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Hook, Line and Sinker (II) (2011)
10/10
Better than IMDb's current 4.7 user rating.
1 June 2013
Currently, this film has a score under 5. That's the kind of rating which would turn me off trying it, and I think it deserves better than that.

This is a well-observed working class drama with fine performances across the board. There aren't many films treating this kind of subject matter and this one doesn't shy away from making some unconventional story choices. Not perfect, but I saw it about two years ago and it has somehow stuck in my mind

Probably suits an older audience but certainly not the stinker the IMDb user rating suggests. The New Zealand Herald gave it 3.5/5, and that seems fairer. There are no links to external reviews here but you can find a few if you care to look, and they will do more justice than my limited powers of description.

I've scored it the maximum just to lift the average a little.
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Failan (2001)
10/10
A beautiful film
30 December 2002
This film was totally unexpected. I recognized Min-sik Choi from "Shiri" when he appeared on the screen but this is no action blockbuster. Instead we get a film about a loser who comes to understand what he has lost in his life. Sounds dull? If I'd read that description, I'm not sure I would have bothered to watch it so I can only recommend you jump in feet first. The structure of the film is wonderful at giving our hearts the feeling of a love story when our heads know that it isn't possible. I found this film on a cheap VCD and, as far as I know, that seems to be the only way to get to see it in England. Even though this film is based on a story by a well-known Japanese novelist, I don't think it has even been released in Japan so word of mouth looks like the only way this will find an audience. If you can't find it, I'll lend you my copy!
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6/10
A good team effort from Mitani's players but a minor work
24 July 2002
Koki Mitani directed "Rajio no Jikan" which had success internationally under the title "Goodbye Mr MacDonald". Minna no Ie ("Everybody's House") has a similar character but is a much more personal film and unlikely to have the same wider appeal.

This is a comedy and Mitani has come up trumps again with his actors. Where this film falls short of previous efforts is the pace and structure of the script. The situation this time is a well-to-do middle class couple building their family home. The wife wants modernity and looks to hire a young interior designer with a growing reputation. Unfortunately, he does not have the licences to handle the project in total so the wife's father, a contractor of the old school, is brought in to complete the team.

There are good jokes as new Japan meets old Japan and the couple find themselves making more and more compromises to see the project through. This idea resembles the structure of "Rajio no Jikan" where the original idea of the housewife's play is also pulled apart by characters stretching their egos and forcing unhappy compromises.

However, whereas the time constraint of a live radio broadcast in the earlier film forced on the spot decisions with ludicrous and immediate consequences, the building of the house is over a longer period. Mitani attempts to create a sense of urgency by stipulating that the house has to be built by a certain date but this seems artificial and so this film lacks the tension that made the first such a popular success. He includes some trademark tracking shots but they don't seem to add to the film particularly, although they are certainly very skillfully executed.

The film is still funny but is also more sentimental. This is no bad thing and the acting carries off these scenes for the most part. Just to draw the connection with the earlier film himself, the director gets Kyoko Toda to reprise her role as the veteran actress in a fleeting cameo where she talks with her manager in a bar. While I was enjoying the film, this did make me think that Mitani had taken a step back with this film when he could have gone forward.

I saw this film on the double DVD package which has been released in Japan, unfortunately at the high price of 6000 yen. The DVD has English subtitles so this may yet make its way out of Japan in a cheaper format. The special features disc shows Mitani in a very good light. He gets Mark Schilling, a well-known writer and critic of Japanese films, to interview him in English and he plays for laughs while still managing to talk sensibly about the film. He even gets his four main actors in on the joke as they also speak in English (and one in French) about the film (subtitled in Japanese for the Japanese audience). This is a good spoof of a "Making" documentary and a joke about Mitani's own "international" reputation.

This film was a success in Japan and touched a wide audience. It might seem a little harsh to score this film only 6 but I was hoping for more. A similar situation faced Juzo Itami, who never managed to match the international success of "Tampopo" but "Mimbo no Onna", known as "A Taxing Woman" in the West, was an excellent film nevertheless which only missed the same success because the international audience was not so familiar with the situation. "Miina no Ie" seems to see Mitani settling back into a comfortable chair when he clearly has the skills to do more. He jokes on the DVD about how he sees himself in rivalry with Miyazaki's Studio Ghibli but few would see "Spirited Away" as a step backwards from "Princess Mononoke" so we will look to Mitani's next project to deliver on this promise.
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10/10
Best portrayal on screen of 1990's Tokyo. Great acting.
22 May 2002
This film is five years old now and it still stands up. The story puts us straight into the world of schoolgirl life in Japan in the middle 90's and it is a convincing portrayal. You don't need any previous knowledge of Yakuza, the problem of teenage prostitution or Japan's sex industry to enjoy this film because the story tells you what you need to know and does so without getting bogged down in exposition. In the hands of another director, this could surely have been a voyeuristic film but Harada is more interested in illustrating the motivations of all the characters and has brought out some great performances. Hitomi Sato, in particular, is outstanding as Junko

At times, this film feels very authentic- the girls talking 100 miles an hour at a coffee shop and the scouts working the streets of Shibuya - but many of the scenes are more stylized set-ups which helps the film take aim on a wider range of targets. So we see a war criminal, a political rebel turned mobster, violence in the shape of an ordinary man and glimpses of political corruption, With these, we understand a bit more of the world that these girls are growing into, the world which shaped them.

This film gives a view of Japan which is rarely given serious treatment and is definitely recommended to anyone hoping to get more understanding of the country. For film lovers, its a chance to enjoy some great acting and a talented director getting into his stride.
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