If you're looking for a standard plot line or narrative, or a biopic of Allen Ginsberg, HOWL is definitely not for you. Written and directed by Oscar-winning documentary filmmakers Rob Epstein and Jeffrey Friedman, HOWL is a thought-provoking narrative film that explores the impact of Allen Ginsberg's legendary work of poetry on American culture. Instead of a standard beginning-middle-end storyline, Epstein and Friedman embrace the idiosyncratic rhythm and imagery of Ginsberg's poem, and instead weave together a hypnotic film out of several different storytelling threads.
The music threaded throughout the film is gorgeous free form jazz, and it's entirely appropriate, as the film feels like an improvisational jazz piece. Instead of individual instruments, we get those disparate storytelling threads. They include a masterful recitation of Ginsberg's poem by actor James Franco; a mesmerizing visualization of Ginsberg's words through animation inspired by Ginsberg's own drawings; Franco's recreation of an actual audio interview from Ginsberg that clues us into Ginsberg's back story and literary motivations; and compelling drama from the obscenity trial that publisher Lawrence Ferlinghetti faced when he released HOWL in America. Some might be thrown off by the veering ways in which all of these threads weave in and out of each other, but I found it fascinating and riveting. A friend I saw the film with said I was so focused on the movie, she thought I was reading it right off the screen. I appreciate Epstein and Friedman for giving me such a compelling movie-going experience.
The music threaded throughout the film is gorgeous free form jazz, and it's entirely appropriate, as the film feels like an improvisational jazz piece. Instead of individual instruments, we get those disparate storytelling threads. They include a masterful recitation of Ginsberg's poem by actor James Franco; a mesmerizing visualization of Ginsberg's words through animation inspired by Ginsberg's own drawings; Franco's recreation of an actual audio interview from Ginsberg that clues us into Ginsberg's back story and literary motivations; and compelling drama from the obscenity trial that publisher Lawrence Ferlinghetti faced when he released HOWL in America. Some might be thrown off by the veering ways in which all of these threads weave in and out of each other, but I found it fascinating and riveting. A friend I saw the film with said I was so focused on the movie, she thought I was reading it right off the screen. I appreciate Epstein and Friedman for giving me such a compelling movie-going experience.
Tell Your Friends