We doubt all the goodness and refuse to recognize the cruelty of reality.
Therefore, people with faith and tigers are easier to be happy than us.
Frankly speaking, until PI started telling the second story, my movie watching mood has been declining. If I have any dissatisfaction with the whole movie, it is the popular story "The Adventure of Me and Tiger at Sea", which is somewhat loose and Insignificant, highly respected 3D impact, the effect is fully within expectations. After watching the full movie, I have been wondering how if Quentin came to shoot this story, how would I shoot the escape from the sea, I am afraid there will be more flying paragraphs such as whipping tigers and fishing with tigers. However, since in addition to the function of pleasing ordinary viewers, the more tasks of Maritime Adventures are to show the director's aesthetic pursuit, it can only be lamented that Li An's dream is too restrained, too clever, and full of Eastern style of tranquility.
When PI slowly tells the story of the second kitchen version of the sea escape, it seems to me that it is a bit of a nightmare awakened from a deep sleep. At this time, you only find the foreshadowing before, all Not idle writing. Wang Baijie, who eats gravy, Depatillo, who does not respect faith, and the godly and tolerant PI mother, come into the seat one after another with the zebra and the orangutan after boarding the ship. The cruelest cruelty is that you rely on your imagination to regroup one by one and restore it to yourself. This is much smarter than the way some movies cry and spit blood on dogs.
In addition to the simplest character correspondence restoration, looking back carefully, "PI" is really careful in the text. For example, before the lifeboat fell to the sea, Wang Baijie shouted: "Zebra, zebra", in fact, he is the zebra. There is also a sentence that asked the orangutan, "Your child?" For example, that cannibal island, "exactly" is the shape of a person. Another example is when introducing the three kinds of Hindu Buddha, when talking about the three-faced Buddha flowing on the river, everything in the world is just his dream. There is really no better explanation of how PI built the first story. Everyone is his own god, you can't dominate the present, but you dominate the memory of the past and the fantasy of the future.
When both stories are in front of you, it is time to choose to come.
The Japanese refused to believe in the dreams of fairy tales, but they were even more reluctant to believe in the cruelty of reality, and after hesitating for a while, the reporter chose the first dream story, "You Follow God", PI's answer gave a The answer is ambiguous and clear.
I chose the second story without hesitation.
The Bengal Tiger in the first story, an easy interpretation is the other side of PI itself, but it is probably too sloppy to explain it with animal nature. PI's father gave an explanation-and you don't have feelings, and you learn from his I can only see my reflection in my eyes. So the Drift on the Sea tells the story of multi-religious believers and vegetarians-PI getting along with themselves. PI has experienced the process of fear, symbiosis, domestication, and dependence on tigers. This process is also about the balance between human nature and reason. In the end, the tiger's head didn't go back to the jungle-"Life just keeps laying down, but sadly, I haven't had time to say goodbye to you."-When people walk into the social jungle, why not forget it Looking back?
I am curious, what is Li An's choice?
As far as I understand it, I think tiger is the embodiment of fear. This fear comes from the awe of nature, the challenge of survival, and the inner loneliness that results from it. These fears of human beings may be enduring and desperate. The choice of adult PI is probably Li An's choice-experience him, face him, accept him.
The middle part of the film is all alone, but at the beginning and end of the film, PI has two things to accompany in his life-family and religion. Family and religion are the best ways for people to escape fear. Religion provides a conjecture to explain the world. For individuals, he is always a comfort for us to face the unknown. The family makes us feel responsible, connected, and contributing to this world, which proves the value of our existence. These two aspects gave us the courage to face ourselves in terms of being born and joining the world.
When you understand that life and ego are not used for victory, but for getting along, you will understand that although some things are not reasonable, you must believe that some things are not strong, but you must rely on them. This is not the choice in Ang Lee's movies. This is probably the first choice in Li An's life in the world.
Frankly speaking, until PI started telling the second story, my movie watching mood has been declining. If I have any dissatisfaction with the whole movie, it is the popular story "The Adventure of Me and Tiger at Sea", which is somewhat loose and Insignificant, highly respected 3D impact, the effect is fully within expectations. After watching the full movie, I have been wondering how if Quentin came to shoot this story, how would I shoot the escape from the sea, I am afraid there will be more flying paragraphs such as whipping tigers and fishing with tigers. However, since in addition to the function of pleasing ordinary viewers, the more tasks of Maritime Adventures are to show the director's aesthetic pursuit, it can only be lamented that Li An's dream is too restrained, too clever, and full of Eastern style of tranquility.
When PI slowly tells the story of the second kitchen version of the sea escape, it seems to me that it is a bit of a nightmare awakened from a deep sleep. At this time, you only find the foreshadowing before, all Not idle writing. Wang Baijie, who eats gravy, Depatillo, who does not respect faith, and the godly and tolerant PI mother, come into the seat one after another with the zebra and the orangutan after boarding the ship. The cruelest cruelty is that you rely on your imagination to regroup one by one and restore it to yourself. This is much smarter than the way some movies cry and spit blood on dogs.
In addition to the simplest character correspondence restoration, looking back carefully, "PI" is really careful in the text. For example, before the lifeboat fell to the sea, Wang Baijie shouted: "Zebra, zebra", in fact, he is the zebra. There is also a sentence that asked the orangutan, "Your child?" For example, that cannibal island, "exactly" is the shape of a person. Another example is when introducing the three kinds of Hindu Buddha, when talking about the three-faced Buddha flowing on the river, everything in the world is just his dream. There is really no better explanation of how PI built the first story. Everyone is his own god, you can't dominate the present, but you dominate the memory of the past and the fantasy of the future.
When both stories are in front of you, it is time to choose to come.
The Japanese refused to believe in the dreams of fairy tales, but they were even more reluctant to believe in the cruelty of reality, and after hesitating for a while, the reporter chose the first dream story, "You Follow God", PI's answer gave a The answer is ambiguous and clear.
I chose the second story without hesitation.
The Bengal Tiger in the first story, an easy interpretation is the other side of PI itself, but it is probably too sloppy to explain it with animal nature. PI's father gave an explanation-and you don't have feelings, and you learn from his I can only see my reflection in my eyes. So the Drift on the Sea tells the story of multi-religious believers and vegetarians-PI getting along with themselves. PI has experienced the process of fear, symbiosis, domestication, and dependence on tigers. This process is also about the balance between human nature and reason. In the end, the tiger's head didn't go back to the jungle-"Life just keeps laying down, but sadly, I haven't had time to say goodbye to you."-When people walk into the social jungle, why not forget it Looking back?
I am curious, what is Li An's choice?
As far as I understand it, I think tiger is the embodiment of fear. This fear comes from the awe of nature, the challenge of survival, and the inner loneliness that results from it. These fears of human beings may be enduring and desperate. The choice of adult PI is probably Li An's choice-experience him, face him, accept him.
The middle part of the film is all alone, but at the beginning and end of the film, PI has two things to accompany in his life-family and religion. Family and religion are the best ways for people to escape fear. Religion provides a conjecture to explain the world. For individuals, he is always a comfort for us to face the unknown. The family makes us feel responsible, connected, and contributing to this world, which proves the value of our existence. These two aspects gave us the courage to face ourselves in terms of being born and joining the world.
When you understand that life and ego are not used for victory, but for getting along, you will understand that although some things are not reasonable, you must believe that some things are not strong, but you must rely on them. This is not the choice in Ang Lee's movies. This is probably the first choice in Li An's life in the world.
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