Rambo: First Blood Part II; Directed by: George P. Cosmatos; Starring: Sylvester Stallone, Richard Crenna, Charles Napier, Steven Berkoff et al.
This is the kind of film I watch when I want a straightforward action film: one invincible hero and a lot of very bad 'bad guys' who are just waiting to get killed. Sylvester Stallone is John Rambo, our invincible hero who wants his country to love him and calls war his home. But let's forget Stallone's serious intentions with this film for a while and just focus on the incredible fun this film delivers in the action department. If you want action, you need villains, and the film offers some good ones. There are a great many Vietnamese soldiers, but let's not forget the number one enemy: the Communists. In short: "Rambo: First Blood Part II" delivers a lot of action, a lot of laughs and somewhere amongst the dead bodies lies its message. Before I go into a more detailed analysis, let me sketch you the film's story.
The film opens in an American labor camp, located somewhere on the globe, where Rambo is working out the sentence he got after the first film. Colonel Trautman (Crenna) can get him out if he goes back to Vietnam to find some P.O.W.'s. He agrees to do so, naturally, but when he' on his way to the camp the American government once again lets him down, betrays him and thus leaving him on his own amongst the evil forces. He's captured by the Vietnamese, who are aided by Russian colonel Podovsky (Berkoff, who previously acted as the villain in "Octopussy" and "Beverly Hills Cop"), who is very, very evil. After being electrocuted as a means of torture by a big Russian bad guy, Rambo escapes with the aid of his female ally Co (Julia Nickson), who happens to be in love with him. Incredible enough the story has room for a romantic scene between the two of them. She seems to be the only one who thinks Rambo isn't expandable, except colonel Trautman, Rambo's faithful commander. Murdock (Napier), the American in charge of the operation and responsible for betraying him, is now Rambo's primary target, but first Rambo has to deal with an entire camp of Vietnamese soldiers and a Russian attack force. Rambo naturally has no trouble at all killing every single one of them, be it with bullets, arrows, explosive arrows, knifes, or his muscular body. He also manages to save the P.O.W.'s along the way: mission accomplished. Murdock isn't very happy with this, since there are no more obstacles between him and Rambo's revenge, but luckily Rambo isn't the worst guy to be around with.
This very sophisticated story is filmed competently by George P. Cosmatos, who handles large action set pieces while also providing some nice scenery shots. What really makes this film so much fun to watch is something else though. This film wouldn't be the 80's action 'masterpiece' it is without Jerry Goldsmith's magnificent score. His synthesizers never sounded this cool and he wields his orchestra with so much thrust that the score seems to drive the action and the visuals, instead of the other way round. Goldsmith understood the incredible cheesiness of the film and scored it accordingly, with a deliciously over the top action score. Its incredibly heroic theme makes the action seem like a ballet and the 'tender' scenes between Rambo and his female companion are scored gorgeously dramatic. Dominating all of this are Goldsmith's ferocious synthesizers, with a dominating sort of chainsaw sound, which is just too cool for words. This is truly a masterpiece amongst action scores and perhaps the most energetic score ever. Without its score the film would be utterly pathetic, with it, it almost becomes a great film. Almost for even a great score can't save a fundamentally bad film. As I see it the key to enjoying this film lies with your intentions towards it. If you watch this film with the intention of having a fun time, enjoying the indestructibility of John Rambo and the ease with which he kills off dozens of bad guys, you'll be thoroughly entertained. Ironically though, Stallone thought this film was a very serious endeavor and that Rambo was a very serious acting job. I wouldn't be surprised if he believed he could get an Oscar for it. If you watch the film like Stallone intended, you'll see this film for the failed attempt at serious filmmaking it is. There is a message, but it lies somewhere between the dead bodies on the battlefield, as a casualty of war. That is, it could be that the film's message is one that's close to your heart (which it isn't to mine), but it is still out of place in this film. It remains a failure in many parts, but what it does bring is tremendous fun, hence my positive rating of 6 / 10 for this film.
