disaster!
I give it 2 stars only because of Mike Möller and Michel Qissi.
Boy Meets World: Brave New World: Part 2 (2000)
Final Clipshow
"Boy Meets World" was celebrated for its endearing characters and ability to tackle important issues with humour. However, the mixed reception of Season 7 finale raises various opinions on its conclusion in my heart. This dumb clip-show was no fitting end. Nothing against a Clip-Show if it helps to wrap up the characters.
The dumbing down of Eric was initially embarrassing, but later became humorous. Cory's transformation into a whipped neurotic was sad. 'Jonathan Turner' was simply dropped, as was 'Minkus', likely due to the 90s not being ready to portray nerds as later seen in TBBT. And don't even get me started on the cringeworthy handling of Cory's sister and the new baby
Caution: Avoid seeking background information about the show, as it may lead to disappointment, particularly concerning the treatment and nicknaming of Trina McGee-Davis, along with subsequent concerning behaviours of some cast members.
Despite this, "Boy Meets World" remains a nostalgic and beloved series with a special place in my heart.
Abigail (2024)
A Slow Start That Never Quite Catches Fire
As a film enthusiast who fondly recalls the suspenseful surprise of the sneak preview "From Dusk Till Dawn (1996)," I entered the theatre for "Abigail" with high hopes, eager for another unexpected thrill ride. However, what ensued was a slow burn that failed to ignite into the gripping tale I had anticipated.
Much like "From Dusk Till Dawn," "Abigail" begins with a kidnapping, attempting to set the stage for an intense narrative. However, where the former succeeded in captivating its audience with a gradual build-up to explosive action, the latter faltered, leaving viewers waiting for a spark that never quite ignited.
The first 25 minutes of "Abigail" felt like an exercise in patience, with a predictable storyline unfolding at a glacial pace. While in hindsight, one might argue that these initial scenes serve to establish character motivations and lay the groundwork for what's to come, in the moment, they felt like unnecessary filler that left me yearning for the excitement promised by the film's premise.
Unlike my experience with "From Dusk Till Dawn," where the gradual escalation of tension kept me on the edge of my seat until the explosive climax, "Abigail" failed to hold my attention throughout its runtime. Even as the plot eventually picked up speed, it never managed to recapture the initial intrigue that drew me in. The character build-up is a farce.
In conclusion, while "Abigail" may appeal to audiences seeking a slow-burning thriller, those expecting a gripping tale filled with unexpected twists and turns may find themselves disappointed. Though it may not live up to the standard set by its predecessors, it still offers moments of intrigue for those patient enough to endure its sluggish start.
Shôgun: Crimson Sky (2024)
Gripping Moments that fall short again
The story takes a dramatic turn, with Mariko at the forefront of intense confrontations and emotional turmoil. The episode effectively builds tension and showcases Mariko's strength and resolve as she navigates perilous situations. However, while the plot is compelling and the performances commendable, there are moments where the pacing feels uneven, and certain developments may come across as overly predictable. Additionally, some viewers might find certain character decisions or plot twists somewhat contrived or melodramatic.
So there it is: Another Episode that delivers gripping moments but falls short of achieving its full potential due to occasional inconsistencies in writing.
Shôgun: The Abyss of Life (2024)
Disappointed Divergence
While I still can commend the acting performance for the most part and occasionally the direction, it's the writing that I hold accountable for my disappointment.
The deviations from the source material have blurred the heart of the story for me and failed to fully capture the emotional depth present in the book. It's regrettable to see potentially strong characters and storylines compromised by the decisions of the writers.
The deep diplomatic component is not further explored, leaving a significant aspect of the story unaddressed. Characters make a big entry, then blur into the meaningless shadow, losing their initial impact and depth.
Shôgun: Broken to the Fist (2024)
Strong scenes but strange story development
The scenes that depict the escalating tension between Toda Buntaro and Blackthorne/Miura Anjin are masterfully executed. I even took a brief pause because the intensity was so palpable-it was unsettling in the best way.
