8.5 average user ratings on 37 votes? I Wish people would stop voting based on director's prestige. "I Wish" is a bland mainstream movie that would've been unnoticed without the marketing power of Koreeda Hirokazu and its A-list actors as the supporting cast.
"I Wish", Japanese title "Kiseki (Miracle)", is sort of a road movie about a bunch of kids going to see the new Kyuushuu Bullet Trains crossing. Majority of the film follows the lives of the two brothers: One in Kagoshima; the other in Fukuoka. They reunite after their parents broke up 6 months ago. One day, the older brother Kouki hears the urban legend that witnesses of the new bullet trains crossing will have their wishes granted, much like seeing shooting stars. The brothers and their friends begin collecting money for the trip to have their wishes granted.
I did like how the bullet trains connecting to the Southwestern Japan marks a new era in the region. Perhaps that is the reason kids, the next generation, were the main focus of the story. It was also interesting that Tower of the Sun, the symbol of Osaka Expo '70, was torn down in Kouki's dream to further signify coming of a new era.
However, over three-quarters of the film was about getting ready for the trip, and the ending seemed very rushed despite the movie spending so much time with the plot getting nowhere. While "process is more important than result" is a common theme in Japanese films and certainly present in this film, the actual process (the trip to the destination) was cut too short as a series of convenient events, and the preparation stage was simply introduction of each kids and their problems in the most obvious ways imaginable. Furthermore, "I Wish" completely fails to build up for the climax (didn't have a climax?), making it an extremely bland movie... and this is NOT because it's one of those subtlety Japanese film in any way. "Koko ni Irukoto" (2001) is a subtle film, "Tennen Kokekko" (2007) is a subtle film, yet both of them (and many other Japanese films of its type) managed to be far more heartwarming than this generic road movie.
The leading actors, dubbed "MaedaMaeda" by the marketing team for being real brothers with the last name "Maeda" (also happens to be homophone with "forward" in Japanese), delivered very underwhelming performances. In fact, none of the child actors' acting can be truly called "acting". While this kind of performance works for the documentary style of Koreeda, it is a total disaster for a movie with such tightly written script, also making it feel extremely uneven with the supporting adult actors.
"I Wish" has THE biggest waste of acting talent I have ever seen. Odagiri Joe had about 10-minute screen time. Abe Hiroshi, Nagasawa Masami, and Natsukawa Yui... all of whom capable of leading in their own films, in addition to many veteran supporting actors, were reduced to cameo-like 3-minute appearances in this movie. Nagasawa Masami in particular was not even recognizable. With exception of Ootsuka Nene, none of the cast had to be the big-names since they had nothing to work with. They were there solely for marketing purposes.
Unlike Miike Takashi who also sold out to the mainstream in last year's TIFF participant "13 Assassins" (2010), Koreeda Hirokazu failed to create something extraordinary for the general audience and failed to draw out the best out of his talented cast. This film had nothing that hundreds of other Japanese directors couldn't have made.
"I Wish" is an average quality Japanese film made to glorify the new Kyuushuu Bullet Train and PR for the local businesses. Like in the movie, miracle didn't happen here.
"I Wish", Japanese title "Kiseki (Miracle)", is sort of a road movie about a bunch of kids going to see the new Kyuushuu Bullet Trains crossing. Majority of the film follows the lives of the two brothers: One in Kagoshima; the other in Fukuoka. They reunite after their parents broke up 6 months ago. One day, the older brother Kouki hears the urban legend that witnesses of the new bullet trains crossing will have their wishes granted, much like seeing shooting stars. The brothers and their friends begin collecting money for the trip to have their wishes granted.
I did like how the bullet trains connecting to the Southwestern Japan marks a new era in the region. Perhaps that is the reason kids, the next generation, were the main focus of the story. It was also interesting that Tower of the Sun, the symbol of Osaka Expo '70, was torn down in Kouki's dream to further signify coming of a new era.
However, over three-quarters of the film was about getting ready for the trip, and the ending seemed very rushed despite the movie spending so much time with the plot getting nowhere. While "process is more important than result" is a common theme in Japanese films and certainly present in this film, the actual process (the trip to the destination) was cut too short as a series of convenient events, and the preparation stage was simply introduction of each kids and their problems in the most obvious ways imaginable. Furthermore, "I Wish" completely fails to build up for the climax (didn't have a climax?), making it an extremely bland movie... and this is NOT because it's one of those subtlety Japanese film in any way. "Koko ni Irukoto" (2001) is a subtle film, "Tennen Kokekko" (2007) is a subtle film, yet both of them (and many other Japanese films of its type) managed to be far more heartwarming than this generic road movie.
The leading actors, dubbed "MaedaMaeda" by the marketing team for being real brothers with the last name "Maeda" (also happens to be homophone with "forward" in Japanese), delivered very underwhelming performances. In fact, none of the child actors' acting can be truly called "acting". While this kind of performance works for the documentary style of Koreeda, it is a total disaster for a movie with such tightly written script, also making it feel extremely uneven with the supporting adult actors.
"I Wish" has THE biggest waste of acting talent I have ever seen. Odagiri Joe had about 10-minute screen time. Abe Hiroshi, Nagasawa Masami, and Natsukawa Yui... all of whom capable of leading in their own films, in addition to many veteran supporting actors, were reduced to cameo-like 3-minute appearances in this movie. Nagasawa Masami in particular was not even recognizable. With exception of Ootsuka Nene, none of the cast had to be the big-names since they had nothing to work with. They were there solely for marketing purposes.
Unlike Miike Takashi who also sold out to the mainstream in last year's TIFF participant "13 Assassins" (2010), Koreeda Hirokazu failed to create something extraordinary for the general audience and failed to draw out the best out of his talented cast. This film had nothing that hundreds of other Japanese directors couldn't have made.
"I Wish" is an average quality Japanese film made to glorify the new Kyuushuu Bullet Train and PR for the local businesses. Like in the movie, miracle didn't happen here.
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