This is the kind of film I watch when I want a straightforward action film: one invincible hero and a lot of very bad 'bad guys' who are just waiting to get killed. Sylvester Stallone is John Rambo, our invincible hero who wants his country to love him and calls war his home. But let's forget Stallone's serious intentions with this film for a while and just focus on the incredible fun this film delivers in the action department. If you want action, you need villains, and the film offers some good ones. There are a great many Vietnamese soldiers, but let's not forget the number one enemy: the Communists. In short: "Rambo: First Blood Part II" delivers a lot of action, a lot of laughs and somewhere amongst the dead bodies lies its message. Before I go into a more detailed analysis, let me sketch you the film's story.
The film opens in an American labor camp, located somewhere on the globe, where Rambo is working out the sentence he got after the first film. Colonel Trautman (Crenna) can get him out if he goes back to Vietnam to find some P.O.W.'s. He agrees to do so, naturally, but when he' on his way to the camp the American government once again lets him down, betrays him and thus leaving him on his own amongst the evil forces. He's captured by the Vietnamese, who are aided by Russian colonel Podovsky (Berkoff, who previously acted as the villain in "Octopussy" and "Beverly Hills Cop"), who is very, very evil. After being electrocuted as a means of torture by a big Russian bad guy, Rambo escapes with the aid of his female ally Co (Julia Nickson), who happens to be in love with him. Incredible enough the story has room for a romantic scene between the two of them. She seems to be the only one who thinks Rambo isn't expandable, except colonel Trautman, Rambo's faithful commander. Murdock (Napier), the American in charge of the operation and responsible for betraying him, is now Rambo's primary target, but first Rambo has to deal with an entire camp of Vietnamese soldiers and a Russian attack force. Rambo naturally has no trouble at all killing every single one of them, be it with bullets, arrows, explosive arrows, knifes, or his muscular body. He also manages to save the P.O.W.'s along the way: mission accomplished. Murdock isn't very happy with this, since there are no more obstacles between him and Rambo's revenge, but luckily Rambo isn't the worst guy to be around with.
This very sophisticated story is filmed competently by George P. Cosmatos, who handles large action set pieces while also providing some nice scenery shots. What really makes this film so much fun to watch is something else though. This film wouldn't be the 80's action 'masterpiece' it is without Jerry Goldsmith's magnificent score. His synthesizers never sounded this cool and he wields his orchestra with so much thrust that the score seems to drive the action and the visuals, instead of the other way round. Goldsmith understood the incredible cheesiness of the film and scored it accordingly, with a deliciously over the top action score. Its incredibly heroic theme makes the action seem like a ballet and the 'tender' scenes between Rambo and his female companion are scored gorgeously dramatic. Dominating all of this are Goldsmith's ferocious synthesizers, with a dominating sort of chainsaw sound, which is just too cool for words. This is truly a masterpiece amongst action scores and perhaps the most energetic score ever. Without its score the film would be utterly pathetic, with it, it almost becomes a great film. Almost for even a great score can't save a fundamentally bad film. As I see it the key to enjoying this film lies with your intentions towards it. If you watch this film with the intention of having a fun time, enjoying the indestructibility of John Rambo and the ease with which he kills off dozens of bad guys, you'll be thoroughly entertained. Ironically though, Stallone thought this film was a very serious endeavor and that Rambo was a very serious acting job. I wouldn't be surprised if he believed he could get an Oscar for it. If you watch the film like Stallone intended, you'll see this film for the failed attempt at serious filmmaking it is. There is a message, but it lies somewhere between the dead bodies on the battlefield, as a casualty of war. That is, it could be that the film's message is one that's close to your heart (which it isn't to mine), but it is still out of place in this film. It remains a failure in many parts, but what it does bring is tremendous fun, hence my positive rating of 6 / 10 for this film.
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