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Bombshell (2019)
It is sad that sexual harrasment of women doesn´t make a better film
The title of this review says it all.
The star female cast: Theron, Robbie and Kidman do a great job - but the film as just is not strong enough - which is a same for the importance of the topic.
And this is from a male perspective!
The Death of Stalin (2017)
Should we do a Holocaust comedy next?
...or should we skip it?
Millions died under Stalins regime, without cause - under falsified accusations. These people, as well as the victims of Holocaust, deserve respect to their horrific fate - making comedy of it is complete lack of good taste.
Don´t get me wrong, laughing to Nazis, Communists, Americans can be done - but in exact historical context (with exact names); it kind tries to erase the (horrifying) truth of events and make the persons something what they were not.
Or would somebody really laugh at Holocaust? Laugh at innocent people being executed? It isn´t really funny isn´t it (as it is true, not fiction)?
There are some funny moments in the film - but as such a terrible piece of "work".
Dangal (2016)
Come On
Yes, Indian films are a breed of their own, but ranking the film as high as top 250 all time - better than Vertigo for instance - is pure ridicule.
The drama follows the Rocky saga, after difficulties a winner emerges. There is nothing new to the genre, there is nothing surprising and it is all so predictable from the very beginning. The acting is usual childish Indian - good, but yet the storyline is so thin...
...there a honestly better Indian films (like Wednesday or 3 idiots) where the story line is more unique - and includes better music with the ever beloved Indian dance scenes.
I wish IMDb would introduce a regional voting - keeping these films out of Top 250.
Stalker (1979)
Short Explanation (view)
Everyone of us have dreams, colorfull pictures away from where we are. We often assume that reaching our dreams will give us eternall happiness.
When we try to reach our dreams - room in a dreamy colorfull zone - we are accompanied by reality (professor) and our ability to narrate/describe (author). The closer we get, the more we are ourselves haunted by our doubt that realizing our dream will turn things better (dog). No one of course understand what we are trying to narrate and our mind tells to blow up the dream - as a dream is a fairytale, not reality.
When we are close fulfilling our dream, neither the professor or author or the dreamer in us wants to enter - as it would destroy the dream we search for. With our dogs we return to where we started, though still having faith (supernational abilities).
The film itself is difficult to interpret and rich of anecdotes. My interpretation as such is not any better than yours - I hope though for those totally lost will find with this some clues what the film can be interpreted to have. Best of Luck of finding your view on it.