Straying from the clichéd portrayal of "uncivilized" societies adopting Western norms, a standout episode subtly contrasts individualism with collectivism. It showcases the beauty of diverging paths: one culture's endeavor to carve its way against the stream, another's wisdom in flowing with it.
Blackthorne's struggle with his (still) captors' complex traditions highlights his "wildnes"/shortsight, impacting not just him but others around him.
The narrative arc not only challenges perspectives but also maintains a gripping tension.
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In contrast: Story development is poor. Why the tension with Buntaro? Just because he does not like Anjin? The gardener has some sentences, no connection built. Also no connection: Appearance of the young "Taikos" mother, which is suddenly a big thing. The spy solution was clever though.
A Bronx Tale (1993)
Classic Gem
Undoubtedly, 'A Bronx Tale' stands as a classic gem in cinema.
Its poignant narrative, based on Palminteri's personal experiences, resonates deeply.
Robert De Niro's directorial debut captures the essence of a young Italian boy navigating the streets of Little Italy in the late '60s.
While the film's portrayal of mafia and coming-of-age themes is compelling, it falls short in some performances and handling of clichés. Nevertheless, it remains a timeless masterpiece worth experiencing."
The events, this film is based on, offer a compelling narrative suitable for young adults. Despite its mature themes, the film's storytelling is engaging and heartfelt.
Final Scene with Joe Pesci as Carmine give me goosebumps every time.
Devil's Men (2023)
Do not waste your time
I do not blame the director-role of Dave Bresnahan. Good job taking that seat.
But I guess there was no money to dig deeper and doctor the script?
Result of this:
Protagonist questions the sense of killing. I question my nausea while watching and why I don't just turn off a film instead of hoping something more will come.
No good action, no spark that ignites, nothing special about the devils.
Also, I have an FMJ déjà vu: First training, then combat deployment. The story remains boring, and the music is too heroic and loud. Also, later on, the characters remain dull and tedious.
I am too disappointed to research "Hollywood vs Fiction" and the real story behind it. Also it's a remake?
Shôgun (2024)
Good with two distractions
Good remake. Solid acting in the first two episodes. The vibe/atmosphere is close to the 1980 series. Maybe a bit toooooo dark. Listen: This is no suspense thriller or horror flick.
The story is not as deep as I remember the book but good enough. If you want to dig deeper - enjoy the read.
More Downsides:
Stupid blue contact lenses of Cosmo Jarvis and the extensive wide angle fish with bent doorframes, trees, et cetera pull me out of the experience.
I also ask myself what made them choose van Tulleken for the first two episodes. I wished they had chosen someone who understands their craft better.
Character development takes some shortcuts - especially for Blackthorn. Also, the relations of characters are not explained well.
Griselda (2024)
Sofía Vergara Shines, but "Griselda" Falls Short
Sofía Vergara's performance is undoubtedly a pleasant surprise. Her portrayal is showcasing her versatility as an actress. However, the overall viewing experience is marred by a disappointing lack of distinction between fact and fiction.
The series adheres to a standard story arc, a predictable narrative that fails to explore the psychological aspects of Griselda's character, particularly her upbringing. This omission is a missed opportunity to delve into the roots of her complex personality and the events that shaped her into the notorious figure she became.
For those seeking a more authentic portrayal of Griselda Blanco's life, the series falls short. It caters to an audience that may not be concerned with the accuracy of events, opting instead for a dramatized version of the story.
The Rookie: Greenlight (2019)
Unrealistic
I love the show but the unit with police captain and greenlight rookie is responding to a call and time passes until it is dark with no one at dispatch wondering why they did not report in? Come on! Be realistic
In this Situation no sitrep within 15 min gehts the SWAT Team to the unit.
In an previous episode Officer Bradford statet that to the gang members: "I am never alone!" - and now the rookie and the captain are left alone after accepting a call?